Keresés

Részletes keresés

Cs. András Creative Commons License 2004.07.13 0 0 164
Csak gondoltam, hogy vicces abban az új (? - Someone to Call My Lover) Janet számban az az Eric Satie loop. Kellene már egy Satie lemez.
judelaw Creative Commons License 2004.06.13 0 0 163
www.dotmusic.com

Janet Jackson - 'All Nite (Don't Stop)'

Speaking as someone who was in India when Nipplegate "happened", LAUNCH finds it very difficult to muster up any strong feelings either pro or anti Janet Jackson. So she thought she'd give her profile a leg up by letting a little flesh slip into view? So what? Is that any more outrageous or even remarkable than Christina Aguilera getting Drrrty, Madonna snogging whoever's in the charts this week, or anything involving Kylie's arse. It hardly rocked the subcontinent, as you can imagine.

Jackson plays up the whole sorry furore with this tune packed full of sleazy sighs, sultry groans and more soft porn sound affects than an episode of Hollyoaks. It starts off with the phrase "this is sick" and lumbers onto "I'm so intoxicated, I'm so stimulated, I feel so x rated" in a shameless attempt to rip off "Toxic" without anyone noticing. It should all work, but, alas, it's about as effective as, say, getting your chest out during a sporting event.

And they say Americans don't understand the concept of irony.

4/10

judelaw Creative Commons License 2004.06.12 0 0 162

1.All Nite (Don't Stop)
2.I Want You
3.Put Your Hands On
4.All Nite (Don't Stop) (Kleinenberg's Radio Mix)
5.I Want You (Ray Roc Radio Mix)
6.All Nite (Don't Stop) (Video)
7.I Want You (Video).


All Nite (Don't Stop)
1-So So Def Main Mix featuring Elephant Man,
2-Album Version,
3-Rmx Instrumental,
4-Rmx Acapella featuring Elephant Man
R&B Junkie
5-Album Version
6-Instrumental


1. All Nite (Don't Stop) - Sander Kleinenberg "Everybody Club Remix" 8:40
2. All Nite (Don't Stop - Sander Kleinenberg Dub 8:40
3. All Nite (Don't Stop) - Low End Specialist "Main Mix" 8:42
4. All Nite (Don't Stop - Low End Specialist "Dub" 8:42


1- All Nite (Don't Stop)- radio edit 3.26

valleyboy Creative Commons License 2004.06.01 0 0 161
a fotózásban az a szép, hogy nincs olyan ronda nő akiről ne lehetne jó képet csinálni
judelaw Creative Commons License 2004.05.31 0 0 160
SANDER KLEINENBERG CLUB MIX
LOW END SPECIALISTS MAIN MIX

megvan e ket remix radio edit-je

mind2 tok bulizos, a Low end kevesbe techno, jobban beleillik a hazai radiok profiljaba

mar ha egyaltalan akarnak Janet-et jatszani...

Előzmény: judelaw (158)
judelaw Creative Commons License 2004.05.27 0 0 159
Get Ur Freak On
05/20/2004
By Billy Johnson Jr

When Janet Jackson is interviewed on television, her sweet and innocent disposition makes an impression. She's soft-spoken, polite, and even shy. But she's hardly bashful when it comes to expressing her views about sex--just listen to any of her post-Control albums or attend one of her sexually charged concerts.

On her latest album, Damita Jo, Janet's devoted two entire songs to the subject of oral sex: "Warmth" is about a woman pleasing a man, and "Moist" is its sister track for the ladies. Only radio stations wanting heavy FCC fines would dare broadcast either of these instructional cuts, which appear on the album sequenced back-to-back.

While singing so openly about such personal topics is nothing new for Janet, her insistence to push the envelope, content-wise, is intriguing, especially in light of her nipple-baring Super Bowl "wardrobe malfunction." Following that controversy, she told Dianne Sawyer that she had been advised to remove some of the more risqué songs from Damita Jo, but Janet resisted, explaining that she was unwilling to tone down her image or lyrics.

When LAUNCH's Billy Johnson Jr. recently sat down to interview Janet in a conference room in a swank Beverly Hills hotel at 8 p.m. on a Saturday night, he figured, what better time to find out what has motivated Michael Jackson's little sister to make such freaky records?

Ironically, Janet was more comfortable talking about sex than she was discussing why she doesn't cook for her boyfriend, producer Jermaine Dupri. But sex wasn't the only topic discussed: Janet also explained why her 1986 breakthrough album Control was so significant, why she considers her longtime producers Jimmy Jam and Terry Lewis to be father figures, and in what ways would she like to be more like her mother.

You can get ur freak on now. Read up.

LAUNCH: I'd like to start the interview by asking you about one of my favorite songs on the album. Can you explain the song "Warmth"?

JANET: Oh, you like that song? [looks puzzled]

LAUNCH: No...Don't take it the wrong way. I like the melody and the music. But it's just that that song is pretty risqué. I mean, I'm by myself, driving in my car listening to the song, and it still makes me blush!

JANET: You are supposed to listen to it with your wife, Billy. Not alone. I'm sorry [laughs]. I didn't mean to embarrass you.

LAUNCH: Which came first, "Warmth" or "Moist"?

JANET: "Moist" was actually written first. And then "Warmth."

LAUNCH: How did you feel about singing about oral sex?

JANET: I mean, obviously, I don't mind it. I've done it for a while. Well, not about oral sex, but I've talked about sex a great deal in my music for a great while now. I feel very comfortable with it. It's funny that you say, where did the motivation come from? But obviously, I mean, it's pretty evident [laughs] where the motivation came from!

LAUNCH: It was good to have the topic covered for both a male and a female.

JANET: Well, I'm glad you like it. I personally like the song. And I think it is a good song. And I think just the lyrical content just adds a little more to it. And I think the music calls for it, as well.

LAUNCH: Did growing up in the public eye make it easier to speak so openly about sex?

JANET: It wasn't difficult for me. But I think it was difficult for the public to get comfortable. I remember years ago, not just one journalist, but a few, when I came out with the Janet album and there was "If" on the album and other songs, they thought, "What message are you sending the kids? What about 'Let's Wait A While'?" And I told one of the journalists--I think I was 25 at the time--"How long do you really want me to wait? You know, I'm growing up. I am an adult now." And I've always felt comfortable with it. But I think it's been kind of a little difficult at times for the audience, because they've told me that they see me as a family member. So to see your little sister sing about sex...and then, others don't mind it at all. They love it. And you know, they'll say, "We've had several children to your music." So I think they are pretty used to it from me by now.

LAUNCH: An artist must be able to have the freedom of self-expression. How do you deal with that?

JANET: With their perception of me? Uh, has it ever bothered me? No. I mean, a lot of times people do see me as sweet and innocent. And not to say that I am not those things. [laughs] I am just joking. But I have other sides to me. Like, it shocks people when I say this: I have a pretty bad temper. But you have to really push me to see it, and then it will come out. But everybody has their things. Another side to me is this very sexual being. And when I look back on my life, it's always been there unknowingly. It's been there since I was pretty young, at 10 years old, having the imagination that I had, not really knowing that that's really what it was. But looking back on it, I'm realizing that that was a pretty sexual imagination for a kid.

LAUNCH: Was it important for people to understand there were other sides to you? Like, how is "Janet" different from "Damita Jo"?

JANET: There's really not that much of a difference. For the most part, they are the same. There are a few differences. Uh, I don't want to get into it, Billy. [laughs]. But there are a few differences. But for the most part they really are the same. I mean, she lives within me. "People have asked me, 'What message are you sending to kids? What about "Let's Wait A While"?' But really, how long do you want me to wait? I'm an adult now."


LAUNCH: You have a song on your album called "Thinkin' About My Ex." In this song, you're telling this new guy that you want a no-strings-attached relationship with him because you are still getting over your ex. Is that a song that you relate to personally?

JANET: Have I ever thought about an ex in that way? But I didn't want strings attached? Uh, in total honesty, no. It's really weird you bring this up, because it's recently happened to me, and it was a shocker. I was really, really happy to hear from him. I'm not going to mention who it is. Because I hadn't spoken to him in a while, it kind of caught me off-guard. It actually caught me off-guard that he still had feelings. And it was tough for me. But I had to be honest, you know. I still have love in my heart for him, and I think about him. But not in that way.

LAUNCH: In your liner notes, you refer to your producers Jimmy Jam and Terry Lewis as your "two dads." What are some of their paternal qualities? JANET: As my dads? I am their little girl. There are times when, whether it's an issue or a problem, or just when I need some sort of feedback or when I need a shoulder to lean on, or someone to truly talk to...I mean, I do have friends and I do have family, but there are times when I only want to talk to Jimmy, or I only want to talk to Terry. And the feedback that I get, the conversations that we have, I'm always learning. And that's important to me. I think that's one of the things that has made our relationship so wonderful. I mean, aside from the love, there are no egos involved. And the caring is there. They've always been there for me, and I truly do feel like their little girl. I mean, I feel safe and loved. And just so much patience they have with me--if it was anybody else I know, I'd probably drive them crazy. But you know, they have a special love, and I do feel it in their heart for me. As I do for them.

LAUNCH: You first linked up with Jimmy and Terry for your Control album. This was a very significant album for you. You had been on television and had performed as a singer, but the Control album established you as a bona fide music icon. What was the plan, when you first hooked up with them?

JANET: I wanted to talk about my life. There is so much. I was 18 when I actually made the record, and I had a lot to say. Jimmy picked me up from the airport, he took me around Minneapolis, and we just talked and talked and talked. And so I said, "So this is how we are going to do the record?" He goes, "Yeah." And that was fine with me. Because there was a lot that I did have to say. A lot of times--and I've said this before--a lot of times I felt so alone. But I also thought there has to be other people, other young people in the world, that have experienced either what I have or, or close to it. And just to say, you know, "You will get through it. I did. It's OK. You are not alone." And for them to have someone to relate to and hopefully enjoy the music and get a positive message out of it. Just to make the best music that we possibly could. Those were really the goals.

LAUNCH: Was the song "Control" about what was going on in your life at that time?

JANET: With the albums that I had done before that, it was all about what everyone else wanted me to do. It was the Control album that was really about what I wanted to do. And Jimmy and Terry, as producers, helped me to convey that. Put that on tape or CD or vinyl. That's what producers are for, one of the reasons why they are there. And that's what I think makes them so incredible at what they do. Because with each artist, it's different, and they capture that. I've never been into what am I going to do next, trying to reinvent myself. I've always written about what goes on in my life from that point on. I mean, there is a lot that I haven't said that I actually could say. And I hope people would find it interesting. I know a lot of people could relate to it.

LAUNCH: Before you released your last album, All For You, you had gone through a divorce. And there was a bit of angst on that album, especially the song "Son Of A Gun." I know that you said that that song was not about your ex-husband, but people interpreted it in different ways. This Damita Jo album is a lot happier. Were you happier during the process with this record?

JANET: Yeah, definitely. And I think from that album to this, you can tell someone who doesn't have love in their life, then someone who is in love--that is the way that it sounds to me. And really, it's the way that that is. That it was. And that it is. And I think that's one of the differences that you probably hear on this record.

LAUNCH: Is there any one song on this album that best expresses how you feel at this time of your life?

JANET: All of them. Except for "Thinkin' About My Ex"! [laughs]. All of them, really. I just thought "Thinkin' About My Ex" was a beautiful song when it was brought to me. I thought about changing it lyrically, but I love the lyrics. It's part of the beauty of the song. So I thought, "You know what? Don't tamper with this. Just sing it and figure out something so that people won't think that you are talking about them, or someone else." And all those songs reflect all the people that live within me. Not all--some of the people. Some of the characters that live within me. That's what Damita Jo is really about: sharing those characters with the public.

LAUNCH: Your music covers so many genres, from pop to rock to R&B. To me, Damita Jo has more R&B overtones that some of your most recent albums. Was that intentional?

JANET: That's a part of me going back to what I used to do. Like, people say, "What can we expect from this album"" And I always tell them, "A little of the old me. A part of the new me. And also, a part of me that wasn't that long ago." So I think it has different feels. The more R&B stuff reminds me of the very young me, and some of the stuff that I've done is more a little bit forward, a little bit more of what's going on today. What the kids are into today.

LAUNCH: I think it's cool that your boyfriend, Jermaine Dupri, plays your love interest in your "I Want You" video. Since you guys are really a couple, were you hesitant to feature him in the video?

JANET: No. I mean, everyone knows. It's not a secret. I wasn't hesitant at all. I didn't know if he'd do it or not. It wasn't my idea. It was David Meyers's, the director's.

LAUNCH: In an article in Ebony magazine, it talked about LaToya teasing you because you don't cook for Jermaine. Is this true? And if so, have you cooked for him yet?

JANET: No. Big sisters and brothers...I am telling you, it never changes. I am the baby in the family, and I always will be. I am actually very happy to have that position. But I still get teased. I don't mind that either. But when your big sister is sitting at the table and your family is meeting your boyfriend for the first time, and she is saying, "Oh, has Jan cooked for you? She started cooking when she was 7 years old." And this and that. And I am just thinking, "Oh God, why did she have to tell?" Because he didn't know any of that. I didn't want him to know any of that, because I don't want him to. I knew I shouldn't have mentioned this in the interview, because I knew people would start asking me, "Well, why won't you cook for him?" I didn't even want to get into it. But to answer your question, yes, I do cook. And no, I haven't [cooked for Jermaine]. And I am just going to leave it at that.

LAUNCH: I've read that you really admire you mother's strength. How so?

JANET: My mother is very strong. Aside from wanting her beauty and her heart, I really wanted her strength. And I've always thought I don't have it. I don't have it. But I'm realizing that I really do, just in recent times. I really do have her strength. And I'm proud of that. Very proud of that.

LAUNCH: How do you want to be remembered?

JANET: As someone who feels that they were put on this earth to help others. Not just do their music, but I love working with organizations. I love giving. And I want to do more of that. You got to give back. You got to give back. I love helping people, especially children.

judelaw Creative Commons License 2004.05.26 0 0 158

SANDER KLEINENBERG CLUB MIX
LOW END SPECIALISTS MAIN MIX


US Promo CD single
All Nite (Don't Stop) 3:26

CD single
All Nite (Radio Edit)
I Want You (Radio Edit)
Put Your Hands On

Zolichop Creative Commons License 2004.05.18 0 0 157
Bocs ezért az off-ért, de ha van kedvetek, akkor üzenjetek Sting-nek (fényképpel). Úgy tűnik sikerül személyesen átadnunk ezt a könyvet neki a koncert előtt, és még kellene néhány üzenet.
Bővebb info: http://love2.sting.hu
Alensha Creative Commons License 2004.05.11 0 0 156
tegnap találtam, és olyan aranyos :o)
kb. hatéves ezen a képen
Alensha Creative Commons License 2004.05.11 0 0 155
Alensha Creative Commons License 2004.05.09 0 0 154
Szerintem is kimondottan az album közepe a jó. Hallottam a bónuszszámokat is (I'm Here, Put Your Hands On Me, Could This Be Love), de egyik se nagy dobás (azért majd felrámolom valahova a netre.)

A következő klip állítólag az All Nite lesz, szerintem ez elég jó hír.

Megérkezett a Dream Street is, elég jó.

judelaw Creative Commons License 2004.05.04 0 0 153
ja, es kihagytam a slolove-ot...
nagyon jokedvu es tetszik, azt pedig kulon humorkent ertekelem, hogy szerintem hangzasilag tok george michael-es, akinek meg ugye tortenetesen van egy fast love cimu nagy slagere;-)
judelaw Creative Commons License 2004.05.04 0 0 152
az all4you-nal ketsegtelenul jobb,de azert ez az album sem hemzseg olyan daloktol, amikert en anno beleszerettem janet-be...

a kozepen a bulis szexcio (hahaha) nagyon bejon (all nite, r&b junkie), sot az i want you kimondottan szeretett dal lett eleg rovid ido alatt

viszont ami kikeszit, az a copy protection

eddig csak az irodai PC-m es az otthoni centerem lemezjatszoja volt kepes kattanas/pattogas es egyeb be nem tervezett hangkep alkalmazasa nelkul lejatszani a lemezt, a discmanben es a DVD-ben 40-45 mp-kent pattan egyet, mintha egy agyonhasznalt bakelit lemezjatszoval kuszkodnek

az egeszben az ironia meg csak az, hogy kiprobaltam es gondmentesen masolhato, szoval csinalnom kell egy illegalis kopiat azert, hogy hallgatni tudjam a kisebb vagyonert megvett lemezt

a MAHASZ es az osszes hasonszoru ceg elmehet a...

Alensha Creative Commons License 2004.04.18 0 0 151
Akit érdekel. a numero7.com-ról lehet rendelni Dream Streetet, 8830 Ft (ebben benne van a postaköltség is). Egyedi rendeléssel lehet, szóval a netes katalógusukban nincs benne. Japánból hozzák.
Alensha Creative Commons License 2004.04.12 0 0 150
A nálunk kapható Just A Little While-n bezzeg csak 3 track van... És a japcsik megint kaptak bónusz dalt, ráadásul kettőt is? Ez akkora pofátlanság... meg a Damita Jo borítóján az a szentbeszéd a copyrightokról meg a zenelopásról is...

na, morgolódás befejezve, az album KIRÁLY. Továbbra is az Island Life tetszik a legjobban. Nektek melyik dalok jönnek be?

judelaw Creative Commons License 2004.04.11 0 0 149
1. single radio edit (3:59)
2. album version (4:12)
3. instrumental (4:12)
4. acapella (3:59)
5. peter rauhofer radio edit (3:58)
6. peter rauhofer club mix (9:28)
7. peter rauhofer dub (6:37)
8. maurice's nu soul radio edit (3:36)
9. maurice's nu soul remix (7:12)
10. maurice's nu soul dub (7:14)
11. just blaze remix (4:18)
The Just Blaze remix, which came out recently is COMPLETELY different from the album version. Not only are the vocals new AND resung, but the music is 100% hip hop... a VERY danceable track
judelaw Creative Commons License 2004.04.11 0 0 148
US maxi CD


01) Single Radio Edit 3:59
02) Peter Rauhofer radio edit 3:58
03) Peter Rauhofer club mix 9:28
04) Maurice's Nu Soul radio edit 3:36
05) Maurice's Nu Soul remix 7:12

judelaw Creative Commons License 2004.04.11 0 0 147
Just a Little While
(CD-single part 2)

1. Just A Little While (Uk Radio Edit)*
2. Janet Megamix 04 (Chris Cox Megamix)*
3. Just A Little While (Maurice's Nu Soul Remix)
4. Just A Little While (Video)*

judelaw Creative Commons License 2004.04.11 0 0 146
+2 tracks version of Damita Jo

1. Looking For Love
2. Damito Jo
3. Sexhibition
4. Strawberry Bounce
5. My Baby (Featuring Kanye West)
6. The Islands
7. Spending Time With You
8. Magic Hour
9. Island Life
10. All Nite (Dont Stop)
11. R&B Junkie
12. I Want You
13. Like You Dont Love Me
14. Thinkin Bout My Ex
15. Warmth
16. Moist
17. It All Comes Down To Love
18. Truly
19. The One
20. Slolove
21. Country
22. Just A Little While
23. I'm Here*
24. Put Your Hands On *

judelaw Creative Commons License 2004.04.04 0 0 145
JANET JACKSON
Album Title: Damita Jo
Billboard Magazine Review

For her eighth studio album, titled after her middle name, one of today's unofficial poster children for indecent behavior merges elements from previous albums with of-the-moment producers (including Kanye West). In so doing, Jackson gingerly forges ahead, not quite ready to completely break free from her musical past and not fully prepared to give fans something completely different. At 22 tracks, "Damita Jo" has its fair share of hits and misses. But songs like "Island Life" (complemented by classical strings), the spirited "SloLove" and "R&B Junkie" (which fabulously references Evelyn "Champagne" King's "I'm in Love") are winners. The sensual "Warmth" and "Moist" find the singer giving and receiving, respectively. The Prince-hued "Just a Little While," which closes the album, sounds like nothing else here. Jackson may want to use this as a starting point for her next album.

judelaw Creative Commons License 2004.04.03 0 0 144
www.dotmusic.com
album review
Janet Jackson - 'Damita Jo'
Released on 29/03/2004
Label: Virgin

And so, after Nipplegate, Albumgate. What would otherwise have been simply the latest in a long line of Janet Jackson album-length libido-fests that failed to ignite the passions of Middle America will, following the Superbowl scandal, doubtless be given an almost forensic examination. And those seeking confirmation that the youngest Jackson sibling is a sex-obsessed strumpet bound on the destruction of the morals of every starch-collared American will find plenty to prove their prejudices here.

Almost every track of "Damita Jo" is a paean to some kind of rumpy pumpy. Numerous explanatory spoken word asides seek to reassure us that Janet, as she approaches 40, is seeking love rather than revelling in lust. But the sentiment, whether real or artificial, doesn't convince. Especially not in the face of the considerable evidence that suggests Janet's thoughts rarely stray above the waistline.

"Sexhibition", a would-be Timbaland-style mash-up of street-hop, driving funk and Bollywood samples, finds her imploring us to "relax - it's just sex". In "Strawberry Bounce" she wants "to make you lose control", to "bring you to your knees". "Warmth" is painful to listen to, lyrics that appear to include the phrases "put it in my mouth" and "back door love" dragged through a treacly morass of deliberately full orchestral chords dripping slushy sentimentality all over each other. By the time she's telling us that "I'm wet for you" in the cringe-inducing "Moist" you're left with the impression that this is indeed a shocking record, though not in the public outrage sense so much as how rubbish it is.

Yet there are enough high points to justify the investment of time Janet requires of us. "R&B Junkie" is a delicious throwback, like a glorious "Rhythm Nation" out-take given a glossy Noughties sheen. Man of the moment Kanye West contributes a brace of tracks that show his own happiness to experiment - "I Want You", a peculiar post-modern waltz with a '40s supper club vibe, being the ear-catcher. "All Nite (Don't Stop)" is another precision-tooled winner, with Jackson using an almost ethereal higher-pitched vocal delivery. And of course there's "Just A Little While", the brilliant new Dallas Austin-produced single, but it's so out of place amid the prevailing slew of slushy sex-obsessed detritus it has to be tacked on at the end, after the outro - an afterthought instead of a promising new direction.

Janet has been talking dirty for years, and in many respects "Damita Jo" is just the next record in a smutty line stretching back a decade. That it'll be her most scrutinised release is a problem, because its stilted, wearying, obsessive concentration on an uncomfortably forced notion of it's creator's sexuality means it's the only album she's made in the last dozen years that doesn't merit such focussed attention.

4/10

Alensha Creative Commons License 2004.04.02 0 0 143
Én letöltöttem, és nagyon jó. Persze meg is fogom venni, csak még várom a fizetésemet. :o)

Nekem az Island Life c. szám jön be a legjobban, de az All Nite és a Sexhibition is jó, meg az a kettő, amelyiknek klipje van.

Zolichop Creative Commons License 2004.04.01 0 0 142
Fúúú, ez nagyon ciki. Észre sem vettem, csak most, hogy kijavítottad. :-) Persze, hogy Miss You Much. (Mariah-nak van egy Miss You Most c. karácsonyi dala.)
Az 1814 korrekt.
Kinek van meg már az album? (Én várok, amíg meg tudom venni a boltokban, direkt nem töltöttem le a netről. :-) )
Előzmény: judelaw (141)
judelaw Creative Commons License 2004.04.01 0 0 141
Miss You MUCH
Előzmény: Zolichop (139)
Alensha Creative Commons License 2004.03.31 0 0 140
Én annak idején csináltam honlapot is, levlistát is, de az érdeklődés hiányában meghalt mindkettő...

Az 1814 azt hiszem, arra az évre utal, amikor az amerikai himnuszt írták, azonkívül az R a 18., az N. meg a 14. betű az abc-ben.

Előzmény: Zolichop (139)
Zolichop Creative Commons License 2004.03.31 0 0 139
Sziasztok!

Én is nagyon kedvelem Janet-et, a Miss You Most idején lettem rajongója. Örülök, hogy vagyunk páran Magyarországon is. Nagyon sajnálom viszont, hogy az 5 nagy DÍVA közül (Mariah, Madonna, Celine, Whitney, Janet) egyedül ő az, akinek nincs itthon holnapja és levlistája. Csináljuk meg ezeket mi végre! (Vagy van, csak nem tudok róluk???)

Kérdés: a DVDs All For You megjelent Európában is (2-es régió), vagy csak Amerikában?
Rejtvény: ki tudja mit jelent az 1814 a Rhythm Nation 1814 CDn? :-D

judelaw Creative Commons License 2004.03.30 0 0 138
judelaw Creative Commons License 2004.03.30 0 0 137
www.allmusic.com
review
2/5

Relax, it's just sex," Janet Jackson murmurs at the conclusion of "Sexhibition," the third song on her eight album, Damita Jo. Those words were recorded long before Jackson wound up America with her breast-baring exploits at the halftime show at the 2004 Super Bowl, but they nevertheless play like an casual response to the hysteria that engulfed the nation following her infamous "wardrobe malfunction." But, really, they're there to head off any criticism that could be leveled at Damita Jo, yet another album that finds Jackson exploring her sexuality, which she has been doing since 1993's janet.. With its preponderance of slow-tempo, sensual grooves, sexual imagery, the occasional up-tempo jam, and endless spoken interludes, it provided the blueprint for every record she made since, from the heavy eroticism of 1997's The Velvet Rope to the bedroom sighs of 2001's All for You. The latter suggested that she was abandoning the explicitness of The Velvet Rope, but Damita Jo proves that she was merely flirting with modesty, since it's as explicit as pop music gets. Without strong rhythmic or melodic hooks, the album's slow grooves blend together and Jackson disappears into the productions, once again largely the responsibility of Jimmy Jam and Terry Lewis. The end result is a low-key make-out record firmly in the tradition of The Velvet Rope, with a couple of standout tracks — on the slower side, "I Want You" has a verse that's memorable, while "Just a Little While" is a good dance tune.

judelaw Creative Commons License 2004.03.30 0 0 136
judelaw Creative Commons License 2004.03.30 0 0 135

Ha kedveled azért, ha nem azért nyomj egy lájkot a Fórumért!