ĹăăńáöŢ 291 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 090450
Ôßôëďň: Plutarchi Cheronei Opuscula argutissima ingeniosissima hac serie : Politica ... De virtute morum ... Praecepta connubialia ... De liberis educandis ... De differentia odii & invidiae ... De tranquillitat animi ... De fortuna Romanorum ... De virtute & fortuna Alexandri ... Parallela ... De claris mulieribus ... Apophthegmata regum & imperatorum ... Graecorum ... Romanorum ... Laconica ... Lacaenarum ... An Brutus insit ratio dialogus ... Piacita philosophorum ... De musica Problemata ... / Praemissis amatoriis narrationibus & indice
Ďěďéüěďńöďň Ôßôëďň: Moralia
ÓőăăńáöÝáň: Plutarch
Äçěoóßĺőóç: [S.l.] : Iehan Petit [colophon: in edibus Ascensianis, 1514]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; 28 cm.
Óçěĺéţóĺéň: 546 Latin.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**76647 11 GC 2583 Q - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 292 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 090722
Ôßôëďň: Byron songs. no. 2 : Medora's song ... / the music by Ernest Aug. Kellner
ÓőăăńáöÝáň: Byron, George Gordon, Lord, 1788-1824
Äçěoóßĺőóç: London : Jefferys & co., [1835?]
ÖőóéęŢ ĐĺńéăńáöŢ: 5 p. ; 36 cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**76923 11 BY 454 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 293 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 090983
Ôßôëďň: The Oedipus tyrannus of Sophocles : as arranged for performance at Cambridge, November, 1887. I. The text in Greek and English. II. The incidental music / written by C. Villiers Stanford
Ďěďéüěďńöďň Ôßôëďň: Oedipus Rex.
ÓőăăńáöÝáň: Sophocles
Jebb, Richard Claverhouse, Sir, 1841-1905 (ed. and tr.)
Verrall, A. W. (Arthur Woollgar), 1851-1912 (tr.)
Äçěoóßĺőóç: Cambridge : Macmillan, 1887
ÖőóéęŢ ĐĺńéăńáöŢ: 39, 69 p. ; 27 cm.
Óçěĺéţóĺéň: Each part has also special t.-p.
"The Greek text and the English prose translation...from Professor Jebb's second edition of the play... The translation of the choruses into English verse...by A. W. Verrall."--cf. 3d prelim. p.
ČÝěáôá: Stanford. Charles Villiers. Sir. 1852-1924.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77396 11 GC 2112 - ź÷é ÄéáčÝóéěď
**77397 11 GC 2126 - ź÷é ÄéáčÝóéěď
**77398 11 GC 2112 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 294 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091195
Ôßôëďň: Music and poetry : their origin and functions
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (London quarterly rev., Oct. 1872).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77631 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 295 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091196
Ôßôëďň: Music : its origin and influence
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Quarterly rev., July 1871, v. 131, no. 261).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77632 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 296 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091212
Ôßôëďň: National anthems : stirring words and rousing music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77648 11 M 114 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 297 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091276
Ôßôëďň: Sacred music : instructions to the Catholic world : letter to the Cardinal-Vicar of Rome
ÓőăăńáöÝáň: Pius X (Papa).
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Reprinted from "The Tablet", Jan. 2, 1904).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77712 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 298 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091505
Ôßôëďň: Sacred Music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (London quarterly rev., Apr. 1861).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**77941 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 299 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091647
Ôßôëďň: The notes Mese and Hycate in Greek music
ÓőăăńáöÝáň: Williams, C. Abdy
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Classical review, Mar. 1898).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78083 11 M 32 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 300 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091702
Ôßôëďň: The origin of music
ÓőăăńáöÝáň: Rowbotham, J. F.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (The Contemporary Rev., Oct. 1880).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78138 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 301 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 091955
Ôßôëďň: Ecclesiae modis musicis ouae ratio sit ad veterum Graecorum musicam
ÓőăăńáöÝáň: Wennemer
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Jahresbericht ... Collegium Augustinianum zu Gaesdonck, 1853).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78391 11 M 32 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 302 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092105
Ôßôëďň: Shakespeare et ses musiciens
ÓőăăńáöÝáň: Blaze de Bury, Henri
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Rev. des deux mondes, July, 1867).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78541 11 V 600 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 303 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092133
Ôßôëďň: Early ecclesiastical music in the western church
ÓőăăńáöÝáň: Birkbeck, W. J.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Newbery house magazine, Aug. 1890).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78569 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 304 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092134
Ôßôëďň: Ecclesiastical music in the Middle Ages
ÓőăăńáöÝáň: Birkbeck, W. J.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Newbery House Magazine, Sept. 1890).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78570 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 305 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092429
Ôßôëďň: The notes mese and hypate in Greek music
ÓőăăńáöÝáň: Williams, C. Abdy
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Classical review, Mar. 1898).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78865 11 M 32 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 307 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092542
Ôßôëďň: Music of the East
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Journal of the Royal Asiatic Society, May 1840).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**78978 11 M 105 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 308 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092569
Ôßôëďň: Carillon Music
ÓőăăńáöÝáň: Osborn, E. B.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Nineteenth century, Jan. 1911).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79005 11 M 38 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 309 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092656
Ôßôëďň: Nathan on the history and theory of music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Westminster Rev., July 1833).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79092 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 310 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 092906
Ôßôëďň: Ancient music
Ďěďéüěďńöďň Ôßôëďň: Music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Foreign quarterly review, v. 20, no. 39, 1837, p. 105-120; detached copy).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79342 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 311 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093023
Ôßôëďň: Hogarth's general survey of music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Edinburgh review, Apr. 1836).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79459 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 312 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093293
Ôßôëďň: Gardiner's music of nature
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Westminster review, Oct. 1832).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79729 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 313 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093372
Ôßôëďň: Grove's dictionary of music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Edinburgh Rev., Jan. 1881).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**79808 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 314 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093581
Ôßôëďň: Departed shade of youthful worth / sung by Miss Wagstaff ; words by Maurice Harcourt ; music by Charles Severn
ÓőăăńáöÝáň: Severn, Charles
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (In Album Wreath, Dec. 1833).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80020 11 P/614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 315 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093732
Ôßôëďň: Departed shade of youthful worth / sung by Miss Wagstaff ; words by Maurice Harcourt ; music by Charles Severn
ÓőăăńáöÝáň: Harcourt, Maurice
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (In Album Wreath, Dec. 1833).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80172 11 P 614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 316 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093733
Ôßôëďň: Love mighty love endures forever / inscribed to Miss Bruce ; words by Maurice Harcourt ; music by Mr. Nathan
ÓőăăńáöÝáň: Harcourt, Maurice
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Album Wreath, Feb. 1824).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80173 11 P 614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 317 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093770
Ôßôëďň: My child! my child! : a ballad inscribed to Miss Wing / words by W.H. Prideux ; music by W. Palmer
ÓőăăńáöÝáň: Palmer, W.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Album Wreath, Mch 1834).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80210 11 P 614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 318 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093775
Ôßôëďň: Love mighty love endures forever : inscribed to Miss Bruce / words by Maurice Harcourt ; music by Mr. Nathan
ÓőăăńáöÝáň: Nathan, I.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Album Wreath, Feb. 1834).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80215 11 P 614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 319 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093792
Ôßôëďň: My child! My child! : a ballad inscribed to Miss C. Wing / words by W.H. Prideux ; music by W. Palmer
ÓőăăńáöÝáň: Prideux, W. H.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Album Wreath, Mar. 1834).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80232 11 P 614.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 320 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093813
Ôßôëďň: Remarks on Eastern church music. I-II.
ÓőăăńáöÝáň: Chaplin, Wyndham A.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Musical opinion & Musical trade Review, No. 239-240, 1898).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80253 11 M 57 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹđéëďăŢ źëůí | Áęýńůóç ĹđéëďăŢň źëůí
ĹăăńáöŢ 321 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093829
Ôßôëďň: Greek popular music. I-II.
ÓőăăńáöÝáň: Goddard, Joseph
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Clipping from Musical opinion & music trade review, No, 255, 1898 and No. 256, 1898).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80269 11 M 90 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 322 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 093908
Ôßôëďň: Church music
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Edinburgh review, Jan. 1852).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80393 11 M 60 - ź÷é ÄéáčÝóéěď
**80394 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 323 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094106
Ôßôëďň: The harp of God : twelve letters on liturgical music : its import, history, present state, and reformation
ÓőăăńáöÝáň: Young, Edward
Äçěoóßĺőóç: London : [s.n.], 1861
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80690 11 M 71 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 324 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094111
Ôßôëďň: The national songs of the allies and neutral nations : music arranged and adapted for children
ÓőăăńáöÝáň: Bath, Hubert
Äçěoóßĺőóç: London : [s.n.], 1915
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ÓĺéńÝň: (Books for the Bairns ; No. 230)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80695 11 M 113 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 325 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094185
Ôßôëďň: Music : in relation to public worship : (a sermon)
ÓőăăńáöÝáň: Bulmer, John
Äçěoóßĺőóç: Cambridge : [s.n.], 1881
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80769 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 326 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094222
Ôßôëďň: The voice, the music of language, and the sould of song : a short essay on the art of singing
ÓőăăńáöÝáň: Cooper, Wilbye
Äçěoóßĺőóç: London : [s.n., 1874]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**80806 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 327 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094553
Ôßôëďň: The place of science in music
ÓőăăńáöÝáň: Saint-George, Henry
Äçěoóßĺőóç: London : [s.n., 1905]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**81137 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 328 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094560
Ôßôëďň: Della natura e oerfezione della antica musica de' Greci e della utilita che ci potremmo noi promettere dalla nostra applicandola secondo il loro esempio alla educazione de' giovani
ÓőăăńáöÝáň: Sacchi, Giovenale
Äçěoóßĺőóç: In Milano : [s.n.], 1778
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**81144 11 M 26 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 329 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 094915
Ôßôëďň: Disputatio de Aristidis Quintiliani musicae scriptoris aetate
ÓőăăńáöÝáň: Caesar, Julius
Äçěoóßĺőóç: Marburgi : [s.n.], 1882
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ÓĺéńÝň: (Indices Lectionum ... in Academia Marburgensi)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**81499 11 M - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 330 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095423
Ôßôëďň: Examen de la Théorie Musicale des Grecs
ÓőăăńáöÝáň: Heegmann, Alphonse
Äçěoóßĺőóç: Lille : [s.n.], 1852
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82008 11 M 41 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹđéëďăŢ źëůí | Áęýńůóç ĹđéëďăŢň źëůí
ĹăăńáöŢ 331 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095648
Ôßôëďň: La Notation Musicale dite Neumatique
ÓőăăńáöÝáň: Houdard, Georges
Äçěoóßĺőóç: Paris : [s.n.], 1911
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Revue Archéologioue).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82233 11 M 17 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 332 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095649
Ôßôëďň: La Richesse Rhythmique Musicale de l'Antiquité
ÓőăăńáöÝáň: Houdard, Georges
Äçěoóßĺőóç: Paris : [s.n.], 1903
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ÓĺéńÝň: (Leçon d'Ouverture)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82234 11 M 40 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 333 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095870
Ôßôëďň: Fragmentum Graecae scriptionis de musica / e codicibus editum ab I.F. Bellermann
Äçěoóßĺőóç: Berlin : [s.n.], 1840
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Oeffentl. Prüfung ... Berlinischen Gymnasiums zum Greuen Kloster).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82457 11 M 42.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 334 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095877
Ôßôëďň: Music / by William Kimberly Palmer
ÓőăăńáöÝáň: Palmer, William Kimberly
Äçěoóßĺőóç: Chicopee, Mass : [s.n.], 1921
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82464 11 KG 1158.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 335 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 095942
Ôßôëďň: A catalogue of books on music / offered for sale by Bernard Quaritch
ÓőăăńáöÝáň: Quaritch, Bernard
Äçěoóßĺőóç: London : [s.n.], 1908
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82529 11 M 8 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 336 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096039
Ôßôëďň: Valentine : a romantic comedy opera / the lyrics by Arthur Davenport, the music by Napoleon Lambelet
ÓőăăńáöÝáň: Davenport, Arthur
Äçěoóßĺőóç: London : [s.n.], 1918
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Produced at St. James' theatre, Jan. 24th, 1918).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82626 11 M 89 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 337 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096047
Ôßôëďň: Souvenir of a Greek slave : a musical comedy / produced by George Edwardes at Daly's Theatre on Wed. June 8, 1898 ; the book by Owen Hall ; lyrics by Harry Greenbank & Adrian Ross ; composed by Sidney Jones
ÓőăăńáöÝáň: Edwardes, George
Äçěoóßĺőóç: London : [s.n.], 1898
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82634 11 M 89.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 338 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096064
Ôßôëďň: The flag that flew at Trafalgar : sung at the Nary League Patriotic Concert, London Opera House, Trafalgar Day, 1914 / words by Victor H. Vincent ; music by George F. Vincent
Äçěoóßĺőóç: London : [s.n.], 1914
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82651 11 M 114.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 339 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096073
Ôßôëďň: Valentina : a romantic comedy opera / the lyrics by Arthur Davenport, the music by Napoleon Lambelet
ÓőăăńáöÝáň: Lambelet, Napoleon E.
Äçěoóßĺőóç: London : [s.n.], 1918
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Produced at St. James' Theatre, Jan. 24th, 1918).
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82660 11 M 89 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 340 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096192
Ôßôëďň: Flowers of the East / with an introductory sketch of oriental poetry and music
ÓőăăńáöÝáň: Pocock, Ebenezer
Äçěoóßĺőóç: London : [s.n.], 1833
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**82781 11 V 265 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 341 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096628
Ôßôëďň: Gli Antiquarj in Palmira : Commedia per musica da rappresentarsi nel Teatro Grande alla Scala l' autunno dell'anno 1780
Äçěoóßĺőóç: In Milano : appresso Gio. Batista Bianchi, [s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: 86 p. ; 17 cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83327 11 V 315 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 342 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096679
Ôßôëďň: L'Alessandro nell'Indie, dramma per musica, del signor abate Pietro Metastasio, poeta Cesareo, da rappresentarsi nel Regio-Ducal Teatro Vecchio di Mantova il Carnovale dell'anno 1768
ÓőăăńáöÝáň: Metastasio, Pietro Antonio D. B.
Äçěoóßĺőóç: In Mantova : per l'erede di Alberto Pazzoni, [s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: 56 p. ; 18 cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83378 11 V 318.2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 343 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096922
Ôßôëďň: Russian church music
ÓőăăńáöÝáň: Henderson, A. M.
Äçěoóßĺőóç: London : [s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83633 11 M 96 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 344 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 096983
Ôßôëďň: Evenings in Greece / the poetry by Thomas Moore ; the music composed and selected by Henry R. Bishop and Mr. Moore
ÓőăăńáöÝáň: Moore, Thomas
Äçěoóßĺőóç: London : [s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83694 11 M 118 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 345 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 097077
Ôßôëďň: The use of organs in Christian worship : a sermon preached in Trinity Episcopal Church, Edinburgh, October 22, 1865
ÓőăăńáöÝáň: Ramsay, Edward Bannerman
Äçěoóßĺőóç: Edinburgh : E. Grant, 1865
ÖőóéęŢ ĐĺńéăńáöŢ: 23 p. ; 22 cm.
ČÝěáôá: Music
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83796 11 T 485 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 346 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 097201
Ôßôëďň: Geschichte des griechischen Musik : Mit einer Musikbeilage ...
ÓőăăńáöÝáň: Weitzmann, C. F.
Äçěoóßĺőóç: Berlin : Th. Fr. Enslin, 1884
ÖőóéęŢ ĐĺńéăńáöŢ: 35, [1], 12 p. of music ; 25 cm.
ČÝěáôá: Music, Greek, Ancient
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**83920 11 M 35 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 347 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 097399
Ôßôëďň: Sacred minstrelsy : a lecture on Biblical and post-Biblical Hebrew music ...
ÓőăăńáöÝáň: Margoliouth, Moses
¸ęäďóç: 2nd ed.
Äçěoóßĺőóç: London : Wertheim, Macintosh, and Hunt, 1863
ÖőóéęŢ ĐĺńéăńáöŢ: vi, 50 p. ; 22 cm.
ČÝěáôá: Music, Hebrew
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**84119 11 M 105 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 348 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 097801
Ôßôëďň: Lo stato degli studii sulla musica degli Arabi
ÓőăăńáöÝáň: Tripodo, Pietro
Äçěoóßĺőóç: Roma : Tip. della Casa editrice italiana, 1904
ÖőóéęŢ ĐĺńéăńáöŢ: 32 p. ; 24 cm.
ČÝěáôá: Music, Arab
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**84528 11 M 106 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 349 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 098262
Ôßôëďň: I canti ecclesiastici greco-siculi
ÓőăăńáöÝáň: Falsone, Francesco
Äçěoóßĺőóç: Padova : Cedam, [1936]
ÖőóéęŢ ĐĺńéăńáöŢ: 342, vi, [1] p. : music ; 25 cm.
ČÝěáôá: Music, Greek
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**84991 11 M 58.3 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 350 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 098374
Ôßôëďň: Discorso sopra la musica de′ suoi tempi di Vincenzo Giustiniani, marchese di Baassano.MDCXXVIII
ÓőăăńáöÝáň: Giustiniani, Vincenzo, 1564-1637
Äçěoóßĺőóç: Lucca : Giusti, 1878
ÖőóéęŢ ĐĺńéăńáöŢ: 37, [5] p. ; 23 cm.
Óçěĺéţóĺéň: Half-title: Nozze Banchi-Brini.
"Edizione di sole centacinquanta copie per regalare e due singolarissime in pergemena di Roma ..."
ČÝěáôá: Music
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**85103 11 M 2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 351 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 098583
Ôßôëďň: De tibiis veterum et earum antiquo usu libri tres
ÓőăăńáöÝáň: Bartholinus, Casparus
¸ęäďóç: Editio altera, figuris auctior
Äçěoóßĺőóç: Amstelaodami : apud Henr. Wetstenium, 1679
ÖőóéęŢ ĐĺńéăńáöŢ: [24], 415, [5] p., plates : ill., port ; 13 cm.
ČÝěáôá: Musical instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**85312 11 A 1129 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 352 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 098940
Ôßôëďň: Canti bizantini inediti / Interpretati sulle notazioni paleografiche dal jeromonaco Lorenzo Tardo ... ; Audizione musicale nella Badia di Grottaferrata ...
ÓőăăńáöÝáň: Tardo, Lorenzo
Äçěoóßĺőóç: Grottaferrata : Scuola tipgrafica italo-orientale, [1936]
ÖőóéęŢ ĐĺńéăńáöŢ: 7 p. ; 24 cm.
ÓĺéńÝň: (V Congresso internazionale di studi bizantini (Roma, 20-27 sett. 1936))
ČÝěáôá: Music, Byzantine
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**85670 11 M 48.7 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 353 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099240
Ôßôëďň: The music for Sophocles' tragedy Ajax / composed by G.A. Macfarren ... the English version by E. Seymer Thompson ... the piano-forte arrangement by Windeyer Clark
˘ëëĺň đáńáëëáăÝň ôßôëďő: Ajax (acting version)GENNADIUS
ÓőăăńáöÝáň: Macfarren, G. A.
Äçěoóßĺőóç: London : Stanley Lucas, Weber & Co., 1885
ÖőóéęŢ ĐĺńéăńáöŢ: 57 p. ; 27 cm.
ČÝěáôá: Sophocles
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**85970 11 GC 2108 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 354 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099330
Ôßôëďň: Greek folk dances / by Rickey Holden and Mary Vouras ; music consultant, Wouter Swets ; cover drawing and map by George Sikeliotis ; incidental sketches by Grace Dimmick
ÓőăăńáöÝáň: Holden, Rickey
Äçěoóßĺőóç: Brussels : Folkraft Europe, 1976
ÖőóéęŢ ĐĺńéăńáöŢ: 128 p. : ill., map, music ; 23 cm.
ČÝěáôá: Dance
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**86060 11 A 1781.32 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 355 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099359
Ôßôëďň: Philodemi de Musica Librorum quae exstant / Edidit Ioannes Komke
ÓőăăńáöÝáň: Kemke, Johannes
Äçěoóßĺőóç: Lipsiae : B.G. Teubner, 1884
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ÓĺéńÝň: (Bibliotheca Sciptorum Graecorum et Romanorum Teubnoriana)
ČÝěáôá: Philodemus. De musica. GENNADIUS.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**86089 11 GC 4600 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 356 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099416
Ôßôëďň: The music to the Iphigenia in Tauris of Euripides / composed by Charles Wood ; the English translation by A.W. Verrall ...
ÓőăăńáöÝáň: Wood, Charles
Äçěoóßĺőóç: Cambridge : Published for the Greek Play Committee, 1894
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ČÝěáôá: Euripides
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**86146 11 GC 2110 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 357 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099557
Ôßôëďň: The music to the Oresteia of Aeschylus : Agamemnon : Choephori, Eumenides / by C. Armstrong Gibbs : as arranged for performance at Cambridge / English verse translation by R.C. Trevelyan
ÓőăăńáöÝáň: Trevelyan, R. C. (tr.)
Äçěoóßĺőóç: Cambridge : Bowes & Bowes ; London : Goodwin & Tabb Ltd., [1921]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ČÝěáôá: Aeschylus
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**86288 11 GC 2117 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 358 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 099618
Ôßôëďň: Regola di musica, divise in cinque trattati, con le quali s'insegna il canto fermo, e figurato, per vere e facili regole : Il modo di fare il contrapunto / Di comporre L'uno e l'altro canto : Di cantare alcuni canti difficili, e molte cose nuove e curios
ÓőăăńáöÝáň: Avella, Giovanni d'.
Äçěoóßĺőóç: In Roma : nella stampa di Francesco Moneta, 1657
ÖőóéęŢ ĐĺńéăńáöŢ: [4], 167, [1] p. : ill. ; 34 cm.
ČÝěáôá: Music
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**86349 11 M 10 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 359 Ěďíďăńáößá
Đáńôéôďýńĺň, Ýíôőđĺň
Ôáőôüôçôá ĹăăńáöŢň: 100163
Ôßôëďň: Two Christmas carols [[music]] : the words from "Hymns of the Eastern Church" ... / translated by the Rev. J.M. Neale D.D. ; the music from "Our own fireside" ... composed by the very Rev. S.G. Hatherly ...
ÓőăăńáöÝáň: Hatherly, Stephen G.
Äçěoóßĺőóç: London : J.T. Hayes, [ca. 1876]
ÖőóéęŢ ĐĺńéăńáöŢ: 1 score (2 p.) ; 33 cm.
ČÝěáôá: Hymns
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**87070 11 M 43 - ź÷é ÄéáčÝóéěď
**87071 11 M 43.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 360 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 100292
Ôßôëďň: Essai sur les instruments de musique au moyen âge : Instruments à percussion
ÓőăăńáöÝáň: Coussemaker, Charles Edmond Henri de.
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
Óçěĺéţóĺéň: (Annales archéologiques, t.4, p. 94-101).
Signed: E. de Coussemaker.
ČÝěáôá: Musical instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**87207 11 M 6.5 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 231 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 079660
Ôßôëďň: The Akathistos hymn / introduced and transcribed by Egon Wellesz
ÓőăăńáöÝáň: Wellesz, Egon, 1885-1974 (ed.)
Orthodox Eastern Church
Äçěoóßĺőóç: Copenhagen : Munksgaard, 1957
ÖőóéęŢ ĐĺńéăńáöŢ: xcii, 108 p. ; 27 cm.
ÓĺéńÝň: (Monumenta musicae Byzantinae. Transcripta ; v. 9)
Óçěĺéţóĺéň: Greek words.
Transcription in modern notation based on the Codex Ashburnhamensis 64, from the Laurenziana at Florence.
ČÝěáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
LCC Ôáîéíüěçóç: M2.B99T7 vol. 9
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**8614 06 18.330 - ź÷é ÄéáčÝóéěď
**57245 11 M 48.55 - ź÷é ÄéáčÝóéěď
**57246 11 M 48.55 - ź÷é ÄéáčÝóéěď
**57247 11 M 48.55 - ź÷é ÄéáčÝóéěď
**57248 11 M 48.55 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 232 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080043
Ôßôëďň: On the interpretation of Greek music / by Cecil Torr
ÓőăăńáöÝáň: Torr, Cecil, 1857-
Äçěoóßĺőóç: London : H. Frowde, 1896
ÖőóéęŢ ĐĺńéăńáöŢ: 26 p. : ill. (incl. music) ; 23 cm.
ČÝěáôá: Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58069 11 M 41.1 - ź÷é ÄéáčÝóéěď
**58070 11 M 41 - ź÷é ÄéáčÝóéěď
**58071 11 M 41.1 - ź÷é ÄéáčÝóéěď
**58072 11 M 41 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 233 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080126
Ôßôëďň: Byzantinische und slavische Notationen / Max Haas
ÓőăăńáöÝáň: Haas, Max.
Äçěoóßĺőóç: Köln : Volk-Verlag Gerig, 1973
ÖőóéęŢ ĐĺńéăńáöŢ: 138 p., 4 leaves of plates : ill., music ; 25 cm.
ÓĺéńÝň: (Palaeographie der Musik ; Bd. 1, 2 : Die einstimmige Musik des Mittelalters ; 2)
ISBN: 3872520601 : DM38.00
Óçěĺéţóĺéň: Originally presented as the author's thesis, Basel.
Bibliography: p. 125-138.
ČÝěáôá: Music--Slavic countries--History and criticism
Music, Byzantine--History and criticism
Paleography, Musical
DDC Ôáîéíüěçóç: 780/.01 s
[781/.24]
LCC Ôáîéíüěçóç: ML93.P24 Bd. 1,Fasc. 2
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58247 11 M 63.5 - ź÷é ÄéáčÝóéěď
**58248 11 M 63.5 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 234 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080146
Ôßôëďň: Renderings of church hymns from eastern and western office books / by the Rev. Robert Maude Moorsom ; music by the Rev. G.W. Griffith and Mr. W.S. De Winton
ÓőăăńáöÝáň: De Winton, W. S.
Griffith, George Walter
Moorsom, Robert Maude (comp. and tr.)
Äçěoóßĺőóç: London : C.J. Clay and Sons, 1901
ÖőóéęŢ ĐĺńéăńáöŢ: xxvii, 130 p., 1 leaf ; 19 cm.
LCC Ôáîéíüěçóç: ML3086.M66
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58291 11 T 700 - ź÷é ÄéáčÝóéěď
**58292 11 T 700 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 235 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080148
Ôßôëďň: Singers in late Byzantine and Slavonic painting / by Neil K. Moran
ÓőăăńáöÝáň: Moran, Neil K.
Äçěoóßĺőóç: Leiden : E.J. Brill, 1986
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 173 p., [50] p. of plates : ill. (some col.) ; 24 cm.
ÓĺéńÝň: (Byzantina Neerlandica ; fasc. 9)
ISBN: 9004078096
Óçěĺéţóĺéň: Includes index.
Bibliography: p. [161]-166.
ČÝěáôá: Choirs (Music) in art.
Painting, Byzantine
Painting, Slavic
DDC Ôáîéíüěçóç: 758/.997838 (19)
LCC Ôáîéíüěçóç: ND1432.B99M6 1986
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58295 11 A 1434.4 - ź÷é ÄéáčÝóéěď
**58296 11 A 1434.4 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 236 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080200
Ôßôëďň: Catalogue of Byzantine chant manuscripts in the monastic and episcopal libraries of Cyprus / by Andrija Jakovljević
ÓőăăńáöÝáň: Jakovljević, Andrija
Äçěoóßĺőóç: Nicosia : Kentron Epistemonikon Ereunon Kyprou, 1990
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 181 p., 128 p. of plates : ill. (some col.) ; 30 cm.
ÓĺéńÝň: (Publications of the Cyprus Research Centre ; 15)
ISBN: 9963080189
Óçěĺéţóĺéň: English and Greek.
Spine title: Byzantine chant manuscripts of Cyprus.
Summary in Greek.
Includes bibliographical references (p. x-xii) and indexes.
ČÝěáôá: Chants (Byzantine)--Union lists
Manuscripts--Cyprus
Manuscripts, Greek (Medieval and modern)--Cyprus--Union lists
Music--Manuscripts--Cyprus--Union lists
Music, Byzantine
DDC Ôáîéíüěçóç: 016.78232/219 (20)
LCC Ôáîéíüěçóç: ML135.J34 1990
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58409 11 HNE 42.14/D 38/V. 15 - ź÷é ÄéáčÝóéěď
**58410 11 HNE 42.14/D 38/V. 15 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 237 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080202
Ôßôëďň: Die griechischen Saiteninstrumente / von Karl von Jan
ÓőăăńáöÝáň: Jan, Karl von, 1836-1899
Äçěoóßĺőóç: Leipzig : B.G. Teubner, 1882
ÖőóéęŢ ĐĺńéăńáöŢ: 36 p. : ill. ; 26 cm.
Óçěĺéţóĺéň: Cover title.
"Wissenschaftliche Beilage zum Jahresbericht des Gymnasiums zu Saargemünd für das Schuljahr 1881/82."
With: Die Tonleitern und Musiktonen der Griechen / erläutert durch Friedrich Bellermann. Berlin : A. Förstner, 1847.
Includes bibliographical references.
ČÝěáôá: Musical instruments, Ancient--Greece
Stringed instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58413 11 M 32 - ź÷é ÄéáčÝóéěď
**58414 11 M 32 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 238 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080259
Ôßôëďň: Music and musical instruments in the world of Islam / [by] Jean Jenkins and Poul Rovsing Olsen ; line drawings by John Pringle
ÓőăăńáöÝáň: Jenkins, Jean L.
Rovsing Olsen, Poul, 1922-1982 (joint author)
Horniman Museum
Äçěoóßĺőóç: London : World of Islam Festival Publishing Co. Ltd, 1976
ÖőóéęŢ ĐĺńéăńáöŢ: iv, 100 p., [8] p. of plates : ill. (some col.), music ; 25 cm.
ISBN: 0905935119
0905935127 pbk. : Ł1.50
Óçěĺéţóĺéň: Catalogue of an exhibition held 6th April-6th Oct. at the Horniman Museum, London.
Bibliography: p. 90-100.
ČÝěáôá: Islamic music--Exhibitions
Musical instruments--Exhibitions
DDC Ôáîéíüěçóç: 780/.917/671
LCC Ôáîéíüěçóç: ML141.L6H7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**58533 11 M 7.6 - ź÷é ÄéáčÝóéěď
**58534 11 M 7.6 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 239 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080500
Ôßôëďň: Origine Byzantine de la notation neumatique de l'église Latine / Jean-Baptiste Thibaut
ÓőăăńáöÝáň: Thibaut, Jean Baptiste
¸ęäďóç: Nachdr. d. Ausg. Paris 1907
Äçěoóßĺőóç: Hildesheim ; New York : Olms, 1975
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 105 p. : music (28 fold. in pocket) ; 22 cm.
ISBN: 3487058413 : DM88.00
Óçěĺéţóĺéň: Reprint of the 1907 ed. published by A. Picard, Paris, which was issued as v. 3 of Bibliothèque musicologique.
Bibliography: p. [5]-7.
ČÝěáôá: Musical notation
Neumes
DDC Ôáîéíüěçóç: 781/.24
LCC Ôáîéíüěçóç: ML174.T3 1975
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**59090 11 M 52 - ź÷é ÄéáčÝóéěď
**59091 11 M 52 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 240 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080528
Ôßôëďň: Mode in ancient Greek music / by R.P. Winnington-Ingram
ÓőăăńáöÝáň: Winnington-Ingram, R. P. (Reginald Pepys), 1904-
Äçěoóßĺőóç: Cambridge [England] : University press, 1936
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 90 p. : ill. (music) ; 22 cm.
ÓĺéńÝň: (Cambridge classical studies / General editors: F.M. Cornford, D.S. Robertson, F.E. Adcock. II)
ČÝěáôá: Music, Greek and Roman
Musical intervals and scales
DDC Ôáîéíüěçóç: 781.88
LCC Ôáîéíüěçóç: ML167.W5M6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
15977 04 NQ 50 - ź÷é ÄéáčÝóéěď
**59154 11 M 41.12 - ź÷é ÄéáčÝóéěď
**59155 11 M 41.12 - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 241 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080676
Ôßôëďň: The quantity and music of the Greek chorus discovered / by Willis Moseley
ÓőăăńáöÝáň: Moseley, William Willis
Äçěoóßĺőóç: Oxford : Printed by T. Combe, Sold by J.H. Parker, 1847
ÖőóéęŢ ĐĺńéăńáöŢ: 40 p. : music ; 25 cm.
ČÝěáôá: Drama--Chorus (Greek drama)
Greek drama--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**59494 11 M 19 - ź÷é ÄéáčÝóéěď
**59495 11 M 19 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 242 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080814
Ôßôëďň: The national music of the world / edited by Henry G. Hewlett
ÓőăăńáöÝáň: Chorley, Henry Fothergill, 1808-1872
Äçěoóßĺőóç: London : S. Low, Marston, Searle, & Rivington, 1880
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 225 p. : music ; 20 cm.
ČÝěáôá: Music--History and criticism
National songs--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**59798 11 M 115 - ź÷é ÄéáčÝóéěď
**59799 11 M 115 - ź÷é ÄéáčÝóéěď
**59800 11 M 115 - ź÷é ÄéáčÝóéěď
**59801 11 M 115 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 243 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 080905
Ôßôëďň: Early medieval music up to 1300 / edited by Dom Anselm Hughes
ÓőăăńáöÝáň: Hughes, Anselm, 1889- (comp)
Äçěoóßĺőóç: London ; New York : Oxford University Press, 1954
ÖőóéęŢ ĐĺńéăńáöŢ: xviii, 434 p. : ill., map, facsims., music ; 26 cm.
ÓĺéńÝň: (New Oxford history of music ; v. 2)
Óçěĺéţóĺéň: Bibliography: p. [405]-417.
ČÝěáôá: Music--500-1400--History and criticism
Music, Medieval
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**59996 11 M 42.5 - ź÷é ÄéáčÝóéěď
**59997 11 M 42.5 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 244 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081117
Ôßôëďň: Studies in Eastern chant / general editors, Egon Wellesz and Milo Velimirović
ÓőăăńáöÝáň: Conomos, Jim.
Velimirović, Milo M. (joint ed.)
Wellesz, Egon, 1885-1974 (ed.)
Äçěoóßĺőóç: London ; New York : Oxford U.P., 1966-
ÖőóéęŢ ĐĺńéăńáöŢ: v. : music ; 22 cm.
Óçěĺéţóĺéň: Vol. 1-4 edited by Milo Velimirović; v. 5 edited by Jim Conomos.
Vol. 4- has imprint: Crestwood, NY : St. Vladimir's Seminary Press, 1979-.
Bibliography: v. 1, p. xiii-xvi.
ČÝěáôá: Chants (Byzantine)--History and criticism--Addresses, essays, lectures
Church music--Orthodox Eastern Church--History and criticism
DDC Ôáîéíüěçóç: 783.5
LCC Ôáîéíüěçóç: ML3060.W35
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**60500 11 M 48.65 - ź÷é ÄéáčÝóéěď
**60501 11 M 48.65 - ź÷é ÄéáčÝóéěď
**60502 11 M 48.65 - ź÷é ÄéáčÝóéěď
**60503 11 M 48.65 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 245 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081168
Ôßôëďň: Handbook of the Middle Byzantine musical notation / by H.J.W. Tillyard
ÓőăăńáöÝáň: Tillyard, Henry Julius Wetenhall, 1881-
Äçěoóßĺőóç: Copenhagen : Levin & Munksgaard, 1935
ÖőóéęŢ ĐĺńéăńáöŢ: 48 p., 1 leaf : ill. (music) ; 27 cm.
ÓĺéńÝň: (Added t.-p.: Union académique internationale. Monumenta musicae byzantinae. Subsidia, ediderunt Carsten Höeg, H.J.W. Tillyard, Egon Wellesz. vol.I, fasc.l)
Óçěĺéţóĺéň: "Authorities": p. [9]-11.
ČÝěáôá: Monumenta Musicae Byzantinae
Music, Byzantine
Neumes
Paleography, Musical
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**60668 11 M 48.4 - ź÷é ÄéáčÝóéěď
**60669 11 M 48.4 - ź÷é ÄéáčÝóéěď
**60670 11 M 48.4 - ź÷é ÄéáčÝóéěď
**60671 11 M 48.4 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 246 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081221
Ôßôëďň: Études sur le Meeraf : commun de l'office divin éthiopien / introduction, traduction française, commentaire liturgique et musical par Bernard Velat
ÓőăăńáöÝáň: Velat, Bernard
Äçěoóßĺőóç: Paris : Firmin-Didot, 1966
ÖőóéęŢ ĐĺńéăńáöŢ: 712 p. : music ; 29 cm.
ÓĺéńÝň: (Patrologia orientalis ; t. 33)
Óçěĺéţóĺéň: Includes indexes.
Bibliography: p. [118]-126.
ČÝěáôá: Ethiopic Church
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**60797 11 T 1068.8 - ź÷é ÄéáčÝóéěď
**60798 11 T 1068.8 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 247 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081361
Ôßôëďň: The Greek aulos : a study of its mechanism and of its relation to the modal system of ancient Greek music, followed by a survey of the Greek harmoniai in survival or rebirth in folk-music / by Kathleen Schlesinger ... With an introduction by J.F. Mountford
ÓőăăńáöÝáň: Schlesinger, Kathleen
Äçěoóßĺőóç: London : Methuen & Co., Ltd., [1939]
ÖőóéęŢ ĐĺńéăńáöŢ: L, 577, [1] p. : ill. (incl. music) plates (part double) facsim. (music) folded tables ; 25 cm.
Óçěĺéţóĺéň: "First published in 1939."
ČÝěáôá: Aulos
Music, Greek and Roman
Musical instruments, Greek
Musical intervals and scales
Wind instruments
LCC Ôáîéíüěçóç: ML169.S34G7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
15378 04 MZ 5 - ź÷é ÄéáčÝóéěď
**61083 11 M 41.13 - ź÷é ÄéáčÝóéěď
**61084 11 M 41.13 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 248 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081397
Ôßôëďň: Origine des instruments de musique : introduction ethnologique à l'histoire de la musique instrumentale / Avec 20 figures dans le texte et 78 gravures hors texte
ÓőăăńáöÝáň: Schaeffner, André.
Äçěoóßĺőóç: Paris : Payot, 1936
ÖőóéęŢ ĐĺńéăńáöŢ: [7]-406 p. : ill., XXXII plates on 16 leaves ; 23 cm.
ÓĺéńÝň: (Bibliothèque musicale)
Óçěĺéţóĺéň: "Bibliographie méthodique": p. [378]-400.
ČÝěáôá: Music
Music, Primitive
Musical instruments--History
Musical instruments, Primitive
DDC Ôáîéíüěçóç: 781.91
LCC Ôáîéíüěçóç: ML460.S28O7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**61159 11 M 6.2 - ź÷é ÄéáčÝóéěď
**61160 11 M 6.2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 249 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081619
Ôßôëďň: Priest of music : the life of Dimitri Mitropoulos / by William R. Trotter
ÓőăăńáöÝáň: Trotter, William R., 1943-
Äçěoóßĺőóç: Portland, Or. : Amadeus Press, 1995
ÖőóéęŢ ĐĺńéăńáöŢ: 495 p. : ill. ; 24 cm.
ISBN: 0931340810
Óçěĺéţóĺéň: Discography: p. 473-480.
Includes bibliographical references (p. 465-468) and index.
ČÝěáôá: Mitropoulos, Dimitri, 1896-1960
Conductors (Music)--Biography
DDC Ôáîéíüěçóç: 780/.92 (20)
B (20)
LCC Ôáîéíüěçóç: ML422.M59T76 1995
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**61621 11 BG 1127/M 59 T - ź÷é ÄéáčÝóéěď
**61622 11 BG 1127/M 59 T - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 250 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081680
Ôßôëďň: The arts in Greece : three essays / by F.A. Wright
ÓőăăńáöÝáň: Wright, Frederick Adam, 1869-
Äçěoóßĺőóç: London ; New York : Longmans, Green and Co., 1923
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 111 p. ; 23 cm.
Đĺńéĺ÷üěĺíá: The dance -- Music -- Painting
ČÝěáôá: Dancing--Greece
Music, Greek
Music, Greek and Roman
Painting, Greek
LCC Ôáîéíüěçóç: DF78.W7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
34718 04 EK 24 - ź÷é ÄéáčÝóéěď
**61749 11 A 249.1 - ź÷é ÄéáčÝóéěď
**61750 11 A 249.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 251 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081822
Ôßôëďň: Meetings with Kontoglou : enlightening, lively discussions on Byzantine iconography and music, diverse writers, philosophers and theologians, and contemporary events and trends, between the author and the great icon painter, writer, and philosopher Photios Kontoglou / Constantine Cavarnos
Ďěďéüěďńöďň Ôßôëďň: Synanteseis me ton Kontoglou
ÓőăăńáöÝáň: Cavarnos, Constantine
Kontoglou, Photes, 1895-1965
¸ęäďóç: 1st English-language ed.
Äçěoóßĺőóç: Belmont, Mass : Institute for Byzantine and Modern Greek Studies, c1992
ÖőóéęŢ ĐĺńéăńáöŢ: 214 p. : ill. ; 22 cm.
ISBN: 091474495X
Óçěĺéţóĺéň: Includes indexes.
ČÝěáôá: Kontoglou, Photes, 1895-1965--Interviews
Artists--Greece--Interviews
Arts, Modern--20th century--Greece
DDC Ôáîéíüěçóç: 700/.92 (20)
LCC Ôáîéíüěçóç: NX551.Z9K66 1992
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**62045 11 BG 1128/K 82 C - ź÷é ÄéáčÝóéěď
**62046 11 BG 1128/K 82 C - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 252 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081851
Ôßôëďň: Théodorakis : le roman d'une musique populaire / Gérard Pierrat
ÓőăăńáöÝáň: Pierrat, Gérard
Äçěoóßĺőóç: Paris : A. Michel, c1977
ÖőóéęŢ ĐĺńéăńáöŢ: 191 p. : ill. ; 17 cm.
ÓĺéńÝň: (Rock & folk)
ISBN: 2226004017 : $29.00F
Óçěĺéţóĺéň: Errata slip inserted.
Filmography: p. 187.
Bibliography: p. [185]-186.
Discography: p. 187-191.
ČÝěáôá: Theodorakis, Mikis
Composers--Greece--Biography
Music--Greek--Modern
DDC Ôáîéíüěçóç: 780/.92/4
B
LCC Ôáîéíüěçóç: ML410.T434P5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**62103 11 M 88.6 - ź÷é ÄéáčÝóéěď
**62104 11 M 88.6 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 253 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 081920
Ôßôëďň: A hymn for all nations : 1851 / by M.F. Tupper ... Translated into thirty languages. The music composed expressly by S. Sebastian Wesley, MUS. DOC
ÓőăăńáöÝáň: Tupper, Martin Farquhar, 1810-1889
Wesley, Sauel Sebastian, 1810-1876
Äçěoóßĺőóç: London : Printed by T. Brettell, and sold by T. Hatchard, [1851?]
ÖőóéęŢ ĐĺńéăńáöŢ: 72 p. ; 22 cm.
Óçěĺéţóĺéň: Music: p. [18-19].
"List of authors and languages": p 5-8.
LCC Ôáîéíüěçóç: PR5699.T5A65
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**62245 11 LANG 2119 - ź÷é ÄéáčÝóéěď
**62246 11 LANG 2119 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 254 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082038
Ôßôëďň: Ueber den Sprachgesang der Vorzeit und die Herstellbarkeit der althebräischen Vocalmusik : mit entsprechenden Musikbeilagen / von Leopold A.F. Arends
ÓőăăńáöÝáň: Arends, Leopold Alexander Friedrich, 1817-1882
Äçěoóßĺőóç: Berlin : Friedr. Schulze's Buchhandlung, 1867
ÖőóéęŢ ĐĺńéăńáöŢ: 123 p. : ill., music ; 21 cm.
Óçěĺéţóĺéň: Musical examples, with romanized Hebrew words: p. 115-123.
Includes bibliographical references.
ČÝěáôá: Hebrew language
Jews--Music--History and criticism
Music--Hebrew
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**62502 11 M 105 - ź÷é ÄéáčÝóéěď
**62503 11 M 105 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 255 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082300
Ôßôëďň: Sea Nile : the desert, and Nigritia : travels in company with Captain Peel, R.N. 1851-1852 / Described by Joseph H. Churi ; with thirteen Arabic songs, as sung by the Egyptian sailors on the Nile, tr., with notes, and the Arabic words written in English as pronounced and set to musical annotation ; with other Arabic songs
ÓőăăńáöÝáň: Churi, Joseph H.
Äçěoóßĺőóç: London : Author, 1853
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 331, [1] p. : ill. ; 23 cm.
ČÝěáôá: Egypt--Description and travel
Nile River
Sudan, Egyptian--Description and travel
LCC Ôáîéíüěçóç: DT123.C5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**63074 11 GT 733.1 - ź÷é ÄéáčÝóéěď
**63075 11 GT 733.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 256 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082392
Ôßôëďň: Die delphischen Hymnen : Untersuchungen über Texte und Melodien / von O. Crusius
ÓőăăńáöÝáň: Crusius, Otto, 1857-1918
Äçěoóßĺőóç: Göttingen : Dieterich, 1894
ÖőóéęŢ ĐĺńéăńáöŢ: 165, [3] p. : ill. (incl. music) ; 23 cm.
ÓĺéńÝň: (Philologus ; Zeitschrift für das classische Alterthum ; Bd. 53. Ergänzungsheft)
Óçěĺéţóĺéň: "Anhang" (music): p. [152]-158.
ČÝěáôá: Music, Greek and Roman
Delphi (Extinct city)
LCC Ôáîéíüěçóç: PA3118.H8C7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**63268 11 M 37 - ź÷é ÄéáčÝóéěď
**63269 11 M 37 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 257 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082496
Ôßôëďň: The music of the most ancient nations : particularly of the Assyrians, Egyptians and Hebrews, with special reference to recent discoveries in Western Asia and in Egypt / by Carl Engel
ÓőăăńáöÝáň: Engel, Carl, 1818-1882
Äçěoóßĺőóç: London : W. Reeves, 1929
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 380 p., [4] leaves of plates : ill., music ; 23 cm.
Óçěĺéţóĺéň: "Exact facsimile of the 1864 edition."--Publisher's note (dated 1929).
Includes index.
"Literature of Hebrew music": p. 354-357.
ČÝěáôá: Music--To 500--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**63480 11 M 9 - ź÷é ÄéáčÝóéěď
**63481 11 M 9 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 258 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082568
Ôßôëďň: Les origines du chant romain : l'Antiphonaire grégorien / par Amédée Gastoué
ÓőăăńáöÝáň: Gastoué, Amédée, 1873-1943
Äçěoóßĺőóç: Paris : A. Picard & Fils, 1907
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 307 p. ; 29 cm.
ÓĺéńÝň: (Bibliothèque musicologique ; 1)
Óçěĺéţóĺéň: "Manuscrits de chant cités dans l'ouvrage": p. [x]-xii.
ČÝěáôá: Chant (Plain, Gregorian, etc.
LCC Ôáîéíüěçóç: ML3082.G2
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**63646 11 M 50 - ź÷é ÄéáčÝóéěď
**63647 11 M 50 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 259 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082649
Ôßôëďň: The late Byzantine and Slavonic Communion Cycle : liturgy and music / Dimitri E. Conomos
ÓőăăńáöÝáň: Conomos, Dimitri E.
Äçěoóßĺőóç: Washington, DC : Dumbarton Oaks Research Library and Collection, c1985
ÖőóéęŢ ĐĺńéăńáöŢ: xiv, 207 p. : music ; 27 cm.
ÓĺéńÝň: (Dumbarton Oaks studies ; 21)
ISBN: 0884021343
Óçěĺéţóĺéň: Includes index.
Bibliography: p. [197]-203.
ČÝěáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)--History and criticism
Church music--Orthodox Eastern Church
Lord's Supper--Orthodox Eastern Church--Liturgy
DDC Ôáîéíüěçóç: 783.2 (19)
LCC Ôáîéíüěçóç: ML3060.C69 1985
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**63836 11 M 63.62 - ź÷é ÄéáčÝóéěď
**63837 11 M 63.62 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 260 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 082987
Ôßôëďň: Les origines du chant liturgique de l'Église latine : étude d'histoire musicale / par Fr. Aug. Gevaert ; discours prononcé à la séance publique de la Classe des beaux-arts de l'Académie de Belgique ... le 27 octobre 1889, augmenté de notes et d'un appendice
ÓőăăńáöÝáň: Gevaert, F. A. (François Auguste), 1828-1908
Äçěoóßĺőóç: Gand : A. Hoste, 1890
ÖőóéęŢ ĐĺńéăńáöŢ: 92 p., 1 leaf ; 26 1/2 cm.
Óçěĺéţóĺéň: 265.9 G33.
Appendice (p. [45]-92) : Décret du synode de 595 -- Préface d'Amalaire -- Lettre de Cassidore à Boéce -- Hymne à Némésis et hymne Ambrosienne -- Laudes et vêpres dans la règle de St. Benoît -- Extraits de Bède le Vénérable -- Lettre du pape Paul Ier à Pépin le Bref -- Extraits de la Musica enchiriadis -- Résponse à la Revue bénédictine.
ČÝěáôá: Catholic church. Antiphonary.
Chants (Plain, Gregorian, etc.
Music, Medieval
LCC Ôáîéíüěçóç: ML3080.G39
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**64575 11 M 53 - ź÷é ÄéáčÝóéěď
**64576 11 M 53 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 261 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 083054
Ôßôëďň: Salonikiós : "the best violin in the Balkans" : Dimítrios Sémsis alias Salonikiós : an outstanding musician, composer, and recording director / by Lisbet Torp
ÓőăăńáöÝáň: Torp, Lisbet
Äçěoóßĺőóç: [Copenhagen] : Museum Tusculanum Press, University of Copenhagen, 1993
ÖőóéęŢ ĐĺńéăńáöŢ: 229 p. : ill. ; 25 cm.
ISBN: 8772892242
Óçěĺéţóĺéň: "Dimítrios Sémsis' recording catalog from 1938-1949": p. [91]-199.
Includes bibliographical references (p. [225]-229) and indexes.
ČÝěáôá: Semses, Demetrios, ca. 1883-1950
Rebetika--Discography
Violinists--Greece--Biography
DDC Ôáîéíüěçóç: 787.2/092 (20)
B (20)
LCC Ôáîéíüěçóç: ML418.S46T67 1993
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**64723 11 BG 1127/S 47 T - ź÷é ÄéáčÝóéěď
**64724 11 BG 1127/S 47 T - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 262 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 083172
Ôßôëďň: Theodorakis : myth & politics in modern Greek music / Gail Holst
ÓőăăńáöÝáň: Holst-Warhaft, Gail, 1941-
Äçěoóßĺőóç: Amsterdam : Hakkert, 1980
ÖőóéęŢ ĐĺńéăńáöŢ: 262 p., [16] p. of plates : ill., ports ; 23 cm.
ISBN: 9025607950 pbk. : fl 45.00
Óçěĺéţóĺéň: Includes bibliographical references and index.
ČÝěáôá: Theodorakis, Mikis
Composers--Greece--Biography
DDC Ôáîéíüěçóç: 780/.92/4 (19)
B (19)
LCC Ôáîéíüěçóç: ML410.T434H6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**64987 11 BG 1127/T 38 H E - ź÷é ÄéáčÝóéěď
**64988 11 BG 1127/T 38 H E - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 263 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 083263
Ôßôëďň: Das byzantinische Prokeimena-Repertoire : Untersuchungen u. krit. Ed. / Gisa Hintze
ÓőăăńáöÝáň: Hintze, Gisa
Äçěoóßĺőóç: Hamburg : Verlag der Musikalienhandlung Wagner, 1973
ÖőóéęŢ ĐĺńéăńáöŢ: 271, xvii p. : facsims., music ; 21 cm.
ÓĺéńÝň: (Hamburger Beiträge zur Musikwissenschaft ; Bd. 9)
ISBN: 3921029147 : DM44.00
Óçěĺéţóĺéň: The music (p. 101-181) in the original and in modern notation; Greek words.
Bibliography: p. 267-271.
ČÝěáôá: Chants (Byzantine)--History and criticism
Music, Byzantine
Prokeimena
Prokeimena--History and criticism
LCC Ôáîéíüěçóç: ML3060.H55
M2157.H55
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**65197 11 M 62.86 - ź÷é ÄéáčÝóéěď
**65198 11 M 62.86 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 264 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 083292
Ôßôëďň: A pictorial history of jazz : people and places from New Orleans to modern jazz / Orrin Keepnews and Bill Grauer, Jr.
ÓőăăńáöÝáň: Keepnews, Orrin
Grauer, William
¸ęäďóç: New ed. / rev. by Orrin Keepnews
Äçěoóßĺőóç: Middlesex, England : Spring Books, 1968, c1966
ÖőóéęŢ ĐĺńéăńáöŢ: 297 p. : ill. ; cm.
ČÝěáôá: Jazz music--Pictorial works
Musicians--Portraits
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**65263 11 M 5.4 - ź÷é ÄéáčÝóéěď
**65264 11 M 5.4 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 265 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 083997
Ôßôëďň: Die griechische griechisch-römische und altchristlich-lateinische Musik : ein Beitrag zur Geschichte des gregorianischen Chorals / von A. Möhler
ÓőăăńáöÝáň: Möhler, Anton, 1866-
Äçěoóßĺőóç: Rom : Spithover ; Freiburg im Breisgau : In Commission der Hender'schen, 1898
ÖőóéęŢ ĐĺńéăńáöŢ: xxiii, 88 p. : music ; 26 cm.
ÓĺéńÝň: (Römische Quartalschrift für christliche Alterthumskunde und für Kirchengeschichte ; 9. Supplementheft)
Óçěĺéţóĺéň: Bibliography: p. [vii]-xxiii.
ČÝěáôá: Chants (Plain, Gregorian, etc.)--History and criticism
Music
Music, Greek and Roman--History and criticism
LCC Ôáîéíüěçóç: ML3082.M74
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**66895 11 P 439.412 - ź÷é ÄéáčÝóéěď
**66896 11 M 57 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 266 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 084232
Ôßôëďň: Dances of Greece / [Illus. by Doreen Renbold after drawings by Athena Tarsouli. Music arr. for the piano by Ferdinand Rauter]
ÓőăăńáöÝáň: Crosfield, Domini
Rauter, Ferdinand, 1902- (arr.)
Äçěoóßĺőóç: New York : Chanticleer Press, [1948]
ÖőóéęŢ ĐĺńéăńáöŢ: 40 p. : col. illus., map. ; 19 cm.
ÓĺéńÝň: (Handbooks of European national dances)
Óçěĺéţóĺéň: "Published under the auspices of the Royal Academy of Dancing and the Ling Physical Education Association."
Includes bibliographies.
ČÝěáôá: Dance--Greece
Music, Greek, Modern
DDC Ôáîéíüěçóç: 793.31
LCC Ôáîéíüěçóç: GV1653.C76
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**67479 11 M 91.14 - ź÷é ÄéáčÝóéěď
**67480 11 M 91.14 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 267 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 084564
Ôßôëďň: An account of the national anthem entitled God save the king! / selected, ed., and arranged by Richard Clark
ÓőăăńáöÝáň: Clark, Richard, 1780-1856 (comp. and ed.)
Äçěoóßĺőóç: London : Printed for W. Wright, 1822
ÖőóéęŢ ĐĺńéăńáöŢ: xxviii, 208 p. : plates (incl. music; part folded) ports ; 23 cm.
Óçěĺéţóĺéň: "Glees" : p. 137-203.
ČÝěáôá: Carey. Henry. d. 1743. Supposed author.
Bull. John, d.. 1628. Supposed author.
God save the King
Glees
Music--National anthems
LCC Ôáîéíüěçóç: ML3658.C59
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68321 11 M 114 - ź÷é ÄéáčÝóéěď
**68322 11 M 114 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 268 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 084611
Ôßôëďň: Trésor de musique byzantine ... / Par Egon Wellesz
ÓőăăńáöÝáň: Wellesz, Egon, 1885- (ed.)
Äçěoóßĺőóç: Paris : Éditions de l'Oiseau lyre, chez L.B.M. Dyer, [1934-
ÖőóéęŢ ĐĺńéăńáöŢ: v. ; 33 x 25 cm.
Óçěĺéţóĺéň: Introductory text in German and French; words of hymns in Greek, with French translation.
Transcription, in modern notation, of liturgical melodies, chiefly from manuscripts of the thirteenth century.
"Sources": vol. I, pt. 1, p. [23].
Đĺńéĺ÷üěĺíá: I, 1. ptie. Notes explicatives. 2. ptie. Melodies dans le premier mode
ČÝěáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68434 11 M 48.26 - ź÷é ÄéáčÝóéěď
**68435 11 M 48.26 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 269 Ěďíďăńáößá
Đáńôéôďýńĺň, Ýíôőđĺň
Ôáőôüôçôá ĹăăńáöŢň: 084725
Ôßôëďň: Intonation formulas and modal signatures in Byzantine musical manuscripts
ÓőăăńáöÝáň: Raasted, Jørgen
Äçěoóßĺőóç: Copenhagen : E. Munksgaard, 1966
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 238 p. : facsims., music ; 30 cm.
ÓĺéńÝň: (Union académique internationale. Monumenta musicae Byzantinae. Subsidia ; v. 7)
ČÝěáôá: Music--Manuscripts
Music, Byzantine
Neumes
Paleography, Musical
DDC Ôáîéíüěçóç: 781.74/96/1
LCC Ôáîéíüěçóç: M2.B99S9 vol.7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68711 11 M 48.46 - ź÷é ÄéáčÝóéěď
**68712 11 M 48.46 - ź÷é ÄéáčÝóéěď
**68713 11 M 48.46 - ź÷é ÄéáčÝóéěď
**68714 11 M 48.46 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 270 Ěďíďăńáößá
Đáńôéôďýńĺň, Ýíôőđĺň
Ôáőôüôçôá ĹăăńáöŢň: 084726
Ôßôëďň: Prophetologium
Ďěďéüěďńöďň Ôßôëďň: Prophetologion
ÓőăăńáöÝáň: Engberg, Gudrun
Høeg, Carsten, 1896-
Zuntz, Günther, 1902-
Orthodox Eastern Church
Äçěoóßĺőóç: Havniae : Munksgaard, 1939-1981
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. of music in 8 : facsims ; 27 cm.
ÓĺéńÝň: (Monumenta musicae Byzantinae. Lectionaria ; v. 1)
Óçěĺéţóĺéň: Chants.
Greek words; prefaces and notes in Latin (pars prima) or English (pars altera).
Includes bibliographies and indexes.
Đĺńéĺ÷üěĺíá: pars prima. Lectiones anni mobilis / adiuvantibus G. Engberg, J. Raasted aliique, ediderunt Carsten Høeg et Günther Zuntz (6 v.) -- pars altera. Lectiones anni immobilis / edidit Gudrun Engberg (2 v.).
ČÝěáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)
Music, Byzantine
LCC Ôáîéíüěçóç: M2.B99L3 vol. 1
M2157L3 vol. 1
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68715 11 M 48.6 fasc. 1 ź÷é ÄéáčÝóéěď
**68716 11 M 48.6 fasc. 2 ź÷é ÄéáčÝóéěď
**68717 11 M 48.6 fasc. 3 ź÷é ÄéáčÝóéěď
**68718 11 M 48.6 fasc. 4 ź÷é ÄéáčÝóéěď
**68719 11 M 48.6 fasc. 5 ź÷é ÄéáčÝóéěď
**68720 11 M 48.6 fasc. 6 ź÷é ÄéáčÝóéěď
**68721 11 M 48.6 fasc. 7 ź÷é ÄéáčÝóéěď
**68722 11 M 48.6 fasc. 8 ź÷é ÄéáčÝóéěď
**68723 11 M 48.6 fasc. 1 ź÷é ÄéáčÝóéěď
**68724 11 M 48.6 fasc. 2 ź÷é ÄéáčÝóéěď
**68725 11 M 48.6 fasc. 3 ź÷é ÄéáčÝóéěď
**68726 11 M 48.6 fasc. 4 ź÷é ÄéáčÝóéěď
**68727 11 M 48.6 fasc. 5 ź÷é ÄéáčÝóéěď
**68728 11 M 48.6 fasc. 6 ź÷é ÄéáčÝóéěď
**68729 11 M 48.6 fasc. 7 ź÷é ÄéáčÝóéěď
**68730 11 M 48.6 fasc. 8 ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 271 Ěďíďăńáößá
Đáńôéôďýńĺň, Ýíôőđĺň
Ôáőôüôçôá ĹăăńáöŢň: 084727
Ôßôëďň: Folk songs of Greece / compiled, edited, arranged and translated by Susan and Ted Alevizos
ÓőăăńáöÝáň: Alevizos, Susan (comp)
Alevizos, Ted (joint comp)
Äçěoóßĺőóç: [New York] : Oak Publications, [1968]
ÖőóéęŢ ĐĺńéăńáöŢ: 96 p. : illus ; 28 cm.
Óçěĺéţóĺéň: Unacc., with chord symbols.
Words in Greek (original and romanized) and English.
Bibliography: p. 96.
Discography: p. 96.
ČÝěáôá: Folk music--Greece
Folk-songs, Greek (Modern)--Greece
LCC Ôáîéíüěçóç: M1714.A42F6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68733 11 M 91.87 - ź÷é ÄéáčÝóéěď
**68734 11 M 91.87 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 273 Ěďíďăńáößá
Đáńôéôďýńĺň, Ýíôőđĺň
Ôáőôüôçôá ĹăăńáöŢň: 084736
Ôßôëďň: Monumenta musicae Byzantinae. Lectionaria
ÓőăăńáöÝáň: Union académique internationale
Äçěoóßĺőóç: Hauniae : E. Munksgaard, 1939-<1981 >
ÖőóéęŢ ĐĺńéăńáöŢ: v. of music <1 > in <8 > ; 27 cm.
Óçěĺéţóĺéň: At head of title, v. 1- : Union académique internationale.
Đĺńéĺ÷üěĺíá: fasc. 1. Lectiones Nativitatis et Epiphaniae (1939) -- fasc. 2. Lectiones hebdomadarum 1ae et 2ae Quadragesimae (1940) -- fasc. 3. Lectiones hebdom. 3ae et 4ae Guadrages (1952) -- fasc. 4. Lectiones hebdom. 5ae Quadrages. et Hebdomadae in Palmis et Maioris (1960) -- fasc. 5. Lectiones Sabbati Sancti (1962) -- fasc. 6. Lectiones ab Ascensione usque ad Dominicam omnium Sanctorum (1970) -- Pars altera. Lectiones anni immobilis. 2 fasc. (1980-1981).
ČÝěáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)
Music, Byzantine
LCC Ôáîéíüěçóç: M2.B99L3
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68766 11 M 48.6 fasc.1 ź÷é ÄéáčÝóéěď
**68767 11 M 48.6 fasc.2 ź÷é ÄéáčÝóéěď
**68768 11 M 48.6 fasc.3 ź÷é ÄéáčÝóéěď
**68769 11 M 48.6 fasc.4 ź÷é ÄéáčÝóéěď
**68770 11 M 48.6 fasc.5 ź÷é ÄéáčÝóéěď
**68771 11 M 48.6 fasc.6 ź÷é ÄéáčÝóéěď
**68772 11 M 48.6 Pars altera. 2 fasc. ź÷é ÄéáčÝóéěď
**68773 11 M 48.6 fasc.1 ź÷é ÄéáčÝóéěď
**68774 11 M 48.6 fasc.2 ź÷é ÄéáčÝóéěď
**68775 11 M 48.6 fasc.3 ź÷é ÄéáčÝóéěď
**68776 11 M 48.6 fasc.4 ź÷é ÄéáčÝóéěď
**68777 11 M 48.6 fasc.5 ź÷é ÄéáčÝóéěď
**68778 11 M 48.6 fasc.6 ź÷é ÄéáčÝóéěď
**68779 11 M 48.6 Pars altera. 2 fasc. ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 274 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 084764
Ôßôëďň: Ueber altgriechische Musik / von Carl Lang
ÓőăăńáöÝáň: Lang, Carl, 1841-
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÖőóéęŢ ĐĺńéăńáöŢ: p. [107]-123 : ill. ; 24 cm.
ČÝěáôá: Music, Greek and Roman--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**68985 11 M 17 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 275 Ěďíďăńáößá
Ç÷ďăńáöŢóĺéň, ěďőóéęÝň đáńáóôÜóĺéň
Ôáőôüôçôá ĹăăńáöŢň: 084778
Ôßôëďň: Folk music of Greece [[sound recording].]
ÓőăăńáöÝáň: Notopoulos, James Anastasios
Äçěoóßĺőóç: [S.l. : s.n., s.a.]
ÓĺéńÝň: (Ethnic folkways library)
Óçěĺéţóĺéň: Program notes by J. A. Notopoulos, G. A. Megas, and S. Peristeres (16 p. ill.) inserted in container.
Đĺńéĺ÷üěĺíá: The earth.--Kalamationos dance.--Go, Maro, to the well.--Wedding song.--Single gainda.--Marko Botzaris.--Three little girls were washing.--Syrtos rethymiotikis.--Paphitike melody.--Karsilamades for women.--The chramaki.--Egkin charasi.--Serra dance.--Sousta dance
ČÝěáôá: Folk music, Greek
LCC Ôáîéíüěçóç: M1714
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**69001 11 D 7 A - ź÷é ÄéáčÝóéěď
**69002 11 D 7 A - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 276 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 084921
Ôßôëďň: De Praestantia musicae veteris libri tres totidem dialogis comprehensi
ÓőăăńáöÝáň: Doni, Gio. Battista (Giovanni Battista), 1593 or 4-1647
Äçěoóßĺőóç: Florentiae : [s.n.], 1647
ÖőóéęŢ ĐĺńéăńáöŢ: 266 (i.e. 146) p. ; cm.
ČÝěáôá: Music--17th century--History and criticism
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**69168 11 M 25 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 277 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 085180
Ôßôëďň: L'Elpidia : overo Li Rivali Generosi. Drama per musica. [In three acts, and in verse]
ÓőăăńáöÝáň: ZENO, Apostolo
Äçěoóßĺőóç: London : [s.n.], 1725
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; 8
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**69467 11 V 1176.33 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 278 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 085194
Ôßôëďň: On the musical scales of various nations
ÓőăăńáöÝáň: Ellis, Alexander John, 1814-1890
Äçěoóßĺőóç: [London : s.n.], 1885].
ÖőóéęŢ ĐĺńéăńáöŢ: p. [485]-[528], [1000]-1111 ; 25 cm.
Óçěĺéţóĺéň: Caption title.
"A paper read before the Society of arts ... 25 March, 1886 ... Reprinted, with additions and corrections, from the Journal of the Society of arts for 27 March, 1885 ... vol. xxxiii".
ČÝěáôá: Musical intervals and scales
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**69481 11 M 9.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 279 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 085664
Ôßôëďň: Francisci Blanchini veronensis utriusque signaturae referendarii et praelati domestici, de tribus generibus instrumentorum musicae veterum organicae dissertatio
ÓőăăńáöÝáň: Bianchini, Francesco, 1662-1729
Äçěoóßĺőóç: Roma : Bernabo & Lazzarini (Fausto Amidei), 1742
ÖőóéęŢ ĐĺńéăńáöŢ: In-8, 58p. ; cm.
Óçěĺéţóĺéň: 510 RISM B/VI
ČÝěáôá: Musical instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**70148 11 M 16 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 280 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 085773
Ôßôëďň: Études de musique byzantine
ÓőăăńáöÝáň: Merlier, Melpo
Äçěoóßĺőóç: Paris : P. Geuthner, 1935
ÖőóéęŢ ĐĺńéăńáöŢ: 58 p. : illus. (music) ; 28 x 23 cm.
ÓĺéńÝň: (Bibliotheque musicale du Musée Guimet : musique orientale, musique des régions lointaines. 2, sér. ; t. 2)
Óçěĺéţóĺéň: "Bibliography": v. 1, pp. [54]-56.
Đĺńéĺ÷üěĺíá: Le premier mode et son plagal
ČÝěáôá: Music, Byzantine
DDC Ôáîéíüěçóç: 781.7495
LCC Ôáîéíüěçóç: ML330.B5 ser. 2, t. 2
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**70257 11 M 62.3 - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 281 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 086678
Ôßôëďň: Fragmentum Graecae scriptionis de musica e codicibus editum / ab I.F. Bellermann
ÓőăăńáöÝáň: Bellermann, Friedrich, 1795-1874
Äçěoóßĺőóç: Berlin : Gedruckt bei J. Petsch, 1840
ÖőóéęŢ ĐĺńéăńáöŢ: 1-26 p. ; cm.
Óçěĺéţóĺéň: Pages extracted from a program from the Berlinischen Gymnasium zum grauen Kloster.
Title taken from Caption Title.
Programm.
ČÝěáôá: Music, Greek (Ancient)--GENNADIUS
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**71238 11 M 42.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 282 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 087681
Ôßôëďň: Glinka : biographie critique, illustrée de douze planches hors texte
ÓőăăńáöÝáň: Calvocoressi, Michel D, 1877-1944
Äçěoóßĺőóç: Paris : H. Laurens, [1911?]
ÖőóéęŢ ĐĺńéăńáöŢ: 126, [2] p. : plates, ports., facsim ; 21 cm.
ÓĺéńÝň: ((Les musiciens célèbres))
Óçěĺéţóĺéň: "Catalogue de l'ouevre de Glinka": pp. [124]-126.
"Note bibliographique": p. 126.
ČÝěáôá: Glinka, Mikhail Ivanovich, 1804-1857
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**72755 11 XXX - ź÷é ÄéáčÝóéěď
**72756 11 BG 1025 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 283 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 087781
Ôßôëďň: Folk musical instruments of Turkey / Laurence Picken
ÓőăăńáöÝáň: Picken, Laurence Ernest Rowland
Äçěoóßĺőóç: London ; New York : Oxford University Press, 1975
ÖőóéęŢ ĐĺńéăńáöŢ: xl, 685 p. (3 fold.) : ill. ; 26 cm.
ISBN: 0193181029 : Ł38.50
Óçěĺéţóĺéň: Includes indexes.
Bibliography: p. [613]-626.
ČÝěáôá: Musical instruments--Turkey
DDC Ôáîéíüěçóç: 781.9/1/09561
LCC Ôáîéíüěçóç: ML522.T9P5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**72972 11 M 6.86 - ź÷é ÄéáčÝóéěď
**72973 11 M 6.86 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 284 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 087845
Ôßôëďň: La musique grecque antique / Jacques Chailley
ÓőăăńáöÝáň: Chailley, Jacques, 1910-
Äçěoóßĺőóç: Paris : Belles Lettres, 1979
ÖőóéęŢ ĐĺńéăńáöŢ: 219 p. : ill., music ; 20 cm.
ÓĺéńÝň: (Collection d'études anciennes)
ISBN: 2251325123 : 75.00F
Óçěĺéţóĺéň: Includes bibliographical references.
ČÝěáôá: Music, Greek
Music, Greek and Roman--History and criticism
DDC Ôáîéíüěçóç: 781.738
LCC Ôáîéíüěçóç: ML169.C35
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
44598 04 NZ 4.60 - ź÷é ÄéáčÝóéěď
**12249 06 32.455 - ź÷é ÄéáčÝóéěď
**73106 11 M 41.2 - ź÷é ÄéáčÝóéěď
**73107 11 M 41.2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 285 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 087903
Ôßôëďň: A short account of the Hindu system of music / by Anne C. Wilson (A.C. Macleod)
ÓőăăńáöÝáň: Wilson, A. C. (M.), Mrs
Äçěoóßĺőóç: Lahore, India : Gulab Singh & Sons, 1904
ÖőóéęŢ ĐĺńéăńáöŢ: 48 p. ; 22 x 18 cm.
ČÝěáôá: Music, Hindu
LCC Ôáîéíüěçóç: ML338.W74
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**73234 11 M 105 - ź÷é ÄéáčÝóéěď
**73235 11 M 105 - ź÷é ÄéáčÝóéěď
**73236 11 M 105 - ź÷é ÄéáčÝóéěď
**73237 11 M 105 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 286 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 087976
Ôßôëďň: A treatise on Byzantine music / by the Very Rev. S.G. Hatherley [sic. ].
ÓőăăńáöÝáň: Hatherly, Stephen Georgeson, 1827-1905
Äçěoóßĺőóç: Paisley ; London : A. Gardner, 1892
ÖőóéęŢ ĐĺńéăńáöŢ: vi, 162 p. : ill. (music) ; 28 x 22 cm.
Óçěĺéţóĺéň: Supplemented by the author's God save the queen, varied in twenty-four forms. (Paisley and London, 1895).
ČÝěáôá: Music, Byzantine
LCC Ôáîéíüěçóç: ML188.H36
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**73392 11 M 43.1 - ź÷é ÄéáčÝóéěď
**73393 11 M 43.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 287 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 088208
Ôßôëďň: Études sur la musique grecque : le plain-chant et la tonalité moderne / par Alix Tiron
ÓőăăńáöÝáň: Tiron, Alix, 1798 or 9-1873
Äçěoóßĺőóç: Paris : impr. impériale, 1866
ÖőóéęŢ ĐĺńéăńáöŢ: 264 p. : double plates, ill. ; 28 cm.
ČÝěáôá: Music, Greek
LCC Ôáîéíüěçóç: ML169.T39
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**73883 11 M 14 - ź÷é ÄéáčÝóéěď
**73884 11 M 14 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 288 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 088495
Ôßôëďň: La danse : Comment on dansait, comment on danse / Technique de Mme Berthe Bernay ... notation musicale de MM. Francis Casadesus et Jules Maugué. Illustrations de M. Valvérane
ÓőăăńáöÝáň: Charbonnel, Raoul
Bernay, Berthe
Casadesus, Francis, 1870-
Maugué, Jules
Äçěoóßĺőóç: Paris : Garnier frères, [1899]
ÖőóéęŢ ĐĺńéăńáöŢ: ix, 418 p. : front., illus., plates (part col.) ; 28 cm.
ČÝěáôá: Dance
LCC Ôáîéíüěçóç: GV1601.C6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**74498 11 XXX - ź÷é ÄéáčÝóéěď
**74499 11 XXX - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 289 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 089192
Ôßôëďň: The triumph of Thermopylae : a musical sketch for the piano forte
ÓőăăńáöÝáň: Fiebig, Ferdinand
Äçěoóßĺőóç: Francfort a.M. : A. Fischer, [ca. 1825]
ÖőóéęŢ ĐĺńéăńáöŢ: 17 p. ; 31 cm.
Óçěĺéţóĺéň: Dedicated to King George IV of England.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**75385 11 IND 643 QS - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 290 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 090443
Ôßôëďň: Rainbow-music, or, The philosophy of harmony in colour-grouping / by Lady Archibald Campbell
ÓőăăńáöÝáň: Campbell, Janey Sevilla
Äçěoóßĺőóç: London : Bernard Quaritch, 1886
ÖőóéęŢ ĐĺńéăńáöŢ: 34 p. ; 17 x 20 cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**76640 11 M 4 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 152 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 069563
Ôßôëďň: Die absolute harmonik der Griechen ...
ÓőăăńáöÝáň: Paul, Oscar, 1836-1898
Äçěoóßĺőóç: Leipzig : A. Dörffel, 1866
ÖőóéęŢ ĐĺńéăńáöŢ: viii p., 1 l., 44, xxviii p. : v tab. (partly fold.) ; 28 x 23 cm.
Óçěĺéţóĺéň: Habilitationsschrift--Leipzig.
"Die thetischen und dynamischen benennungen der klänge innerhalb der tonarten nach Claudius Ptolemaeus übersichtlich in tabellen ... zusammengestellt": xxviii p.
ČÝěáôá: Music, Greek and Roman--History and criticism
LCC Ôáîéíüěçóç: ML168.P32
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**42265 11 M 32 - ź÷é ÄéáčÝóéěď
=====
ĹăăńáöŢ 155 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 070041
Ôßôëďň: Souvenirs d'une mission musicale en Grèce et en Orient
ÓőăăńáöÝáň: Bourgault-Ducoudray, L. A. (Louis Albert), 1840-1910
Äçěoóßĺőóç: Paris : J. Baur, 1876
ÖőóéęŢ ĐĺńéăńáöŢ: 43 p. ; cm.
ČÝěáôá: Music--Asia--History and criticism
Music--Greece--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**42744 11 M 54 - ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 159 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 070245
Ôßôëďň: Die Marschlieder des griechischen Drama
ÓőăăńáöÝáň: Myriantheus, L.
Äçěoóßĺőóç: Muenchen : T. Ackermann, 1873
ÖőóéęŢ ĐĺńéăńáöŢ: 141 p. : fold. diagr ; 23 cm.
ČÝěáôá: Drama--Chorus (Greek drama)
Greek drama--Incidental music
Greek drama, Ancient
Metrics
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**42949 11 GC 5003.1 - ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 165 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 071860
Ôßôëďň: On the use of the Greek language, written phonetically, in the early service books of the church in England / Communicated to the Society of Antiquaries by William Chappell ...
ÓőăăńáöÝáň: Chappell, W. (William), 1809-1888
Äçěoóßĺőóç: London : J. B. Nichols and sons, 1881
ÖőóéęŢ ĐĺńéăńáöŢ: 14 p., [5] leaves of plates : facsims., music ; cm.
Óçěĺéţóĺéň: "From The Archaeologia, vol. XLVI."
ČÝěáôá: Church of England--Liturgy
Church music--Church of England
Musical notation
Pronunciation
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
====
ĹăăńáöŢ 166 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 071930
Ôßôëďň: Die musikalischen Wissenschaften der Griechen / von Friedrich von Drieberg
ÓőăăńáöÝáň: Drieberg, Friedrich von, 1780-1856
Äçěoóßĺőóç: Berlin : Trautwein, 1820
ÖőóéęŢ ĐĺńéăńáöŢ: 107 p. : music ; 28 cm.
Óçěĺéţóĺéň: Cover title.
With: Die Tonleitern und Musiktonen der Griechen / erläuert durch Friedrich Bellermann. Berlin : A. Förstner, 1847.
Includes bibliographical references.
ČÝěáôá: Harmony
Music--Theory--To 500
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**44873 11 M 33 - ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 168 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 072453
Ôßôëďň: Les innovations musicales dans la tragédie grecque à l'époque d'Euripide / par J. estève
ÓőăăńáöÝáň: Estève, Joseph Léon.
Äçěoóßĺőóç: Nimes : La Laborieuse, 1902
ÖőóéęŢ ĐĺńéăńáöŢ: xiii, 308 p. : music ; 23 cm.
Óçěĺéţóĺéň: Originally published as a thesis: University of Paris.
Includes bibliographical references and index.
ČÝěáôá: Euripides
Drama--Chorus (Greek drama)
Greek drama (Tragedy)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**45396 11 M 20 - ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 171 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 072657
Ôßôëďň: Studien zur griechischen Musik-geschichte / von H. Reiman
ÓőăăńáöÝáň: Reimann, Heinrich
Äçěoóßĺőóç: Ratibor : Riedinger's Buch- und Steindruckerei, 1882-1885
ÖőóéęŢ ĐĺńéăńáöŢ: 2 pts. (24, 23 p.) ; cm.
Óçěĺéţóĺéň: Imprint of 2nd part: Glatz : L. Schirmer.
Includes bibliographical references.
Đĺńéĺ÷üěĺíá: A. Der Nómos : Beilage zum Jahresberichte des Königlichen Gymnasiums zu Ratibor, Ostern 1882 -- B. Die Prosodien und die denselben verwandten Gesänge der Griechen : Beilage zum Oster-Programm 1885 des Königlichen katholischen Gymnasiums zu Glatz
ČÝěáôá: Music, Greek (Ancient)
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**45600 11 M 35 Pt.A ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 172 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 072681
Ôßôëďň: Die Eisagoge des Bacchius / vom Oberlehrer Professor Dr. von Jan
ÓőăăńáöÝáň: Bacchius, senior
Jan, Karl von, 1836-1899
Strasbourg .. Lyceum (France)
Äçěoóßĺőóç: Strassburg : Strassburger Druckerei u. Verlagsanstalt, 1890
ÖőóéęŢ ĐĺńéăńáöŢ: 32 p. ; 27 cm.
Óçěĺéţóĺéň: At head of title: Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1889/90.
Text in Greek and German in parallel columns.
1890. Programm Nr. 509.
ČÝěáôá: Music--Greece
Greece
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**45624 11 M 34 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 173 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 072986
Ôßôëďň: I due Foscari : tragedia lirica / di M.F. [i.e. F.M.] Piave ; posta in musica da Giuseppe Verdi
Ďěďéüěďńöďň Ôßôëďň: Due Foscari
ÓőăăńáöÝáň: Verdi, Giuseppe, 1813-1901
Martin, George Whitney (former owner)
Piave, Francesco Maria, 1810-1876 (librettist)
George W. Martin Collection (Pierpont Morgan Library)
Äçěoóßĺőóç: Vicenza : [S.n., 1848?]
ÖőóéęŢ ĐĺńéăńáöŢ: 24 p. ; 18 cm.
Óçěĺéţóĺéň: No publisher indicated.
Libretto based on Byron's play, The two Foscari.
ČÝěáôá: Byron. George Gordon Byron. Baron. 1788-1824.
1848
Operas
Corfu--Theatre
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**45936 11 MGL 1074.84 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 174 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 073186
Ôßôëďň: School music abroad : a series of reports on visits to schools in Prussia, Saxony, Bavaria, Austria, Switzerland, France, Belgium, Holland, Sweden, Norway, Denmark, Italy, and America, during the years 1882-1901 / by J. Spencer Curwen
ÓőăăńáöÝáň: Curwen, J. Spencer (John Spencer), 1847-1916
Äçěoóßĺőóç: London : J. Curwen, [1901]
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 140 p. : music ; 19 cm.
Óçěĺéţóĺéň: (Preface signed 1901).
ČÝěáôá: School music
School music--Europe
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**46137 11 M 117 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 175 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 073377
Ôßôëďň: Congregational music : a sermon, preached before the Choral Association of the Diocese of Llandaff in the Cathedral of Llandaff, on Oct. 16, 1862 / by Alfred Ollivant
ÓőăăńáöÝáň: Ollivant, Alfred, 1798-1882
Äçěoóßĺőóç: London : Rivingtons, 1862
ÖőóéęŢ ĐĺńéăńáöŢ: 22 p. ; 21 cm.
Óçěĺéţóĺéň: Published at the request of the Association.
Printing Master 110.
ČÝěáôá: Music in churches
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**46328 11 M 60 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 176 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 073724
Ôßôëďň: Under the presidency of Saint Paul : the case of Byzantine originality / A.R. Littlewood
˘ëëĺň đáńáëëáăÝň ôßôëďő: Case of Byzantine originality
ÓőăăńáöÝáň: Littlewood, Antony Robert
Hellenic Canadian Association of Constantinople
Äçěoóßĺőóç: Toronto, Ontario, Canada : Hellenic Canadian Association of Constantinople, [1995]
ÖőóéęŢ ĐĺńéăńáöŢ: 48 p. : 6 ill. ; 23 cm.
ÓĺéńÝň: (The "Constantinople and its legacy" annual lecture ; February 5, 1995)
Óçěĺéţóĺéň: Two unnumbered preliminary pages give some biographical and bibliographical information about the author.
Includes bibliographical references.
ČÝěáôá: Art, Byzantine
Byzantine literature--History and criticism
Music, Byzantine
Originality (Aesthetics)
Byzantine Empire--Civilization
LCC Ôáîéíüěçóç: DF531.L58 1995
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**46675 11 HG 206/L 78 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 177 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 073860
Ôßôëďň: Die byzantinische Notenschrift im 10. bis 15. Jahrhundert : paläographische Studie mit Übertragung von 70 Gesängen des Andreas von Kreta, Johannes Damascenus, Kosmas von Majuma, Johannes Monachus u. a. ; mit 8 phototypischen Faksimiles aus Handschriften des 10. bis 13. Jahrhunderts / von Dr. Phil. et Mus. Hugo Riemann ...
ÓőăăńáöÝáň: Riemann, Hugo, 1849-1919
Äçěoóßĺőóç: Leipzig : Breitkopf & Härtel, 1909
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 98 p. : ill. (music) 8 facsim ; 25 cm.
ÓĺéńÝň: (Studien zur byzantinischen Musik ; 1. Heft)
ČÝěáôá: Music, Byzantine
Musical notation
Paleography, Greek
Paleography, Musical
LCC Ôáîéíüěçóç: ML188.R53 Hft. 1
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**46812 11 M 48.2 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 178 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 073989
Ôßôëďň: Rapport sur une mission scientifique en Turquie d'Asie / par Dom J. Parisot
ÓőăăńáöÝáň: Parisot, Jean, 1862-
France. Ministère de l'éducation nationale
Äçěoóßĺőóç: Paris : E. Leroux, 1899
ÖőóéęŢ ĐĺńéăńáöŢ: 250 p. ; 25 cm.
Óçěĺéţóĺéň: With musical illustrations.
Extrait des Nouvelles archives des missions scientifiques, t. IX.
Đĺńéĺ÷üěĺíá: Rapport à M. le ministre.--Collection de chants orientaux: I. Chants maronites. II. Chants d'église en arabe. III. Chansons arabes. IV. Chants syriens. V. Chants Charléens.--Appendice. Chants israélites
ČÝěáôá: Maronites--Liturgy and ritual
Music, Oriental
Syriac language, Modern
LCC Ôáîéíüěçóç: ML3740.P22
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**46949 11 M 104 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 179 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074321
Ôßôëďň: Rhythmischer choral, Altarweisen und griechische Rhythmen in ihrem wesen Dargestellt durch eine Rhythmik des einstimmigen Gesanges auf Grund der accente / von Friedrich Succo ...
ÓőăăńáöÝáň: Succo, Friedrich
Äçěoóßĺőóç: Gütersloh : C. Bertelsmann, 1906
ÖőóéęŢ ĐĺńéăńáöŢ: xiii, 405 p. ; 24 cm.
ČÝěáôá: Choral
Musical meter and rhythm
LCC Ôáîéíüěçóç: ML3084.S94
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47281 11 M 40 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 180 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074322
Ôßôëďň: System der altgriechischen instrumentalnotenschrift / von Albert Thierfelder
ÓőăăńáöÝáň: Thierfelder, Albert Wilhelm, 1846-1924
Äçěoóßĺőóç: Leipzig : Dieterich'sche verlagsbuchhandlung, 1897
ÖőóéęŢ ĐĺńéăńáöŢ: [492]-524 p. ; 23 cm.
Óçěĺéţóĺéň: "Aus dem 56. Bande des 'Philologus' besonders abgedruckt."
ČÝěáôá: Music, Greek and Roman
Musical notation
LCC Ôáîéíüěçóç: ML169.T3
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47282 11 M 42 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 181 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074477
Ôßôëďň: Die griechische Musik auf ihre grundgesetze zurückgeführt : Eine Antikritik in drei Büchern / von Friedrich von Drieberg
ÓőăăńáöÝáň: Drieberg, Friedrich von, 1780-1856
Äçěoóßĺőóç: Berlin : Trautwein, 1841
ÖőóéęŢ ĐĺńéăńáöŢ: 3 p. l., [3]-196 p. ; 27 x 22 cm.
ČÝěáôá: Music, Greek and Roman
LCC Ôáîéíüěçóç: ML169.D845
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47539 11 M 33 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 182 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074529
Ôßôëďň: Die Lehre vom Ethos in der griechischen Musik : Ein Beitrag zur Musikästhetik des klassischen Altertums / von Dr. Hermann Abert
ÓőăăńáöÝáň: Abert, Hermann, 1871-1927
Äçěoóßĺőóç: Leipzig : Breitkopf & Härtel, 1899
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 168 p. ; 23 cm.
ÓĺéńÝň: (Breitkopf & Härtels Sammlung musikwissenschaftlicher Arbeiten von deutschen Hochschulen. 2. Bd.)
ČÝěáôá: Ethics--Greece
Music--Philosophy and aesthetics
Music, Greek and Roman--History and criticism
LCC Ôáîéíüěçóç: ML3920.A14
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47591 11 M 345 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 183 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074638
Ôßôëďň: Die Musik der alten Griechen / Ein Vortrag von Dr. Richard Batka
ÓőăăńáöÝáň: Batka, Richard, 1868-1922
Äçěoóßĺőóç: Prag : Selbstverlag, 1900
ÖőóéęŢ ĐĺńéăńáöŢ: 18 p. ; 23 cm.
ČÝěáôá: Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47705 11 M 42 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 184 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074673
Ôßôëďň: Paragone dell' antica colla moderna musica / Dissertazione del Signor Burette. In cui si dimostra, che i maravigliosi effetti attribuiti alla musica degli antichi non provano in niun modo, ch' essa fosse più perfetta della nostra. No. XIV
ÓőăăńáöÝáň: Burette, M. (Pierre Jean), 1665-1747
Äçěoóßĺőóç: Venezia : Appresso A. Groppo, 1748
ÖőóéęŢ ĐĺńéăńáöŢ: 12 p. ; 23 cm.
Óçěĺéţóĺéň: Title vignette.
A translation of the French original published in "Memoires de litterature ... de l'Academie royale des inscriptions et belles lettres," Paris, 1729, v. 5, p. 133-151.
ČÝěáôá: Music, Greek (Ancient)
Music, Greek and Roman
Music, Influence of.
LCC Ôáîéíüěçóç: ML169.A2B8
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47740 11 M 15 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 185 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074691
Ôßôëďň: Aufschlüsse über die Musik der Griechen / Von Friedrich von Drieberg
ÓőăăńáöÝáň: Drieberg, Friedrich von, 1780-1856
Äçěoóßĺőóç: Leipzig : In commission bei C. Cnobloch, 1819
ÖőóéęŢ ĐĺńéăńáöŢ: 2 p. l., 182 p. : tables, diagrs ; 26 x 22 cm.
ČÝěáôá: Music, Greek and Roman
Music, Greek, Ancient
LCC Ôáîéíüěçóç: ML169.D842
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47758 11 M 13.6 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 186 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074692
Ôßôëďň: Wörterbuch der griechischen Musik in ausführlichen Artikeln über Harmonik, Rhythmik, Metrik, Kanonik, Melopoie, Rhythmopoie, Theater, Kampfspiele, Instrumente, Notirung u. s. w / Nach den Quellen neu bearbeitet von Friedrich von Drieberg
ÓőăăńáöÝáň: Drieberg, Friedrich Johann von, 1780-1856
Äçěoóßĺőóç: Berlin : Schlesinger, 1835
ÖőóéęŢ ĐĺńéăńáöŢ: 1 p. l., vi, 219, [1] p. vii fold. pl. ; 27 x 22 cm.
ČÝěáôá: Music, Greek and Roman--History and criticism
LCC Ôáîéíüěçóç: ML169.D844
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47759 11 M 33 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 187 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074752
Ôßôëďň: Grazer und Münchener balkanologische Studien / [Redaktion : Walther Wünsch und Hans Joachim Kissling]
ÓőăăńáöÝáň: Kissling, Hans Joachim, 1912- (ed.)
Wünsch, Walther (ed.)
Balkanologentagung (2nd : Graz, Austria : 1966
Äçěoóßĺőóç: München : Trofenik, 1967
ÖőóéęŢ ĐĺńéăńáöŢ: 182 p. : illus ; 25 cm.
ÓĺéńÝň: (Beiträge zur Kenntnis Südosteuropas und des Nahen Orients ; 2. Bd.)
Óçěĺéţóĺéň: Includes bibliographical references.
Đĺńéĺ÷üěĺíá: Zweite Grazer Balkanologen-Tagung 1966 "Das Orientalische Element am Balkan -- Müncher Studien Geschichte und Volkskunde der Balkan- Länder
ČÝěáôá: Folk music--Balkan Peninsula--History and criticism--Congresses
Balkans
LCC Ôáîéíüěçóç: ML3600.G72
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47819 11 HB 4/G 78 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 188 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074782
Ôßôëďň: Die Eisagoge des Bacchius Erklärung / Zu den Grundlagen der nicht-euklidischen Geometrie von Max Simon
ÓőăăńáöÝáň: Jan, Karl von, 1836-1899
Äçěoóßĺőóç: Strassburg : R. Schultz, 1891
ÖőóéęŢ ĐĺńéăńáöŢ: 23 p. ; 25 cm.
ÓĺéńÝň: (Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1890 / 91 Programm ; Nr. 512)
ČÝěáôá: Bacchius, senior
Music--Theory--To 500
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47849 11 M 34 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 189 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074783
Ôßôëďň: Die Harmonik des Aristoxenianers Kleonides / Vom Oberlehrer Dr. Karl von Jan
ÓőăăńáöÝáň: Jan, Karl von, 1836-1899
Äçěoóßĺőóç: Landsberg a.d.W. : R. Schneider, [1870]
ÖőóéęŢ ĐĺńéăńáöŢ: 23 p. ; 25 cm.
Óçěĺéţóĺéň: (Programm des Gymnasiums ... zu Landsberg).
ČÝěáôá: Aristotle
Cleonides
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47850 11 M 34 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 190 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074810
Ôßôëďň: Die pseudo-aristotelischen probleme über musik / Von Carl Stumpf
ÓőăăńáöÝáň: Stumpf, Karl, 1848-1936
Äçěoóßĺőóç: Berlin : Königl, Akademie der wissenschaften, in commission bei G. Reimer, 1897
ÖőóéęŢ ĐĺńéăńáöŢ: 85, [1] p. ; 28 x 22 cm.
Óçěĺéţóĺéň: (Abhandl. d. k. Brauss. Akademie d. Wissenschaften zu Berlin vom Jahre 1896.).
ČÝěáôá: Aristoteles. Spurious and doubtful works. Problemata.
Music, Greek and Roman
LCC Ôáîéíüěçóç: ML168.A6S9
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47877 11 M 34 - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 191 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074868
Ôßôëďň: Mémoire sur la musique des anciens, oú l'on expose le principe des proportions authentiques, dites de Pythagore, & de divers systêmes de musique chez les Grecs, les Chinois & les Egyptiens : Avec un parallèle le systême des Egyptiens & celui des modernes / Par m. l'abbé Roussier
ÓőăăńáöÝáň: Roussier, Pierre Joseph, l716-1700?
Äçěoóßĺőóç: Paris : Lacombe, 1770
ÖőóéęŢ ĐĺńéăńáöŢ: xxiv,252 p. : illus (incl. music) pl. (music) fold.tab. ; 26 cm.
ČÝěáôá: Music--China
Music--Egypt
Music--Theory--18th century
Music, Greek and Roman
LCC Ôáîéíüěçóç: ML162.A2R7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**47992 11 M 13 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 192 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074976
Ôßôëďň: Aristoxenvs.Nicomachvs.Alypivs : Auctores musices antiquissimi, hactenus non editi / Ioannes Mevrsivs nunc primus vulgavit, & notas addidit
˘ëëĺň đáńáëëáăÝň ôßôëďő: Aristoxenus. Nicomachus. Alypius
ÓőăăńáöÝáň: Meurs, Johannes van, 1579-1639
Alypius, Saint, d. 1114
Aristoxenus
Nicomachus, Of Gerasa
Äçěoóßĺőóç: Lvgdvni Batavorvm : ex officinâ Lvdovici Elzeviri, typis G. Blasson, 1616
ÖőóéęŢ ĐĺńéăńáöŢ: 4 p.l., 160 (i.e. 196) p. ; 18 cm.
Óçěĺéţóĺéň: The last page numbered 160 for 196.
Printer's mark: open music book.
ČÝěáôá: Music, Greek and Roman
Scriptores musici
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48100 11 GC 4603 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 193 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 074990
Ôßôëďň: God save the queen : varied in twenty-four forms. Supplement to A treatise on Byzantine music / By the Very Rev. S.G. Hatherly ... Op. 57
ÓőăăńáöÝáň: Hatherly, Stephen G. (Stephen Georgeson), 1827-1905
Äçěoóßĺőóç: Paisley and London : A. Gardner, 1895
ÖőóéęŢ ĐĺńéăńáöŢ: 2 p. 1., 36 p. ; 28 cm.
ČÝěáôá: God save the King
Music, Byzantine
Musical intervals and scales
LCC Ôáîéíüěçóç: ML188.H362
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48114 11 M 43.1 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 194 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075002
Ôßôëďň: Music in the western church : A lecture on the history of psalmody, illustrated with examples of the music of the various periods / By William A. Leonard
ÓőăăńáöÝáň: Leonard, William A.
Äçěoóßĺőóç: London : F. Pitman; [etc., etc.], 1872
ÖőóéęŢ ĐĺńéăńáöŢ: 1 p. l., vii, 80, ix p. : illus. (music) ; 19 cm.
Óçěĺéţóĺéň: Wrongly attributed to Bishop William Andrew Leonard by Allibone, Dict. of English literature.
ČÝěáôá: Church music--History and criticism
LCC Ôáîéíüěçóç: ML3000.L36
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48126 11 M 70 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 195 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075024
Ôßôëďň: De Graecorum veterum re musica quaestionum capita duo : I. De polyphonia et dialecto crumatica. II. De Pindari re musica / [Scripsit dr. phil. Ernst Graf ... ].
ÓőăăńáöÝáň: Graf, Ernst, 1861-
Äçěoóßĺőóç: Marpurgi Cattorum : apud N.G. Elwertum, 1889
ÖőóéęŢ ĐĺńéăńáöŢ: pp. (4) [2 p. l.,] 90 +[p., 1 l. ; 22 cm.]
Óçěĺéţóĺéň: "Commentatio ad veniam legendi in Academia marpurgensi impetrandam scripta."
ČÝěáôá: Pindar
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48148 11 M - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 196 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075091
Ôßôëďň: Le rythme tonique dans la poésie liturgique et dans le chant des églises chrétiennes au moyen âge / par Pierre Aubry
ÓőăăńáöÝáň: Aubry, Pierre, 1874-1910
Äçěoóßĺőóç: Paris : H. Welter, 1903
ÖőóéęŢ ĐĺńéăńáöŢ: 84 p., 1 . : illus. (music) ; 28 cm.
ÓĺéńÝň: (Essais de musicologie comparée)
ČÝěáôá: Chants (Plain, Gregorian, etc.)--History and criticism
Church music--History and criticism
Music, Medieval
Musical meter and rhythm
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48215 11 M 53 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 197 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075343
Ôßôëďň: Musikgeschichtliches aus Homer. I.
ÓőăăńáöÝáň: Guhrauer, Heinrich
Äçěoóßĺőóç: Leipzig : G. Fock, 1886
ÖőóéęŢ ĐĺńéăńáöŢ: pp. 24 ; 4to
Óçěĺéţóĺéň: No more published.
Cover-title.
LIX. Jahresbericht - Evangelisches Städtisches Gymnasium zu Lauban.
ČÝěáôá: Homer--Art, [etc.]
Music, Greek (Ancient)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48522 11 M 35 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 198 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075413
Ôßôëďň: TroJa distrutta : dramma per musica : da rappresentarsi nel Nuovo Regio Ducal Teatro di Milano per il secondo spettacolo nel suo primo aprimento nel corrente autunno dell'anno 1778 : dedicato alle LL.AA.RR. il serenissimo arciduca Ferdinando principe reale d'Ungheria, e Boemia, arciduca d'Austria ... e la serenissima arciduchessa Maria Ricciarda Beatrice d'Este principessa di Modena
Ďěďéüěďńöďň Ôßôëďň: Troja distrutta
ÓőăăńáöÝáň: Mortellari, Michele, ca. 1750-1807 (cmp)
Ferdinand, Duke of Modena, Reggio, Mirandola, and Breisgau, 1754-1806 (dte)
Balducci, Maria (voc)
Chiesa, Melchiorre (itr)
Gaggini, Antoniuccio (prd)
Giussani, Severo (cnd)
Grassi, Paolo (prd)
Isacci, Clemente (art ; prd)
Lampugnani, Gio. Batista (itr)
Lebrun, Francesca, nata Danzi (voc)
Maria Beatrice d'Este, Duchess of Massa and Carrara, d. 1829 (dte)
Mazza, Gio. (cst)
Moroni, Giulia (voc)
Motta, Francesco (cst)
Prati, Antonio (voc)
Roscio, Luca (itr)
Rubinelli, Giovanni (voc)
Scotti, Giovanni (prd)
Valcamonica, Stefano (cnd)
Äçěoóßĺőóç: In Milano : Appresso Gio. Batista Bianchi Regio stampatore, [1778?]
ÖőóéęŢ ĐĺńéăńáöŢ: p. 3-55, [1] ; 18 cm.
Óçěĺéţóĺéň: Three acts; "Colla permissione"--title page; "Argomento"--p. 11-12; "Mutazioni di scene"--p. 16.
Dedication signed, "I cavalieri associati" on p. 5-6.
Foreword, "Al rispettabilissimo pubblico di Milano" on p. 7-10.
"La musica è nuova composizione del Sig. maestro Michele Mortellari"--p. 14.
"Alli cembali, signori maestri Gio. Batista Lampugnani, e Melchiorre Chiesa"--p. 14.
"Capo dell'orchestra, Sig. Luca Roscio"--p. 14.
"Direttori de' cori, signori Stefano Valcamonica, e Severo Giussani"--p. 14.
"Direttore degli abbattimenti, Sig. Antoniuccio Gaggini, maestro di scherma napolitano"--p. 15.
"Copista della musica dell'opera, e de' balli, Sig. Giovanni Scotti"--p. 15.
"Il vestiario è di nuova invenzione, de' signori Francesco Motta, e Gio. Mazza"--p. 15.
"Inventore, e pittore dello scenario, Sig. Clemente Isacci"--p. 16.
"Direttore delle macchine, Sig. Paolo Grassi"--p. 16.
"Primo ballo tragico Calipso abbandonata"--p. [1] at end.
"Ballo secondo La Gelosia"--p. [1] at end.
Attori: PARIDE. Sig. Giovanni Rubinelli -- ELENA. Signora Maria Balducci -- CASSANDRA. Signora Francesca Lebrun nata Danzi, virtuosa di camera di S.A.S. elettoral palatina, e di Baviera -- DEIFEBO. Sig. AntonioPrati -- CREUSA. Signora Giulia Moroni--p. 13.
ČÝěáôá: Ballets
Operas--Librettos
Paride.
Elena.
Cassandra.
Deifebo.
Creusa.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48604 11 V 315 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 199 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075473
Ôßôëďň: Rules for the catalogues of printed books, maps, & music
ÓőăăńáöÝáň: Cambridge University Library
Äçěoóßĺőóç: Cambridge : The University press, 1927
ÖőóéęŢ ĐĺńéăńáöŢ: 77 numb. ., 1 . ; 22 cm.
Óçěĺéţóĺéň: Introductory note signed: A. F. Scholfield.
"Note on reference books": p. 63-68.
ČÝěáôá: Cataloging
Cataloging--Maps
Cataloging--Music
Reference books--Bibliography
LCC Ôáîéíüěçóç: Z695.C17 1927
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48664 11 BB 766.9 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 200 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075551
Ôßôëďň: La divine liturgie de St. Jean Chrysostome, chantée selon le rite byzantin avec traduction française & notation musicale
Ďěďéüěďńöďň Ôßôëďň: Leitourgikon
ÓőăăńáöÝáň: Orthodox Eastern Church
Äçěoóßĺőóç: Liban : Imp. de Saint Paul Harissa, 1926
ÖőóéęŢ ĐĺńéăńáöŢ: 122 p. : plates ; cm.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48742 11 DAL/L 78 D - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 201 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075611
Ôßôëďň: Mehterhane : The Military band of the Turkish Army. Les Fanfares des anciennes armées turques
Äçěoóßĺőóç: [Istanbul] : Türkiye Turing ve Otomobil Kurumu, [1971?]
ÖőóéęŢ ĐĺńéăńáöŢ: 53 p. : illus ; 19 cm.
Óçěĺéţóĺéň: In Turkish, English, and French.
ČÝěáôá: Bands (Music)---Turkey---History and criticism
Military music, Turkish--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48831 11 DAL/M 49 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 203 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075643
Ôßôëďň: Les chants liturgiques de l'église arménienne traduits en notes musicales européennes / par Pietro Bianchini
ÓőăăńáöÝáň: Bianchini, Pietro
Äçěoóßĺőóç: Venise : impr. arménienne de St-Lazare, 1877
ÖőóéęŢ ĐĺńéăńáöŢ: XIII-226 p. : mus. ; cm.
Óçěĺéţóĺéň: Contient des textes en français et en arménien.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48863 11 M 74 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 204 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075737
Ôßôëďň: My Japanese : a topical song of Japan / words and music by S.L.G.
ÓőăăńáöÝáň: S. L. G.
G., S. L.
Äçěoóßĺőóç: Yokohama : Kelly & Walsh, [1896?].
ÖőóéęŢ ĐĺńéăńáöŢ: [4] p., [15] leaves of plates : ill., music ; cm.
Óçěĺéţóĺéň: Caption title.
Primarily pictorial work which includes verses to a song for medium voice and piano.
ČÝěáôá: Picture books--Japan
Songs (Medium voice) with piano
Japan
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**48958 11 V 793.3 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 205 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075833
Ôßôëďň: Musica ex Platone secundum locum Legg.vii, p. 712 : Programma quo examen publicum discipulorum scholae Thomanae... instituendum atque orationes... / habendas rite indicit... Godofredus Stallbaumius...
ÓőăăńáöÝáň: Stallbaum, Gottfried, 1793-1861
Äçěoóßĺőóç: Lipsiae : literis Staritzii, 1846
ÖőóéęŢ ĐĺńéăńáöŢ: 46 p. ; 23 cm.
Óçěĺéţóĺéň: (Programma--Scholas Thomanae).
ČÝěáôá: Plato. Leges.
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49067 11 M 36 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 206 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075835
Ôßôëďň: Lyric airs : consisting of specimens of Greek, Albanian, Walachian, Turkish, Arabian, Persian, Chinese and Moorish national songs and melodies ... / to which are added basses for the harp or piano-forte. Likewise are subjoined a few explanatory notes on the figures and movements of the modern Greek dances, with a short dissertation on the origin of the ancient Greek music ...
ÓőăăńáöÝáň: Jones, Edward, 1752-1824
Mayer, Lewis (ill.)
Rowlandson, Thomas, 1756-1827 (engr)
Äçěoóßĺőóç: London : Printed for the author, 1804
ÖőóéęŢ ĐĺńéăńáöŢ: vi, 24 p., 32 p. of music : col. front ; 34 cm.
Óçěĺéţóĺéň: Aquatint frontispiece etched by Thomas Rowlandson after Lewis Mayer.
ČÝěáôá: Dance
Music, Greek and Roman
National songs
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49069 11 M 87 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 207 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 075903
Ôßôëďň: Albanische Volksmusik / [von] Doris Stockmann, Wilfried Fiedler [und] Erich Stockmann
ÓőăăńáöÝáň: Stockmann, Doris
Fiedler, Wilfried (joint author)
Stockmann, Erich (joint author)
Äçěoóßĺőóç: Berlin : Akademie-Verlag, 1965-
ÖőóéęŢ ĐĺńéăńáöŢ: v. : map, music ; 25 cm.
ÓĺéńÝň: (Deutsche Akademie der Wissenschaften zu Berlin. Veröffentlichungen des Instituts für deutsche Volkskunde, Bd. 36)
Óçěĺéţóĺéň: Includes musical examples (principally unacc. melodies).
Đĺńéĺ÷üěĺíá: I. Gesänge der Camen
ČÝěáôá: Folk music--Albania
Folk music--Albania--History and criticism
Music, Albnaian
LCC Ôáîéíüěçóç: ML3613.S76
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49145 11 M 102.7 Bd.1 ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 208 Ěďíďăńáößá
Ăëůóóéęü őëéęü, ÷ĺéńüăńáöď
Ôáőôüôçôá ĹăăńáöŢň: 075927
Ôßôëďň: De fidibus Graecorum / [Scripsit] Carolus de Jan
ÓőăăńáöÝáň: Jan, Karl von, 1836-1899
Äçěoóßĺőóç: Berolini : Typis expressit G. Schade, 1859
ÖőóéęŢ ĐĺńéăńáöŢ: 43 p. ; cm.
ČÝěáôá: Musical instruments--Greece
Stringed instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49174 11 M 38 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 209 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076000
Ôßôëďň: Ballet material and manuscripts from the Serge Lifar collection : which will be sold by auction by Sotheby Parke Bernet & Co.
ÓőăăńáöÝáň: Sotheby Parke Bernet & Co.
Äçěoóßĺőóç: London : Sotheby Parke Bernet & Co., c1984
ÖőóéęŢ ĐĺńéăńáöŢ: [208] p. : ill. (some col.) ; 25 cm.
Óçěĺéţóĺéň: "At their large galleries, 34 & 35 New Bond Street, London."
"Wednesday, 9th May 1984 at 10.30am and 2.30pm."
Includes indexes.
ČÝěáôá: Lifar, Serge, 1905---Art collections--Catalogs
Art--Private collections--Catalogs
Ballet--Collectibles--Catalogs
Manuscripts--Exhibitions
Music--Collectibles--Catalogs
LCC Ôáîéíüěçóç: N5262.L53B35 1984
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49328 11 BB 88/SO 7-20/S - ź÷é ÄéáčÝóéěď
**49329 11 BB 88/SO 7-20/S - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 210 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076091
Ôßôëďň: Byzantine sacred music : the traditional music of the Orthodox Church, its nature, purpose, and execution
ÓőăăńáöÝáň: Cavarnos, Constantine
Äçěoóßĺőóç: Belmont, MA : Institute for Byzantine and Modern Greek Studies, [1974, c1956]
ÖőóéęŢ ĐĺńéăńáöŢ: 31 p. ; 22 cm.
ČÝěáôá: Church music--Orthodox Eastern Church
Music, Byzantine
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**28883 04 MZ - ź÷é ÄéáčÝóéěď
**49514 11 M 63.25 - ź÷é ÄéáčÝóéěď
**49515 11 M 63.25 - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 211 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076111
Ôßôëďň: L'antica melurgia bizantina : nell'interpretazione della Scuola monastica di Grottaferrata
ÓőăăńáöÝáň: Tardo, Lorenzo
Grottaferrata, Italy (Basilian monastery)
Äçěoóßĺőóç: Grottaferrata : S. Nilo, 1938
ÖőóéęŢ ĐĺńéăńáöŢ: xx, 402 p. : music, facsims., ill. ; 31 cm.
ÓĺéńÝň: (Collezione meridionale. Ser.III: Il mezzogiorno artistico)
Óçěĺéţóĺéň: Bibliography: p. xvii-xx.
Đĺńéĺ÷üěĺíá: Genesi e sviluppo della melurgia e della semiografia bizantina -- Testi teoretici di melurgia bizantina
ČÝěáôá: Church music--Orthodox Eastern Church
Music, Byzantine
Paleography, Musical
LCC Ôáîéíüěçóç: ML188.T17A5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49554 11 M 62.5 - ź÷é ÄéáčÝóéěď
**49555 11 M 62.5 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 212 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076275
Ôßôëďň: Introduction à la paléographie musicale byzantine : Catalogue des manuscrits de musique byzantine de la Bibliothèque nationale de Paris et des bibliothèque publiques de France
ÓőăăńáöÝáň: Gastoué, Amédée, 1873-1943
Äçěoóßĺőóç: [Paris : Impressions artistiques L.M. Fortin, 1907]
ÖőóéęŢ ĐĺńéăńáöŢ: ix, 99 p. : ill., 7 plates (facsims.) music ; 29 cm.
ÓĺéńÝň: (Publications de la Société internationale de musique. Section de Paris)
Óçěĺéţóĺéň: Bibliography : p. [v]-vi.
ČÝěáôá: Manuscripts--France--Catalogs
Music--Bibliography--Manuscripts
Music, Byzantine
Paleography, Greek
Paleography, Musical
LCC Ôáîéíüěçóç: ML136.P2G3
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**49898 11 M 48 - ź÷é ÄéáčÝóéěď
**49899 11 M 48 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 213 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076477
Ôßôëďň: Classification.Music and books on music : M : Music. ML : Literature of music. MT : Musical instruction and study
ÓőăăńáöÝáň: Sonneck, Oscar George Theodore, 1873-1928
United States. Library of Congress. Music Division
¸ęäďóç: Adopted December, 1902; as in force April, 1904; as rev. April, 1917
Äçěoóßĺőóç: Washington : Govt. Print. Off., 1917
ÖőóéęŢ ĐĺńéăńáöŢ: 157 p. ; 25 cm.
Óçěĺéţóĺéň: At head of title: Library of Congress.
By O.G.T. Sonneck, chief, Division of music.
ČÝěáôá: Classification
Classification--Books--Music
Classification--Music
LCC Ôáîéíüěçóç: Z696.U5M 1917
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**50336 11 BB 766.56 - ź÷é ÄéáčÝóéěď
**50337 11 BB 766.56 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 214 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076768
Ôßôëďň: Histoire de la musique en Russie
ÓőăăńáöÝáň: Soubies, Albert
Äçěoóßĺőóç: Paris : May, 1898
ÖőóéęŢ ĐĺńéăńáöŢ: 303 p. : ill. ; cm.
ÓĺéńÝň: (Bibliothèque de l'enseignement des beaux-arts)
ČÝěáôá: Music, Russian
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**50949 11 M 100 - ź÷é ÄéáčÝóéěď
**50950 11 M 100 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 215 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 076933
Ôßôëďň: A history of music
ÓőăăńáöÝáň: Stafford, William Cooke, 1793-1876
Äçěoóßĺőóç: Edinburgh : Printed for Constable, 1830
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 387 p. ; 16 cm.
ÓĺéńÝň: ([Constable's miscellany, v. 52])
ČÝěáôá: Music
Music--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**51293 11 M 5/S 77 - ź÷é ÄéáčÝóéěď
**51294 11 M 5/S 77 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 216 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 077255
Ôßôëďň: Early Venetian printing illustrated
ÓőăăńáöÝáň: Castellani, Carlo, 1822-1897
Ongania, Ferdinando, 1842-1911 (pub.)
Äçěoóßĺőóç: Venice : F. Ogania ; New York : Scribner, 1895
ÖőóéęŢ ĐĺńéăńáöŢ: 228 p. : ill., facsims. (part col.) ; 31 cm.
Óçěĺéţóĺéň: Given in memory of Eleanor Price Mather.
Introd. by Carlo Castellani.
Loose-leaf.
ČÝěáôá: Music printing
Printers' marks--Italy--Venice
Printing--Italy--Venice--History
Water-marks
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**51959 11 BB 304 - ź÷é ÄéáčÝóéěď
**51960 11 BB 304 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 217 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 077307
Ôßôëďň: Des représentations en musique anciennes et modernes
ÓőăăńáöÝáň: Menestrier, Claude François, 1631-1705
Äçěoóßĺőóç: Paris : René Guignard, 1681
ÖőóéęŢ ĐĺńéăńáöŢ: [22], 333, [3] p. ; 17 cm.
Óçěĺéţóĺéň: Errors in paging.
Marginal notes.
"Table de matières contenues en ce volume" contained on the 3 unnumbered pages at the end of the text.
"Extrait du privilège du roi," dated 1679 and contained on the 22nd unnumbered page, is for Menestrier's "Philosophie des images" of which this forms a part.
ČÝěáôá: Menestrier. Claude François. 1631-1705.
Ballet--History
Music--History
Opera--History
Singing--Interpretation (Phrasing, dynamics, etc.
Theater--History
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**52065 11 M 29 - ź÷é ÄéáčÝóéěď
**52066 11 M 29 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 218 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 077513
Ôßôëďň: Aristoxène de Tarente et la musique de l'antiquité
ÓőăăńáöÝáň: Laloy, Louis, 1874-
Äçěoóßĺőóç: Paris : Société française d'impr. et de libr, 1904
ÖőóéęŢ ĐĺńéăńáöŢ: 371, xlii p., 1 leaf ; 25 cm.
Óçěĺéţóĺéň: "Lexique d'Aristoxène": xlii p.
ČÝěáôá: Aristoxenus
Music, Greek and Roman
LCC Ôáîéíüěçóç: ML169.A7L2
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**4238 06 7.245 - ź÷é ÄéáčÝóéěď
**39846 14 CN ARIS LAL - ź÷é ÄéáčÝóéěď
**52503 11 GC 4604 - ź÷é ÄéáčÝóéěď
**52504 11 GC 4604 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 219 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 077539
Ôßôëďň: Dialogue sur la musique des anciens / a Monsieur de ***
ÓőăăńáöÝáň: Chateauneuf, François de Castagnères, abbé de, d. 1709
Morabin, Jacques, 1687-1762
¸ęäďóç: Nouv. ed.
Äçěoóßĺőóç: Paris : Pissot, 1735
ÖőóéęŢ ĐĺńéăńáöŢ: 127 p., 7 p. of plates (1 folded) ; 18 cm.
Óçěĺéţóĺéň: Published, with a pref., by Jacques Morabin.
Ur: Mémoires de la littérature tirez des registres de l'Academie royale des inscriptions et belles lettre. 10(1736), 13, 15, 17..--510 RISM B/VI/1
ČÝěáôá: Music--History and criticism
Music, Greek and Roman--History and criticism
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**39640 14 CN PLUT BUR - ź÷é ÄéáčÝóéěď
**52557 11 M 30 - ź÷é ÄéáčÝóéěď
**52558 11 M 30 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 220 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 077717
Ôßôëďň: Bulgarian-Macedonian folk music
ÓőăăńáöÝáň: Kremenliev, Boris A.
Äçěoóßĺőóç: Berkeley : University of California Press, 1952
ÖőóéęŢ ĐĺńéăńáöŢ: 165 p. : ill., music ; 27 cm.
Óçěĺéţóĺéň: Bibliography: p. [145]-155.
ČÝěáôá: Folk music--Bulgaria--History and criticism
Folk music--Macedonia--History and criticism
Folk-songs, Bulgarian--History and criticism
Folk-songs, Macedonian--History and criticism
Music, Bulgarian
DDC Ôáîéíüěçóç: 784.49497
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**52937 11 M 102.6 - ź÷é ÄéáčÝóéěď
**52938 11 M 102.6 - ź÷é ÄéáčÝóéěď
Haritini Kotsidu, Die musischen Agone der Panathenäean in archaischer und klassischer Zeit: Eine historisch-archäologische Untersuchung. Munich: Tuduv, 1991. Pp. 301; 12 figures, 20 plates. ISBN 3-88073-418-6.
Contents: 1. Introduction and history of scholarship, II. Remarks on the ancient use of the concept "musical contest", III. The beginning and spread of musical contests (musical competitions in international festivals in Greece; the introduction of Panathenaic musical contests before Pericles), IV. Description of the Panathenaic musical contests (types and content of musical contests; reconstruction of the contest program; musical contestants; dedications; prizes), V. Representations of musical contests on Attic vases of the 6th and 5th C., VI. Location of the Panathenaic musical contests in the archaic and classical period (postSolonian agora as cult place and Panathenaic contest place; the "Odeion of Pericles"; the location of the musical contests and the west side of the Agora). VII. Conclusions.
This exemplary dissertation provides a thorough and up-to-date review of the primary evidence and the secondary literature (including unpublished dissertations) for virtually every imaginable question concerning the Panathenaic musical contests. In addition, most of the testimonia are provided (including Timotheus' Persians since K. is interested in the general development of music during this time) and catalogues of 86 pseudo-panathenaic amphorae and 139 other vases showing musical contests.
Some of K.'s main points: (1) musical contests through the classical period did not include choral contests such as dithyramb and drama; (2) the Panathenaic musical contests included rhapsodes, parodes, boy aulodes, boy kitharists, kitharodes, men aulodes, men kitharists, auletes, men's choruses, perhaps boys' choruses and sunaulia (double aulos-players, attested by Pollux and found on at least two 5th C. vases); (3) Plutarch is wrong to say that Pericles "first decreed that there be a musical contest at the Panathenaia"; and (4) the musical contests were held in the Agora, never in Pericles' Odeion.
Point #3 is no longer controversial (see e.g. Shapiro's essay reviewed below p.193), but K.'s full vase catalogues allow us to see how common musical contests were before Pericles though she confuses the value of pseudo-panathenaic amphorae as evidence for the existence of the contest, which is good, and their value as evidence for the type of prize, which is bad. (Also, she misunderstands the Hekatompedon inventories, which refer to the same crown year after year not to a series of identical crowns.) She might have noted that while pseudo-panathenaics often show non-Panathenaic scenes they are not simply a cross-section of contemporary vase painting: the frequency of musical contests on pseudo-panathenaics is many times greater than on vases in general.
Point #1 is trickier because the evidence is so fragmentary and so various, and when K. comes to reconstruct the musical contests she ends up including "choruses of men" on the basis of an Acropolis dedication but then does not define these as dithyrambs (since there is not talk of tribe or choregos) even though she thinks CIA ii 1367 proves there were dithyrambs at the Great Panathenaia. Yet the dedication goes on to say "he says that he won the tripod with very many (the most?) choruses elsewhere by tribes" and the specification of "elsewhere by tribes" could mean that the present victory too was "by tribes", the contrast being between Athenian victory and "outside" victory, not, as K. would have it, between tribal and non-tribal victory. Nor is CIA ii 1367 secure: on the base are carved five laurel crowns each with the word "(at the) Pythia"; in the center are two olive crowns with the inscriptions, "(at the) Great Panathenaia" and "(at the) Lenaia with dithyramb". Since dithyramb is specified only for the Lenaia it is almost certain that all the other victories were in Nikokles' speciality, kithara-singing (see Pausanias). Still, dithyramb is different: it is a group performance, organized and financed through tribal choregia and won by the tribe, and the prizes should be correspondingly different from the gold crowns and money of the musical contests and the oil of the equestrian and athletic contests, all of which are prizes for individuals. But the only place among the tribal/choregic events on our most complete Panathenaic prize list (IG ii2 2311) is after the pyrrhic dances, the torch race and the naval contest, which seems odd and I would have liked K. to have commented on this.
Otherwise, K.'s reconstruction of the Panathenaic musical contests (#2) is quite reasonable. One might object that the mention of men aulodes and kitharists does not necessarily imply boy aulodes and kitharists given the 2nd C. list of musical contests at the Artemisia in Ephesus (IG xii 9 189), which has only rhapsodes, men kitharists, kitharodes, and parodes, but that does not make her reconstruction unlikely. Parodes, which seem to be a form of parody, are perhaps the most surprising event in her list (not mentioned by Shapiro), but the testimony about the Thasian Hegemon (Poetics 1448a, Athenaeus 699A) seems irrefutable. I wonder if parodes were introduced by Pericles -- it may be significant that the one practitioner, Hegemon, comes from Thasos and his compatriot and contemporary Stesimbrotos not only performed at the Panathenaia but also reviled politicians, in what might be a parodic fashion.
K.'s discussion of the location of the musical contests (#4) begins by locating equestrian and athletic events in the Agora and determining that the Agora orchestra was used for cult dances not for theatrical presentations (which were confined to the precincts of Lenaian and Eleutherian Dionysus). Although there is little evidence for Panathenaic musical contests in the Agora, they were never in Pericles' Odeion, which could not have been a concert hall with all those columns (but rather a music school) and which probably was originally built right after the Persian Wars. The best evidence for them in the Agora is the Hephaestia inscription of 421 BC (IG I2 84), which mentions a penteteris, the Agora, and a musical contest for Athena and Hephaestus. Thus we may have musical contests for the penteteric Panathenaia in the Agora after the death of Pericles. K. does not consider some of the inscription's difficulties, particularly the dominant role of the hieropoioi, the mention of gymnasiarchs for the torch race and the other contest (singular!), which are to follow the model of the Prometheia the way the musical contest followed some erased model. It seems unlikely, then, that the musical contest is the Panathenaic one (which is not new) and we must either separate the Panathenaia from the inscription's penteteris or understand that this is not a first-time event. I am also bothered by K.'s treatment of the Pindaric dithyramb that seems to be located in the Agora, which she connects with the Anthesteria (following Webster), though, given the reference to spring flowers, it can hardly be Panathenaic.
In sum, this easily read dissertation is a handy guide to a wide range of problems; it is systematic, up-to-date, thorough, and useful, especially with its lists of vases and collections of the testimonia. The author is sensible and, particularly in the last part, constructs a complex and persuasive argument. The text is simply a photocopy of the original (somewhat corrected) dissertation, with the result that the print is uneven and sometimes quite faint in the testimonia. The plates, however, have been reproduced much more effectively.
http://ccat.sas.upenn.edu/bmcr/1993/04.03.29.html
PD Dr. Haritini Kotsidu
Beruflicher
Werdegang geb. 1963 in Griechenland
1981/82-1986 Studium der Klassischen Archäologie mit den Nebenfächern Kunstgeschichte und Klassische Philologie an der J.W.Goethe-Universität, Frankfurt/M.
1987-1989 Promotionsstipendium der Gerda Henkel-Stiftung
1990-1993 Mitarbeit am Forschungsprojekt "Ehrungen für hellenistische Herrscher"
1994-1996 Habilitandenstipendium der Deutschen Forschungsgemeinschaft
Seit 1998 Mitarbeit am DFG-Forschungsprojekt "Schenkungen griechischer Städte, römischer Klientelkönige, senatorischer Amtsträger und römischer Kaiser an griechische Städte und Heiligtümer"
http://www.uni-frankfurt.de/fb09/klassarch/Kotsidu.html
Publikationen
(Auswahl) Die musischen Agone der Panathenäen in archaischer und klassischer Zeit (1991)
Augusteische Sakrallandschaften: ihre Bedeutung und ihre Rezeption in der bürgerlichen Privatsphäre, Hephaistos 16, 1998/99, 91ff.
Die Königin als vornehme Bürgerin, in: Antike Porträts. Zum Gedächtnis von Helga von Heintze (Hrsg. H. v.Steuben 1999) 39ff.
Time kai doxa. Ehrungen für hellenistische Herrscher im griechischen Mutterland und in Kleinasien unter besonderer Berücksichtigung der archäologischen Denkmäler (2000)
Zur Verbreitung der panathenäischen Preisamphoren, in: Panathenaika. Symposion zu den Panathenäischen Preisamphoren Rauischholzhausen 25.11.-29.11.1998 (Hrsg. M. Bentz/N. Eschbach 2000) 55ff.
zurück zum Seitenanfang
Letzte Änderung 19.03.2002
ŠCarsten Schneider
Bagpipes par Anthony Baines
Publié pour la premičre fois en 1960, et réédité plusieurs fois depuis, Bagpipes est un ouvrage de référence pour ce qui concerne l'étude de la cornemuse en général. Spécialiste des instruments ŕ vent en bois, également joueur de cornemuse, Anthony Baines, l'auteur de cet ouvrage, a basé en grande partie son étude sur l'observation de la collection de cornemuses du Pitt Rivers Museum (Université d'Oxford). A travers un parcours géographique sur les 3 continents concernés par cet instrument - Europe, Asie (centrale), Afrique (Nord) -, il propose une typologie de la cornemuse basée sur la description organologique. Outre une description des principaux types, l'ouvrage contient également un chapitre consacré aux hornpipes (clarinettes primitives ŕ pavillon) et aux cornemuses primitives (ŕ tuyau simple ou tuyaux doubles). Agrémenté de nombreux dessins trčs précis ainsi que d'un livret de 16 planches de photographies, Bagpipes présente toutefois la difficulté de ne pas avoir été traduit en français. C'est donc la version originale en langue anglaise qui vous attend.
BAINES, Anthony. Bagpipes. S.l. : T.K. Penniman & B.M. Blackwood, 1960. 142 p. + 16 p. (Occasional papers on technology ; 9).
ĹăăńáöŢ 142 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 066741
Ôßôëďň: De la musique / Texte, traduction, commentaire précédés d'une étude sur L'éducation musicale dans la Grèce antique, par François Lasserre
ÓőăăńáöÝáň: Plutarchus
Äçěoóßĺőóç: Olten : Urs Graf Verlag, 1954, [c1955]
ÖőóéęŢ ĐĺńéăńáöŢ: 185 p. ; 24 cm.
ÓĺéńÝň: (Bibliotheca helvetica romana ; 1)
Óçěĺéţóĺéň: Bibliographical footnotes.
ČÝěáôá: Lasserre. François..
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**6045 06 9.522 (I) - ź÷é ÄéáčÝóéěď
**37137 14 CN PLUT LAS - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
===
De la musique.
Plutarch.; François Lasserre
1954, Š1955
French Book 185 p. 24 cm.
Olten, Urs Graf Verlag,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 87
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Plutarch. (941)
Title: De la musique.
Author(s): Plutarch. ; Lasserre, François. ; beducation musicale dans la Grčce antique.
Publication: Olten, Urs Graf Verlag,
Year: 1954, Š1955
Description: 185 p. 24 cm.
Language: French
Series: Bibliotheca helvetica romana,; 1;
Standard No: LCCN: a 55-5357
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Bibliographical footnotes.
Class Descriptors: LC: ML168.P55
Responsibility: Texte, traduction, commentaire précédés d'une étude sur L'éducation musicale dans la Grčce antique, par François Lasserre.
Document Type: Book
Entry: 19760303
Update: 20020529
Accession No: OCLC: 2028825
Database: WorldCat
===
ĹăăńáöŢ 143 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 067087
Ôßôëďň: Musical thought in ancient Greece
ÓőăăńáöÝáň: Lippman, Edward A.
Äçěoóßĺőóç: New York : Columbia University Press, 1964
ÖőóéęŢ ĐĺńéăńáöŢ: xiii, 215 p. ; 23 cm.
Óçěĺéţóĺéň: Bibliography: p. [177]-199.
ČÝěáôá: Music, Greek and Roman
DDC Ôáîéíüěçóç: 780.10938
LCC Ôáîéíüěçóç: ML169.L68
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
26213 04 NQ 69 - ź÷é ÄéáčÝóéěď
**37290 14 BJ LIP - ź÷é ÄéáčÝóéěď
===
Musical thought in ancient Greece /
Edward A Lippman
1975, ?
English Book xiii, 215 p. ; 22 cm.
New York : Da Capo Press, ISBN: 0306706995
Ownership: Check the catalogs in your library.
Libraries that Own Item: 222
More Like This: Search for versions with same title and author | Advanced options ...
Title: Musical thought in ancient Greece /
Author(s): Lippman, Edward A.
Publication: New York : Da Capo Press,
Year: 1975, ?
Description: xiii, 215 p. ; 22 cm.
Language: English
Series: Da Capo Press music reprint series;
Standard No: ISBN: 0306706995; LCCN: 74-23415
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Reprint of the 1st ed. published by Columbia University Press, New York./ Includes index./ Bibliography: p. [177]-199.
Class Descriptors: LC: ML169; Dewey: 780/.1/0938
Responsibility: Edward A. Lippmann.
Document Type: Book
Entry: 19741025
Update: 20010604
Accession No: OCLC: 1094925
Database: WorldCat
====
ĹăăńáöŢ 144 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 067359
Ôßôëďň: Altgriechische Musik : e. Einf / Annemarie Jeanette Neubecker
ÓőăăńáöÝáň: Neubecker, Annemarie Jeanette, 1908-
Äçěoóßĺőóç: Darmstadt : Wissenschaftliche Buchgesellschaft, 1977
ÖőóéęŢ ĐĺńéăńáöŢ: 182 p., [4] leaves of plates : ill. ; 22 cm.
ÓĺéńÝň: (Die Altertumswissenschaft)
ISBN: 3534044975 : DM34.00
Óçěĺéţóĺéň: Includes indexes.
Bibliography: p. [157]-165.
ČÝěáôá: Music, Greek
DDC Ôáîéíüěçóç: 781.7/38
LCC Ôáîéíüěçóç: ML169.N47
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
42048 04 MZ 4.15 - ź÷é ÄéáčÝóéěď
**11417 06 31.463 (II) - ź÷é ÄéáčÝóéěď
19539 14 BJ NEU - ź÷é ÄéáčÝóéěď
===
Altgriechische Musik :
e. Einf. /
Annemarie Jeanette Neubecker
1977
German Book 182 p., [4] leaves of plates : ill. ; 22 cm.
Darmstadt : Wissenschaftliche Buchgesellschaft, ISBN: 3534044975 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 60
More Like This: Search for versions with same title and author | Advanced options ...
Title: Altgriechische Musik :
e. Einf. /
Author(s): Neubecker, Annemarie Jeanette, 1908-
Publication: Darmstadt : Wissenschaftliche Buchgesellschaft,
Year: 1977
Description: 182 p., [4] leaves of plates : ill. ; 22 cm.
Language: German
Series: Die Altertumswissenschaft;
Standard No: ISBN: 3534044975 :; LCCN: 78-375771
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes indexes./ Bibliography: p. [157]-165.
Class Descriptors: LC: ML169; Dewey: 781.7/38
Responsibility: Annemarie Jeanette Neubecker.
Document Type: Book
Entry: 19781115
Update: 20010611
Accession No: OCLC: 4460357
Database: WorldCat
===
Altgriechische Musik :
eine Einführung /
Annemarie Jeanette Neubecker
1994 2., durchgesehene und um einen Nachtrag erweiterte Aufl.
German Book 194 p., [8] p. of plates : ill. ; 22 cm.
Darmstadt : Wissenschaftliche Buchgesellschaft, ISBN: 3534044975
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
More Like This: Search for versions with same title and author | Advanced options ...
Title: Altgriechische Musik :
eine Einführung /
Author(s): Neubecker, Annemarie Jeanette, 1908-
Publication: Darmstadt : Wissenschaftliche Buchgesellschaft,
Edition: 2., durchgesehene und um einen Nachtrag erweiterte Aufl.
Year: 1994
Description: 194 p., [8] p. of plates : ill. ; 22 cm.
Language: German
Series: Die Altertumswissenschaft;
Standard No: ISBN: 3534044975
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes bibliography: p. [157]-165 and indexes.
Class Descriptors: Dewey: 781.738
Responsibility: Annemarie Jeanette Neubecker.
Document Type: Book
Entry: 19950106
Update: 19960624
Accession No: OCLC: 31772305
Database: WorldCat
===
ĹăăńáöŢ 145 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 067499
Ôßôëďň: L'instrument de musique dans la céramique de la Grèce antique : études d'organologie / Daniel Paquette
ÓőăăńáöÝáň: Paquette, Daniel
Äçěoóßĺőóç: Paris : Diffusion de Boccard, 1984
ÖőóéęŢ ĐĺńéăńáöŢ: 262 p. : ill. ; 28 cm.
ÓĺéńÝň: (Publications de la Bibliothèque Salomon Reinach ; 4)
ISBN: 2701800080 : 300F
Óçěĺéţóĺéň: Includes indexes.
Bibliography: p. [225]-227.
Discography: p. [229].
ČÝěáôá: Music--Greece--To 500--History and criticism
Musical instruments--Greece
Musical instruments in art.
Pottery--Technique
Pottery, Greek
DDC Ôáîéíüěçóç: 781.91/0938 (19)
LCC Ôáîéíüěçóç: ML522.G74P33 1984
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
48336 04 MZ 4.6 - ź÷é ÄéáčÝóéěď
**5865 06 9.363 (IV) - ź÷é ÄéáčÝóéěď
22658B 14 BJ PAQ - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
====
L'instrument de musique dans la céramique de la Grčce antique :
études d'organologie /
Daniel Paquette
1984
French Book 262 p. : ill. ; 28 cm.
Paris : Diffusion de Boccard, ISBN: 2701800080 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 69
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Paquette, Daniel. (1)
Title: L'instrument de musique dans la céramique de la Grčce antique :
études d'organologie /
Author(s): Paquette, Daniel.
Publication: Paris : Diffusion de Boccard,
Year: 1984
Description: 262 p. : ill. ; 28 cm.
Language: French
Series: Publications de la Bibliothčque Salomon Reinach ;; 4;
Standard No: ISBN: 2701800080 :; LCCN: 84-206845
SUBJECT(S)
Descriptor: Musical instruments -- Greece.
Music -- Greece -- To 500 -- History and criticism.
Musical instruments in art.
Pottery, Greek.
Note(s): Includes indexes./ Bibliography: p. [225]-227./ Discography: p. [229]
Class Descriptors: LC: ML522.G74; Dewey: 781.91/0938
Responsibility: Daniel Paquette.
Document Type: Book
Entry: 19840828
Update: 20010706
Accession No: OCLC: 11249820
Database: WorldCat
=====
ĹăăńáöŢ 146 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 067554
Ôßôëďň: Die Syrinx in der griechischen Bildkunst / Gerlinde Haas
ÓőăăńáöÝáň: Haas, Gerlinde
Äçěoóßĺőóç: Wien : H. Böhlau, 1985
ÖőóéęŢ ĐĺńéăńáöŢ: 206 p. : ill. ; 24 cm.
ÓĺéńÝň: (Wiener musikwissenschaftliche Beiträge ; Bd. 11)
ISBN: 3205082397 : S696.00
Óçěĺéţóĺéň: Originally presented as the author's thesis (doctoral--Universität Wien, 1978).
Includes indexes.
Bibliography: p. 129-136.
ČÝěáôá: Musical instruments, Ancient--Greece
Panpipes
Panpipes in art.
DDC Ôáîéíüěçóç: 788/.5 (19)
LCC Ôáîéíüěçóç: ML990.P3H3 1985
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
50578 04 MZ 4.7 - ź÷é ÄéáčÝóéěď
41.327 06 30.577 - ź÷é ÄéáčÝóéěď
22942 14 BH HAA - ź÷é ÄéáčÝóéěď
=====
Die Syrinx in der griechischen Bildkunst /
Gerlinde Haas
1985
German Book 206 p. : ill. ; 24 cm.
Wien : H. Böhlau, ISBN: 3205082397 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 55
More Like This: Search for versions with same title and author | Advanced options ...
Title: Die Syrinx in der griechischen Bildkunst /
Author(s): Haas, Gerlinde.
Publication: Wien : H. Böhlau,
Year: 1985
Description: 206 p. : ill. ; 24 cm.
Language: German
Series: Wiener musikwissenschaftliche Beiträge ;; Bd. 11;
Standard No: ISBN: 3205082397 :; LCCN: 86-181751
SUBJECT(S)
Descriptor: Panpipes.
Musical instruments, Ancient -- Greece.
Panpipes in art.
Note(s): Originally presented as the author's thesis (doctoral--Universität Wien, 1978)/ Includes indexes./ Bibliography: p. 129-136.
Class Descriptors: LC: ML990.P3; Dewey: 788/.5
Responsibility: Gerlinde Haas.
Document Type: Book
Entry: 19870527
Update: 20010607
Accession No: OCLC: 13450783
Database: WorldCat
====
ĹăăńáöŢ 147 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 067765
Ôßôëďň: Die musischen Agone der Panathenäen in archaischer und klassischer Zeit : eine historisch-archäologische Untersuchung / Haritini Kotsidu
ÓőăăńáöÝáň: Kotsidu, Haritini, 1963-
Äçěoóßĺőóç: München : Tuduv, c1991
ÖőóéęŢ ĐĺńéăńáöŢ: 301 p., 20 p. of plates : ill., maps ; 21 cm.
ÓĺéńÝň: (Quellen und Forschungen zur Antiken Welt ; Bd. 8)
ISBN: 3880734186
Óçěĺéţóĺéň: Revision of the author's thesis (doctoral)--Frankfurt University, 1990.
Includes bibliographical references (p. 180-241).
ČÝěáôá: Music--Competitions--Greece--Athens--History
Music in art.
Performing arts--Competitions--Greece--Athens--History
Vase painting, Greek--Greece--Athens
LCC Ôáîéíüěçóç: PA3203.K67 1991
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
61818 04 MO 61 - ź÷é ÄéáčÝóéěď
24085 14 BE KOT - ź÷é ÄéáčÝóéěď
===
Die musischen Agone der Panathenäen in archaischer und klassischer Zeit :
eine historisch-archäologische Untersuchung /
Haritini Kotsidu
1991
German Book 301 p., 20 p. of plates : ill., maps ; 21 cm.
München : Tuduv, ISBN: 3880734186
Ownership: Check the catalogs in your library.
Libraries that Own Item: 26
More Like This: Search for versions with same title and author | Advanced options ...
Title: Die musischen Agone der Panathenäen in archaischer und klassischer Zeit :
eine historisch-archäologische Untersuchung /
Author(s): Kotsidu, Haritini, 1963-
Publication: München : Tuduv,
Year: 1991
Description: 301 p., 20 p. of plates : ill., maps ; 21 cm.
Language: German
Series: Quellen und Forschungen zur Antiken Welt ;; Bd. 8;
Standard No: ISBN: 3880734186; LCCN: 92-192288
SUBJECT(S)
Descriptor: Performing arts -- Competitions -- Greece -- Athens -- History.
Music -- Competitions -- Greece -- Athens -- History.
Vase painting, Greek -- Greece -- Athens.
Music in art.
Note(s): Revision of the author's thesis (doctoral)--Frankfurt University, 1990./ Includes bibliographical references (p. 180-241).
Class Descriptors: LC: PA3203
Responsibility: Haritini Kotsidu.
Document Type: Book
Entry: 19920729
Update: 19930417
Accession No: OCLC: 27937680
Database: WorldCat
===
ĹăăńáöŢ 148 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 068882
Ôßôëďň: Catalogue of musical instruments [in the] Victoria and Albert Museum / [by] Raymond Russell [and Anthony Baines]
ÓőăăńáöÝáň: Baines, Anthony
Russell, Raymond
Victoria and Albert Museum
Äçěoóßĺőóç: London : H.M.S.O., 1968
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. : plates, ill. (incl. 2 col.) ; 26 cm.
Óçěĺéţóĺéň: Bibliography: v. 1, p. [83]-85; v. 2, p. [107]-109.
Đĺńéĺ÷üěĺíá: v. 1. Keyboard instruments / R. Russell -- v. 2. Non-keyboard instruments / A. Baines
ČÝěáôá: Musical instruments--Catalogs and collections
DDC Ôáîéíüěçóç: 781/.91/07402
LCC Ôáîéíüěçóç: ML462.L6S77
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**38834 14 CR LOND v.1 ź÷é ÄéáčÝóéěď
**38836 14 CR LOND v.1 ź÷é ÄéáčÝóéěď
**38837 14 CR LOND v.2 ź÷é ÄéáčÝóéěď
**38835 14 CR LOND v.2 ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 149 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 069192
Ôßôëďň: Catalogue of printed & manuscript music, autograph letters of musicians, books on music & musical instruments ... : [days of sale, Wednesday, 11th May, 1977 music, Thursday, 12th May, 1977, musical instruments]
ÓőăăńáöÝáň: Sotheby Parke Bernet Inc.
Äçěoóßĺőóç: [London : Sotheby Parke Bernet, c1977]
ÖőóéęŢ ĐĺńéăńáöŢ: 154 p. : ill. (some col.) ; 25 cm.
Óçěĺéţóĺéň: Title on spine: Music and musical instruments.
Includes index.
ČÝěáôá: Music--Bibliography--Catalogs
Musical instruments--Catalogs and collections
Musicians--Autographs--Catalogs
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**41893 11 M 8.5 - ź÷é ÄéáčÝóéěď
ĹăăńáöŢ 131 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 062902
Ôßôëďň: Philodemi de musica librorum quae exstant / edidit Ioannes Kemke
Ďěďéüěďńöďň Ôßôëďň: On music
ÓőăăńáöÝáň: Philodemus, Of Gadara
Kemke, Johannes, 1863-1918 (ed.)
Äçěoóßĺőóç: Lipsiae : in aedibus B.G. Teubneri, 1884
ÖőóéęŢ ĐĺńéăńáöŢ: xv, 111 p. ; 22 x 29 cm.
ÓĺéńÝň: (Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S. g.])
ČÝěáôá: Music
Music, Greek and Roman
LCC Ôáîéíüěçóç: PA3404.P45 1884
ML168.P5.P45 1884
[ZYU:] ML 168 P566.P45 1884
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**29618 04 RP 40/7 - ź÷é ÄéáčÝóéěď
**38066 14 CN PHIL KEM - ź÷é ÄéáčÝóéěď
=====
Philodemi de musica librorum quae exstant
Philodemus; Johannes Kemke
1884
Greek, Ancient [to 1453] Book xv, 111 p. 29 cm.
Lipsiae, in aedibus B. G. Teubneri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 67
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: De musica (36); Philodemus, (max: 77)
Title: Philodemi de musica librorum quae exstant
Author(s): Philodemus, ca. 110-ca. 40 B.C. ; Kemke, Johannes,; 1863-1918.
Publication: Lipsiae, in aedibus B. G. Teubneri,
Year: 1884
Description: xv, 111 p. 29 cm.
Language: Greek, Ancient [to 1453]
Series: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana;
Standard No: LCCN: 07-22542
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: PA3404; ML168.P5
Other Titles: De musica
Responsibility: edidit Ioannes Kemke.
Document Type: Book
Entry: 19790330
Update: 20011011
Accession No: OCLC: 4801650
Database: WorldCat
====
ĹăăńáöŢ 132 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 063041
Ôßôëďň: Musici scriptores graeci : Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius et melodiarum veterum quidquid exstat / Recognovit, prooemiis et indice instruxit Carolus Janus
ÓőăăńáöÝáň: Alypius
Aristoteles
Bacchius, senior
Cleonides
Euclides
Gaudentius
Mesomedes
Nicomachus Gerasenus
Jan, Karl von, 1836-1899 (ed.)
Äçěoóßĺőóç: Lipsiae : in aedibus B.G. Teubneri, 1895
ÖőóéęŢ ĐĺńéăńáöŢ: xciii, 503 p. : folded facsim., folded ill. ; 18 cm.
ÓĺéńÝň: (Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S.g.])
Đĺńéĺ÷üěĺíá: Praefatio -- De codicibus manuscriptis -- v. I. Aristotelis loci de musica -- v. II. Pseudo-Aristotelis de rebus musicis Problemata -- v. III. Euclidis Sectio canonis -- v. IV. Cleonidis Isagoge -- v. V. Nicomachus Gerasenus -- v. VI. Bacchii Gerontis Isagoge -- v. VII. Gaudenti philosophi Harmonica introductio -- v. VIII. Alypi Isagoge -- v. IX. Excerpta neapolitana -- v. X. Carminum graecorum reliquiae : 1. Ex Euripidis Oreste. 2-4. Carmina nuper Delphis inventa. 5. Sicili epitaphium. 6-8. De Mesomedis hymnis
ČÝěáôá: Music, Greek and Roman
Music, Greek--Theory--To 400
LCC Ôáîéíüěçóç: PA3403.M8 1895
ML167.J35.M8 1895
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
3301 04 RB 36/8 v.1 ź÷é ÄéáčÝóéěď
3320 04 RB 36/8 v.2 ź÷é ÄéáčÝóéěď
**38046 14 CN JANU MUS - ź÷é ÄéáčÝóéěď
=====
Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Karl von Jan
1962
English Book xciii, 503 p. illus. 18 cm.
Hildesheim, G. Olms,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 75
More Like This: Search for versions with same title and author | Advanced options ...
Title: Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Author(s): Jan, Karl von, 1836-1899, ed.
Publication: Hildesheim, G. Olms,
Year: 1962
Description: xciii, 503 p. illus. 18 cm.
Language: English
SUBJECT(S)
Descriptor: Music theory.
Music, Greek and Roman.
Note(s): Supplementum, melodiarum reliquiae (61 p.) in pocket./ "Reprografischer Nachdruck der Ausgabe Leipzig 1895; [Supplement] 1899."
Class Descriptors: LC: ML167
Document Type: Book
Entry: 19740411
Update: 20001018
Accession No: OCLC: 854472
Database: WorldCat
=====
ĹăăńáöŢ 133 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 064118
Ôßôëďň: Porphyrios kommentar zur Harmonielehre des Ptolemaios / herausgegeben von Ingemar Düring
ÓőăăńáöÝáň: Porphyry, ca. 234-ca. 305
Düring, Ingemar, 1903- (ed.)
Äçěoóßĺőóç: Göteborg : Elanders boktryckeri aktiebolag, 1932
ÖőóéęŢ ĐĺńéăńáöŢ: xlii p., 2 leaves, [3]-217 p. : ill. () ; 25 cm.
ÓĺéńÝň: (Göteborgs högskolas årsskrift ; XXXVIII, 1932:2)
Óçěĺéţóĺéň: Xerox copy.
"Verzeichnis der handschriften": p. [ix]-xv.
ČÝěáôá: Ptolemaeus. Clausius. fl. 2nd cent. Harmonica. American.
Porphyrius. of Tyrus. American.
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**25112 04 - - ź÷é ÄéáčÝóéěď
2684A 14 CN PORP POR - ź÷é ÄéáčÝóéěď
======
Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Ptolemy; Porphyry; Ingemar Düring
1980, 1930
Greek, Ancient [to 1453] Book 512 p. in various pagings : ill. ; 24 cm.
New York : Garland Publishing, ISBN: 0824096002
Ownership: Check the catalogs in your library.
Libraries that Own Item: 62
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Harmonics (49); Ptolemy, (max: 381); Porphyry, (max: 561); Düring, Ingemar, (max: 2)
Title: Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Author(s): Ptolemy, 2nd cent. ; Porphyry,; ca. 234-ca. 305. ; In Ptolemaei Harmonica commentarius. 1980.; Düring, Ingemar,; 1903-
Publication: New York : Garland Publishing,
Year: 1980, 1930
Description: 512 p. in various pagings : ill. ; 24 cm.
Language: Greek, Ancient [to 1453]
Series: Ancient philosophy; Variation: Göteborgs högskolas ĺrsskrift ;; XXXVI, 1 etc.
Standard No: ISBN: 0824096002; LCCN: 78-66554
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism -- Early works to 1800.
Music theory -- Early works to 1800.
Named Person: Ptolemy, 2nd cent. Harmonics.
Note(s): Text in Greek; editor's commentary in German./ Reprint of the 1930 and 1932 ed. published by Elanders boktr., Göteborg, which were issued as Göteborgs högskolas ĺrsskrift, XXXVI, 1930: 1, and XXXVIII, 1932: 2./ Includes bibliographical references and indexes.
Class Descriptors: LC: ML168.P97; Dewey: 780/.938
Other Titles: Harmonics
Responsibility: [hrsg. von] Ingemar Düring.
Document Type: Book
Entry: 19790129
Update: 20001119
Accession No: OCLC: 4667251
Database: WorldCat
======
ĹăăńáöŢ 134 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 064884
Ôßôëďň: Plutarks dialog om musiken
ÓőăăńáöÝáň: Plutarch
Skjerne, Godtfred, 1880-
Äçěoóßĺőóç: København ; Leipzig : W. Hansen, 1909
ÖőóéęŢ ĐĺńéăńáöŢ: 3-214 p. : ill. (port.) IV plates ; 27 cm.
Óçěĺéţóĺéň: At head of title: Godtfred Skjerne.
Udgivet med understøttelse af Carlsbergfondet.
Đĺńéĺ÷üěĺíá: Indledning -- Plutarks dialog om musiken -- Tillæg : Lidt om de antike musikinstrumenter. Kronologisk oversigt over den græske musiks historie
ČÝěáôá: Music, Greek and Roman
LCC Ôáîéíüěçóç: ML168.P7S6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**35874 14 CN PLUT SKJ - ź÷é ÄéáčÝóéěď
====
Plutarks dialog om musiken.
Plutarch.; Godtfred Skjerne
1909
Danish Book 8 p. ., 3-214 p. front. (port.) IV pl. 27 cm.
Křbenhavn; Leipzig, W. Hansen,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Plutarch. (941)
Title: Plutarks dialog om musiken.
Author(s): Plutarch. ; Skjerne, Godtfred,; 1880- ; ed. and tr.
Corp Author(s): Carlsbergfondet (Copenhagen, Denmark)
Publication: Křbenhavn; Leipzig, W. Hansen,
Year: 1909
Description: 8 p. ., 3-214 p. front. (port.) IV pl. 27 cm.
Language: Danish
Contents: Indledning.--Plutarks dialog om musiken.--Tillćg: Lidt om de antike musikinstrumenter. Kronologisk oversigt over den grćske musiks historie.
Standard No: LCCN: 10-18835
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): At head of title: Godtfred Skjerne./ Udgivet med understřttelse af Carlsbergfondet.
Class Descriptors: LC: ML168.P7
Document Type: Book
Entry: 19831006
Update: 19950318
Accession No: OCLC: 9986912
Database: WorldCat
=====
ĹăăńáöŢ 135 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 065294
Ôßôëďň: Griechische Musikfragmente : ein Weg zur altgriechischen Musik
ÓőăăńáöÝáň: Pöhlmann, Egert
Äçěoóßĺőóç: Nürnberg : H. Carl, 1960
ÖőóéęŢ ĐĺńéăńáöŢ: 84 p. : ill., music ; 23 cm.
ÓĺéńÝň: (Erlanger Beiträge zur Sprach und Kunstwissenschaft ; Bd. 8)
ČÝěáôá: Music, Greek and Roman
LCC Ôáîéíüěçóç: ML169.P587G7
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
====
Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Egert Pöhlmann
1960
German Book 84 p. illus., music. 23 cm.
Nürnberg, H. Carl,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 87
More Like This: Search for versions with same title and author | Advanced options ...
Title: Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Author(s): Pöhlmann, Egert.
Publication: Nürnberg, H. Carl,
Year: 1960
Description: 84 p. illus., music. 23 cm.
Language: German
Series: Erlanger Beiträge zur Sprach und Kunstwissenschaft,; Bd. 8;
Standard No: LCCN: 61-36331
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169.P587
Document Type: Book
Entry: 19750321
Update: 19940114
Accession No: OCLC: 1228150
Database: WorldCat
====
Neue griechische Musikfragmente aus ptolemäischer Zeit in der Papyrussammlung der Österreichischen Nationalbibliothek (G 29.825a-f)
Herbert Hunger
1962
German Book [51]-78 p. illus. 25 cm.
Wien, O. Höfels,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Hunger, Herbert, (max: 5)
Title: Neue griechische Musikfragmente aus ptolemäischer Zeit in der Papyrussammlung der Österreichischen Nationalbibliothek (G 29.825a-f)
Author(s): Hunger, Herbert, 1914-
Publication: Wien, O. Höfels,
Year: 1962
Description: [51]-78 p. illus. 25 cm.
Language: German
Series: Wiener Studien, Zeitschrift für klassische Philologie,; 75. Bd., Jahrg. 1962, p. 51-78;
Note(s): Caption title.
Class Descriptors: Dewey: 780.938
Responsibility: [von Herbert Hunger und Egert Pöhlmann.
Document Type: Book
Entry: 20011014
Update: 20011014
Accession No: OCLC: 48144962
Database: WorldCat
=====
ĹăăńáöŢ 136 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 065295
Ôßôëďň: The rise of music in the ancient world, East and West
ÓőăăńáöÝáň: Sachs, Curt, 1881-1959
Äçěoóßĺőóç: New York : W.W. Norton & Co., Inc., [1943]
ÖőóéęŢ ĐĺńéăńáöŢ: 324 p. : ill. (incl. music) plates ; 24 cm.
Óçěĺéţóĺéň: "First edition."
Bibliographical foot-notes.
ČÝěáôá: Music--Asia--History and criticism
Music--To 500--History and criticism
Music, Greek and Roman--History and criticism
DDC Ôáîéíüěçóç: 781.8
LCC Ôáîéíüěçóç: ML162.S14
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**37292 14 BJ SAC - ź÷é ÄéáčÝóéěď
====
The rise of music in the ancient world, East and West.
Curt Sachs
1943
English Book 324 p. illus. (incl. music) plates, diagrs. 24 cm.
New York, W.W. Norton & Co., inc.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1628
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Sachs, Curt, (max: 3)
Title: The rise of music in the ancient world, East and West.
Author(s): Sachs, Curt, 1881-1959.
Publication: New York, W.W. Norton & Co., inc.
Year: 1943
Description: 324 p. illus. (incl. music) plates, diagrs. 24 cm.
Language: English
Standard No: LCCN: 43-16820
SUBJECT(S)
Descriptor: Music -- To 500 -- History and criticism.
Music -- Asia -- History and criticism.
Music, Greek and Roman -- History and criticism.
Musica (Antiguidade)
Note(s): "First edition."/ Bibliographical foot-notes.
Class Descriptors: LC: ML162; Dewey: 781.8
Document Type: Book
Entry: 19730522
Update: 20010601
Accession No: OCLC: 395923
Database: WorldCat
=====
ĹăăńáöŢ 138 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 066168
Ôßôëďň: Music in Greek and Roman culture / Giovanni Comotti ; translated by Rosaria V. Munson
Ďěďéüěďńöďň Ôßôëďň: Musica nella cultura greca e romana
ÓőăăńáöÝáň: Comotti, Giovanni, 1931-
Äçěoóßĺőóç: Baltimore : Johns Hopkins University Press, c1989
ÖőóéęŢ ĐĺńéăńáöŢ: xii, 186 p. : ill. ; 23 cm.
ÓĺéńÝň: (Ancient society and history)
ISBN: 0801833647 alk. paper
Óçěĺéţóĺéň: Includes index.
Translation of: La musica nella cultura greca e romana.
Bibliography: p. 167-169.
ČÝěáôá: Music, Greek and Roman--History and criticism
DDC Ôáîéíüěçóç: 780/.938 (19)
LCC Ôáîéíüěçóç: ML169.C6513 1989
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
23076 14 BJ COM - ź÷é ÄéáčÝóéěď
===
Music in Greek and Roman culture /
Giovanni Comotti
1989
English Book xii, 186 p. : ill. ; 23 cm.
Baltimore : Johns Hopkins University Press, ISBN: 0801833647 (alk. paper)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 697
More Like This: Search for versions with same title and author | Advanced options ...
Title: Music in Greek and Roman culture /
Author(s): Comotti, Giovanni, 1931-
Publication: Baltimore : Johns Hopkins University Press,
Year: 1989
Description: xii, 186 p. : ill. ; 23 cm.
Language: English
Series: Ancient society and history;
Standard No: ISBN: 0801833647 (alk. paper); LCCN: 88-45413
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Identifier: Greek music, ancient period; Roman Empire music
Note(s): Includes index./ Translation of: La musica nella cultura greca e romana./ Bibliography: p. 167-169.
Class Descriptors: LC: ML169; Dewey: 780/.938
Other Titles: Musica nella cultura greca e romana. English
Responsibility: Giovanni Comotti ; translated by Rosaria V. Munson.
Document Type: Book
Entry: 19880608
Update: 20010111
Accession No: OCLC: 18049201
Database: WorldCat
====
ĹăăńáöŢ 139 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 066470
Ôßôëďň: Pythagoras og de tonende tall : en studie i pythagoreisk musikk- og virkelighetsforståelse / Ove Kr. Sundberg
ÓőăăńáöÝáň: Sundberg, Ove Kr., 1932-
Äçěoóßĺőóç: Oslo : Tanum-Norli, 1980 ; (Oslo : S. Hammerstads boktr
ÖőóéęŢ ĐĺńéăńáöŢ: 231 p. : ill. ; 19 cm.
ÓĺéńÝň: (Idé og tanke ; 37)
ISBN: 8251809002 : kr88.00
Óçěĺéţóĺéň: Includes indexes.
Bibliography: p. 211-222.
ČÝěáôá: Music--Acoustics and physics
Music--Theory--To 500
Music, Greek and Roman--History and criticism
Pythagoras and Pythagorean school
LCC Ôáîéíüěçóç: ML169.S95
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
19207A 14 CO SUN - ź÷é ÄéáčÝóéěď
======
Pythagoras og de tonende tall :
en studie i pythagoreisk musikk- og virkelighetsforstĺelse /
Ove Kr Sundberg
1980
Norwegian Book 231 p. : ill. ; 19 cm.
Oslo : Tanum-Norli, ISBN: 8251809002 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
More Like This: Search for versions with same title and author | Advanced options ...
Title: Pythagoras og de tonende tall :
en studie i pythagoreisk musikk- og virkelighetsforstĺelse /
Author(s): Sundberg, Ove Kr., 1932-
Publication: Oslo : Tanum-Norli, S. Hammerstads boktr.)
Year: 1980
Description: 231 p. : ill. ; 19 cm.
Language: Norwegian
Series: Idé og tanke ;; 37;
Standard No: ISBN: 8251809002 :; LCCN: 81-199143
SUBJECT(S)
Descriptor: Pythagoras and Pythagorean school.
Music, Greek and Roman -- History and criticism.
Music -- Acoustics and physics.
Music theory -- History -- To 500.
Note(s): Includes indexes./ Bibliography: p. 211-222.
Class Descriptors: LC: ML169
Responsibility: Ove Kr. Sundberg.
Document Type: Book
Entry: 19820421
Update: 20001119
Accession No: OCLC: 8430160
Database: WorldCat
====
ĹăăńáöŢ 140 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 066552
Ôßôëďň: Dictionary of musical terms / Vincent J. Picerno
ÓőăăńáöÝáň: Picerno, Vincent J.
Äçěoóßĺőóç: Brooklyn : Haskell House, 1976
ÖőóéęŢ ĐĺńéăńáöŢ: v, 453 p. : music ; 24 cm.
ISBN: 0838321192
Óçěĺéţóĺéň: Bibliography: p. 407-453.
ČÝěáôá: Music--Dictionaries
DDC Ôáîéíüěçóç: 780/.3
LCC Ôáîéíüěçóç: ML108.P57
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
23070A 14 BB PIC - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
=====
Dictionary of musical terms.
An English translation of Terminorum musicae diffinitorium together with the Latin text.
Johannes Tinctoris; Carl Parrish
1963
English Book xi, 108 p. facsim. 21 cm.
[New York] Free Press of Glencoe
Ownership: Check the catalogs in your library.
Libraries that Own Item: 590
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Tinctoris, Johannes, (max: 25); Parrish, Carl, (1)
Title: Dictionary of musical terms.
An English translation of Terminorum musicae diffinitorium together with the Latin text.
Author(s): Tinctoris, Johannes, d. 1511. ; Parrish, Carl, ; tr.
Publication: [New York] Free Press of Glencoe
Year: 1963
Description: xi, 108 p. facsim. 21 cm.
Language: English
Standard No: LCCN: 63-16592
SUBJECT(S)
Descriptor: Music -- Terminology -- Early works to 1800.
Music theory -- Early works to 1800.
Class Descriptors: LC: ML108; Dewey: 780.3
Responsibility: Translated and annotated by Carl Parrish.
Document Type: Book
Entry: 19720808
Update: 20011024
Accession No: OCLC: 375453
Database: WorldCat
===
Dictionary of musical terms /
Vincent J Picerno
1976
English Book v, 453 p. : music ; 24 cm.
Brooklyn : Haskell House,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 403
More Like This: Search for versions with same title and author | Advanced options ...
Title: Dictionary of musical terms /
Author(s): Picerno, Vincent J.
Publication: Brooklyn : Haskell House,
Year: 1976
Description: v, 453 p. : music ; 24 cm.
Language: English
Standard No: ISBN: 0838321192; LCCN: 76-14903
SUBJECT(S)
Descriptor: Music -- Dictionaries.
Note(s): Includes bibliographical references (p. 407-453).
Class Descriptors: LC: ML108; Dewey: 780/.3
Responsibility: Vincent J. Picerno.
Document Type: Book
Entry: 19760420
Update: 20020802
Accession No: OCLC: 2189302
Database: WorldCat
Claude Calame, Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions, translated from the French by Derek Collins and Jane Orion. Lanham MD: Rowman & Littlefield, 1997. Pp. xii + 282. $24.95. ISBN 0-8226-3063-X (pb).
Reviewed by André Lardinois, University of Minnesota, lardi001@gold.tc.umn.edu.
Word Count: 4,971.
There are few books that twenty years after their initial publication can still claim to be on the cutting edge of their profession, but Claude Calame's Choruses of Young Women is definitely one of them. Originally published in 1977 as part of his doctoral thesis under the title Les choeurs de jeunes filles en Grčce archaďque I: Morphologie, fonction religieuse et sociale (Rome: Edizioni dell' Ateneo & Bizarri), it was far ahead of its time. At the beginning of a new wave of studies on women in antiquity Calame identified an important female institution at the heart of the Greek polis; he was one of the first to apply modern anthropology and the burgeoning discipline of semiotics to the study of classical texts; and three years before Wolfgang Rösler would make a similar claim for archaic Greek monody in Dichter und Gruppe (Munich 1980) Calame insisted that Greek choral poetry be interpreted in its performance context. Women's history, semiotics, anthropology and performance -- these are still focal points of Classical studies. The new English translation is even more valuable, because Calame has corrected errors, expanded his arguments here and there, and updated the bibliography in the footnotes, so that, in the author's own words, "this volume has to be considered a second edition of Les choeurs de jeunes filles I" (p. x).
Calame's book was immediately well received when it first was published, although more so in Europe and among historians of Greek religion than among philologists in the U.S. It is curious, for example, that John Herrington does not mention the book in his Poetry into Drama (Berkeley 1985), and, until recently, it was largely ignored in American studies of Sappho, an author who is elaborately discussed in Calame's book.1 One can only hope that this new edition, which makes the book available not only in English but also for a reasonable price, will give it the attention it deserves.
Calame's Choruses of Young Women was originally part of two volumes. It forms the very elaborate introduction to his interpretation of the two partheneia fragments of Alcman (frs. 1 + 3 Davies), which is contained in Les choeurs de jeunes filles en Grčce archaďque II: Alcman.2 It is regrettable that the author did not take the opportunity to include at least a brief synopsis of his much acclaimed interpretation of Alcman's partheneia in the present book, since Les choeurs de jeunes filles en Grčce archaďque II probably will never be translated into English. Although the present book can certainly be read independently of its accompanying volume on Alcman, Calame's interpretation of the partheneia fragments helped shape his approach to the choruses of young women, and it is strange that in a single book devoted to female choral poetry the two most prominent examples are discussed only in passing and mostly through references to the French text of volume 2. The strength of the present book, however, lies precisely in the fact that it is not restricted to Alcman's partheneia fragments, but surveys the whole of Greek literature, from Homer to the Byzantine lexicographers, as well as the iconographical material, and often reinterprets canonical texts, most importantly perhaps the poetry of Sappho, whose circle, Calame argues, functioned much like a chorus of young women.
Calame in his introduction (Chapter 1) poses three questions about the young women's choruses of Ancient Greece: (1) who are their protagonists?, (2) in what kind of religious rituals did they participate?, and (3) what was their social function? These three questions, which are also reflected in the sub-title of the book, are taken up in the next three chapters, with a very brief conclusion (Chapter 5) closing the book. The publisher is to be commended for maintaining the original dissertation-style subdivisions in the chapters. Although these subdivisions are not always aesthetically pleasing (e.g. "2.3.2.1: Apollo: The Myth"), and, horribile dictu, give the book a rather scholarly appearance, they make it very easy to follow Calame's argument and to look up specific passages. The table of contents thus functions as a first index, to which a General Index is added in the back.
The Introduction (Ch. 1) discusses some of the interpretive problems of Alcman's partheneia fragments 1 and 3, which lead to the three questions formulated above. It also discusses the nature of the sources (1.1.1), and Calame's methodology (1.2). There are three types of sources that Calame considers: (a) the poetic fragments of Alcman (other than frs. 1 and 3); (b) passages by classical authors describing choral performances by women or girls, including fragments of poems written for adolescent choruses by authors other than Alcman; and (c) "evidence from authors on the fringes of the Alexandrian tradition, with its encyclopedic and critical tendency" (p. 2). The only glaring omission, as the author later acknowledged himself, is tragedy, whose representations of young women's choruses, admittedly by male singers, provide valuable information about the kind of songs and performances associated with young women.3 As methodology he uses a combination of Marxist literary criticism (1.2.1), comparative anthropology (1.2.2), and semiotics (1.2.3). The latter helps Calame to distinguish between signified and signifier in the myriad of terms used for the Greek chorus in the sources, and to interpret the different symbolic fields covered by his study, including literary texts, iconography, cult practices, and myths.
Chapter 2, "Morphology of the Lyric Chorus," focuses on the composition and some of the activities of the Greek lyric chorus, in particular young women's choruses. Within each chorus two main functions can be distinguished: that of the chorus-members (Ch. 2.1) and that of the chorus-leader (Ch. 2.3). Specifications of the number of chorus members in the sources can range from three to sixty, with the numbers ten to twelve being particularly well represented (e.g., Alcman's first partheneion, Aeschylus' tragic choruses, the chorus that sings the epithalamium to Helen in Theocr. 18). Their sex is usually female (for example, of the 109 plastic images of Greek choruses collected by Crowhurst only twenty-eight are male; quoted by Calame p. 25), and among the female choruses those of young women predominate. Calame therefore concludes, "that a chorus group is a form more frequently feminine than masculine" (p. 25), and "that choral activity was characteristic of young women" (p. 30). Other typical features of young women's choruses are their collective character (frequently indicated by their names: Deliades, Lesbiades etc.), the camaraderie among their members (expressed by such terms as phile, hetaira, and helix), their circular form (in contrast to the rectangular shape of the tragic chorus), and their orderly arrangement.
The function of the chorus-leader (Ch. 2.3) is harder to define. Calame begins by quoting Hesychius's definitions of the word choregos (p. 43), who distinguishes three activities: that of (1) the director who instructs the chorus (also known as the didaskalos), (2) the financier, and (3) the lead dancer. While the function of the financier is easy to distinguish from the other two, the director and the lead dancer can actually be one and the same, or their functions can be further subdivided into that of the instructor, the accompanying musician, a male chorus leader and a female lead dancer. The chorus-leader is sometimes older and/or of a different sex (with men or boys leading girls but not the other way around), but one of the girls can also "teach" (didaskousa) the others how to dance (Luc. Salt. 12). Such examples not only show how hard it is to cull a consistent pattern from widely different historical and geographical sources, but also demonstrate that the young women's choruses did not adhere to a Platonic ideal but were extremely flexible, and easily adapted to the different social and religious functions they had to fulfill. Other distinctive qualities of the female chorus-leader, especially when she is the lead dancer, are her higher social position and her alleged beauty. In the iconography such features are represented by a taller stature, richer clothes, and a more elaborate headdress (p. 73).
At the end of Chapter 2, a section on the musical activities of the young women's choruses is added (Ch. 2.4). They can participate in the performance of hymns (2.4.1), paeans (2.4.2), dithyrambs (2.4.3), citharodic nomoi (2.4.4), threnodies (2.4.5), wedding songs (2.4.6), and "other choral performances," such as simple dances on all manners of occasions (2.4.7). This section could just as well have been included in Chapter 3, which also discusses the activities of young women's choruses, but in this chapter, entitled "Chorus and Ritual," Calame focuses on the religious function of the choruses in an attempt to discover the ritual occasion of Alcman's partheneia. He therefore singles out the Lacedaemonian rituals for special consideration (3.2). Useful as this arrangement will turn out to be for explaining the religious background of Alcman's partheneia fragments, it may leave the inattentive reader with the impression that the sole purpose of young women's choruses was the participation in religious festivals. Section 2.4, however, reveals that young Greek women danced and/or sang together on many different occasions, including at weddings, during the harvest, or just for fun.
In Chapter 3.1, Calame discusses non-Spartan rituals associated with the choral festivities of the gods (3.1.1), the rites of Artemis (3.1.2), Apollo (3.1.3), Hera (3.1.4), Aphrodite (3.1.5), Athena (3.1.6), Dionysus (3.1.7), and Demeter (3.1.8). Calame interprets the participation of young women's choruses in the rituals of these gods almost exclusively in terms of their initiation into the community, and he even classifies the different gods with their rituals according to the stage they represent in the initiation of the young women. The rites dedicated to Artemis and Apollo, "were generally performed by young adolescents during rituals marking the stages of what I have described as a process of tribal initiation" (p. 140). Hera and Aphrodite take over when the girls become a little bit older and reach their marriageable age, with Athena, "overseeing the civic aspect of the transition to adulthood. And finally, Dionysus and Demeter, the gods who protect above all the period after marriage, are celebrated by choruses of women rather than of girls" (p. 141). Calame explains the Spartan rituals, to Artemis (3.2.1), Apollo (3.2.2), the Leukippides and Dionysiades (3.2.3), and Helen (3.2.4), in similar fashion.
In this preoccupation with initiation rituals the book reveals its origins in the mid-seventies, when the explanation of Greek myths and rituals in terms of initiation practices was much in vogue.4 Calame in the original preface (p. viii-ix) acknowledges his debt to Angelo Brelich, who together with Walter Burkert was responsible for the renewed interest in Greek initiation practices in the seventies and early eighties. Although the importance of tribal initiation to the organization of young women's choruses in Ancient Greece can hardly be denied and constitutes one of the greatest discoveries of Calame's book, not every activity in which they participated has to be explained in this way. The ancient Greeks did not put on young women's choruses solely so that the girls could go through their initiation phases, but also to entertain themselves and to honor or placate the gods with the best and most beautiful their communities could offer. Calame does not deny these aspects of the choral performances, but they receive little attention. Again it is worth noting that young women's choruses did not perform at religious festivals only but also at weddings and other more secular occasions. Sometimes they were added to festivals that at least on the face of it have little to do with initiation, such as the Heraia festival in Olympia (pp. 114-16), or the Panathenaia (pp. 130-31). Nevertheless, Calame shows that initiation patterns can be detected in many of the myths and rituals associated with young women's choruses.
In Chapter 4, "The Function of the Lyric Chorus," Calame further explains the way in which the young women's choruses contributed to the coming of age of the girls. First, Calame examines the institutional organization of the young women's chorus, which leads to a first discussion of Sappho's so-called circle (4.1.2). Calame argues that "[the evidence] shows structures in the Lesbos circle analogous to those characteristic of the female lyric chorus: young girls, bound to the one who leads them by ties expressed in the term hetaira, perform dances and songs together" (p. 212). Moreover, Sappho's fragments suggest that other women on Lesbos possessed similar circles of young girls. Following A. Rivier and others, Calame argues for the institutional formality of these circles by pointing to the words adikein ("to commit an injustice") and philotes ("friendship based on mutual confidence") in Sappho fr. 1.19. Next, he compares the choruses of young women to the Spartan agele (4.1.3), the groups in which young Spartan boys were organized between the ages of seven and nineteen. The same word, agela, is actually used for a chorus of young Spartan women in a fragment of Pindar (fr. 112 M.). Like the lyric chorus, the Spartan agelai were under the charge of an older youth, who acted as its leader, and their internal relationships were marked by contemporality and companionship.
In Chapter 4.2, Calame examines the pedagogical function of the chorus. The educational value that the Greeks ascribed to music and the chorus is well known. Calame quotes Plato (Leg. 654a), for whom to be achoreutos ("without chorus") meant to be apaideutos ("without education"). The poet, in his or her capacity of didaskalos, seems to have been mainly responsible for the education of the young women in the choruses (pp. 226-28), but what exactly he would teach the girls is harder to say. Calame again draws an analogy with Sappho's group, which, he argues, "looks like a sort of school for femininity destined to make the young pupils into accomplished women: through the performance of song, music, and cultic acts, they had lessons in comportment and elegance, reflected in the many descriptions of feminine adornment and attitudes in the fragments that we have by Sappho" (p. 231). Although I believe that Calame may be exaggerating the amount of formal teaching that went on in Sappho's group, and the word "school" is not very well chosen,5 I tend to agree with his reading of Sappho's poetry, but other critics, who recognize a feminist voice in Sappho's lyrics or do not believe that she addresses young women at all, have taken issue with this interpretation of Sappho's circle (see the studies on Sappho listed in my footnote 1).
The purpose of the choral education was to prepare the young women for the gender role they had to play as adults (p. 234). It is revealing in this regard that the infamous metaphor of the taming of women can refer both to a girl's education and to her marriage: "The metaphor therefore unites two connected processes: it shows that one opens into the other. Indeed, the whole educational process of the Hellenic girl, especially under its gender aspect, tends towards marriage" (p. 244). The education that the young women received in their choruses was thus markedly different from that of the boys in their agelai, which may account for some of the differences that have been noted in particular between Sappho's poetry and that of her male counterparts.6
The most controversial part of Calame's book is probably the section on the "homoerotic relationships in the lyric chorus," which he discusses in Ch. 4.3. Again he meticulously sets out the evidence, starting with the role of "so-called male homosexuality" in Sparta (4.3.1). In many Greek communities young boys when they reached a certain age were expected to have a male lover, who was either a young adolescent (neos) or an adult. These relationships were universally recognized as erotic but at the same time educational: the beloved was supposed to model himself on his lover and assimilate the virtues of the perfect citizen by imitation (p. 246). While Calame always recognized the difference between these relationships and modern homosexual couples, it is interesting that in this new translation he decided not to apply the term "homosexual" to them anymore at all: "The concept implied by its use does not correspond to relationships which played an educational and thus a transitional role for adolescents becoming adult men. From a pathological point of view, it occupied a very different place in Greek society from the one it occupies in ours; its psychological and sociological implications were profoundly different" (p. 248). In this he was clearly influenced by the recent studies of David Halperin and Froma Zeitlin, whom he cites in the footnotes, as well as the French ethnopsychologist George Devereux. Calame now prefers the term "homophily," because "if the man tries to introduce the adolescent to a relation of philia, of reciprocal esteem and confidence, he is alone to feel for his eromenos a real erotic and sexual desire" (p. 249; one of the few awkward sentences in an otherwise excellent translation).
Calame believes that in Sparta similar relationships existed between girls and older women. His best piece of evidence is a passage in Plutarch's Life of Lycurgus 18.9, where Plutarch reports that the Spartans were so impressed by the beneficial effects of the male pederastic relationships that they encouraged "noble women" (kalas kai agathas gunaikas) to have erotic relations with girls (parthenon eran). The question is, however, how reliable this report is. In the French original Calame adduced as evidence another passage by the fourth century B.C.E. philosopher Hagnon, who maintains that it was the custom in Sparta to have intercourse with girls before their marriage as with paidika, but Calame now admits that this passage most likely refers to intercourse by men with young women (p. 254 n. 169). It is not impossible that Plutarch, or his source, misread such statements by Hagnon or others in the same way, and inferred that the Spartans had instituted pederastic relationships between older women and girls similar to those of the men.
Plutarch's report, however, seems to gain some support from the fragments of Alcman. Calame quotes a scholion to Theocritus 12 (= Alcman fr. 34 Davies), which states that Alcman used the term aitis for beloved girls (tas eperastous koras). According to the same scholion the masculine equivalent, aitas, was used for beloved boys (tous eromenous). The scholiast therefore already equates the two terms, but he does not say explicitly that the girls are the beloved of other women. Next, there is the erotic language with which the chorus members describe their chorus leaders, Hagesichora and Astymeloisa respectively, in Alcman's partheneia fragments 1 and 3. These fragments, which are riddled with textual and interpretive problems, are not discussed in this book, but Calame does cite frs. 59 a and b (Davies), in which the speaker declares his or her love for a certain Megalostrata, who displays "a gift of the Muses" and is "blessed among young women." Athenaeus, who preserved the fragments, believes that they refer to the poet's love for the woman, but Calame argues plausibly that they were in fact spoken by a chorus to their chorus-leader, as in Alcman's fragments 1 and 3. However, this interpretation of Alcman's partheneia creates some new problems. Plutarch speaks of noble women (gunaikes) who had erotic relationships with girls (parthenoi), but the chorus leaders in these songs, according to Calame's own analysis, are themselves parthenoi and cannot be much older than the other chorus members. Secondly, in the male pederastic relationships the eromenos was supposed to be passive, but here it would be the eromenai who would express their desire for the woman taking the place of the erastes. Interestingly, this desire of the beloved girl would be consistent with the mutual feelings of love that recent scholars have read into Sappho's poetry (see the studies listed in note 6), but it undermines the analogy with the male pederastic relationships. I may be overly skeptical, but I am still not convinced that the erotic feelings that the chorus members in Alcman's partheneia express for the leading girl cannot be read as praise of her outstanding beauty, without the notion that the girls expected these feelings to be reciprocated or consummated.
The myths of "female homophily" that Calame discusses in Ch. 4.3.3, are not without their problems either. First, there is the story of Leukippos, the son of Oinomaos, who fell in love with Daphne (p. 252). In order to overcome the young virgin's aversion to men, Leukippos disguises himself as a girl and mingles with the nymph's companions when they are hunting. In this guise he manages to forge with Daphne an "unshakable friendship" (philian ischuran). Similar friendships are reported between Artemis and her attendants (p. 253), but there is no reason to assume that these friendships were sexual. In one version of the myth of Kallisto, Zeus is said to have taken the form of Artemis in order to rape and impregnate the girl, but this version goes back to the comic (!) poet Amphis, and "is of marginal interest for the study of the myth in its more serious form."7 If young women in ancient Greece engaged in homoerotic affairs with other women, they lacked, or we lack, the mythical examples of couples like Zeus and Ganymedes or Poseidon and Pelops.
Finally, there is Sappho's poetry (Ch. 4.3.2). Calame joins the modern consensus that "the fragments evoking the power of Eros, to mention only those, refer to a real love that was physically consummated" (p. 250). What is particularly interesting for Calame's thesis is that Sappho seems to combine these homoerotic relationships with her stewardship of a choral group. Calame admits that there seems to be a contradiction between her individual expressions of love, which are always directed at one girl, and the collective character of Sappho's circle, but he suggests that "only some of the girls had a homoerotic relationship with the poetess, while the other adolescents only participated by reciting the passionate poems addressed to the young beloved" (p. 250). As parallel, he points to the groups of boys that formed around one aristocratic youth and his adult lover in Crete, as reported by Ephorus (FGrH 70F.149). These groups follow the youth into the wilderness and go through the same initiation rituals except for the sexual contact with the erastes. In his interpretation of Alcman's first partheneia fragment, he argues for a similar paradigmatic relationship between Hagesichora and Agido, in which the chorus is somehow meant to share (Les Choeurs de jeunes filles II, p. 86ff.).
Calame further argues for the viability of such paradigmatic relationships by pointing to the interchangeability of first person singular and plural expressions in choral poetry, and the formulaic character of the language in which Sappho's homoerotic feelings are expressed (Ch. 4.3.5). At the same time, he recognizes in Sappho's poetry "an internal vibration that goes beyond the expression in traditional form of a homoeroticism entirely conforming to its educational function... : for Sappho, the ritual and initiatory 'pseudo-homosexuality' could simply become an example of what we call homosexuality" (p. 251). I find Calame's explanation of the way Sappho's circle and her beloved girls interacted plausible and very illuminating. Most importantly, it puts Sappho and her poetry back into the public domain by giving her relationships a visible, social function and by allowing her songs to be performed in the community, after centuries of critics, ever since the Renaissance (but not before!), shut her up in a salon, school, thiasos, or private women's group. I would only like to point out that it is far from certain that all of Sappho's erotic poetry is spoken in her own voice, and that some of it, like Sappho frs. 16 and 96, was probably spoken and performed by a chorus.8 This would make her poetry correspond even more closely to Alcman's partheneia.
In the last section of Chapter 4 (Ch. 4.4), Calame returns to the connection between the female lyric chorus and tribal initiation, which lies at the heart of the book. His analysis is an example of how to integrate modern anthropological studies into the study of antiquity. Although anthropological studies of tribal initiation rites guided his research from the beginning, he first demonstrates the individual initiatory elements in the Greek sources before comparing them to those of other cultures. In this final section, Calame amasses an impressive list of anthropological studies that document in female initiation groups the same features that he found in the Greek choruses of young women, such as their collective character, hierarchies within the group of initiates, homoerotic practices, the importance of song, dance and music, especially in the presentation of the group, the emphasis on beauty, and, of course, the tripartite division between rites of separation, rites of transition, and rites of reintegration. Although, as Calame admits on page 261, not all the activities of the Greek choruses of young women can be reduced to initiation rituals, he demonstrates convincingly that one of their main functions was the preparation of young women for adult life.
I have discussed the book in some detail, in part because it was only in the details that I could find anything to criticize, but also to show to the reader how rich and well argued it is. This book is an absolute must for anyone working in women's history, Greek literature or Greek religion. It should be put on permanent reserve in every library, because of the wide range of topics it discusses and the exemplary quality of its research. I finally would like to commend the translators for an outstanding achievement. Compared with Calame's rather difficult French, the translation, while still no easy read, is very lucid, and even French speakers may now and then want to consult the translation, which was checked by the author, to find out what he exactly means. I found one typo (the reference to Alcman fr. 3, line 56, on page 5 should be to line 65), and the cross-referencing is not always exact, but these are small blemishes in what surely ranks as one of the masterpieces of late-twentieth century Classical scholarship.
NOTES
1. Calame's study is, for example, not mentioned in J. P. Hallett's article, "Sappho and her Social Context: Sense and Sensuality," Signs 3 (1979) 447-64 (although they agree on many points), nor in J. J. Winkler, "Double Consciousness in Sappho's Lyrics," in The Constraints of Desire (New York 1990) 162-87, nor in J. M. Snyder, "Public Occasion and Private Passion in the Lyrics of Sappho," in S. B. Pomeroy (ed.), Women's History and Ancient History (Chapel Hill 1991) 1-19. It has received critical attention in M. B. Skinner, "Woman and Language in Archaic Greece," in N. S. Rabinowitz & A. Richlin (eds.), Feminist Theory and the Classics (New York 1993) 125-44, 133, H. N. Parker, "Sappho Schoolmistress," TAPA 123 (1993) 309-51, esp. 331-33 (who largely seems to misunderstand Calame's argument, however), and E. Stehle, Performance and Gender in Ancient Greece (Princeton 1997) esp. 270-74. Among historians of Greek religion, Calame is quoted favorably for example in J. N. Bremmer, "An Enigmatic Indo-European Rite: Paederasty," Arethusa 13 (1980) 279-98, 292-93, and W. Burkert, Greek Religion (Cambridge MA 1985) passim.
2. See also Calame's text and commentary of Alcman's fragments: Alcman. Introduction, texte critique, témoignages et commentaire, Rome 1983.
3. Calame discusses some of this evidence in "From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song," Arion, Third Series, 3.1 (1994/95) 136-54.
4. See H. S. Versnel, "What's Sauce for the Goose is Sauce for the Gander: Myth and Ritual, Old and New," in L. Edmunds (ed.), Approaches to Greek Myth (Baltimore 1990) 25-90, reprinted in H. S. Versnel, Inconsistencies in Greek and Roman Religion II (Leiden 1993) 15-88; also cited by Calame p. 11 n. 26.
5. Calame of course rejects Wilamowitz's characterization of Sappho's group as a "Mädchenpensionat" or "finishing school" (p. 233).
6. See the studies of Skinner and Stehle, listed in note 1, and L. H. Wilson, Sappho's Sweetbitter Songs: Configurations of Male and Female in Ancient Greek Lyric (London-New York 1996).
7. A. Henrichs, "Three Approaches to Greek Mythography," in J. N. Bremmer (ed.), Interpretations of Greek Mythology (London-Sydney 1987) 242-277, 262, who in note 82 also rejects the idea that Amphis' version reflects initiation rituals involving female homosexuality.
8. See my "Who Sang Sappho's Songs?" in E. Greene (ed.), Reading Sappho: Contemporary Approaches (Berkeley 1997) 150-72.
Claude Calame, Thesee et l'imaginaire athenien: Legende et culte en Grece antique. Preface de Pierre Vidal-Naquet. Lausanne: Sciences humaines, Editions Payot Lausanne, 1990. Pp. 480 (pb). ISBN 2-601-03080-1.
Reviewed by Anton Bierl, University of Illinois at Urbana-Champaign and University of Munich.
The reader may ask: After the excellent collections of materials on Theseus by Hans Herter ("Theseus," RE Suppl. XIII [München 1973] coll. 1045-1238) and Frank Brommer (Theseus. Die Taten des griechischen Helden in der antiken Kunst und Literatur [Darmstadt 1982]), do we really need another monograph on this Greek hero? Claude Calame, the author of two other very innovative books (Les choeurs de jeunes filles en Grece archaique, 2 vols. [Rome 1977] and Le recit en Grece ancienne [Paris 1986]) and editor of Alcman (Rome 1983) and of collections of essays on such fascinating themes as love and ritual and myth, proves that we really do. In a word, Calame has written an excellent book. He is not interested in simply repeating the primary sources again. His aims are higher and only the subtitle of the book reveals what it is really about. He deals with the old problem of the relation between myth and ritual, Theseus being only the pretext for a much wider discussion. To this end Calame applies all sorts of modern theories and tools, including semiotics, narratology, structuralism, Russian formalism, linguistics, comparative anthropology and modern cognitive psychology. The author gives an example of how to go beyond the limits of traditional philology and the results are encouraging.
The great danger here is that the traditionally educated classicist might have difficulty in following the intricate argument. Calame presupposes a great deal of knowledge, and his terminology sometimes remains obscure. At least the author is aware of this and gives an immensely theoretical introduction in chapter I which even a man like Pierre Vidal-Naquet in his preface characterizes as "pas une entreprise facile, car tous les mots ont ici besoin d'etre definis" (12). Some advice for the reader: one should not become discouraged, but should take this book as a challenge and a thesaurus to work on in the future in order to understand many things even better. The monograph in the beginning seems to be like a labyrinth and sometimes one has to find Ariadne's thread on one's own. One major flaw of this great book is the lack of an index through which one could pursue certain arguments for a second time.
In the introduction (chapter I) we become aquainted with Calame's real concern, the concepts of myth (or legend) and cult. In modern religious studies there has been a long discussion about the relation and differences between the two. Is myth prior to rite or vice versa, or do both phenomena develop simultaneously? Wilamowitz and many other scholars regarded myth as the essence of Greek belief, whereas cult was for them the superstitious religious expression of the masses. Under the influence of Freud and Darwin the Cambridge Ritualists like Jane Harrison, after W. R. Smith, put the emphasis on ritual. Harrison believed ritual is authentic; it is the dromenon, whereas myth, often aetiological, is only a later protorational attempt to add a verbal explanation (legomenon) for cults. This concept of deed and corresponding word of justification has been applied up until even very recent studies on the subject. Following modern semiotic theories myth and ritual and even imagery become for Calame similar expressions of one and the same symbolic process in society. In his opinion both have to be understood as texts with specific signs which function as symbols for constitutive features of society and its ideology. What really links them is that both 'languages' are continuously manipulated during the 'processus symbolique', which is to say that communities tend to appropriate these expressions for their 'ideology'. In linguistic terms, myth and ritual are symbolic expressions; the relation between signifier in the mythological legend and signified in the cult is not congruent but arbitrary based on a partial contiguity and has to be understood as a metonomy or metaphor.
Now it becomes clear why Calame chose Theseus as his example. The history of his myths, iconographic representations and cults shows that they had to undergo a constant process of manipulation. He argues from insufficient evidence that in Homer and Sappho he is a panhellenic hero like many others. Only at the very end of the 6th century B.C. does Athens start to appropriate Theseus for her own discourse in such a way that he becomes in the classical period the national hero par excellence. The young ephebe is adopted as the model of the future ideal citizen. In the same way one can detect a continuous development making the famous story of Theseus' fight against the Minotaur center on Athens by linking his figure with the tutelary gods of the polis. In later fifth-century tragedy he appears on the Attic stage as the embodiment of Athenian democratic society with its specific values (e.g. Euripides' Suppliants and Heracles and Sophocles' Oedipus Coloneus). He is the wise king who integrates the Other from outside into the polis. This process of Athenian manipulation reaches its summit with the frequent praise of Theseus in fourth-century rhetoric. The historical development of the Theseus saga is demonstrated in Chapter VI.1. In chapter II Calame recounts the first part of Theseus' adventures from his birth in Troizen, his arrival in Athens and the expedition to Crete up until his successful return to Athens. In chapter III he shows how the Theseus story was linked with the cultic practices of Athens and its main gods. In III.3 Calame returns to the propositions of the introduction. After giving the practical example, his thesis on cult and myth gains shape. He differentiates myth and ritual on syntactical and semio-narrative grounds. Then in chapters IV and V he undertakes a semantic analysis concentrating on the action and on the geographical distribution of cult. In the first category he pursues an inquiry into the story under the aspect of age, degree of maturity, royal legitimation, sexuality and the function of music for the hero; in addition he describes the degree of savagery of the animal enemy and the quality of political power of Minos. In demonstrating these features Calame is obviously to a great extent dependent on the work of Vernant and his Parisian School with his followers in Italy. This is why the results in the first half of chapter IV lack a certain originality. But just the opposite is true of the second half, the study of the Athenian gods and their spatial interrelation ("Des dieux et des lieux"). Before following this promising path the author gives the rest of Theseus' biography from Aegeus' suicide until Theseus' end.
In my opinion the most important contributions of this book are to be found in the last two chapters. Pursuing the fact that Theseus' story was linked with the tutelary god of Athens, Calame provides a detailed picture of the system of the gods Apollo, Dionysos, Athena, Poseidon and Demeter and the function of their cults in the Attic territory and calendar. This is the result of a superb application of modern theories. The book not only summarizes the research on partial aspects and single gods in this field but succeeds in bringing these results together in a highly abstract schematization of their geographical distribution in Attica. Very useful are the synoptic representations of the cultic space (fig. 1, p. 363), of the spatial organization of classical Athens (fig. 2, p. 372) and the festivities in the Athenian calendar in connection with the Theseus myth (fig. 3, p. 375). Leaving the bipolarity of the structuralists behind, Calame develops a hexapolar schematization. Every god has a function in the center of the polis and on the limits of Attic territory. Athena and Poseidon, and Dionysos and Apollo form two complementary pairs; Demeter comes in addition. The first pair define the agricultural domain, the second is responsible for civilisation, Demeter participates in both tasks. Frontier outposts like Eleusis, Delphi, Sciron, Phalerum, Delos and Salamis, with the cultic institutions of the main Athenian gods in linkage with the Theseus-Minotaur saga, define the Attic space in its entirety. Following schemes of Detienne about the maturity of food Calame interprets the decisive rituals of Apollo and Dionysos, namely Pyanopsia, Thargelia, Oschophoria and Anthesteria, as reflections on civilisation in the basic alimentary code.
As far as I can judge on Dionysos, the quality of discussion is high. Calame masters all the extant sources and the modern discussion in a precise way. Especially important is the insight into the complementary character of Dionysos and Apollo not only in Delphi but in Athens as well (pp. 364-369). This is another refutation of the Nietzschean conviction that these gods form a strict opposition. Calame also thereby gives further evidence in support of my recent argument that Euripides uses the similarity of Apollo and ambivalent Dionysos for dramaturgical metadramatical reflexions in tragedy.1 Furthermore, although standing close to the French tradition which tends to overestimate the violent side of Dionysos as a god coming from outside reversing civic order, Calame is able to modify this view by emphasizing the positive aspect of the god and his function in the city (pp. 333-337). In his opinion the subversion of social categories is only partial and relatively moderate. The interplay between Apollo and Dionysos defines civilisation: Apollo is generally regarded as the god of culture and moderation. Dionysos' reversing tendencies, on the other hand, function to create an even more stable order within the city. By subver ting hierarchies for a prescribed period of time the need for social regulation becomes manifest and order is finally restored. Dionysus is worshipped to consecrate ambivalence and contradiction in the city. According to Calame Anthesteria and Oschophoria are not the bloody and horrible actions portrayed by Walter Burkert but rather symbolic speculations on the possibilities of transition provided by the consumption of the Dionysiac wine (p. 337).
The last chapter (VI) sheds light on the puzzling elements of the introduction and winds up the thesis of the book. After giving a historical survey of the development of the Theseus-saga in relation to Athens, Calame concentrates on the important question of whether the reelaborations of Theseus as hero of the polis-civilisation are promoted by single individuals such as Ephialtes, Peisistratus, Cleisthenes, Themistocles or Cimon. He pleads that such a symbolic process could not be coined by individuals but is rather the product of moments of crisis in the historical progress of Athens towards democracy. The Theseus myth mirrors Athens' preoccupation with boundaries during its territorial expansion in Attica and its emergence as a seapower. Theseus appropriates older cults such as the worship of Apollo at Delos in order to reflect Athens' hegemony in the Delian-Attic league. The experiences of the Persian wars are also mirrored in Theseus' participation in the battle against the Amazons and Centaurs. Moreover, Calame refutes the old reading of the Cretan expedition as a reflection of initiation, as it was developed by Jeanmaire. The cults linked with the Theseus-saga do not provide any sign of a ritual initiation scheme. Thus, in sum, myth and cult do not function as word and deed. In Calame's opinion the only points of contact between the two are based on the metaphorical analogy between the maturation of vegetable food through agriculture and the civic maturation of the young people through education.2 The book is important for every classicist working on religion, because it proposes a new explanation for the relation of myth and cult and provides for the first time a complete structural analysis of the system of gods and the spatial distribution of their cults in classical Attica. I am almost convinced that Calame's new system would be fruitful especially when applied to tragedy and comedy of the same period; for it can yield further insight into the working of the gods in literary texts.
Notes
1. See A. Bierl, Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text (Tübingen: 1991) pp. 91-99, 103-110, 146-151.
2. See e.g. Antiphon, DK 87 B 60, Pl. Euthphr. 2D, Leg. 765E-766A, TrGF II 646a, 25, and A. Henrichs, ZPE 1 (1967) pp. 50-53.
BMCR 99.8.11, Calame, The Poetics of Eros in Ancient Greece
owner-bmcr-l@brynmawr.edu
Search tool
Wed, 11 Aug 1999 21:10:29 -0400 (EDT)
Messages sorted by: [ date ][ thread ][ subject ][ author ]
Next message: owner-bmcr-l@brynmawr.edu: "BMCR 99.8.12, Braund/Mayer, edd., Amor: Roma"
Previous message: owner-bmcr-l@brynmawr.edu: "BMCR 99.8.9, RESPONSE: De Franceschini on . . ."
@@@@99.8.11, Calame, The Poetics of Eros in Ancient Greece
Claude Calame, The Poetics of Eros in Ancient Greece, trans. Janet Lloyd. Princeton: Princeton University Press, 1999. Pp. xiii, 213. $35.00. ISBN 0-691-04341-8 (hb).
Reviewed by Christina Clark
Center for Hellenic Studies
cclark@bowdoin.edu
Word Count: 4,819
Interest in and research on the body and sexuality in ancient Greece has grown tremendously in the past twenty years. Different theoretical camps range from those adopting a Foucauldian, feminist, and anthropological approaches, to attempts to "directly access" ancient thought through the ancient sources alone. The anthropological approach is well illustrated by Claude Calame's The Poetics of Eros in Ancient Greece (a supplemented translation of I Greci l'ero=s: Simboli, pratiche e luoghi, Roma-Bari, 1992), with a foreword by Froma Zeitlin.
Overall this is a clearly written and easy to read book and one that should be read by all those interested in the conception and function of ero=s in Greek society. Advertised as an investigation of ero=s as seen in Greek poetry and iconography from the archaic through the classical periods, what Calame (henceforth C.) really presents is a distillation of his thoughts on ero=s over a long period of time, rather than a comprehensive work. C. calls his approach both discursive and anthropological, and states his intent to view the symbolic manifestations of the powers of ero=s from this twofold, synchronic perspective (p. 3). C.'s introduction, "Tragic Prelude: The Yoke of Eros," sets out the plan and organization of his book. His text is divided into five parts with eleven chapters in all. In comparing the original Italian version with this introduction, it is clear that C. has expanded his investigation for this new edition by adding the discussion of gender. On p. 9 C. states that "in the present study, sexuality, like "gender," will be considered an operative concept. . . not so much as an "experience" as a modern construct by which we try to incorporate a whole body of psychosocial practices with a genital basis." As symbolic practices, archaic and classical poetry and iconography reflect social institutions and relations as much as "sexual subjects." C. acknowledges that some may object that this idealizes Greek ero=s and produces a "purely academic and scholarly view of 'sexuality,'" and labels his study an "inevitably euro- and androcentric" reading of the ancient evidence (p. 9).
Part 1 has two chapters, "The Eros of the Melic Poets" and "The Eros of Epic," which seemed to me the strongest of the book. At the start C. expresses his reaction to ideas of ero=s in modern scholarship: "Prone as it is to an incoherence fostered by its excessive practice of criticism, our civilization has fragmented the notion of amorous feeling into the most contradictory representations of it" (p. 13). C. wants to integrate this fragmented picture of desire. He studies ero=s as a semiotic agent acting upon "beneficiaries" in different arenas and social relations. This will involve, necessarily, looking at "any sexual roles and gender functions that it institutes in situations of contrast and conflict" (p. 13). In the end, however, C. declares that modern categories of gender and sexuality are not pertinent to the dynamic interplay he sees in
"relational" ero=s, and he warns us "to look with a reflective eye at our
own academic and eurocentric erudition" (p. 199).
In 1.1 C. examines the literary and symbolic manifestations of ero=s' social and semiotic means of action as seen in archaic poetry and iconography. C. finds the narrative structure of archaic poetry especially useful for understanding the social practice of love in Greece, since the narrator-locutor of the songs sings in the first person. C. examines the corpus of melic poetry carefully, tracing the various characterizations of ero=s as a bittersweet sensory assault. Ero=s strikes organs of emotion and perception and emanates from the gaze of the person, arousing desire into the eyes of the one who desires (1.1.2). Ero=s involves the lover in a relationship with the object of his/her desire. While it can be intensely sweet, the archaic poets focus more on the violent, cruel aspects of love. To the one placed under the yoke of desire, ero=s can seem a madness, an altered state (C. does not spend much time on the related metaphor of love as a sickness). The lover is not, C. argues, an entirely passive victim, but rather can actively strategize to win his/her beloved or to escape the bonds of passion. In 1.1.3, C. examines the strategies of love employed by lovers in melic poetry. The relationship between the adult lover and the adolescent beloved is essentially asymmetrical. The lover wants a relationship of trust with the beloved, a commitment -- expressed in the verb paidophilein and in the institutional nature of the relationship of philote=s. C. argues that no reciprocity is expected in the melic poets, who are doomed to disappointment in this type of love. There is only the hope that one day, when they have matured, the beloveds will in turn become subject to the yoke of desire. In 1.1.4 C. examines the metaphorical expressions used by the poets to indicate erotic union and the meanings of words such as epithumia, he=done=, pothos, and himeros. This discussion is valuable for delineating the different types of desire specified by the speakers and how they act upon the human body. C. is especially good here in bringing in the iconography that makes these concepts concrete.
Section 1.1.5 examines the wide range of metaphorical expressions used to express the fulfilment of erotic desire. The archaic poets refer to the sexual act itself indirectly, which contrasts sharply with the practices of contemporary vase-painters and the later conventions of Old Comedy (p. 34). C. finds two common and significant metaphorical expressions for sexual congress: the bed (eune=: site of the consummation of desire) on which the act is indicated by the verb meignusthai. This bed and joining imagery, C. argues, leads us away from the asymmetrical love found between adult and youth to conjugal love with a procreative function usually associated with the love affairs of divinities and heroes, or legendary figures (p. 35). In 1.1.6 C. investigates the representations of various states which complement and are associated with the state of desire: sleep, death, poetic inspiration. Love debilitates, but it also gives the poet the power to express him/herself in song. Music seduces and spellbinds the listener. This effect, or power of music, leads C. to examine the function of the melic poetry he has been examining for representations of ero=s, moving from a semantic analysis to a pragmatic one.
Chapter 2, "The Eros of Epic Poetry" extends the investigation of the poetic and symbolic representations of ero=s to epic poetry. These texts use the same vocabulary of love we have seen in the melic poets but in contrast present scenes of mutual love, the topic of 1.2.1. These conjugal relationships arise out of seduction, of course, which is the topic of 1.2.2. Seduction is accomplished many times with beguiling words, the subject of 2.3. Erotic discourse has the power to produce enchanting pleasure, similar to the effect of the performance of epic poetry on its audience.
In Part 2, "The Symbolic Practices of Eros," C. takes great pains "to avoid the illusion of realism." Melic and epic representations of love are literary and symbolic creations which can "help us to reconstruct a particular representation of love; however, they certainly do not provide a basis for any reconstruction of real sexual practices" (p. 51). It would be better to say, perhaps, that in archaic poetry we are given conventional type scenes which may or may not accurately reflect actual practices. In order to break out of the circle of internal reference and gain access to what C. calls "the institutional aspects of Greek sexual practices," C. examines the different modes of utterance used in the two different kinds of texts. Epic mode is a narrative type of representation, whereas melic mode is close to dramatic representation. In the melic mode, the narrator-locutor is using his/her words to try to seduce the beloved. This is the erotic function of melic poetry. In 2.3.1 C. notes that whether or not the love is realized is the difference between epic and melic poetry (p. 52). Epic represents a love that is realized in a reciprocal relationship on a soft bed, usually generating progeny, whereas melic represents thwarted desire because of the asymmetrical nature of the love relationship depicted. Further, the actors are different. Lovers in epic tend to be either gods or heroes, whereas in melic lovers are mortals. Denied amorous fulfilment, the melic speaker substitutes the delight of poetry, which soothes and enchants both him/herself and the audience (p. 56). The poem is a substitute for sexual union. The language used in both genres and both situations is the same. On p. 55 C. sums up his position based on his linguistic analysis of epic and melic poetry:
"It is clearly pointless to seek to draw a decisive distinction, in the
erotic language of poetry in archaic Greece, between heterosexual and homosexual relations; and similarly, still at the linguistic and poetic level, differences of gender seem obscured to the extent that men and women adopt exactly the same language when confronted with the effects of Eros. Any attempt to draw a firm distinction would smack of anachronism and Eurocentricity." I would observe that while men and women may use the same words, there is always room for subversion and irony beneath the surface of the words, in the way the words are manipulated: C.'s statement is too sweeping. Further, I miss any reference to B. H. Fowler's article
"The Archaic Aesthetic," (AJP 105 [1984]: 119-149) in which she shows that
the melic poets were fascinated by ta poikila: "the variegated nature of the objects of their senses." This, as much as anything else, shapes their poetry, and seems to be the way both genders perceived their world. C.'s discussion of the metaphorical spaces of love and the incantatory power of Greek poetry would have been enriched by Fowler's insights. The rest of section 2 is devoted to a discussion of the representation of love in Hellenistic epigram and in the Greek novel.
In 2.4 C. introduces the modern concept of sexuality to examine iconography that provides information about sexual approaches, contacts, and relations. Contrary to textual representations of love, in the iconography it is mortals who make love, not the divinities. The images C. examines range in date from circa 570 - 470 BC. In poetry, we see the divinities or heroes enjoying symmetrical, reciprocal love with another adult on beds. In pottery we see gods, goddesses, or heroes pursuing young boys or girls. While this seems at first to represent an asymmetrical union such as that seen in archaic melic poetry, these pursuits in many cases lead to productive unions. In art, the painters depict the preliminary phases to the sexual unions of the gods and heroes, instead of graphically depicting them in the act of sex. Here C. notes a distinctive variation: ero=s, in archaic melic poetry, is made manifest to mortals only by unfulfilled love. In contrast to this, in both archaic and classical pottery, human sexual activity is graphically depicted (p. 67).
2.4.1.2 examines the iconograpy of both heterosexual and homophile couples. C. distinguishes three different categories of erotic images in archaic and classical art: 1) preliminaries in which divinities engage, 2) imaginative human sexual relations, and 3) the excessive and explicit sexual activities of satyrs (p. 70). These are general trends and there are many exceptions or blends, as C. notes. Next, in 2.4.1.3, C. looks at the role of Eros in these representations, and observes that Eros often (but not always) appears in the pursuit scene (1), hovering near the lover, thus emphasizing the asymmetry of the relationship. In contrast, Eros is missing from bed scenes and those involving satyrs, probably because desire has been fulfilled. In 2.4.2 C. asks what the function was of such images, and examines them from a spatial point of view. These images appear on objects located within a framework of the gymnasium, the symposium, or the ko=mos following the banquet. As utensils for mixing, serving, and drinking wine, the painted vessels function like an erotic poem -- a tool of seduction to be presented to the beloved (p. 83). Other paintings could be said to correspond to iambic poetry, in that they expose the addressee to sexual derision with scenes of sexual bestiality (p. 87).
In Part 3, C. examines the role played by Eros and Aphrodite in social institutions by looking at the role of desire in the gendered spaces of the polis. C. makes use of anthropological theories of initiation within an educational system to provide for transitions to adulthood. Acknowledging that there is no documentary evidence for rites of tribal initiation in early Greece, C. asserts that these rites can only be used as a formal tool (p. 92). In 3.5.1 C. studies the propaedeutic practices of the symposium, limiting his discussion to the 6th c. cities such as Mytilene, Megara, and Athens in which poets such as Alkaios and Theognis sang their songs. C. discusses the practice of Greek homophilia as part of educational procedures originating from tribal rites of initiation, designed to create a lasting bond of philia, and integrating the youth into the social fabric. 3.5.1.2 begins with a discussion of Sappho's poetry to show that the mutual bond of trust formed in an asymmetrical, paedeutic erotic relationship between adults and adolescents was not for men only. Here C. argues against feminist studies of Sappho's poetry, maintaining that the "gendered dimension of Sappho's poems in truth depends rather on the social and pedagogical function of the poems sung and danced on ritual and communal occasions," instead of on "the erotic sensibility and sexuality of the author" (p. 99). Thus, allusions to politics and male civic virtues are replaced with beauty and an invitation to intimacy with the goddess of love. C. argues that the transitory philia established in such an initiatory, paedeutic, asymmetrical relationship between woman and girl led to a stable relationship of philote=s, the basis of marriage. C. takes care to argue that such an aymmetrical relationship between adult and adolescent is not to be seen in terms of active and passive roles and argues for a much more complex and actively transformative relationship (p. 100). Next, C. looks at the erotic practices of the palaestra, a space in which many homophile contacts between men and boys take place. C. uses evidence of cult objects, law texts, myth, and vase-paintings.
In 3.6, C. turns his attention to the feminine space of the oikos. Not unpredictably, the nature of the sources forces C. to shift chronologically from the late archaic period to classical Athens. While every daughter of an Athenian citizen was ideally bound for marriage, C. points out that there were a number of possible statuses for women in the oikos, among them, the concubine, who sometimes emerged from the intermediate status of the hetaira. After examining the place of the hetaira in banquets, C. focuses on the transition from girl to wife as seen in texts and iconography. Much of the erotic language C. cites seems to revolve around the about-to-be-married and the just-married, so that one wonders how long ero=s was thought to remain in a Greek marriage. C. argues that marriage was analogous to the propaedeutic erotic relationship with boys, in that they were both relationships of mutual trust, established by ero=s. In a chapter on shared love, violence, and reproduction, C. acknowledges that violence was always present in legendary representations of marriage, often functioning as a motivating force of the narrative. Pursuit leads to rape and violence, but C. argues that this leads in turn to union on a bed and a couple joined in a bond of philote=s. This language of violence should not be taken too literally, C. warns, for in his view, based on Gorgias' Encomium of Helen, "the will of the gods, the violence of rape, the effect of bewitching words, and the interventions of Eros are all by and large equivalent" (p. 123). Marriage is centered on the female because it is only through this ritual that the girl completes her rite of passage into womanhood. Ero=s intervenes to bring this rite about, and the woman's initiation is fulfilled when a child results from the union.
In 3.7 C. turns his attention to the negative aspects of ero=s and argues that we see people resisting the force of implacable desire in tragedy and comedy. Comedy developed the critical nature of iambic poetry while tragedy developed epic eulogy "into a challenge that was directed -- through the masks of Dionysus -- against the power of the gods and the legendary and ethical values upon which life in the city was founded" (p. 132). In comedy, actors use the same vocabulary of love used by the archaic poets, but the comic poets exaggerate it. Comic relationships are symmetrical and mutual, contrasting with the situations in melic poetry and showing similarity with certain iconographical representations. C. argues that comedy presented a parody of transgressions normally tolerated to some extent in society. Chapter 3.7.1.1 examines erotic relationships not tolerated by society. C. asserts that while homophilia is only lightly satirized, "any homosexual relationship that involves two adults is severely criticized" (p. 135-6). It was considered contrary to nature for adult men to be penetrated anally, for one is thereby rejecting one's condition as a man and status as a citizen. Thus, charges of sodomy were used as political insults and expressed moral judgments (p. 141). In tragedy, too, the archaic descriptions of the physiology of love remain. The institution of marriage figures strongly in tragedy, but often to serve only to represent what is lost. C. sees two themes prevailing in tragedy: 1) "girls fated to be sacrificed before reaching maturity", and 2) "beautiful wives whose second marriages lead them to a tragic end" (p. 142). The tragedians attack not marriage as an institution, C. finds, but instead the implacable sexual force personified in Eros and Aphrodite.
In Part 4, C. maps out the spaces in which the powers of desire are deployed. Previously C. has discussed the places within the city in which ero=s acts -- in Greek initiatory, paedeutic institutions such as symposia, gymnasia, and in the girl's preparations and transitions to marriage. C. now turns his attention to the flowery meadow (leimo=n) and the cultivated garden (ke=pos), turning gradually away from rituals and institutions to the poetic world. This is one of the most interesting sections of the book, but also one of the most problematic. Flowery erotic meadows in Greek myth are often the sites of the rape of young girls. But C. argues that rarely is ero=s fulfilled here -- meadows are but a way-station on the road to sexual intercourse elsewhere. C. sees a movement from wild flowers growing in meadows, to fruits tended in an orchard, to cereal products of agriculture symbolizing the civilization process (p. 163). This progression is accompanied by the spatial progression from nomadic activities of herdsmen in border areas to enclosed gardens to the central oikos. C. constructs the following schematic representation:
Social Status Legendary Space Activity Geographical Space
parthenos meadow herding outdoors,
quasi wild
numphe= garden tree cultivation transition
gune= bed agriculture indoors, oikos
Although C. allows that there are "distortions" that mar such schematic representations, he thinks it helpful to use this table to "convey the various ways in which the Greeks of the classical period represented the three successive statuses that were assigned to women" (p. 164). Still, there appear some significant difficulties with this representation. For example, the meadow/garden separation he makes is not so clear-cut in Greek literature. A. Motte, Prairies et jardins de la Gre\ce antique; de la religion a\ la philosophie. Brussels: Palais des Acade/mies, 1971 (a book which C. cites) 45-8, 85 shows that ke=pos, leimo=n, delta, and pedion can all refer to female genitalia. As C. himself notes, Empedocles (frag. 31 B66 Diels-Kranz) refers to female genitalia as "the cleft meadow of Aphrodite." The myth of Zeus and Europa which C. uses to make his argument that girls are not sexually initiated in meadows but are rather taken elsewhere for that, is at heart an aetion -- C. ignores the other functions of myth such as this. Zeus takes Europa away from the meadow and to a new land to have sex not simply because it would be unthinkable for a god and mortal to have sex in a meadow but because she is to be the founder of a new people in a new land. It could be that the physical carrying off of rape is conceptually equivalent to sexual intercourse. For a man not of her family to touch a girl like this is necessarily a sexual act. Furthermore, the original mortal woman, Pandora, herself conflates the statuses of parthenos and gune=. As H. King (Hippocrates' Woman, London and New York, 1998: 24-25) notes, in Hesiod's Works and Days 80-81 Pandora is represented as a gune= disguised as a parthenos, and in Theogony 513-14, the two statuses are merged in her description as plaste=n gynaika parthenon.
In 4.9 C. returns to the world of the melic speaker showing that mythical meadows and gardens remain the metaphorical spaces of ero=s. By examining the metaphorical language the poets use to describe their beloveds, C. argues that in terms of metaphor, gender roles in adolescence are somewhat merged for boys and girls. "The fact that a boy is sometimes represented in the fresh pastureland that is usually the scene of a prelude to love involving a girl is an indication of the purely metaphorical nature assumed by the flowering meadow in these poems, which may be directly addressed to either adolescent girls or adolescent boys" (p. 166). On the other hand, using metaphorical transposition the poet can replace mythological actions with his own experiences (real or fictional) using the flowering meadow to provide a framework within which adolescent girls may be prepared for and initiated into love (p. 167). In the rest of this section C. examines the poetic and institutional uses of gardens, from the poems of Sappho to the archaeological and literary evidence for the Gardens of Aphrodite in Athens.
In Part 5, C. discusses the complementary propaedeutic and reproductive roles of Ero=s as they are found in theogonic and philosophical texts. C. notes that from the Homeric Hymns to the Greek novel, ero=s' power extends to the entire universe. The cosmic dimension to ero=s and Aphrodite's power is constructive -- in the origin and nature of the universe, ero=s creates and maintains the physical fabric, just as, C. argues, ero=s creates social links through its institutional role in education and marriage. In fact, C. asserts that "it was no doubt on the basis of the institutional role played by Eros in practices relating to education of an initiatory nature and in the rite of passage leading to feminine maturity that a deified Eros acquired a place and a function in first theogonic, then philosophical representations of the cosmos" (p. 177-78). In early texts such as Hesiod's Theogony, for example, Eros unites Gaia and Ouranos creating a bond of philote=s which enables them to produce offspring. 10.2 is an examination of Plato's Symposium, in which the characters review narrative, poetic, and philosophical traditions about Eros. 10.3 examines Plato's Phaedrus, a dialogue about the function of the state of being in love. Both the Symposium and Phaedrus propose initiatory ways of progressing toward Beauty or Truth through ero=s' mediation. 5.11 looks at the mystics of Eleusis and Orphism.
An "Elegiac Coda: Eros the Educator" ends the book. Here C. sums up his findings of the many functions of ero=s in Greek society from the archaic through the classical period. Ero=s is, he concludes, "first and foremost a force of reproduction, above all of social reproduction" (p. 198). After reviewing his arguments about the process of initiatory education for both adolescent girls and boys, C. argues that "the different statuses of the two genders are, on both sides, produced by the action of the deities of love, but the relations between them are bound to be conflictual" (p. 198). He argues further that twentieth century anthropological categories of sexuality are not pertinent to archaic and classical Greece. In a way he is setting up a straw man, because the definitions of gender that he claims to be working with on p. 7 are not limited to the structuralist oppositions of "active/passive" and "public/private" that he attacks as inadequate. Further, I am bewildered by C.'s statement that ". . . it is very hard to assess to what extent Greek women were regarded as "sexual objects," given that virtually all the documents that refer to them were the work of men!" (p. 199). It seems to me that the objectifiers would be men, so I fail to see his point here. C. says that "only the notion of 'gender,' understood as a social representation constructed on the basis of the relations between the sexes, is of help to us as we try to understand the various social statuses that became defined in relationships inspired by Eros and Aphrodite" (p. 199). In this book C. leaves out any significant discussion of medical ideas of the body and the differences between the sexes, although he occasionally refers to research on the medical writers in his notes, and acknowledges the fact that the body itself is a symbolic, cultural artifact (p.7-8). In Greek thought the body of a woman reacted differently to outside influences such as ero=s than the body of a man did, and this reaction was feared as a threat to individuals and to society itself. L. Dean Jones, for example, analyzes Hesiod's creation myth and the scientific Greek views about women's bodies and sexuality (Women's Bodies in Classical Greek Science, Oxford 1994). C. cites A. Carson's "Putting Her in Her Place: Women, Dirt, and Desire," in Halperin et al, Before Sexuality (Princeton, 1990) but does not examine the ideas further. Both Carson and Zeitlin 1982 ("Cultic Models of the Female: Rites of Dionysus and Demeter," Arethusa 15: 129-58) discuss the danger of female sexuality and the interior of the female body. I also missed any discussion of the dangers of ero=s as seen in law cases. C. neglects evidence of the disruptive, destructive power of ero=s as seen in speeches such as Lysias 1, Against Eratosthenes, in which we see a young wife committing adultery in her own oikos while her husband sleeps upstairs. Ero=s is hardly "integrative" here. While both Zeitlin in her foreword and C. himself acknowledge that his study focuses on the
"functional, not the dysfunctional, aspects of a system of desire" (p.
xvi), I think that C. lessens the power of his book by emphasizing one over the other to this extent.
This new edition, like the original Italian one, does not quote Greek texts for the most part, and occasional Greek words are transliterated. It is a shame that C., in writing about the incantatory power of Greek poetry, does not provide the Greek itself. English translations usually fail to suggest this quality, and I found C.'s (or his translator's) occasional use of antiquated Loeb translations distracting. The actual Greek is usually far from the register implied by "thee," "thou," "shalt," and "fain,", let alone "calloo, callay" (an unfortunate translation by D. Kovaks, Euripides I (Loeb) of Eur. Cycl. 576, of the Greek I)OU\ I)OU/). The book is marred by a variety of errata, for the most part typographical. The following list is gleaned from the text and a cursory look at the bibliography: read BASILEU\S for BASXEU\S in the Plutarch quote on the page before the Table of Contents; p. 24 line 2 read Aphrodite for Aprhodite; p. 57 line 28 read deaf for blind; p. 97 line 14 read late for last; p. 100 line 13 read distaste for distate; p. 105 n. 28 line 12 read Six for Sex; p. 124 line 27 read fulfilment for fullfilment, p. 143 line 26 read than for then; p. 158 n. 10 line 10 read link for linke; p. 174 line 17 read propaedeutic for propaeudeutic. The bibliographic citation on p. 205 for Eva Stehle's book is conflated with that of Deborah Lyons: for Performance and Immortality. Heroines in Ancient Greek Nondramatic Poetry in Its Setting, read Performance and Gender in Ancient Greece. Nondramatic Poetry in Its Setting On p. 85 n. 22 C. refers to an article by N. W. Slater in A. Mackay (ed.), forthcoming, but no title is given for the book, keeping readers in suspense. Overall, despite its diminution of the negative, destructive aspects of desire, its neglect of sources such as the medical writers, and the selective nature of C.'s use of law cases, this is an important study which will undoubtedly be very influential in further studies of Greek sexuality.
Next message: owner-bmcr-l@brynmawr.edu: "BMCR 99.8.12, Braund/Mayer, edd., Amor: Roma"
Previous message: owner-bmcr-l@brynmawr.edu: "BMCR 99.8.9, RESPONSE: De Franceschini on . . ."
Professeur invité ŕ la Maison de la Recherche ŕ l'Université de Lille III, hiver 1993/94
Président du Département Interfacultaire d'Histoire et de Sciences des Religions
de 1994 ŕ 1997
Trésorier de l'Association Suisse pour l'Etude de l'Antiquité dčs 1994
Membre de l'Institute for Advanced Study, Princeton, automne 1997
Visiting Professor, Yale University, hiver et printemps 1998
Invité ŕ l'Ecole des Hautes Etudes en Sciences Sociales, Paris, en tant que Directeur d'études pour l'hiver 1998/99, puis nommé dčs 2001
Conférences et Colloques :
aux Universités de Cagliari, Cosenza, Macerata, Milano, Napoli (IO), Pavia, Pisa (SNS), Roma, Siena, Taranto, Trieste, Urbino, Venezia (Italie); Besançon, Grenoble II et III, Lille III, Montpellier, Paris (EHESS, EPHE, ENS-Aussois, Paris-X), Perpignan, Toulouse (France); Ličge, Namur (Belgique); Athčnes (Grčce); Konstanz (Allemagne); Cambridge, London (Univ. College, King's College; Angleterre); Santander (Espagne); Québec (Canada); Ann Arbor, Berkeley, Boston, Brown, Bryn Mawr, Chicago, Columbia (New York), Cornell, Emory (Atlanta), Georgia, Harvard, Johns Hopkins (Baltimore), Pensylvania, Princeton, Rutgers, Stanford, Yale, Washington D.C. (CHS), Wisconsin (USA); Săo Paulo, Minais Gerais (Brésil); Bâle, Fribourg, Genčve, Neuchâtel, Zurich (Suisse).
Conférences/ Colloques 2000-2001
.Scuola Normale Superiore (Pisa), 06.03.2000: ŤMito, divinazione e poesia: l'uso del racconto di Tiresia in un poema ellenisticoť.
.Universitŕ degli Studi di Milano, 07.03.2000: ŤPoetica del "mito" in Grecia: Callimaco e l'indovinoť.
.Cours romand de 3e cycle ŤOrphée et l'orphismeť, Château d'Oex, 15-17.03.2000: ŤIntroduction: que sont les Orphica?ť.
.Colloque ŤCoralieť XI ŤLa figure d'Orphée et les počmes orphiquesť, Université de Lausanne, 24-26.05.2000: ŤLa poésie orphique: qu'est-ce qui est orphique dans les Orphica?ť.
.The Carl Newell Jackson Classical Lectures, Harvard University, 10.-13.10.2000: ŤTime in Ancient Greece: Heroic Narrative, Poetic Memory, Ritual Pragmaticsť - ŤHesiod's narrative of the five ages: oriental parallels and Greek pragmaticsť; ŤTheseus through Bacchylides' poetical perspective: the fabrication of gender and heroic identity in time and ritualť; ŤOral narrative and written consecration in the "Agreement of the Founders of Cyrene": the role of Apollo's oracle in civic and efficacious temporalitiesť; ŤTime and speech applied in the gold lamellae: performative itineraries for travelling to the other worldť.
.University of Chicago, 23.10.2000: ŤTheseus in Papua New Guinea: Bacchylides 17, and Athenian Genderť.
.Colloque ŤThéories de la religion, pertinence, validité, véritéť, Université de Lausanne, 14-6.12.2000: ŤPerspectives académiques sur un systčme polythéiste; les affinités entre approches et objet en histoire et sciences des religionsť.
.Cours romand de troisičme cycle, colloque ŤLa religion, centre d'activités publiques pour les femmes dans l'Antiquitéť, Université de Lausanne, 18-19.01.2001: ŤThésée en jeune fille: le rôle religieux des femmes dans la promotion d'un "empire" maritime (le Dithyrambe 17 de Bacchylide).
. Cycle de conférence du Groupement d'Etudes Biologiques, Lausanne, ŤGénome humain: les enjeuxť, 1.2.2001: ŤFabriquer / modifier l'humain?ť (avec Mondher Kilani).
.Collčge International de Philosophie, Paris, 07.03.2001: ŤSujet amoureux et instance d'énonciation: Sappho et Foucaultť.
.EHESS / Centre Louis Genet, Paris, 31.03.2001: ŤL'exposition poétique au banquet de quelques questions de politique intérieure ŕ Athčnes au VIe sičcle: Solon fr.3 Gentili-Prato (Eunomia)ť.
.Colloque ŤL'herméneutique au seuil du XXIčme sičcleť, Université de Lausanne, Cręt-Bérard, 3-5.05.2001: ŤLa traduction des cultures. Les catégories de la pensée et du discours anthropologiqueť.
.Festival ŤScience et Citéť, Université de Lausanne, Café scientifique ŤGénome humain: science, éthique et sociétéť, 11.05.2001: interventions.
.Conférence ŕ l'Université de Zürich, Klassisch-Philologisches Seminar, 18.05.2001: Ť Je mélique et sujet amoureux: quelques počtes grecs aux prises avec Eros et l'histoire de la sexualité selon Foucaultť.
.Colloque ŤCoralieť XII, ŤThe Hellenistic Reception of Archaic Poetry: Callimachus and Theocritusť, Center for Hellenic Studies, Washington D.C., 14-16.06.2001: ŤMelic and Alexandrian poetics: some types of deixis in Theognis, Pindar, Theocritus and Collimachusť, avec présidence de séance et table ronde.
.Internationales Symposium ŤMythen der Kreativität: zur Anthropologie des Schöpferischen zwischen Hybris und Kreativitätť, Graduiertenkolleg Religion und Normativität, Universität Heidelberg, 07-10.11.2001: ŤDie Zivilisation des Prometheus und das genetische Genie. Einige impertinente Reflexionenť.
.Séminaire postgrade ŤThéories littéraires et Sciences humainesť, Université Paris7-Denis Diderot, 15.11.2001: ŤAutoréférence performative et deixis programmatique: aspects performatifs de la poésie grecqueť.
Organisation
Séminaire interdisciplinaire et postgrade en anthropologie culturelle et analyse des discours de 1985 ŕ 1997.
Colloque "Les formes narratives des mythes grecs", 20-22.5.87.
Cours romand de 3e cycle "Ecriture des mythes et de l'histoire en Grčce et ŕ Rome", Les Diablerets, 4-9.3.90.
Séminaire doctoral et postdoctoral "La société grecque archaďque: réalité historique et fiction poétique", Archamps, 15-16.12.94.
Colloque "Coralie" VI, "Les mythes grecs en question: les récits d'Hélčne", 17-19.5.95.
Journée d'étude "L'histoire et les sciences des religions dans l'enseignement secondaire", 26.3.96.
Colloque du PARSA "L'histoire et la philosophie face aux mythes", 17-18.4.97 (en collaboration avec David Bouvier).
Colloque "La fabrication de l'humain dans les cultures et dans l'anthropologie", 15-16.12.97 (avec Mondher Kilani).
Colloque "Représentations discursives du temps: historiographie et anthro-pologie", en préparation pour juin 99 (avec Mondher Kilani).
Colloque "Coralie" XI, "Les textes orphiques: énonciation et performance", en préparation pour mai 00.
Réseaux et groupes de recherche sur la poésie grecque (Universités de Cornell, Harvard, Lausanne, Lille III, Princeton), sur le discours anthropologique (Universités de Pavie, Turin, Nice, Paris et Lausanne), sur la culture antique (Pôle Alpin de Recherche sur les Sociétés Antiques), sur la poésie épique (projet "Homerica": Grenoble III, Genčve, Lausanne).
Echanges d'étudiants et de doctorants avec la Scuola Normale Superiore di Pisa, l'EPHE (Section des Sciences Religieuses) ŕ Paris, les Universités de Bâle, Bristol, Lille III, Pavie et Urbino.
Séminaire de Diplôme d'Etudes Spécialisées "Anthropologie des cultures, anthropologie des discours", 94/95 et 95/96 (trois DES pour le grec).
Cours romand de 3e cycle en sciences de l'Antiquité (UNIL-UNIGE), Château d'Oex, 15-17.03.2000: ŤOrphée et l'orphismeť.
Colloque ŤCoralieť XI, UNIL, 24-26.05.2000: ŤLa figure d'Orphée et les počmes orphiquesť.
Sessions du Conseil scientifique de l'Observatoire des Religions en Suisse (UNIL) 2000.
Colloque international, UNIL, 10-11.12.2001, en collaboration avec Monder Kilani: ŤLes pratiques de l'anthropologie: épistémologie et procédures de l'anthropopoiésisť.
Session du Conseil scientifique de l'Observatoire des Religions en Suisse (UNIL) 2001.
Publications
Ouvrages :
Les choeurs de jeunes filles en Grčce archaďque, 2 voll., Roma (Ateneo) 1977, 506 + 212 pp. (trad. américaine: Lanham MR, Rowman & Littlefield, 1996).
Alcman. Texte critique, témoignages, traduction et commentaire, Roma (Ateneo) 1984, LXV + 638 pp.
Le récit en Grčce ancienne. Enonciations et représentations de počtes, Paris (Méridiens Klincksieck) 1986, 222 pp. (trad. italienne: Roma - Bari, Laterza, 1988; éd. revue et trad. américaine: Ithaca NY - London, Cornell University Press, 1995).
Thésée et l'imaginaire athénien. Légende et culte en Grčce classique, Lausanne (Payot) 1990, 480 pp. (2č éd.: 1996).
I Greci e l'eros: simboli, pratiche e luoghi, Roma - Bari (Laterza) 1992, 224 pp. (L'Eros dans la Grčce antique, Paris, Belin, 1996; trad. américaine en préparation ŕ Princeton University Press).
L'Eros dans la Grčce antique, Paris (Belin) 1996, 256pp. (2čme édition augmentée: 2001; traduction italienne (cf. ci-dessus), traduction anglaise: Princeton, Princeton University Press 1999; traduction espagnole: Madrid, AKAL 2002; traduction roumaine et portugaise en préparation).
Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie, Lausanne (Payot) 1996, 185 pp.
Poétique des mythes en Grčce antique, Paris (Hachette) 2000, 288 pp.
Le récit en Grčce ancienne, Paris (Belin) 2000, 302 pp. (2e édition, revue et corrigée).
.Choruses of Young Women in Ancient Greece. Their Morphology, Religious Role, and Social Functions, Lanham-Boulder-New York-Oxford (Rowman & Littlefield) 2001, 282 pp. (New and revised edition).
Projets :
The Greek Poetic Tradition: Authorship and Pragmatics, Ithaca NY - London (Cornell University Press), ŕ paraître en 2000, env. 240 pp.
Ouvrages collectifs :
Rito e poesia corale in Grecia. Guida storica e critica, Roma - Bari (Laterza) 1977, 234 pp.
L'amore in Grecia, Roma - Bari (Laterza) 1983, XL + 310 pp. (quatre éditions successives).
Le logos grec. Mises en discours, Paris (Belles Lettres) 1986, 87 pp.
Métamorphoses du mythe en Grčce antique, Genčve (Labor & Fides) 1988, 231 pp.
Le discours anthropologique, Description, narration, savoir, Paris (Méridiens Klincksieck) 1990, 306 pp. (2č éd.: Lausanne, Payot, 1995).
Figures grecques de l'intermédiaire, Paris (Belles Lettres) 1992, 146 pp.
Philosophes et historiens anciens face aux mythes, Lausanne-Paris (Etudes de Lettres -Belles Lettres) 1998, 154pp., avec D, Bouvier.
La Fabrication de l'humain dnas les cultures et en anthropologie, Lausanne (Payot-Etudes de Lettres) 1999, 168 pp., avec M.Kilani.
Articles récents (choix) :
ŤLe discours mythiqueť in J.-C. Coquet (éd.), Sémiotique. L'Ecole de Paris, Paris (Hachette) 1982, pp. 85-102.
ŤLes figures grecques du gigantesqueť, Communications 42, 1985, pp. 147-172.
ŤNature humaine et environnement: le racisme bien tempéré d'Hippocrateť in Sciences et racisme, Lausanne (Payot) 1986, pp. 75-99.
ŤFacing Otherness: The Tragic Mask in Ancient Greeceť, History of Religion 26, 1986, pp. 127-142.
ŤLe récit généalogique spartiate: la représentation mythologique d'une organisation spatialeť, Quaderni di Storia 15, 1987, pp. 43-91.
ŤApprendre ŕ boire, apprendre ŕ chanter: l'inférence énonciative dans une image grecqueť, La Part de l'oeil 5, 1989, pp. 45-53.
ŤDémasquer par le masque. Effets énonciatifs dans la Comédie ancienneť, Revue de l'Histoire des Religions 206, 1989, pp. 357-376.
Ť'Mythe' et 'rite' en Grčce: des catégories indigčnes?ť, Kernos 4, 1991, pp. 179-204.
ŤEros initiatique et la cosmogonie orphiqueť in Orphisme et Orphée. En l'honneur de Jean Rudhardt, Ph. Borgeaud ed., Genčve (Droz) 1991, pp. 227-247.
ŤLa festať, in Introduzione alle culture antiche III. L'esperienza religiosa antica, M. Vegetti ed., Torino (Bollati Boringhieri) 1992, pp. 29-54.
ŤLegendary narration and poetic procedure in Callimachus' Hymn to Apolloť, in Hellenistica Groningana I. Callimachus, M. Harder et al. (edd.), Groningen (Forsten) 1993, pp. 37-55.
ŤRythme, voix et mémoire de l'écriture en Grčce classiqueť, in Tradizione e innovazione nella cultura greca da Omero all' etŕ ellenistica, R. Pretagostini ed., Roma (GEI) 1993, pp. 37-55.
ŤVariations énonciatives, relations avec les dieux et fonctions poétiques dans les Hymnes homériquesť, Museum Helveticum 52, 1995, pp. 1-19.
ŤFrom Choral Poetry to Tragic Stasimon: The Enactment of Women's Songť, Arion III. 3, 1994/5, pp. 135-152.
ŤVision, Blindness, and Mask. The Radicalization of the Emotions in Sophocles' Oedipus Rexť, in M.S. Silk (éd.), Tragedy and the Tragic. Greek Theatre and Beyond, Oxford (Clarendon Press) 1996, pp. 17-37.
ŤLe pročme des Travaux d'Hésiode. Prélude ŕ une poésie d'actionť, in F. Blaise, P. Judet de la Combe, Ph. Rousseau (edd.), Le métier du mythe. Lectures d'Hésiode, Lille (Presses Universitaires du Septentrion) 1996, pp. 169-189.
ŤSappho's Group: An Initiation into Womanhoodť, in E. Greene (ed.), Reading Sappho. Contemporary Approaches, Berkeley - Los Angeles - London (University of California Press) 1996, p. 113-124.
ŤPour une sémiotique de l'énonciation: discours et sujet", in M. Constantini & I. Darrault-Harris (edd.), Sémiotique, phénoménologie, discours, Paris (L'Harmattann) 1996, pp. 143-150.
ŤFigures of Sexuality and Initiatory Transition in the Derveni Theogony and its Commentaryť, in A. Laks & G.W. Most (edd.), Studies on the Derveni Papyrus, Oxford (Clarendon Press) 1997, p. 65-80.
ŤL'Hymne homérique ŕ Déméter comme offrande: regard rétrospectif sur quelques catégories de l'anthropologie de la religion grecqueť, Kernos 10, 1997, pp. 111-133.
ŤMort héroďque et culte ŕ mystčre dans l'Oedipe ŕ Colone de Sophocle. Aspects rituels au service de la création mythiqueť, in F. Graf (ed.), Ansichten griechischer Rituale. Geburtstags-Symposium für Walter Burkert,, Stuttgart - Leipzig (Teubner) 1998, pp. 326-356.
ŤHéraclčs, animal et victime sacrificielle dans les Trachiniennes de Sophocleť, in C. Bonnet, C. Jourdain-Annequin, V. Pirenne-Delforge (ed.), Le Bestiaire d'Héraclčs. IIIe Rencontre héracléenne (Kernos Suppl 7), Ličge (CIERGA) 1998, pp. 197-215.
ŤMűthos, lógos, histoire. Usages du passé héroďque dans la rhétorique grecqueť, L'Homme 147, 1998, pp. 127-149.
.ŤDividing Homer: A Responseť, Symbolae Osloenses (Oslo) 74, 1999, pp.43-47.
ŤTradition et mémorial. L'origine des guerres médiques entre tragédie et historiographieť, in V. Mauron & C. de Ribaupierre (éds.), Le corps évanoui. Les images subites, Paris-Lausanne (Hazan) 1999, pp.165-176
.ŤTempo del racconto e tempo del rito nella poesia greca: Bacchilide tra mito, storia e cultoť, Quaderni Urbinati di Cultura Classica (Pisa-Roma) 91, 1999, pp.63-83.
.ŤAutour des mythes grecs et des sciences humaines" (Entretien avec Christopher Lucken), Equinoxe (Genčve) 21, 1999, pp.85-98.
.ŤLe "sujet du désir" aux prises avec Eros: entre Platon et la poésie méliqueť, L'Unebévue (E.P.E.L., Paris) 14, 1999, pp.5-22.
.ŤLa distruzione di Mileto: nascita della tragedia e della storiať, in M. Cannatŕ Ferra et S. Grandolini (edd.), Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera, Napoli (Edizioni Scientifiche Italiane) 2000, pp.127-136.
.ŤTemps du récit et temps du rituel dans la poétique grecque: Bacchylide entre mythe, histoire et culteť, in C. Darbo-Peschanki (éd.), Construction du temps dans le monde grec ancien, Paris (CNRS Editions) 2000, pp..395-412.
.ŤUne légende thébaine vue d'Alexandrie: Tirésias et Athéna dans l'Hymne au bain de Pallas de Callimaqueť, in P. Angeli Bernardini (éd.), Presenza e funzione della cittŕ di Tebe nella cultura greca, Pisa/Roma (Istituti Editoriali e Poligrafici Internazionali) 2000, pp.267-287.
.ŤQuelques formes chorales chez Aristophane: adresses aux dieux, mimésis dramatique et "performance" musicaleť, in P. Brulé & Ch. Vendričs (éd.), Chanter les dieux. Musique et religion dans l'Antiquité grecque et romaine, Rennes (Presses Universitaires) 2001, pp.115-140.
.ŤLe scienze dell'Antichitŕ tra neoliberalismo e cultura da supermercato: inflazione bibliografica e smarrimento metodologicoť, I Quaderni del Ramo d'Oro (Siena) 4, 2001, pp.181-203.
. "Interprétation et traduction des cultures. Les catégories de la pensée et du discours anthropologiques", L'Homme 163, 2002, pp. 51-78.
Mots clé
Poétique, analyse des discours, anthropologie (Antiquité), religion, mythologie (Grčce ancienne).
Uni Lausanne - Faculté des Lettres - Section de Français - BFSH2 - CH-1015 Lausanne - Switzerland
Claude Calame, professeur de langue et littérature grecques ŕ l'Université de Lausanne
ŤSe questo č un uomoť : la formulation inquiétante que suggčre le titre du témoignage autobiographique de Primo Levi sur Auschwitz pose la question de fond.
Sans doute l'évocation de cet effroyable point de non- retour dans la négation froidement systématique et sadiquement destructrice de la qualité d'humain peut-il apparaître comme déplacé dans ce qui se veut une réflexion universitaire. On atteint les limites du dicible, par référence ŕ ce qui constitue précisément l'une des capacités les plus riches de l'homme en tant que ŤMenschť : la parole. Il n'en reste pas moins que les perspectives ouvertes par le génie génétique nous confrontent ŕ une question identique : qu'est-ce qui fait qu'au-delŕ de notre animalité constitutive, nous sommes des humains? Est-on en droit d'intervenir de maničre définitive (et non pas superficiellement, comme le fait par exemple le médecin) sur la Ťnatureť de l'homme? Parviendra-t-on ŕ modifier, autrement que par la négation destructrice, ce qu'est l'humain?
Seul le hasard de la conjoncture historique et du comput propre ŕ la chronologie chrétienne fait que la question se pose ŕ l'entrée prochaine dans un nouveau millénaire. Au-delŕ de toute angoisse catastrophiste, il faut reconnaître que pour la premičre fois l'homme peut intervenir en profondeur sur sa propre constitution.
Ce sont lŕ les questions qui furent posées ŕ un certain nombre de praticiens de l'anthropologie culturelle et sociale dans un colloque organisé ŕ Lausanne, sous l'égide du Département Interfacultaire d'Histoire et de Sciences des Religions et de l'Institut d'Anthropologie et de Sociologie, par un groupe d'anthropologues de Paris, Pavie, Turin et Lausanne [1]. Associés depuis quelques années dans une recherche commune, ces derniers s'interrogent eux-męmes, par-dessus les Alpes, sur ce qu'ils ont appelé l'Ťanthropo-poiésisť. La fabrication de l'humain donc, ŕ partir du constat que l'homme naît animal, qu'il naît imparfait, mais qu'il naît, de maničre spécifique, avec des capacités qui lui permettent non seulement de vivre en société, mais aussi d'énoncer et de modifier les rčgles qui permettent sa vie en communauté.
Il ne s'agit pas lŕ d'une éthologie, celle-ci se limitant trop souvent ŕ reporter sur les hommes les comportements sociaux qu'elle croit identifier chez les animaux; mais il s'agit d'une réflexion anthropologique sur la culture des hommes, sur la civilisation (pour autant que ce mot ait encore un sens). Si certains animaux connaissent des formes de vie en société, ils ne produisent aucun objet symbolique; les manifestations culturelles leur sont étrangčres. Tout en retravaillant et en transformant son entourage, l'homme fabrique des relations avec ses pairs; il fabrique sa propre culture; capable de communiquer avec ses voisins, il se construit lui-męme en tant qu'animal social, certes, mais surtout en tant qu'animal civilisé.
De lŕ la nécessité d'explorer les différentes maničres que l'homme imagine pour se construire en tant qu'homme par ses productions symboliques et dans ses relations avec les autres; ceci aussi bien dans d'autres communautés culturelles que dans notre propre civilisation, ŕ parcourir dans ses incessants changements historiques : vaste enquęte d'ordre anthropologique, dans l'espace et dans le temps.
Dans l'Antiquité hellčne, pour ne se référer qu'ŕ cette civilisation Ťexotiqueť, il a appartenu aux Sophistes de l'Athčnes du Ve sičcle de s'interroger sur le critčre qui permet de distinguer l'homme de l'animal : la compréhension opposée ŕ la simple perception (Alcméon de Crotone)? la maîtrise de soi (Héraclite)? la possibilité de mesure et donc d'évaluation (Protagoras)? le besoin d'une éducation (déjŕ Anaximandre)? ou simplement la possession des mains renvoyant ŕ l'habileté et ŕ l'intelligence artisanes que l'ętre humain détient en propre (Anaxagore)? Avec cette idée complémentaire, développée aussi bien par Hérodote que par Hippocrate, qu'une longue pratique de la coutume peut finir par s'inscrire dans la nature. C'est ainsi que l'impuissance constitutive de certaines populations scythes est référée ŕ l'habitude de ces communautés nomades de se déplacer uniquement ŕ dos de cheval. Dans le grand débat sur les relations entre Ťnomos et phusisť, c'est la coutume qui peut ętre amenée ŕ déterminer et ŕ modeler la nature.
Il s'agit donc de savoir comment femmes et hommes se fabriquent eux-męmes et construisent leur culture en suivant des représentations qui sont toujours des représentations pratiques. C'est dire que ces images que l'homme se fait de lui-męme ont réguličrement un impact en retour sur l'articulation sociale de la communauté ŕ laquelle il appartient : représentations de son passé entre mythe et histoire, ensemble de maximes morales, mais aussi institutions de l'éducation, pratiques rituelles et religieuses. échanges économiques, interventions techniques, organisation architecturale de l'espace social, pratiques artistiques et poétiques. Cultures des autres, antiques et contemporaines; mais, par comparaison et par contraste, et de maničre réflexive, culture propre, notre culture; une culture dans laquelle, par exemple, au fantasme omniprésent de l'immortalité s'est désormais substitué le ręve d'une jeunesse éternelle.
Les possibilités ouvertes par les manipulations génétiques peuvent conduire ŕ une instrumentalisation commercialisable de cette machine ŕ fabriquer du symbolique qu'est le corps humain, ceci en particulier dans une société essentiellement orientée vers le profit immédiat. C'est dire qu'elles doivent ętre confrontées avec une réflexion serrée sur l'identité sexuelle, généalogique, émotionnelle, symbolique de l'homme en relation avec les différents modčles qu'il a pu élaborer pour construire sa vie en société. En une période oů l'on postule l'autonomie de l'économique en cherchant ŕ le naturaliser, il serait suicidaire de laisser ŕ l'apparente objectivité de la science l'exploitation des profits gigantesques ŕ tirer des connaissances sur le patrimoine génétique de l'homme. Le danger est grand, encore une fois, de naturaliser le social par la réification de la nature. Il est tellement plus rassurant de pouvoir référer nos comportements sociaux et nos productions symboliques ŕ des rčgles inscrites dans une nature que l'on pourrait désormais manipuler ŕ plaisir, selon les critčres de l'idéologie dominante du moment. A elle seule, l'analyse du discours serait susceptible de dégager les présupposés idéologiques et épistémologiques, par exemple, de la métaphore du Ťpatrimoine génétiqueť.
Concrčtement, dans l'accord prochain qui doit intégrer de maničre forte enseignement et recherche ŕ l'EPFL, ŕ l'UNIGE et ŕ l'UNIL, les sciences de la vie ne sauraient se développer sans le concours des sciences dites précisément Ťde l'hommeť. Inéluctable, cette collaboration recommande la création ŕ l'Université de Lausanne, avec les moyens libérés par la cession d'un certain nombre d'enseignements fondamentaux ŕ l'Ecole d'ingénieurs voisine, d'un véritable Institut de recherche avancée combiné avec une Ecole d'études doctorales : Maison des Sciences de la Vie et de l'Homme qui animerait recherches et enseignements postgrades de maničre pluridisciplinaire et transversale. L'enjeu est ici moins d'ordre éthique qu'épistémologique. Conjugués avec d'éventuelles rčgles morales, les présupposés et les principes męmes des sciences de la vie comme ceux des sciences humaines doivent ętre interrogés en dialogue. C'est par leur intermédiaire que nous nous fabriquons nous-męmes.
Promue par la nécessité d'offrir autant ŕ nos étudiant-es qu'ŕ leurs collčgues des pays voisins les possibilités d'une formation bien articulée débouchant sur des Diplômes d'Etudes Spécialisées ou Approfondies dignes de ces dénominations, une telle institution d'enseignement et de recherche postgrades devrait empęcher les représentant-es de la communauté universitaire de s'enfermer dans la technicité propre au développement spécialisé des savoirs académiques; savoirs d'autant plus éclatés que l'Ťhypermodernitéť porte ŕ cette dispersion d'ordre relativiste : le temps n'est plus ŕ la synthčse. Romande avec son centre ŕ Lausanne, une Maison des Sciences de la Vie et de l'Homme devrait donc fournir les possibilités d'un travail interdisciplinaire ŕ l'égard duquel le Fonds National, par son organisation cloisonnée selon les disciplines, montre encore souvent de grandes réticences.
Qui dit fabrication, dit production d'artefacts. C'est désormais, et pour la premičre fois, l'homme qui se donne ŕ lui-męme les moyens de faire passer sa propre constitution dans le domaine, manipulable, de l'artificiel. Et, plus que l'homme, inévitable animal social et symbolique, c'est la société occidentale qui s'arroge ces moyens. On oublie trop souvent ŕ cet égard que la volonté d'anéantissement systématique de communautés humaines entičres est aussi née dans notre civilisation industrielle, capitaliste, nationaliste et chrétienne.
Claude Calame
[1]Colloque de décembre 1997 qui a donné lieu ŕ la publication de La Fabrication de l'humain dans les cultures et en anthropologie, sous la direction de C. Calame et M. Kilani, coédition Etudes de Lettres 3/4, 1998, et Payot, Lausanne, 1999.
ĹăăńáöŢ 121 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 057375
Ôßôëďň: Aristoxenus von Tarent / Melik und rhythmik des classischen hellenenthums ; ubersetzt und erläutert durch R. Westphal
ÓőăăńáöÝáň: Aristoxenus
Gogava, Antonius Hermannus, 1529-1569
Saran, Franz Ludwig, 1866-1931 (ed.)
Westphal, Rudolf Georg Hermann, 1826-1892 (ed. and tr.)
Äçěoóßĺőóç: Leipzig : A. Abel, 1883-93
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. : ill. (music) ; 24 cm.
Óçěĺéţóĺéň: Title of v. 2: Aristoxenos von Tarent. Melik und rhythmik ... Berichtigter original text nebst prolegomena von R. Westphal ... Hrsg. von F. Saran.
"Aristoxeni mvsici antiqviss. Harmonicorvm elementorvm libri III, omnia nunc primum latine conscripta et edita ab Ant. Gogauino Grauiensi. Venetiis, apud Vincentium Valgrisium. MDLXII": v. 2, 31 p. following p. ccxl.
Đĺńéĺ÷üěĺíá: v. 1. Vorwort. Aristoxenus theorie des rhythmus. Aristoxenus theorie des melos. Aristoxenus Symposion oder Vermischte tischreden -- v. 2. Prolegomena. Aristoxeneae restitutionis apparatus
ČÝěáôá: Greek language--Meter
Music, Greek
Music, Greek and Roman
LCC Ôáîéíüěçóç: ML168.A7 W5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**33107 04 RA 101/3 v.1 ź÷é ÄéáčÝóéěď
**33108 04 RA 101/3 v.2 ź÷é ÄéáčÝóéěď
======
Aristoxenus von Tarent.
Aristoxenus.; Rudolf Georg Hermann Westphal; Franz Saran; Antonius Gogava
1883
German Book 2 v. illus. (music) 24 cm.
Leipzig, A. Abel,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 25
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Aristoxenus. (41); Westphal, Rudolf Georg Hermann, (max: 3)
Title: Aristoxenus von Tarent.
Author(s): Aristoxenus. ; Westphal, Rudolf Georg Hermann,; 1826-1892, ; ed. and tr.; Saran, Franz,; 1866-1931, ; ed.; Gogava, Antonius,; 1529-1569.
Publication: Leipzig, A. Abel,
Year: 1883
Description: 2 v. illus. (music) 24 cm.
Language: German
Contents: v. 1. Vorwort. Aristoxenus theorie des rhythmus. Aristoxenus theorie des melos. Aristoxenus Symposion oder Vermischte tischreden.-v. 2. Prolegomena. Aristoxeneae restitutionis apparatus.
Standard No: LCCN: 04-512
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Title of v. 2: Aristoxenos von Tarent. Melik und rhythmik ... Berichtigter original text nebst prolegomena von R. Westphal ... Hrsg. von F. Saran./ "Aristoxeni mvsici antiqviss. Harmonicorvm elementorvm libri III, omnia nunc primum latine conscripta et edita ab Ant. Gogauino Grauiensi. Venetiis, apud Vincentium Valgrisium. MDLXII": v. 2, 31 p. following p. ccxl.
Class Descriptors: LC: ML168
Other Titles: Melik und rhythmik.
Responsibility: Melik und rhythmik des classischen hellenenthums. Ubersetzt und erläutert durch R. Westphal.
Document Type: Book
Entry: 19760329
Update: 20011015
Accession No: OCLC: 2077862
Database: WorldCat
====
ĹăăńáöŢ 122 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 057432
Ôßôëďň: Pindari opera qvae svpersvnt.Textvm in genvina metra restitvit et ex fide librorvm manvscriptorvm doctorvmqve coniectvris recensvit, annotationem criticam scholia integra interpretationem latinam commentarivm perpetvvm et indices adiecit Avgvstvs Boeckhivs
ÓőăăńáöÝáň: Pindarus
Boeckh, August (ed.)
Äçěoóßĺőóç: Lipsiae : apvd Ioann. Avgvst. Gottlob Weigel, 1811-21
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. in 3 : ill. (music) folded ; 27 x 22 cm.
Óçěĺéţóĺéň: Commentaries on the "Nemea" and "Isthmia" (vol. II, 2) by L.G. Dissen.
For folded table "ad vol. I, p. ii" with caption "I. Toni qvindecim recentiorvm. II. Modi veteres vndecim. III. Notae qvindecim tonorvm. IV. Diagramma alivd dorii pervetvsti enneachordi" (74 1/2 x 100 1/2 cm) wanting in this copy, see copy 2.
Đĺńéĺ÷üěĺíá: Tomvs primvs. [Textus graecus] Tomi primi pars secunda. Commentarii metrici et Notae criticae in Pindari carmina. - Tomvs secvndvs. - Tomi secundi pars secunda. Pindari Epiniciorum interpretatio latina cum commentario perpetuo ; fragmenta et indices
ČÝěáôá: Böckh, August, 1785-1867
Dissen, Ludolph Georg, 1784-1837
Greek language--Metrics and rhythmics
Music--Greek and Roman
LCC Ôáîéíüěçóç: ML437.P5
PA4274.P5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**34447 04 RP 58/01 v.1 ź÷é ÄéáčÝóéěď
**34448 04 RP 58/01 v.2 ź÷é ÄéáčÝóéě
======
[Pindarou ta sozomena]. =
Pindari Opera quae supersunt. /
Pindar.; August Boeckh; J A G Weigel
1811-1821
Greek, Ancient [to 1453] Book Lipsiae : apud Ioann. August. Gottlob Weigel, MDCCCXI-MDCCCXXI.
2 v. in 3 ;
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Pindar. (784); Boeckh, August, (max: 13)
Title: [Pindarou ta sozomena]. =
Pindari Opera quae supersunt. /
Author(s): Pindar. ; Boeckh, August,; 1785-1867, ; editor.; Weigel, J. A. G.; 1773-1846, ; (Johann August Gottlob),; publisher.
Publication: 2 v. in 3 ;; Germany; Leipzig.
Year: 1811-1821
Description: Lipsiae : apud Ioann. August. Gottlob Weigel, MDCCCXI-MDCCCXXI.
Language: Greek, Ancient [to 1453]; Text in Greek, notes in Latin.
Other Titles: Pindari Opera quae supersunt; Opera quae supersunt; Pindari Opera qvae svpersvnt; Opera qvae svpersvnt
Responsibility: textum in genuina metra restitui et ex fide librorum manuscriptorum doctorumque coniecturis recensuit annotationem criticam scholia integra interpretationem latinam commentarium perpetuum et indices adiecit Augustus Boeckhius ... .
Document Type: Book
Entry: 19990628
Update: 20010110
Accession No: OCLC: 43242087
Database: WorldCat
====
ĹăăńáöŢ 123 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 057891
Ôßôëďň: Histoire et théorie de la musique de l'antiquité / [par] Fr. Aug. Gevaert
ÓőăăńáöÝáň: Gevaert, F. A. (François Auguste), 1828-1908
Äçěoóßĺőóç: Hildesheim : G.O. Verlagsbuchhandlung, 1965
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. : ill. ; 27 cm.
ČÝěáôá: Music--History and criticism--To 400
Music, Greek and Roman
LCC Ôáîéíüěçóç: ML169.G39 1965
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
26804 04 MZ 4.8 v.1 ź÷é ÄéáčÝóéěď
26805 04 MZ 4.8 v.2 ź÷é ÄéáčÝóéěď
======
Histoire et théorie de la musique de l'antiquité
F A Gevaert
1875-1881
French Book 2 v. illus. (incl. music) fold. plates (music) fold. tab. 27 cm.
Gand, Typ. C. Annoot-Braeckman,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 111
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Histoire et théorie de la musique de l'antiquité (2); Gevaert, F. A. (max: 6)
Title: Histoire et théorie de la musique de l'antiquité
Author(s): Gevaert, F. A. 1828-1908. (François Auguste),
Publication: Gand, Typ. C. Annoot-Braeckman,
Year: 1875-1881
Description: 2 v. illus. (incl. music) fold. plates (music) fold. tab. 27 cm.
Language: French
Standard No: LCCN: 03-11407
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Music -- To 500 -- History and criticism.
Class Descriptors: LC: ML169
Responsibility: [par] Fr. Aug. Gevaert.
Document Type: Book
Entry: 19750311
Update: 20030109
Accession No: OCLC: 1210455
Database: WorldCat
====
ĹăăńáöŢ 124 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 058734
Ôßôëďň: Pindari opera quae supersunt.Textum in genuina metra restituit et ex fide librorum manuscriptorum doctorumque coniecturis recensuit, annotationem criticam scholia integra interpretationem latinam commentarium perpetuum et indices adiecit Augustus Boeckhius
Ďěďéüěďńöďň Ôßôëďň: Works
ÓőăăńáöÝáň: Pindar
Boeckh, August, 1785-1867
Dissen, Ludolph Georg, 1784-1837
Äçěoóßĺőóç: Lipsiae : apud Ioann. August. Gottlob Weigel, 1811-1821
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. in 3 : ill. (music) folded ; 27 x 22 cm.
Óçěĺéţóĺéň: Commentaries on the "Nemea" and "Isthmia" (vol. II, 2) by L.G. Dissen.
Đĺńéĺ÷üěĺíá: Tomus primus. [Textus graecus] Tomi primi pars secunda. Scholia eis Pindarou Epinicia. Commentarii metrici et Notae criticae in Pindari carmina -- Tomus secundus -- Tomi secundi pars secunda. Pindari Epiniciorum interpretatio latina cum commentario perpetuo ; fragmenta et indices
ČÝěáôá: Greek language--Metrics and rhythmics
Music, Greek and Roman
DDC Ôáîéíüěçóç: 41c1
LCC Ôáîéíüěçóç: ML437.P5
PA4274.P5
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**2177 06 5.060 1 ź÷é ÄéáčÝóéěď
**2178 06 5.060 2 ź÷é ÄéáčÝóéěď
**2179 06 5.060 3 ź÷é ÄéáčÝóéěď
=====
ĹăăńáöŢ 125 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 059022
Ôßôëďň: Ausgewählte Schriften / Otto Weinreich ; unter Mitarbeit von Ulrich Klein, hrsg. von Günther Wille
ÓőăăńáöÝáň: Weinreich, Otto, 1886-1972
Klein, Ulrich
Wille, Günther
Äçěoóßĺőóç: Amsterdam : B.R. Grüner, 1969-1979
ÖőóéęŢ ĐĺńéăńáöŢ: 4 v. : ill. ; 23 cm.
Óçěĺéţóĺéň: Includes bibliographical references and index.
Đĺńéĺ÷üěĺíá: v. 1. 1907-1921 -- v. 2. 1922-1937 -- v. 3. 1937-1970 -- v. 4. Zur Musikwissenschaft 1909-1960. Konzertkritiken 1923-1933 und 1945-1952
ČÝěáôá: Classical philology
Music
LCC Ôáîéíüěçóç: PA27.W37 1969
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**11052 06 31.116 1 ź÷é ÄéáčÝóéěď
**11053 06 31.116 2 ź÷é ÄéáčÝóéěď
**11054 06 31.116 3 ź÷é ÄéáčÝóéěď
**11055 06 31.116 4 ź÷é ÄéáčÝóéěď
=====
ĹăăńáöŢ 127 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 059466
Ôßôëďň: Metrik der Griechen im Vereine mit den übrigen musischen Künsten / von A. Rossbach and R. Westphal
ÓőăăńáöÝáň: Rossbach, August, 1823-1898
Westphal, Rudolf Georg Hermann, 1826-1892
¸ęäďóç: 2. Aufl. in 2 Bänden
Äçěoóßĺőóç: Leipzig : Teubner, 1867-1868
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. : ill., music ; 23 cm.
Óçěĺéţóĺéň: Each vol. has special t. p.
First ed. published 1854-1865 under title: Metrik der griechischen Dramatiker und Lyriker.
Đĺńéĺ÷üěĺíá: 1. bd. Rhythmik und Harmonik nebst der Geschichte der drei musischen Disciplinen, von R. Westphal -- 2. bd. Griechische Metrik, von A. Rossbach und R. Westphal, neu bearb. von R. Westphal
ČÝěáôá: Greek language--Meter
Greek language--Metrics and rhythmics
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**3003 06 5.642 1 ź÷é ÄéáčÝóéěď
**3004 06 5.642 2 ź÷é ÄéáčÝóéěď
**34480 04 NQ 38 v.1 ź÷é ÄéáčÝóéěď
**34481 04 NQ 38 v.2 ź÷é ÄéáčÝóéěď
====
Metrik der Griechen im Vereine mit den übrigen musischen Künsten /
August Rossbach; Rudolf Georg Hermann Westphal
1867-1868 2. Aufl. in 2 Bänden.
German Book 2 v. : ill., music ; 23 cm.
Leipzig : Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 37
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Rossbach, August, (max: 2); Westphal, Rudolf Georg Hermann, (max: 3)
Title: Metrik der Griechen im Vereine mit den übrigen musischen Künsten /
Author(s): Rossbach, August, 1823-1898. ; Westphal, Rudolf Georg Hermann,; 1826-1892.
Publication: Leipzig : Teubner,
Edition: 2. Aufl. in 2 Bänden.
Year: 1867-1868
Description: 2 v. : ill., music ; 23 cm.
Language: German
Contents: 1. Bd. Rhythmik und Harmonik nebst der Geschichte der drei musischen Disciplinen, von R. Westphal.--2. Bd. Griechische Metrik, von A. Rossbach und R. Westphal, neu bearb. von R. Westphal.
SUBJECT(S)
Descriptor: Greek language -- Metrics and rhythmics.
Music, Greek and Roman.
Note(s): Each vol. has special t. p./ First ed. published 1854-1865 under title: Metrik der griechischen Dramatiker und Lyriker.
Class Descriptors: LC: PA411
Other Titles: Metrik der griechischen Dramatiker und Lyriker.
Responsibility: von A. Rossbach and R. Westphal.
Document Type: Book
Entry: 19770512
Update: 19971221
Accession No: OCLC: 2959535
Database: WorldCat
====
ĹăăńáöŢ 128 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 059543
Ôßôëďň: Les chœurs de jeunes filles en Grèce archaique / Claude Calame
ÓőăăńáöÝáň: Calame, Claude
Äçěoóßĺőóç: Roma : Edizioni dell'Ateneo & Bizzarri, 1977
ÖőóéęŢ ĐĺńéăńáöŢ: 2 v. : ill. ; 23 cm.
ÓĺéńÝň: (Filologia e critica ; 20-21)
Óçěĺéţóĺéň: Includes bibliographies and indexes.
Đĺńéĺ÷üěĺíá: v. 1. Morphologie, fonction religieuse et sociale -- v. 2. Alcman
ČÝěáôá: Alcman. Partheneion.
Drama--Chorus (Greek drama)
Music, Greek and Roman--History and criticism
Women--Greece
Greece--Religious life and customs
DDC Ôáîéíüěçóç: 882/.0109 (21)
LCC Ôáîéíüěçóç: ML169.C17
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**10253 06 30.449 (XX, XXI) 1 ź÷é ÄéáčÝóéěď
**10254 06 30.449 (XX, XXI) 2 ź÷é ÄéáčÝóéěď
42526 04 MP 66.10 v.1 ź÷é ÄéáčÝóéěď
42527 04 MP 66.10 v.2 ź÷é ÄéáčÝóéěď
======
Les churs de jeunes filles en Grčce archaďque /
Claude Calame
1977
French Book 2 v. : ill. ; 23 cm.
Roma : Edizioni dell'Ateneo & Bizzarri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 94
More Like This: Search for versions with same title and author | Advanced options ...
Title: Les churs de jeunes filles en Grčce archaďque /
Author(s): Calame, Claude.
Publication: Roma : Edizioni dell'Ateneo & Bizzarri,
Year: 1977
Description: 2 v. : ill. ; 23 cm.
Language: French
Series: Filologia e critica ;; 20-21;
Contents: 1. Morphologie, fonction religieuse et sociale.--2. Alcman.
Standard No: LCCN: 78-347199
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Women -- Greece.
Literatura grega (historia e critica)
Historia antiga - grecia (religiao, mitologia)
Musica (antiguidade)
Musica (grecia)
Named Person: Alcman. Partheneion.
Geographic: Greece -- Religious life and customs.
Note(s): Includes bibliographies and indexes.
Class Descriptors: LC: ML169; Dewey: 882/.0109
Responsibility: Claude Calame.
Document Type: Book
Entry: 19780505
Update: 20010610
Accession No: OCLC: 3964731
Database: WorldCat
===
ĹăăńáöŢ 129 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 060795
Ôßôëďň: The motion of the voice, hi¯¯ t´´i¯¯s fo¯¯n´´i¯¯s kini¯¯sis, in the theory of ancient music
ÓőăăńáöÝáň: Johnson, Charles W. L.
Äçěoóßĺőóç: [S.l. : s.n.], 1899
ÖőóéęŢ ĐĺńéăńáöŢ: p. ; cm.
ČÝěáôá: Music
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**26047 04 NQ - ź÷é ÄéáčÝóéěď
======
The motion of the voice, ...
in the theory of ancient music.
Charles William Leverett Johnson
1899
English Book 1 v.
[New Haven, Yale University,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
More Like This: Search for versions with same title and author | Advanced options ...
Title: The motion of the voice, ...
in the theory of ancient music.
Author(s): Johnson, Charles William Leverett.
Publication: [New Haven, Yale University,
Year: 1899
Description: 1 v.
Language: English
SUBJECT(S)
Descriptor: Voice.
Music -- Accoustics and physics.
Class Descriptors: Dewey: 408
Responsibility: By Dr. Charles W. L. Johnson.
Document Type: Book
Entry: 19940517
Update: 19940517
Accession No: OCLC: 30445949
Database: WorldCat
Ancient Water (Hydraulic) Organs
By Leonardo Perretti
Hi all, The argument about ancient water organs is very fascinating.
I was struck by the water organ since the first times that I devoted
my attention to pipe organs; my logo, indeed, represents an ancient
hydraulis taken from a bas-relief of an ancient Roman sarcophagus.
I am aware of three attempts of rebuilding a hydraulic organ. The
description of the first of them, by Rev. F.W. Galpin, can be found at
http://users.ipa.net/~tanker/organs.htm , and that description is all
that I know of, as I never found further details.
The second attempt is reported in the book, "The Organ from Its
Invention in the Hellenistic Period to the End of the Thirteenth
Century", by Jean Perrot, originally published in France in 1965,
translated from the French by Norma Deane, Oxford Univ. Press, 1971.
The book is a comprehensive collection of all literary and
archaeological evidence about the argument, with comments and
descriptions of ancient musical systems and scales. Quite a nice
book, and still up-to-date, as almost no significantly new item has
been published later, as far as I know. Among the other things,
the author describes, with many details, his attempt to rebuild an
hydraulis. I don't know where the instrument is currently located.
The remains of an ancient organ, dated around 280 AD, were found at
Aquincum, near Bucharest, Hungary, in 1931, but the organ was probably
fed by bellows, as no bronze cistern was found. It was badly
"restored" in the 1960's and is now shown in Aquincum's Museum.
An apparently faithful copy has been made by the Hungarian organ
builder Pecs; see http://www.orgona.hu/orgonaink/tuzolto_orgona_e.html
It has been made with a water wind supply system, which, although
apparently well made, is not consistent with the evidence of the
findings. I don't know how it sounds.
As to the instruments size, according to the images in ancient
sculptures and mosaics, it appears to be very small-sized, the total
height slightly exceeding that of a person. If you like, I could send
some scanned images.
According to the ancient writers, the sound generated by the hydraulic
organ was very loud, something like modern calliopes, so I believe
Robbie and other calliope lovers would have liked it very much.
The hydraulis was used mainly in the mundane "spectacula" in arenas,
but then it was disliked by the Fathers of the Christianity in the
early centuries. Only in the course of the Middle Ages the organ
became the instrument of the church.
Best regards
Leonardo Perretti
(Message sent Fri 29 Sep 2000, 23:13:36 GMT, from time zone GMT+0200.)
ĹăăńáöŢ 114 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 048600
Ôßôëďň: L'Orgue de ses origines hell‚nistiques … la fin du XIIIe sicle : ‚tude historique et arch‚ologique / par Jean Perrot
ÓőăăńáöÝáň: Perrot, Jean
Äçěoóßĺőóç: Paris : Universit‚ de Paris, Institut de Musicologie, 1965
ÖőóéęŢ ĐĺńéăńáöŢ: XII-434 p. : 28 pl. ; 27 cm.
Óçěĺéţóĺéň: Th. doct. s Lettres : Paris : [1965?]
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
23.485 06 18.970 - ź÷é ÄéáčÝóéěď
====
The organ, from its invention in the Hellenistic period to the end of the thirteenth century;
Jean Perrot
1971
English Book xxviii, 317 p., 28 plates; illus., facsims., music. 26 cm.
London, New York, Oxford University Press, ISBN: 0193184184
Ownership: Check the catalogs in your library.
Libraries that Own Item: 501
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Perrot, Jean, (max: 3)
Title: The organ, from its invention in the Hellenistic period to the end of the thirteenth century;
Author(s): Perrot, Jean, fl. 1965-
Publication: London, New York, Oxford University Press,
Year: 1971
Description: xxviii, 317 p., 28 plates; illus., facsims., music. 26 cm.
Language: English
Standard No: ISBN: 0193184184; LCCN: 77-27072
SUBJECT(S)
Descriptor: Hydraulic organ.
Note(s): French ed. published in 1965 under title: L'orgue de ses origines hellénistiques a la fin du XIIIe sičcle.
Class Descriptors: LC: ML553; Dewey: 786.6/2
Responsibility: adapted from the French [and] translated by Norma Deane.
Document Type: Book
Entry: 19710813
Update: 20010108
Accession No: OCLC: 157131
=====
ĹăăńáöŢ 115 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 049245
Ôßôëďň: Anicii Manlii Severini Boetii de institutione arithmetica libri duo, de institutione musica libri quinque / edidit Godofredus Friedlein
ÓőăăńáöÝáň: Boece
Friedlein, Gottlieb (Ed.)
Äçěoóßĺőóç: Lipsiae [Leipzig] : B.G. Teubner, 1867
ÖőóéęŢ ĐĺńéăńáöŢ: - VIII-492 p. ; 18 cm.
ÓĺéńÝň: (Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
1.640 06 TL BOE - ź÷é ÄéáčÝóéěď
=====
Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo,
De institutione musica libri quinque. Accedit geometria quae fertur Boetii.
Boethius; Gottfried Friedlein
1867
Latin Book viii, 492 p. fold. tables, diagrs. (part fold.) 18 cm.
Lipsiae, in aedibus B.G. Teubneri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 63
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Boethius, (max: 554)
Title: Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo,
De institutione musica libri quinque. Accedit geometria quae fertur Boetii.
Author(s): Boethius, d. 524. ; Friedlein, Gottfried,; 1828-1875, ; ed.
Publication: Lipsiae, in aedibus B.G. Teubneri,
Year: 1867
Description: viii, 492 p. fold. tables, diagrs. (part fold.) 18 cm.
Language: Latin
Series: Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S.r.]; Variation: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.
Standard No: LCCN: 34-13835
SUBJECT(S)
Descriptor: Arithmetic -- Early works to 1900.
Music, Greek and Roman -- History and criticism.
Geometry -- Early works to 1800.
Class Descriptors: LC: PA6104; Microfilm 34686 PA
Responsibility: E libris manu scriptis edidit Godofredus Friedlein.
Document Type: Book
Entry: 19840904
Update: 20010413
Accession No: OCLC: 9299119
Database: WorldCat
====
ĹăăńáöŢ 116 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 049512
Ôßôëďň: Musici scriptores graeci : Aristoteles ; Euclides ; Nicomachus... / recognovit prooemiis et indice instruxit Carolus Janus, ...
ÓőăăńáöÝáň: Janus, Karl (Ed.)
Äçěoóßĺőóç: Lipsiae [Leipzig] : B.G. Teubner, 1895
ÖőóéęŢ ĐĺńéăńáöŢ: - XCIII-503 p. ; 18 cm.
ÓĺéńÝň: (Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana)
=====
Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Karl von Jan
1962
English Book xciii, 503 p. illus. 18 cm.
Hildesheim, G. Olms,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 75
More Like This: Search for versions with same title and author | Advanced options ...
Title: Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Author(s): Jan, Karl von, 1836-1899, ed.
Publication: Hildesheim, G. Olms,
Year: 1962
Description: xciii, 503 p. illus. 18 cm.
Language: English
SUBJECT(S)
Descriptor: Music theory.
Music, Greek and Roman.
Note(s): Supplementum, melodiarum reliquiae (61 p.) in pocket./ "Reprografischer Nachdruck der Ausgabe Leipzig 1895; [Supplement] 1899."
Class Descriptors: LC: ML167
Document Type: Book
Entry: 19740411
Update: 20001018
Accession No: OCLC: 854472
Database: WorldCat
===
ĹăăńáöŢ 119 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 056496
Ôßôëďň: Catalogue of Egyptian antiquities in the British Museum.3 : Musical instruments / by R.D. Anderson ; drawings by Grace Huxtable ; [ed. ] British Museum
ÓőăăńáöÝáň: Huxtable, Grace (Ill.)
British Museum . (London) (?d.)
Äçěoóßĺőóç: London : British Museum, 1976
ÖőóéęŢ ĐĺńéăńáöŢ: - [VIII]-86 p. : fig., ill. ; 36 cm.
ISBN: 0714109193
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
37.122 06 PO 749 CAT - ź÷é ÄéáčÝóéěď
====
Catalogue of Egyptian antiquities in the British Museum.
British Museum.
1968-
English Book v. <1-7> plates. 26-37 cm.
London, British Museum, ISBN: 0714109029 (v. 1)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 125
More Like This: Advanced options ...
More About This In: PapersFirst Papers within proceedings
Find Items About: British Museum. (1,374)
Title: Catalogue of Egyptian antiquities in the British Museum.
Corp Author(s): British Museum. Dept. of Egyptian Antiquities.
Publication: London, British Museum,
Year: 1968-
Description: v. <1-7> plates. 26-37 cm.
Language: English
Contents: 1. Dawson, W.R., Gray, P.H.K. Mummies and human remains.--2. S.R.K. Glanville, rev. and completed by R.O. Faulkner, drawings by Grace Huxtable. Wooden model boats.--3. Anderson, R.D. Musical instruments.--4. Cooney, J.D. Glass.--5. Spencer, A.J. Early dynastic objects.--6. Jewellery, 1. Andrews, Carol A.R. From earliest times to the seventeenth dynasty. --7. Tools and weapons, 1. Davies, W.V. Axes.
Standard No: ISBN: 0714109029 (v. 1); LCCN: 68-136827
SUBJECT(S)
Named Corp: British Museum. Dept. of Egyptian Antiquities.
Geographic: Egypt -- Antiquities -- Catalogs.
Note(s): Spine title: Egyptian antiquities./ Bibliographical footnotes.
Class Descriptors: LC: DT59.L63; Dewey: 932/.0074/02142
Other Titles: Egyptian antiquities.
Document Type: Book
Entry: 19711020
Update: 20020328
Accession No: OCLC: 467397
Database: WorldCat
=====
ĹăăńáöŢ 120 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 057122
Ôßôëďň: Musikgeschichte in Bildern / hrsg. von Heinrich Besseler und Max Schneider
ÓőăăńáöÝáň: Bachmann, Werner
Besseler, Heinrich, 1900- (ed.)
Fleischhauer, Gustav
Hickmann, Hans
Schneider, Max, 1875-1967 (ed.)
Wegner, Max.
Äçěoóßĺőóç: Leipzig : Deutscher Verlag für Musik, 1961-
ÖőóéęŢ ĐĺńéăńáöŢ: : ill. (some col.) ; 35 cm.
ISBN: 3370000008 set
Óçěĺéţóĺéň: Later vols. edited by Werner Bachmann.
Includes various editions of some volumes.
Includes bibliographies and indexes.
Đĺńéĺ÷üěĺíá: bd. 1. Musikethnologie. Lfg. 1. Ozeanien / Paul Collaer. Lfg. 2. Amerika / Paul Collaer. Lfg. 3. Südostasien / Paul Collaer. Lfg. 4. Südasien / Alain Danielou. Lfg. 8. Nordafrika / Paul Collaer, Jürgen Elsner. Lfg. 9. Zentralafrika / Jos Gansemans, Barbara Schmidt-Wrenger. Lfg. 10. Ostafrika / Gerhard Kubik -- bd. 2. Musik des Altertums. Lfg. 1. Ägypten / Hans Hickmann (2. Aufl. 1975, c1961). Lfg. 2. Mesopotamien / Subhi Anwar Rashid. Lfg. 4. Griechenland / Max Wegner. Lfg. 5. Etrurien und Rom / Günter Fleischhauer. Lfg. 7. Alt-Amerika / Samuel Marti. Lfg. 8. Altindien / Walter Kaufmann. Lfg. 9. Mittelasien / F.M. Karomatov, v.A. Mekeris, T.S. Vyzgo -- bd. 3. Musik des Mittelalters und der Renaissance. Lfg. 2. Islam / Henry George Farmer. Lfg. 3. Musikerziehung / Joseph Smits van Waesberghe. Lfg. 4. Schriftbild der einstimmigen Musik / Bruno Stäblein. Lfg. 5. Schriftbild der mehrstimmigen Musik / Heinrich Besseler, Peter Gülke. Lfg. 8. Musikleben im 15. Jahrhundert / Edmund A. B owles. Lfg. 9. Musikleben im 16. Jahrhundert / Walter Salmen -- bd. 4. Musik der Neuzeit. Lfg. 1. Oper / Hellmuth Christian Wolff. Lfg. 2. Konzert / Heinrich W. Schwab. Lfg. 3. Haus- und Kammermusik / Walter Salmen. Lfg. 4. Tanz im 17. und 18. Jahrhundert / Walter Salmen. Lfg. 5. Tanz im 19. Jahrhundert / Walter Salmen
ČÝěáôá: Music--History and criticism--Pictorial works
Music in art.
DDC Ôáîéíüěçóç: 780/.9
LCC Ôáîéíüěçóç: ML89.M9
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
23328 04 NQ 063 v.1 ź÷é ÄéáčÝóéěď
25773 04 NQ 063 v.4 ź÷é ÄéáčÝóéěď
25774 04 NQ 063 v.5 ź÷é ÄéáčÝóéěď
=====
Musikgeschichte in Bildern,
Heinrich Besseler; Max Schneider
1900s-
German Serial Publication : Monographic series illus. (part col.) facsim., map. 35 cm.
Leipzig, Deutscher Verlag für Musik.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 136
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Besseler, Heinrich, (max: 1); Schneider, Max, (max: 3)
Title: Musikgeschichte in Bildern,
Author(s): Besseler, Heinrich,; 1900- ; ed.; Schneider, Max,; 1875- ; ed.
Publication: Leipzig, Deutscher Verlag für Musik.
Year: 1900s-
Description: v.1- 19uu-; illus. (part col.) facsim., map.; 35 cm.
Language: German
Standard No: LCCN: 65-88461
SUBJECT(S)
Descriptor: Music -- History and criticism -- Pictorial works.
Music in art.
Note(s): Includes bibliographies.
Class Descriptors: LC: ML89
Responsibility: hrsg. von Heinrich Besseler und Max Schneider.
Material Type: Monographic (mgh)
Document Type: Serial
Entry: 19770411
Update: 20020802
Accession No: OCLC: 2879567
Database: WorldCat
====
ĹăăńáöŢ 101 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 039683
Ôßôëďň: Denkmäler altgriechischer Musik : Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen / von Egert Pöhlmann
ÓőăăńáöÝáň: Pöhlmann, Egert
Äçěoóßĺőóç: Nürnberg : H. Carl, 1970
ÖőóéęŢ ĐĺńéăńáöŢ: 160 p. [8] leaves of plates : ill., music ; 27 cm.
ÓĺéńÝň: (Erlanger Beiträge zur Sprach- und Kunstwissenschaft ; Bd. 31)
Óçěĺéţóĺéň: Habilitationsschrift--Erlangen.
Includes bibliographical references.
ČÝěáôá: Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
34251 04 NQ 058 - ź÷é ÄéáčÝóéěď
**22752 06 30.973 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
====
Denkmäler altgriechischer Musik;
Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen.
Egert Pöhlmann
1970
English Book 160 p. music, plates. 27 cm.
Nürnberg, H. Carl,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 111
More Like This: Search for versions with same title and author | Advanced options ...
Title: Denkmäler altgriechischer Musik;
Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen.
Author(s): Pöhlmann, Egert.
Publication: Nürnberg, H. Carl,
Year: 1970
Description: 160 p. music, plates. 27 cm.
Language: English
Series: Erlanger Beiträge zur Sprach- und Kunstwissenschaft,; Bd. 31;
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Bibliography: p. [146]-153./ Dissertation: Habilitationsschrift - Universität Erlangen-Nürnberg, Erlangen.
Class Descriptors: LC: ML169.P587
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 19720711
Update: 20020524
Accession No: OCLC: 352136
Database: WorldCat
====
Documents of ancient Greek music :
the extant melodies and fragments /
Egert Pöhlmann; M L West
2001
English Book 222 p. : ill. (some col.), music ; 29 cm.
Oxford : Clarendon Press, ISBN: 019815223X
Ownership: Check the catalogs in your library.
Libraries that Own Item: 215
More Like This: Search for versions with same title and author | Advanced options ...
Title: Documents of ancient Greek music :
the extant melodies and fragments /
Author(s): Pöhlmann, Egert. ; West, M. L.; 1937- ; (Martin Litchfield),
Publication: Oxford : Clarendon Press,
Year: 2001
Description: 222 p. : ill. (some col.), music ; 29 cm.
Language: English
Standard No: ISBN: 019815223X
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Includes bibliographical references (p. [200]-207) and indexes.
Class Descriptors: LC: ML169; Dewey: 780.938
Responsibility: edited and transcribed with commentary by Egert Pöhlmann and Martin L. West.
Document Type: Book
Entry: 20010903
Update: 20020225
Accession No: OCLC: 47902550
Database: WorldCat
====
Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Egert Pöhlmann
1960
German Book 84 p. illus., music. 23 cm.
Nürnberg, H. Carl,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 87
More Like This: Search for versions with same title and author | Advanced options ...
Title: Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Author(s): Pöhlmann, Egert.
Publication: Nürnberg, H. Carl,
Year: 1960
Description: 84 p. illus., music. 23 cm.
Language: German
Series: Erlanger Beiträge zur Sprach und Kunstwissenschaft,; Bd. 8;
Standard No: LCCN: 61-36331
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169.P587
Document Type: Book
Entry: 19750321
Update: 19940114
Accession No: OCLC: 1228150
Database: WorldCat
=====
Beiträge zur antiken und neueren Musikgeschichte /
Egert Pöhlmann
1988
German Book 206 p. : ill. ; 21 cm.
Frankfurt am Main ; New York : P. Lang, ISBN: 3820412123
Ownership: Check the catalogs in your library.
Libraries that Own Item: 39
More Like This: Search for versions with same title and author | Advanced options ...
Title: Beiträge zur antiken und neueren Musikgeschichte /
Author(s): Pöhlmann, Egert.
Publication: Frankfurt am Main ; New York : P. Lang,
Year: 1988
Description: 206 p. : ill. ; 21 cm.
Language: German
Series: Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart,; Bd. 17;
Standard No: ISBN: 3820412123; Series ISSN: 0175-6257 ;; LCCN: 89-135032
SUBJECT(S)
Descriptor: Music -- History and criticism.
Musicology.
Note(s): Includes bibliographical references.
Class Descriptors: LC: ML60; Dewey: 780/.9
Responsibility: Egert Pöhlmann.
Document Type: Book
Entry: 19890421
Update: 20010702
Accession No: OCLC: 20134104
Database: WorldCat
=======
ĹăăńáöŢ 103 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 040212
Ôßôëďň: Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo : de institutione musica libri quinque : Accedit geometria quae fertur Boetii / e libris manu scriptis edidit Godofredus Friedlein
ÓőăăńáöÝáň: Boethius, d. 524
Friedlein, Gottfried, 1828-1875 (ed.)
Äçěoóßĺőóç: Lipsiae : in aedibus B.G. Teubneri, 1867
ÖőóéęŢ ĐĺńéăńáöŢ: viii, 492 p. : folded tables, ill. (part folded) ; 18 cm.
ÓĺéńÝň: (Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S.r.])
Óçěĺéţóĺéň: 533 Microfilm.
ČÝěáôá: Arithmetic--Early works to 1900
Geometry--Early works to 1800
Music, Greek and Roman--History and criticism
LCC Ôáîéíüěçóç: PA6104.B52 1867
Microfilm 34686 PA
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**23338 06 TL BOE - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
===
Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo,
De institutione musica libri quinque. Accedit geometria quae fertur Boetii.
Boethius; Gottfried Friedlein
1867
Latin Book viii, 492 p. fold. tables, diagrs. (part fold.) 18 cm.
Lipsiae, in aedibus B.G. Teubneri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 63
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Boethius, (max: 554)
Title: Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo,
De institutione musica libri quinque. Accedit geometria quae fertur Boetii.
Author(s): Boethius, d. 524. ; Friedlein, Gottfried,; 1828-1875, ; ed.
Publication: Lipsiae, in aedibus B.G. Teubneri,
Year: 1867
Description: viii, 492 p. fold. tables, diagrs. (part fold.) 18 cm.
Language: Latin
Series: Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S.r.]; Variation: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.
Standard No: LCCN: 34-13835
SUBJECT(S)
Descriptor: Arithmetic -- Early works to 1900.
Music, Greek and Roman -- History and criticism.
Geometry -- Early works to 1800.
Class Descriptors: LC: PA6104; Microfilm 34686 PA
Responsibility: E libris manu scriptis edidit Godofredus Friedlein.
Document Type: Book
Entry: 19840904
Update: 20010413
Accession No: OCLC: 9299119
Database: WorldCat
======
ĹăăńáöŢ 104 Ěďíďăńáößá
Ăëůóóéęü őëéęü, ÷ĺéńüăńáöď
Ôáőôüôçôá ĹăăńáöŢň: 042006
Ôßôëďň: La musique dans l'œuvre de Platon
ÓőăăńáöÝáň: Moutsopoulos, Evanghélos, 1930-
Äçěoóßĺőóç: Paris : Presses universitaires de France, 1959
ÖőóéęŢ ĐĺńéăńáöŢ: 428 p. ; 23 cm.
ÓĺéńÝň: (Bibliothèque de philosophie contemporaine. Histoire de la philosophie générale)
Óçěĺéţóĺéň: Bibliography: p. [402]-424.
Thèse Lettres--Paris, 1958.
ČÝěáôá: Plato
Music, Greek and Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
19735 04 RP 62/72 - ź÷é ÄéáčÝóéěď
**22970 06 9.257 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
===
La musique dans l'uvre de Platon.
E Moutsopoulos
1959
French Book 428 p. 23 cm.
Paris, Presses universitaires de France,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 111
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Moutsopoulos, E., (max: 2)
Title: La musique dans l'uvre de Platon.
Author(s): Moutsopoulos, E., 1930-
Publication: Paris, Presses universitaires de France,
Year: 1959
Description: 428 p. 23 cm.
Language: French
Series: Bibliothčque de philosophie contemporaine. Histoire de la philosophie générale;
Standard No: LCCN: a 59-8991
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Platao
Named Person: Plato.
Note(s): Bibliography: p. [402]-424.
Class Descriptors: LC: B395
Document Type: Book
Entry: 19780308
Update: 19980607
Accession No: OCLC: 3696561
Database: WorldCat
=====
ĹăăńáöŢ 106 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 043802
Ôßôëďň: Ancient Greek music / Martin Litchfield West
ÓőăăńáöÝáň: West, Martin Litchfield
Äçěoóßĺőóç: Oxford : Clarendon Press, 1992
ÖőóéęŢ ĐĺńéăńáöŢ: - XIII-410 p. ; 23 cm.
ISBN: 0198148976
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
46.931 06 33.808 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
===
Ancient Greek music /
M L West
1992
English Book xiii, 409 p. : ill. ; 22 cm.
Oxford [England] : New York : Clarendon Press ; Oxford University Press, ISBN: 0198148976 0198149751 (pbk)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 537
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Ancient Greek music / (2)
Title: Ancient Greek music /
Author(s): West, M. L. 1937- (Martin Litchfield),
Publication: Oxford [England] : Clarendon Press ; New York : Oxford University Press,
Year: 1992
Description: xiii, 409 p. : ill. ; 22 cm.
Language: English
Standard No: ISBN: 0198148976; 0198149751 (pbk); LCCN: 91-5170
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Identifier: Music; Greece
Note(s): Includes bibliographical references and index.
Class Descriptors: LC: ML169; Dewey: 780/.938
Responsibility: M.L. West.
Document Type: Book
Entry: 19910930
Update: 20010531
Accession No: OCLC: 24630119
Database: WorldCat
===
ĹăăńáöŢ 107 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 045823
Ôßôëďň: Music and musicians in Ancient Greece / Warren D. Anderson
ÓőăăńáöÝáň: Anderson, Warren D.
Äçěoóßĺőóç: Ithaca ; London : Cornell University Press, 1994
ÖőóéęŢ ĐĺńéăńáöŢ: - XIII-248 p. : ill. ; 24 cm.
ISBN: 0801430836
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
53.280 06 34.454 - ź÷é ÄéáčÝóéěď
===
Music and musicians in Ancient Greece /
Warren D Anderson
1994
English Book 248 p. : ill. ; 24 cm.
Ithaca [N.Y.] : Cornell University Press, ISBN: 0801430836 0801430305
Ownership: Check the catalogs in your library.
Libraries that Own Item: 645
More Like This: Search for versions with same title and author | Advanced options ...
Title: Music and musicians in Ancient Greece /
Author(s): Anderson, Warren D.
Publication: Ithaca [N.Y.] : Cornell University Press,
Year: 1994
Description: 248 p. : ill. ; 24 cm.
Language: English
Standard No: ISBN: 0801430836; 0801430305; LCCN: 94-28507
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Musicians -- Greece.
Identifier: Music; History; Greece
Note(s): Includes bibliographical references (p. [229]-238), discography (p. [239]), and index.
Class Descriptors: LC: ML169; Dewey: 780/.9/01
Responsibility: Warren D. Anderson.
Document Type: Book
Entry: 19940622
Update: 20010906
Accession No: OCLC: 30735825
Database: WorldCat
======
ĹăăńáöŢ 108 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 046045
Ôßôëďň: La Pluridisciplinarit‚ en arch‚ologie musicale.1 et 2 / 4mes Rencontres internationales d'arch‚ologie musicale de l'ICTM [International Council for Traditional Music], Saint-Germain-en-Laye, 8-12 octobre 1990 ; ‚d. par Annie B‚lis et Catherine Homo-Lechner ; Centre fran‡ais d'arch‚ologie musicale Pro Lyra...
ÓőăăńáöÝáň: Homo-Lechner, Catherine (Ed.)
RENCONTRES INTERNATIONALES D'ARCHEOLOGIE MUSICALE DE L'ICTM (4 : 1990 : Saint-Germain-en-Laye)
INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC
Äçěoóßĺőóç: Paris : Maison des Sciences de l'Homme, 1994
ÖőóéęŢ ĐĺńéăńáöŢ: - 2 vol., 320 p.-[2] f. en d‚pl., P.325-540 p. : ill. ; 30 cm.
ÓĺéńÝň: (Recherche musique et danse ; 11 ; 12)
ISBN: 2735105784 vol. 2
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
47.891 06 34.326 (11-12) - ź÷é ÄéáčÝóéěď
====
ĹăăńáöŢ 109 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 046527
Ôßôëďň: Instruments, musiques et musiciens de l'Antiquit‚ classique / ‚tudes r‚unies par Arthur Muller
ÓőăăńáöÝáň: Muller, Arthur (Ed.)
Äçěoóßĺőóç: Lille : Universit‚ Charles-de-Gaulle-Lille III, 1995
ÖőóéęŢ ĐĺńéăńáöŢ: - 105 p. : ill. ; 27 cm.
ÓĺéńÝň: (Ateliers. Cahiers de la Maison de la Recherche ; 4)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
48.315 06 34.566 (4) - ź÷é ÄéáčÝóéěď
===
Instruments, musiques et musiciens de l'antiquité classique /
Arthur Muller
1995
French Book 105 p. : ill. ; 27 cm.
Lille : Université Charles-de-Gaulle,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 3
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Muller, Arthur. (2)
Title: Instruments, musiques et musiciens de l'antiquité classique /
Author(s): Muller, Arthur.
Publication: Lille : Université Charles-de-Gaulle,
Year: 1995
Description: 105 p. : ill. ; 27 cm.
Language: French
Series: Ateliers ;; 4/1995.;
SUBJECT(S)
Descriptor: Instruments de musique antique -- Grčce.
Instruments de musique antique -- Rome.
Class Descriptors: Dewey: 784.1
Responsibility: études réunies par Arthur Muller.
Document Type: Book
Entry: 20010307
Update: 20010307
Accession No: OCLC: 46386563
Database: WorldCat
===
ĹăăńáöŢ 110 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 047000
Ôßôëďň: Musica e mito nella Grecia antica / a cura di Donatella Restani
ÓőăăńáöÝáň: Restani, Donatella (Ed.)
Äçěoóßĺőóç: Bologna : Il Mulino, 1995
ÖőóéęŢ ĐĺńéăńáöŢ: - 355 p.-[16] p. : ill. ; 22 cm.
ÓĺéńÝň: (Polifonie : Musica e spettacolo nella storia)
ISBN: 8815046054
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
53.834 06 34.672 - ź÷é ÄéáčÝóéěď
====
Musica e mito nella Grecia antica /
Donatella Restani
1995
Italian Book 355 p., [16] p. of plates : ill. ; 22 cm.
Bologna : Societŕ editrice il Mulino, ISBN: 8815046054
Ownership: Check the catalogs in your library.
Libraries that Own Item: 10
More Like This: Search for versions with same title and author | Advanced options ...
Title: Musica e mito nella Grecia antica /
Author(s): Restani, Donatella.
Publication: Bologna : Societŕ editrice il Mulino,
Year: 1995
Description: 355 p., [16] p. of plates : ill. ; 22 cm.
Language: Italian
Series: Polifonie;
Standard No: ISBN: 8815046054
SUBJECT(S)
Descriptor: Music and mythology.
Music -- To 500 -- History and criticism.
Mythology, Greek.
Note(s): Includes bibliographical references (p. [347]-355).
Class Descriptors: LC: ML3849
Responsibility: a cura di Donatella Restani.
Vendor Info: Casalini Libri (CASA) L48000
Document Type: Book
Entry: 19960112
Update: 19970718
Accession No: OCLC: 34800243
Database: WorldCat
Alain Baudot
Téléphone : (416) 487-6774
Bureau : manoir Glendon (campus de Glendon)
Courriel : abaudot@delphi.glendon.yorku.ca
Domaines de spécialisation : littératures de la Francophonie (Belgique, Antilles, Suisse, Liban), histoire et sociologie de la littérature.
M. Baudot est membre de la l'Académie des lettres et des sciences humaines (Société royale du Canada), est agrégé de l'Université (France), ancien élève de l'École normale supérieure (rue d'Ulm) et de l'école pratique des hautes études, et diplômé de la Sorbonne et de l'Université de Montréal et a été professeur invité à l'Université de Californie (Berkeley).
Il est l'auteur d'une centaine d'articles et de plusieurs ouvrages sur les littératures francophones et de l'histoire de la musique, notamment Bibliographie annotée d'Édouard Glissant (prix de l'Association des professeurs de français des universités et des collèges canadiens). Directeur-fondateur du groupe de recherche en études francophones et des Éditions du Gref, il a assuré la direction éditoriale, la composition typographique, la mise en page et la maquette d'une soixantaine d'ouvrages. Il travaille actuellement sur les littératures francophones contemporaines des Antilles, de Belgique et de Suisse.
=========
Alain Baudot, winner of the 2001 Prix Alliance
The Jury of the Prix Alliance has announced that M. Alain Baudot, scholar, musician, translator, and humanist, has been selected as the winner of Prix Alliance 2001. A professor, researcher, pianist, and conductor, Alain Baudot is also the founder and director of the Groupe de recherche en études francophones (GREF), an innovative press recognised for publishing Francophone authors from around the globe, and for its special attention to Toronto Francophone writers. Alain Baudot is also the president of the Salon du livre de Toronto, Canada's largest French language book fair outside of Quebec.
Created in 1997, the Prix Alliance honours a Canadian known for the preservation and representation of the French language, and who has endeavoured to, and succeeded in, emphasising the many cultural facets of French-speaking Toronto. The prize, generously endowed by the prestigious Paris-based Simone and Cino Del Duca Foundation, with FF 50,000 (approximately CND $11,000), will be awarded November 30 by the Consul General of France in Toronto, during a commemorative evening at Harbourfront Centre's Studio Theatre. Claude Guilmain, artistic director of the Tangente Theatre (awarded the Masque d'Or 2000 by the Académie québécoise du théâtre) will direct the evening's artistic events. The prize also includes a silver medal created by Toronto sculptor Sorel Etrog. The Alliance Française of Toronto is proud to be the only cultural institution outside of France to benefit from the support of the Del Duca Foundation.
Alain Baudot is the author of more than one hundred articles and many works on various subjects, from ancient roman music to contemporary Francophone literatures, including the Bibliographie annotée d'Édouard Glissant (which received the Association des professeurs de français des universités et collèges canadiens Award). He has also published numerous translations in various fields, most notably in art history.
Agrégé de lettres in classics and a former student at the École normale supérieure (rue d'Ulm) and the École pratique des hautes études, he holds degrees from the Sorbonne, the University of Provence and Cambridge University (England), and is also the recipient of many music awards. He has been a visiting professor at the Université de Montréal and at the University of California (Berkeley). He was among the founding faculty at Glendon College, the bilingual campus of York University in Toronto, where he created the Department of Multidisciplinary Studies and has developed numerous courses, particularly on the Francophone literatures of West Africa, Belgium, Lebanon, and Switzerland. He has also been the Director of the Masters programs in Études françaises and Translation.Co-founder and conductor of the Glendon Symphony Orchestra, Alain Baudot was a music reviewer for nearly ten years for Radio-Canada's national network and at CJBC, Radio-Canada's French Toronto station.
Alain Baudot is a Fellow of the Royal Society of Canada, an Officer of the Order of the Crown of Belgium, and an Officer of the Order of Palmes académiques (France).
The Éditions du GREF
In the late 1980s, Alain Baudot founded the Groupe de rechereche en études francophones and the Éditions du GREF to stimulate and encourage research and literary creation in French in Ontario, and also to permit Francophone writers and researchers from the Ontario capital to establish a fertile dialogue with the French communities worldwide.At the Éditions du GREF, Alain Baudot is Executive Director, editor, designer, typesetter, and also production manager. To date, nearly one hundred books have been published: divided into eight collections, they have earned many prizes and among the most well-known authors are Georges Mounin, Édouard Glissant, Jean-Claude Masson, Jean-Marie Klinkenberg (University of Liège), Pierre Léon, Léon-François Hoffmann (Princeton), Pierre Popovic (University of Montréal) and Jacques Chevrier (Sorbonne).
The "Écrits torontois" series, which has been awarded the annual Applied Arts Magazine prize (in the "Best Book Design" category), now totals nineteen titles. The group of writers it brings together reflects the cultural pluralism and vitality of Toronto's French-speaking community.
The Jury of the Prix Alliance 2001
The Jury of the 2001 Prix Alliance was composed of representatives from the Alliance Française, the Quebec and French governments, as well as all of the previous winners: Diana Leblanc (actress and director), Rosemarie Landry (singer), John Van Burek (translator and director), Jeanne Lamon (artistic director of the baroque ensemble TaffelMusik), and Don Shipley (director of artistic programming of the Harbourfront Centre)
ĹăăńáöŢ 80 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 033132
Ôßôëďň: Musiciens romains de l'Antiquité / par Alain Baudot
ÓőăăńáöÝáň: Baudot, Alain, 1940-
Äçěoóßĺőóç: Montréal : Presses de l'Université de Montréal ; [Paris] : Editions Klincksieck, 1973
ÖőóéęŢ ĐĺńéăńáöŢ: 158 p., [4] f. de planches : ill. ; 24 cm.
ISBN: 0840502001 br. : $4.50
Óçěĺéţóĺéň: Comprend un index.
Bibliographie: p. [133]-147.
ČÝěáôá: Music, Greek and Roman
Musicians
Musique grecque et romaine
DDC Ôáîéíüěçóç: 780/.937/6
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
39060 04 MZ 6.25 - ź÷é ÄéáčÝóéěď
**11159 06 31.234 (LXXXII) - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
Musiciens romains de l'antiquité.
Alain Baudot
1973
French Book 158 p. illus. 25 cm.
Montréal, Presses de l'Université de Montréal, ISBN: 0840502001
Ownership: Check the catalogs in your library.
Libraries that Own Item: 101
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Baudot, Alain. (2)
Title: Musiciens romains de l'antiquité.
Author(s): Baudot, Alain.
Publication: Montréal, Presses de l'Université de Montréal,
Year: 1973
Description: 158 p. illus. 25 cm.
Language: French
Standard No: ISBN: 0840502001; LCCN: 74-183208
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Musicians -- Rome.
Musica (roma)
Musicos
Musique -- Histoire et critique -- Antiquité.
Note(s): Bibliography: p. [133]-147.
Class Descriptors: LC: ML169; Dewey: 781.7/37
Material Type: Biography (bio)
Document Type: Book
Entry: 19741010
Update: 20010615
Accession No: OCLC: 3207300
Database: WorldCat
ĹăăńáöŢ 81 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 033869
Ôßôëďň: Források az ókori görög zeneesztétika történetéhez : görögül és magyarul / válogatta, fordította, bevezetéssel és jegyzetekkel ellátta Ritoók Zsigmond
ÓőăăńáöÝáň: Ritoók, Zsigmond, 1929- (ed.)
Äçěoóßĺőóç: Budapest : Akadémiai Kiadó, 1982
ÖőóéęŢ ĐĺńéăńáöŢ: 589 p. ; 21 cm.
ÓĺéńÝň: (Görög és latin írók= = Scriptores Graeci et Latini ; 17)
ISBN: 9630512629 : 106.00Ft
Óçěĺéţóĺéň: Includes indexes.
ČÝěáôá: Music--Theory--To 500--Sources
Music--To 500--Sources
Music, Greek and Roman--Sources
LCC Ôáîéíüěçóç: ML167.F67 1982
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
54768 04 R 36/15 - ź÷é ÄéáčÝóéěď
43.505 06 32.065 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
ĹăăńáöŢ 82 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034078
Ôßôëďň: La musica nella tragedia greca / Mario Pintacuda
ÓőăăńáöÝáň: Pintacuda, Mario
¸ęäďóç: 1. ed.
Äçěoóßĺőóç: Cefalù : L. Misuraca, 1978
ÖőóéęŢ ĐĺńéăńáöŢ: 233 p. ; 25 cm.
Óçěĺéţóĺéň: Errata slip inserted.
Includes index.
Bibliography: p. [217]-225.
ČÝěáôá: Greek drama--Incidental music
Music, Greek and Roman--History and criticism
DDC Ôáîéíüěçóç: 782.8/3/0938
LCC Ôáîéíüěçóç: ML169.P56
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**12255 06 32.471 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
La musica nella tragedia greca /
Mario Pintacuda
1978 1. ed.
Italian Book 233 p. ; 25 cm.
Cefalů : L. Misuraca,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 40
More Like This: Search for versions with same title and author | Advanced options ...
Title: La musica nella tragedia greca /
Author(s): Pintacuda, Mario.
Publication: Cefalů : L. Misuraca,
Edition: 1. ed.
Year: 1978
Description: 233 p. ; 25 cm.
Language: Italian
Standard No: LCCN: 79-339053
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Greek drama -- Incidental music.
Note(s): Errata slip inserted./ Includes index./ Bibliography: p. [217]-225.
Class Descriptors: LC: ML169; Dewey: 782.8/3/0938
Responsibility: Mario Pintacuda.
Document Type: Book
Entry: 19790619
Update: 20010628
Accession No: OCLC: 5312110
Database: WorldCat
Interpretazioni musicali sul teatro di Aristofane /
Mario Pintacuda
1982
Italian Book 138 p. : ill. ; 25 cm.
[Palermo] : Palumbo,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 21
More Like This: Search for versions with same title and author | Advanced options ...
Title: Interpretazioni musicali sul teatro di Aristofane /
Author(s): Pintacuda, Mario.
Publication: [Palermo] : Palumbo,
Year: 1982
Description: 138 p. : ill. ; 25 cm.
Language: Italian
Series: Letteratura classica ;; 9;
Standard No: LCCN: 85-184413
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Greek drama (Comedy) -- History and criticism.
Music and literature.
Named Person: Aristophanes -- Criticism and interpretation.
Aristophanes -- Knowledge -- Music.
Note(s): Includes index./ Bibliography: p. [125]-129.
Class Descriptors: LC: PA3879; Dewey: 882/.01
Responsibility: Mario Pintacuda.
Document Type: Book
Entry: 19860825
Update: 20010608
Accession No: OCLC: 14240756
Database: WorldCat
Tragedia antica e musica d'oggi :
la musica nelle rappresentazioni moderne dei tragici greci in Italia : elenco cronologico delle principali rappresentazioni tragiche dal 1904 al 1977 in Italia /
Mario Pintacuda
1978 1. ed.
Italian Book 61 p. ; 24 cm.
Cefalů : L. Misuraca,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 21
More Like This: Search for versions with same title and author | Advanced options ...
Title: Tragedia antica e musica d'oggi :
la musica nelle rappresentazioni moderne dei tragici greci in Italia : elenco cronologico delle principali rappresentazioni tragiche dal 1904 al 1977 in Italia /
Author(s): Pintacuda, Mario.
Publication: Cefalů : L. Misuraca,
Edition: 1. ed.
Year: 1978
Description: 61 p. ; 24 cm.
Language: Italian
Standard No: LCCN: 79-339054
SUBJECT(S)
Descriptor: Music -- Italy -- 20th century -- History and criticism.
Greek drama -- Musical settings -- History and criticism.
Note(s): Includes bibliographical references and index.
Class Descriptors: LC: ML290.5; Dewey: 782.8/3/0938
Responsibility: Mario Pintacuda.
Document Type: Book
Entry: 19790619
Update: 20011029
Accession No: OCLC: 5312109
Database: WorldCat
Sofocle Aiace :
lettura /
Mario Pintacuda; Sophocles.
1988
Italian Book 245 p. ; 23 cm.
[Palermo] : Palumbo,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Sophocles. (2,721)
Title: Sofocle Aiace :
lettura /
Author(s): Pintacuda, Mario. ; Sophocles. ; Ajax.
Publication: [Palermo] : Palumbo,
Year: 1988
Description: 245 p. ; 23 cm.
Language: Italian; Includes the Greek text of Ajax.
Series: Letture greche e latine;
SUBJECT(S)
Named Person: Sophocles. Ajax -- Criticism, Textual.
Note(s): Includes bibliographical references and index.
Class Descriptors: LC: PA4413.A5
Other Titles: Aiace
Responsibility: di Mario Pintacuda.
Document Type: Book
Entry: 19960213
Update: 19960213
Accession No: OCLC: 34180504
Database: WorldCat
PHOENIX: INDEX TO REVIEWS VOLS. XXI-XL (1967-1986)
Pintacuda, Mario,
La musica nella tragedia greca (M. Owen Lee) ** 33.362
ĹăăńáöŢ 83 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034293
Ôßôëďň: La musica nella cultura greca e romana / [di] Giovanni Comotti
ÓőăăńáöÝáň: Comotti, Giovanni, 1931-
Äçěoóßĺőóç: Torino : EDT, 1979
ÖőóéęŢ ĐĺńéăńáöŢ: xiii, 112 p. ; 21 cm.
ÓĺéńÝň: (Storia della musica ; v. 1, pt. 1)
(Biblioteca di cultura musicale)
Óçěĺéţóĺéň: Includes index.
Bibliography: p. 105-109.
ČÝěáôá: Music--History
Music, Greek and Roman--History and criticism
DDC Ôáîéíüěçóç: 780/.9 s (19)
780/.901 (19)
LCC Ôáîéíüěçóç: ML160.S887 vol. 1, pt. 1
ML167.S887 vol. 1, pt. 1
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
53397 04 MZ 4.70 - ź÷é ÄéáčÝóéěď
**12442 06 32.753 (I, 1) - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
La musica nella cultura greca e romana / Giovanni Comotti
Author: Comotti, Giovanni, 1931-
Publication: Torino : EDT, 1979
Document: Italian : Book
Libraries: 2
Music in Greek and Roman culture /
Author: Comotti, Giovanni, 1931-
Publication: Baltimore : Johns Hopkins University Press, 1989
Document: English : Book
Libraries: 697
More Like This: Search for versions with same title and author | Advanced options ...
2. Music in Greek and Roman culture /
Author: Comotti, Giovanni, 1931-
Publication: Baltimore : Johns Hopkins University Press, 1991, Š1989
Document: English : Book
Libraries: 57
More Like This: Search for versions with same title and author | Advanced options ...
3. Mousike :
metrica, ritmica e musica greca : in memoria di Giovanni Comotti /
Author: Comotti, Giovanni,; Gentili, Bruno.
Publication: Pisa : Istituti editoriali e poligrafici internazionali, 1995
Document: Italian : Book
Libraries: 35
More Like This: Search for versions with same title and author | Advanced options ...
4. La musica nella cultura greca e romana /
Author: Comotti, Giovanni, 1931-
Publication: Torino : EDT, 1979
Document: Italian : Book
Libraries: 39
More Like This: Search for versions with same title and author | Advanced options ...
5. La musica nella cultura greca e romana /
Author: Comotti, Giovanni, 1931-
Publication: Torino : EDT, 1991
Document: Italian : Book
Libraries: 19
More Like This: Search for versions with same title and author | Advanced options ...
6. Studi sul Codex Canonum Ecclesiarum Orientalium /
Author: Gherro, Sandro.; Comotti, G.
Publication: Padova : CEDAM, 1994
Document: Italian : Book
Libraries: 8
More Like This: Search for versions with same title and author | Advanced options ...
7. Studi sul primo libro del Codex Iuris Canonici /
Author: Gherro, Sandro.; Comotti, Giuseppe.
Publication: Padova : CEDAM, 1993
Document: Italian : Book
Libraries: 9
More Like This: Search for versions with same title and author | Advanced options ...
8. La consuetudine nel diritto canonico /
Author: Comotti, Giuseppe.
Publication: Milano : CEDAM, 1993
Document: Italian : Book
Libraries: 6
More Like This: Search for versions with same title and author | Advanced options ...
9. La música en la cultura griega y romana /
Author: Comotti, Giovanni, 1931-
Publication: Madrid : Turner, 1986
Document: Spanish : Book
Libraries: 2
More Like This: Search for versions with same title and author | Advanced options ...
10. La Milano disparsa :
antologia gaddiana di pagine milanesi /
Author: Gadda, Carlo Emilio, 1893-1973.; Comotti, Andrea.
Publication: Milano : Garzanti, 1983
Document: Italian : Book
Libraries: 3
ĹăăńáöŢ 84 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034319
Ôßôëďň: The history of musical instruments / [by] Curt Sachs
ÓőăăńáöÝáň: Sachs, Curt, 1881-1959
Äçěoóßĺőóç: New York : W.W. Norton, 1968
ÖőóéęŢ ĐĺńéăńáöŢ: 505 p. : ill., xxiv plates ; 24 cm.
ISBN: 039302068
Óçěĺéţóĺéň: Includes index.
"References": p. 469-487.
ČÝěáôá: Musical instruments--History
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**12469 06 32.787 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
The history of musical instruments
Curt Sachs
1940
English Book 505 p., 1 l. illus., xxiv pl. 25 cm.
New York, W.W. Norton & Co., inc.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1897
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Sachs, Curt, (max: 3)
Title: The history of musical instruments
Author(s): Sachs, Curt, 1881-1959.
Publication: New York, W.W. Norton & Co., inc.
Year: 1940
Description: 505 p., 1 l. illus., xxiv pl. 25 cm.
Language: English
Standard No: LCCN: 41-559
SUBJECT(S)
Descriptor: Musical instruments -- History.
Note(s): "First edition."/ "References": p. 469-487.
Class Descriptors: LC: ML460.S24; Dewey: 781.9109
Responsibility: [by] Curt Sachs.
Document Type: Book
Entry: 19730522
Update: 20010910
Accession No: OCLC: 547845
ĹăăńáöŢ 85 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034360
Ôßôëďň: Die römische Orgel von Aquincum (3. Jahrhundert) / Melinda Kaba ; mit einem Beitrag von Ernő Gegus, Spektralanalytische Untersuchung der Bestandteile der Orgel von Aquincum ; [aus dem Ungarischen übertragen von Tilda und Paul Alpári]
ÓőăăńáöÝáň: Kaba, Melinda
¸ęäďóç: 2. Aufl
Äçěoóßĺőóç: Budapest : Akadémiai Kiadó, 1980, c1976
ÖőóéęŢ ĐĺńéăńáöŢ: 143 p. : ill. ; 25 cm.
ÓĺéńÝň: (Musicologia Hungarica ; n. F., 6)
ISBN: 9630524368
Óçěĺéţóĺéň: Includes bibliographical references and index.
ČÝěáôá: Gegus. Ernő. American.
Musical instruments--Aquincum
Musical instruments, Ancient--Rome
Organs--Hungary--Budapest
Budapest (Hungary)--Antiquities, Roman
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
54995 04 MZ 5.10 - ź÷é ÄéáčÝóéěď
44.570 06 32.852 (6) - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
The Roman organ of Aquincum
Author: Walcker-Mayer, Werner.
Publication: Ludwigsburg, Musikwissenschaftliche Verlagsgesellschaft, 1972
Document: English : Book
Libraries: 92
More Like This: Search for versions with same title and author | Advanced options ...
2. Die römische Orgel von Aquincum.
Author: Walcker-Mayer, Werner
Publication: Stuttgart, Musikwissenschaftliche Verlagsgesellschaft, 1970
Document: German : Book
Libraries: 66
More Like This: Search for versions with same title and author | Advanced options ...
3. Die römische Orgel von Aquincum (3. Jahrhundert) /
Author: Kaba, Melinda.; Gegus, Erno.
Publication: Budapest : Akadémiai Kiadó, 1976
Document: German : Book
Libraries: 33
More Like This: Search for versions with same title and author | Advanced options ...
4. Die römische Orgel von Aquincum (3. Jahrhundert) /
Author: Kaba, Melinda.; Gegus, Erno.
Publication: Kassel : Bärenreiter, 1976
Document: German : Book
Libraries: 30
More Like This: Search for versions with same title and author | Advanced options ...
5. Die römische Orgel von Aquincum (3. Jahrhundert) /
Author: Kaba, Melinda.; Gegus, Erno.
Publication: Kassel : Bärenreiter, 1980
Document: German : Book
Libraries: 3
ĹăăńáöŢ 86 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034376
Ôßôëďň: Music and civilisation / [edited by T.C. Mitchell]
ÓőăăńáöÝáň: Mitchell, T. C.
British Museum
Äçěoóßĺőóç: [London] : Published for the Trustees of the British Museum by British Museum Publications, c1980
ÖőóéęŢ ĐĺńéăńáöŢ: 247 p. : ill. ; 26 cm.
ÓĺéńÝň: (British Museum yearbook ; 4)
ISBN: 0714120049
Óçěĺéţóĺéň: Includes bibliographical references and index.
ČÝěáôá: Music--History and criticism
Musical instruments--History
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**12527 06 32.884 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
Music and civilisation /
T C Mitchell
1980
English Book 247 p. : ill. ; 26 cm.
London : Published for the Trustees of the British Museum by British Museum Publications, ISBN: 0714120049
Ownership: Check the catalogs in your library.
Libraries that Own Item: 83
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: British Museum. (1,372)
Title: Music and civilisation /
Author(s): Mitchell, T. C.
Corp Author(s): British Museum.
Publication: London : Published for the Trustees of the British Museum by British Museum Publications,
Year: 1980
Description: 247 p. : ill. ; 26 cm.
Language: English
Series: The British Museum yearbook ;; 4;
Standard No: ISBN: 0714120049
SUBJECT(S)
Descriptor: Music in art.
Class Descriptors: LC: ML85
Responsibility: [edited by T.C. Mitchell].
Document Type: Book
Entry: 19810317
Update: 19950220
Accession No: OCLC: 7233510
Database: WorldCat
ĹăăńáöŢ 87 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034430
Ôßôëďň: Précis de musicologie / publié sous la direction de Jacques Chailley
ÓőăăńáöÝáň: Chailley, Jacques, 1910-
¸ęäďóç: Nouv. éd. ent. ref.
Äçěoóßĺőóç: Paris : Presses universitaires de France, 1984
ÖőóéęŢ ĐĺńéăńáöŢ: 496 p. ; 25 cm.
ISBN: 2130384579
Óçěĺéţóĺéň: Comprend un index.
ČÝěáôá: Musicologie
Musicology
DDC Ôáîéíüěçóç: 780/.01 (19)
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
39807 06 32.980 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
Précis de musicologie;
ouvrage collectif.
Jacques Chailley
1958 [1 éd.].
French Book xxiv, 431 p. 20 cm.
Paris, Presses universitaires de France,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 126
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Chailley, Jacques, (max: 2)
Title: Précis de musicologie;
ouvrage collectif.
Author(s): Chailley, Jacques, 1910- ed.
Publication: Paris, Presses universitaires de France,
Edition: [1 éd.].
Year: 1958
Description: xxiv, 431 p. 20 cm.
Language: French
Standard No: LCCN: a 59-26
SUBJECT(S)
Descriptor: Musicology.
Note(s): At head of title: Institut de musicologie de l'Université de Paris.
Class Descriptors: LC: ML3797
Document Type: Book
Entry: 19721005
Update: 20030108
Accession No: OCLC: 422993
La musique grecque antique /
Jacques Chailley
1979
French Book 219 p. : ill., music ; 20 cm.
Paris : Belles Lettres, ISBN: 2251325123 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 82
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Chailley, Jacques, (max: 2)
Title: La musique grecque antique /
Author(s): Chailley, Jacques, 1910-
Publication: Paris : Belles Lettres,
Year: 1979
Description: 219 p. : ill., music ; 20 cm.
Language: French
Series: Collection d'études anciennes;
Standard No: ISBN: 2251325123 :; LCCN: 80-107488
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes bibliographical references.
Class Descriptors: LC: ML169; Dewey: 781.738
Responsibility: Jacques Chailley.
Document Type: Book
Entry: 19800527
Update: 20010701
Accession No: OCLC: 6448163
Database: WorldCat
ĹăăńáöŢ 88 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 034610
Ôßôëďň: Stringed instruments of ancient Greece / Martha Maas, and Jane McIntosh Snyder
ÓőăăńáöÝáň: Maas, Martha, 1934-
McIntosh, Jane
Snyder, Jane McIntosh
Äçěoóßĺőóç: New Haven : Yale University Press, c1989
ÖőóéęŢ ĐĺńéăńáöŢ: xx, 261 p. : ill. ; 29 cm.
ISBN: 0300036868 alk. paper
Óçěĺéţóĺéň: Includes index.
Bibliography: p. 245-255.
ČÝěáôá: Musical instruments, Ancient--Greece
Stringed instruments
DDC Ôáîéíüěçóç: 787/.00938 (19)
LCC Ôáîéíüěçóç: ML169.M2 1989
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
55961 04 MZ 4.3 - ź÷é ÄéáčÝóéěď
44399 06 33.225 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
Ownership: Check the catalogs in your library.
Libraries that Own Item: 684
Author(s): Devale, SUE CAROLE
Title: MAAS and SNYDER, Stringed Instruments of Ancient Greece.
Source: Ethno-musicology. 35, no. 1, (Winter 1991): 135-138
Additional Info: s.n.,
Alt Journal: Key Title: Ethnomusicology
Standard No: ISSN: 0014-1836
OCLC No: 4184139
Article Type: Review
Database: ArticleFirst
Ownership: Check the catalogs in your library.
Libraries that Own Item: 905
Author(s): Maas, Martha ; Snyder, Jane M.
Title: Stringed Instruments of Ancient Greece (M.L. West).
Source: American journal of philology. 112, no. 2, (1991): 273
Additional Info: Johns Hopkins University Press [etc.]
Alt Journal: Key Title: American journal of philology (Print)
Standard No: ISSN: 0002-9475
OCLC No: 1480174
Article Type: Review
Database: ArticleFirst
Stringed instruments of ancient Greece /
Martha Maas; Jane McIntosh Snyder
1989
English Book xx, 261 p. : ill. ; 29 cm.
New Haven : Yale University Press, ISBN: 0300036868 (alk. paper)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 433
More Like This: Search for versions with same title and author | Advanced options ...
Title: Stringed instruments of ancient Greece /
Author(s): Maas, Martha, 1934- ; Snyder, Jane McIntosh.
Publication: New Haven : Yale University Press,
Year: 1989
Description: xx, 261 p. : ill. ; 29 cm.
Language: English
Standard No: ISBN: 0300036868 (alk. paper); LCCN: 87-2103
SUBJECT(S)
Descriptor: Musical instruments, Ancient -- Greece.
Identifier: Musical instruments; History, to B.C.323; Greece
Note(s): Includes index./ Bibliography: p. 245-255.
Class Descriptors: LC: ML169; Dewey: 787/.00938
Responsibility: Martha Maas, and Jane McIntosh Snyder.
Document Type: Book
Entry: 19870114
Update: 20010608
Accession No: OCLC: 15162727
Database: WorldCat
ĹăăńáöŢ 89 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 035177
Ôßôëďň: Die griechischen Saiteninstrumente / von Karl von Jan
ÓőăăńáöÝáň: Jan, Karl von, 1836-1899
Äçěoóßĺőóç: Leipzig : B.G. Teubner, 1882
ÖőóéęŢ ĐĺńéăńáöŢ: 36 p. : ill. ; 26 cm.
Óçěĺéţóĺéň: Cover title.
"Wissenschaftliche Beilage zum Jahresbericht des Gymnasiums zu Saargemünd für das Schuljahr 1881/82."
With: Die Tonleitern und Musiktonen der Griechen / erläutert durch Friedrich Bellermann. Berlin : A. Förstner, 1847.
Includes bibliographical references.
ČÝěáôá: Musical instruments, Ancient--Greece
Stringed instruments
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**13218 06 BD 266 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ ĹěöÜíéóç ĐëŢńçň ĹěöÜíéóç
Die griechischen Saiteninstrumente,
Karl von Jan
1882
German Book 36 p. illus. 26 cm.
Leipzig, Druck von B.G. Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 13
More Like This: Search for versions with same title and author | Advanced options ...
Title: Die griechischen Saiteninstrumente,
Author(s): Jan, Karl von, 1836-1899.
Publication: Leipzig, Druck von B.G. Teubner,
Year: 1882
Description: 36 p. illus. 26 cm.
Language: German
Standard No: LCCN: 06-43342
SUBJECT(S)
Descriptor: Stringed instruments.
Music, Greek and Roman.
Note(s): Programm--Gymnasium, Saargemünd.
Class Descriptors: LC: ML169.J33
Responsibility: von Dr. Karl Jan ... Mitsechs Abbildungen in Zinkätzung ...
Document Type: Book
Entry: 19860707
Update: 20010607
Accession No: OCLC: 13825859
Database: WorldCat
ĹăăńáöŢ 90 Ěďíďăńáößá
Ăëůóóéęü őëéęü, Ýíôőđď
Ôáőôüôçôá ĹăăńáöŢň: 035604
Ôßôëďň: Henry Cohen, 1806-1880 / par Michel Amandry
ÓőăăńáöÝáň: Amandry, Michel
Äçěoóßĺőóç: Paris : Bibliothèque nationale, Département des monnaies, médailles et antiques, 1980
ÖőóéęŢ ĐĺńéăńáöŢ: 23 p., [4] p. of plates : ill. ; 30 cm.
ISBN: 2717715606
Óçěĺéţóĺéň: "Bibliographie musicale": p. 17-22.
ČÝěáôá: Cohen, Henry, 1806-1880
Musicians--France--Biography
Numismatists--France--Biography
DDC Ôáîéíüěçóç: 737/.092/4 (19)
B (19)
LCC Ôáîéíüěçóç: CJ62.C56A42 1980
Áíôßôőđá: Áń.ĹéóáăůăŢň ÓőëëďăŢ Ôáîéčĺôéęü Óýěâďëď Óôďé÷ĺßá ĚÝńďőň Äáíĺßćĺôáé ĘáôÜóôáóç
**13646 06 BR99 - ź÷é ÄéáčÝóéěď
MARC ĹěöÜíéóç ÓőíďđôéęŢ
Az elozo levelekben emlitett munkakat ajanlo Wagner, a Magyar eletrajzi lexikonbol:
Wagner József (Bp., 1882. okt. 21. Bp., 1956. nov. 29.): tanár, klasszika-filológus. Egy: i tanulmányait a bp.-i egy.-en végezte, utána egy évet a párizsi Sorbonne-on tanult. Hazatérése után nevelősködött, 1906-ban Aradon tanított, 1917-től pedig a bp.-i tanárképző intézet tanára volt. A klasszikafilológia mellett foglalkozott zenével, sporttal és gyorsírással. A neolatin mozgalom kereté. ben szerk. a Juventus c. latin nyelvű ifjúsági folyóiratot és a Dictionariumot. F. m. Ógörög sportélet (Pápa, 1904); A nemzetközi segédnyelv problémája és a neolatin mozgalom (Bp., 1941); Az antik világ zenéje (Bp., 1943); A zene szerepe az antik társadalmi életben (Bp., 1943). Irod. Borzsák István: W. J. (1882 1956) (Antik Tanulmányok, 1957. 1 2. sz.).
----
Valogatott irodalmi tajekoztatoja az idegen nyelven irt munkakrol:
Lavignac es de la Laurence zenei enciklopediajanak elo kotete: Antiquite, Paris,1924.
H. Reimann: Handbuch der Musikgeschichte. I. Altertum. Leipzig, 1904.
C. von Jan: Musici scriptores Graeci. Leipzig,1895. (Az akkor ismert zenei maradvanyokkal).
Curt Sachs: Musik der Antike ( a Handbich d. Musikwissenschaft-ban). Potsdam, 1934.
Walter Vetter "music" cikke a Pauly-Wissowa Realenzyklopedie d. klass. Altert. XVI. koteteben.
J.Quasten: Musik und Gesang in den Kulten der heidnischen Antike und christlichen Frűzheit. Műnster, 1930.
H. Abert: Die Antike (Adler Handbuch der Musikwissenschaft-jaban) 1924.
H. Abert-L.Friedlander: Darstellungen aus der Sittengesch. Roms. Leipzig, 1920.
A hangsorokra vonatkozo regebbi kutatasok eredmenyeit reszben modosito tanulmanyok:
A.Auda: Les modes et les tons de la musique etc. 1930.
C.Ursprung: Die antiken Transpositionsskalen u. die Kirchentöne. Archiv F. Musikforschung 1940.
Gombosi Otto: Studien zur Tonartenlehre d. frűhen Mittelalters, Acta Musicologica 1938.
[Ismeretterjeszo tanulmanynak szant konyvecskehez mindez egy igen komoly alap. Es meg azt is igeri, hogy a fo szovegben a nagyszamu gorog es latin irot is megnevezi!]
Szilagyi Sandort sajnos nem tudtam azonositani az Eletrajzi lexikonbol,harom nev is szerepel benne, pedig jo lenne meglelni Az o-gorog muzsikus muveszetek elmeletet.
Czebe Gyula (Mezőtúr, 1887. febr. 17. Balatonszentgyörgy, 1930. júl. 13.): klasszikafilológus. Az egy.-et Bp.-en végezte, 1912-től ugyanott gimn. tanár. 1917-től egy.-i magántanár. A Tanácsköztársaság idején a görög nyelv egy.-i tanárává nevezték ki. A proletárdiktatúra megdöntése után megfosztották állásától. Később a Magyarországi Könyvkiadók és Könyvkereskedők Egyesületének főtitkára volt. Fürdés közben a Balatonba fulladt. Az ó- és középkori görög (bizánci) irodalom, nyelvtudományi zeneelmélet s a bizánci-m. kapcsolatok kutatásában ért el jelentős eredményeket. F. m. Az athéni társadalom Alkiphron leveleiben (Bp., 1909); A veszprémvölgyi oklevél görög szövege (Bp., 1916).
Drumár János (Arad, 1866. aug. 4. Hajdúhadház, 1922. jan.): író és zenetörténész. A Nemzeti Zenedében tanult. Mivel mindkét keze megsérült, az aktív muzsikálással fel kellett hagynia, s csak zeneelmélettel foglalkozott. 1885-ben az Államvasutak kötelékébe lépett, ahol főfelügyelői rangig vitte. Hosszabb időn át Debrecenben szolgált, s itt 19001910-ben a debreceni városi zeneisk.-nak is tanára volt. Debrecenbe visszatérve 1912-től ismét tanított. Számos cikket, tanulmányt írt a különböző szaklapokba. Írt regényeket és elbeszéléseket is. F. m. Miért dallamos a magyar nyelv (Rousseau: A beszéd keletkezése c. művének m. fordításához készült bevezetés, 1907); Zenetörténet (III. Debrecen, 19041907); Modern Odysseia (r., Debrecen, 1905); A debreceni zenede története (Debrecen, 1913).
Szabolcsi Bence (Bp., 1899. aug. 2. Bp., 1973. jan. 21.): zenetörténész, az MTA tagja (l. 1948, r. 1955), Baumgarten-díjas (1933), Kossuth-díjas (1951, 1965). ~ Miksa fia, ~ Lajos öccse. A bp.-i tudományegy.-en jogot, irodalomtörténetet és filozófiát (191720), a lipcsei egy.-en zenetudományt, művészettörténetet és történelmet (192123), a bp.-i Zeneakadémián Kodály Zoltán, Weiner Leó és Siklós Albert tanítványaként (191721), Lipcsében (192132) Karg-Elert irányításával zeneszerzést tanult. 1923-ban Albert Hermannál doktorált. Disszertációja: Benedetti und Saracini, Beiträge zur Geschichte der Monodie. 1923-tól Bp.-en zenekritikus, szerk. és kiadói lektor. Társszerk.-je volt a Zenei Szemlének (192629), Tóth Aladárral a Zenei Lexikonnak (193031). 1936-ban a londoni Royal Asiatic Society tagjává választotta, 1938-ban a Nemzetközi Zenetudományi Társaság, 1940-ben a Nemzetközi Népzenei Tanács, 1960-ban a finn Kalevala Társaság. 1945-től a Liszt Ferenc Zeneművészeti Főisk. zenetörténet tanára; megalapította (1951) és haláláig irányította a zenetörténészképzés első mo.-i műhelyét, a zenetudományi tanszakot. 19501956 között az Új Zenei Szemle, 1960-tól 1973-ig a Magyar Zene, haláláig a Studia musicologica szerk. bizottságának tagja volt, az utóbbinak Kodály Zoltán halála után, 1967-től szerk.-je. 19511956, valamint 19591961 között elnöke volt a M. Zeneművészek Szövetségének. Bartha Dénessel szerk. a Zenetudományi tanulmányok tízkötetes könyvsorozatát (195362). 1961-ben megalapította és 1973-ig ig.-ként irányította az MTA Bartók Archívumát, amely 1974 óta Zenetudományi Intézetként működik. ~ annak a századforduló táján született nemzedéknek volt a tagja, mely (Molnár Antallal, Tóth Aladárral, Major Ervinnel és másokkal) a korszerű m. zenetudomány megteremtését tűzte ki céljául. ~ hármas feladatot vállalt: a m. nyelvű, modern zenetörténetírás alapjainak lerakását, az új zenetörténeti-zenetudományi irodalom fórumainak és olvasótáborának megteremtését és pedagógiai munkásságával újabb zenetörténész-nemzedék felnevelését. Alkotó egyénisége három főbb hatásra alakult ki. A német filológusisk. vizsgálati módszerei mellett magáévá tette a francia tudomány (Taine, Rolland) történeti szemléletét és stiláris igényeit és a Bartóktól s főként Kodálytól tanult szemléletmódot: az élő hagyománynak az írottal való egybevetését-összehasonlítását. A zenetörténet mint önálló irodalmi műfaj, ~ munkásságával jelenik meg a m. szellemi életben. Tudományos munkásságával, Bartók és Kodály példáját követve, szellemi hídverésre törekedett Kelet és Nyugat között. Első m. nyelvű publikációja Mozarttal, az első két német nyelvű Kodállyal, ill. a régi m. zenetörténet kérdéseivel foglalkozott. Az 192030-as években bejárta a Duna menti országakat, hogy összegyűjtse, majd közzétegye a régi m. zenetörténeti emlékeit. Útjainak eredményeképpen 19281954 között tíz alapvető tanulmányt írt a m. zene történetéről a középkortól a 19. sz.-ig. Ezek A magyar zene évszázadai c. gyűjteményes kötetekben jelentek meg (1959, 1961). Ugyanennek az anyagnak más elvű, antológiaszerű összefoglalása A magyar zenetörténet kézikönyve (1947). Az 1930-as évek közepétől terjesztette ki kutatásait az egyetemes zenetörténet jelenségeinek és összefüggéseinek vizsgálatára: Bevezetés a zenetörténetbe (Bp., 1936); A zene története (Bp., 1940); Beethoven (Bp., 1947); Európai virradat. A klasszikus zene kialakulása Vivalditól Mozartig (Bp., 1948). Kétirányú keleti és nyugati kutatásainak monumentális szintézise fő műve: A melódia története (Bp., 1950). ~ írta az első, tudományos hitelű m. Bartók-életrajzot (1955). Új kutatási területet nyitott meg a Liszt kései korszakát vizsgáló tanulmánya is: Liszt Ferenc estéje (Bp., 1956). Élete utolsó hónapjaiban adta közre válogatott Kodály-tanulmányait (Úton Kodályhoz, Bp., 1972). Kutatásainak két fő területét egy-egy hanglemez-antológia formájában is közreadta (Musica Hungarica, Bp., 1965; Musica mundana, Bp., 1975). A ~-életmű kiadása Bónis Ferenc szerkesztésében 1977-től indult meg. Herder-díjjal (1971) tüntették ki. Irod. Bartók Béla: Sz. B. (The Universal Jewish Encyklopedia, X., New York, 1943); Maróthy János: Az élet tudósa (Muzsika, 1959); Maróthy János: Eine kurzgefasste Bibliographie der musikwissenschaftlichen Werken von B. Szabolcsi (Beiträge zur Musikwissenschaft, Berlin, 1960); Szabolcsi Bence: Sz. B. (önéletrajz; Die Musik in Geschichte und Gegenwart, 13, Kassel 1965); Studia musicologica Bence Szabolcsi Septuagenario (szerk. Bartha Dénes, Bp., 1969); Lukács György: Sz. B. hetvenéves (Muzsika, 1969. 8. sz.); Magyar zenetörténeti tanulmányok Sz. B. 70. születésnapjára (szerk. Bónis Ferenc, Bp., 1969); Berlász MelindaHomolya István: Sz. B. félévszázados munkássága (M. Zenetört. Tan., 1969); Kroó GyörgyÚjfalussy JózsefKöpeczi Béla: Obituary: Bence Szabolcsi (Hungarian Music News, 1973); Kecskeméti István-Rajeczky BenjaminKósa GyörgyPapp Márta: A tudós nevelő (Muzsika, 1973); Biernaczky Szilárd: Sz. B. (Kortárs, 1973. 4. sz.); Fodor Géza: Sz. B. emléke (Irod. tört., 1973. 3. sz.); Bónis Ferenc: Sz. B. magyar századai (Muzsika, 1973); Újfalussy József: Sz. B. (Magy. Tud., 1973. 7-8. sz.).
Molnár Géza (Pest, 1870. szept. 7. Bp., 1933. dec. 19.): zenetörténész és esztéta. Bölcsészeti és jogi tanulmányait Bp.-en, a zeneit Lipcsében végezte. 1900-ban a Zeneak. tanára lett. 1905-től egy.-i magántanár, 1918-tól a bp.-i tudományegy.-en a zenetudomány rk. tanára. 1920-tól a Pester Lloyd zenekritikusa. Cikkei, tanulmányai, zenekritikái m. és külföldi folyóiratokban jelentek meg. Az Encyclopaedia Britannica munkatársa volt. F. m. A magyar hangsor akusztikai megvilágításban (Bp., 1900); Bevezető a zenetudományba (Bp., 1901); A zene elmélete (Bp., 1901); Általános zenetörténet (I II., Bp., 1911, 1916); A zene a szocialista társadalomban (Bp., 1919). Irod. Fodor Gyula: M. G. (Zenei Szle, 1918. 6. sz.); Hubay Jenő: M. G. (Zeneműv. Főisk. Évk. 1933 34.)
Pótlás a zenei lexikonhoz /
Bence Szabolcsi; Aladár Tóth
1935
Hungarian Book 56 p. ; 21 cm.
Budapest : Gyózó Andor Kiadása,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Szabolcsi, Bence, (max: 6)
Title: Pótlás a zenei lexikonhoz /
Author(s): Szabolcsi, Bence,; 1899-1973. ; Tóth, Aladár,; 1898-
Publication: Budapest : Gyózó Andor Kiadása,
Year: 1935
Description: 56 p. ; 21 cm.
Language: Hungarian
SUBJECT(S)
Descriptor: Music -- Dictionaries -- Hungarian.
Music -- Bio-bibliography -- Dictionaries -- Hungarian.
Class Descriptors: LC: ML100
Responsibility: szerkesztették, Szabolcsi Bence és Tóth Aladár.
Document Type: Book
Entry: 19930528
Update: 20020805
Accession No: OCLC: 28176594
Database: WorldCat
Régi muzsika kertje; kétezer év irodalmából összeválogatta Szabolcsi Bence.
Bence Szabolcsi
1957 2. bov. kiad.
Hungarian Book 177 p. illus. 20 cm.
Budapest, Zenemukadó Vállalat,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 4
More Like This: Search for versions with same title and author | Advanced options ...
Find Items About: Szabolcsi, Bence, (max: 6)
Title: Régi muzsika kertje; kétezer év irodalmából összeválogatta Szabolcsi Bence.
Author(s): Szabolcsi, Bence, 1899-1973.
Publication: Budapest, Zenemukadó Vállalat,
Edition: 2. bov. kiad.
Year: 1957
Description: 177 p. illus. 20 cm.
Language: Hungarian
Standard No: LCCN: 60-20798
SUBJECT(S)
Descriptor: Music.
Class Descriptors: LC: ML55
Document Type: Book
Entry: 19870710
Update: 20010609
Accession No: OCLC: 16160220
Database: WorldCat
