Hagel Stefan
Modulation in altgriechischer Musik. Die Delphischen Paiane und die antike Musiktheorie
Modulation in ancient Greek music. The Delphic paians and ancient music theory
Schlagworte englisch: music; antiquity; ancient Greek music; music theory; modulation; scale systems; Aristoxenos; paian; Delphic paian;
Zusammenfassung deutsch:
Die Musik des zweiten Abschnittes des sogenannten ersten Delphischen Paians, eines Werkes des hellenistischen Musikers Athenaios, hielt man bislang für mit der antiken Skalenlehre unvereinbar. Nichtsdestoweniger zeigt gerade eine Interpretation im Rahmen der antiken Musiktheorie die verwendete kunstvolle Modulationstechnik auf. Der musikalische Plan gipfelt im Wechsel zwischen zwei Tonarten, die nur einen Halbton voneinander entfernt sind. Der für diese — nach antiker Lehre ‚außermelodischen‘ — Modulation nötige Ton wird jedoch über eine Reihe ‚melodischer‘ Wendungen eingeführt. In deutlichem Kontrast zum archaisierenden ersten Abschnitt scheint der zweite Teil damit ein Beispiel für den Stil der ‚Neuen Musik‘ zu bieten, die von Seiten Platons und der älteren Komödie so viel Ablehnung erfahren hat. Die Deutung der Musik des Paians wirft neues Licht nicht nur auf weniger gut erhaltene Musikfragmente, sondern auch auf manche bisher dunkle Konzepte antiker Theorie. Der eigentlichen Arbeit ist eine kurze Einführung in die antike Skalenlehre vorangestellt. Im Anhang findet sich eine rhythmische Analyse des Paians sowie ein Abriß der Entwicklung von den modalen Skalen des fünften Jahrhunderts bis zum ‚diagramma polytropon‘ des Aristoxenos, in dem jede Art von Modulation beschrieben werden konnte.
Zusammenfassung englisch:
The music of the Delphic Paian by Athenaios, a Hellenistic score of which the initial three parts have been preserved, the second of which has always startled modern scholars, reveals a delicate scenario of modulation of tone (metabolé kata tónon), if interpreted under the point of view of ancient music theory. The musical setting includes a harsh modulation between two scales but a semitone apart, which was judged non-melodic (ekmelés) by theorists, but it introduces the special tone needed for this modulation by a serious of melodic (emmelés), if sometimes surprising, movements. Thus, in contrast to the archaizing first section, the second part of the Paian seems to be characteristic for the ‚New Music‘, which Plato and the comedy disapproved so much. Its music may shed new light not only upon the interpretation of other scores, less well preserved, but also upon some theoretical concepts, hitherto badly understood. The thesis begins with a brief introduction on the concepts of ancient music theory. The appendix contains a rhythmical analysis of the Paian as well as an outline of the development of the ancient scale-system from fifth-century modal scales to the ‘diagramma polytropon’ by Aristoxenos, which allowed for any kind of modulation.
Availability: Universitaetsbibliothek der Universitaet Wien,
Dr. Karl Lueger-Ring 1, A-1010 Wien, Austria
===
Hagel Stefan
Modulation in altgriechischer Musik. Die Delphischen Paiane und die antike Musiktheorie
Modulation in ancient Greek music. The Delphic paians and ancient music theory
Schlagworte englisch: music; antiquity; ancient Greek music; music theory; modulation; scale systems; Aristoxenos; paian; Delphic paian;
Zusammenfassung deutsch:
Die Musik des zweiten Abschnittes des sogenannten ersten Delphischen Paians, eines Werkes des hellenistischen Musikers Athenaios, hielt man bislang für mit der antiken Skalenlehre unvereinbar. Nichtsdestoweniger zeigt gerade eine Interpretation im Rahmen der antiken Musiktheorie die verwendete kunstvolle Modulationstechnik auf. Der musikalische Plan gipfelt im Wechsel zwischen zwei Tonarten, die nur einen Halbton voneinander entfernt sind. Der für diese — nach antiker Lehre ‚außermelodischen‘ — Modulation nötige Ton wird jedoch über eine Reihe ‚melodischer‘ Wendungen eingeführt. In deutlichem Kontrast zum archaisierenden ersten Abschnitt scheint der zweite Teil damit ein Beispiel für den Stil der ‚Neuen Musik‘ zu bieten, die von Seiten Platons und der älteren Komödie so viel Ablehnung erfahren hat. Die Deutung der Musik des Paians wirft neues Licht nicht nur auf weniger gut erhaltene Musikfragmente, sondern auch auf manche bisher dunkle Konzepte antiker Theorie. Der eigentlichen Arbeit ist eine kurze Einführung in die antike Skalenlehre vorangestellt. Im Anhang findet sich eine rhythmische Analyse des Paians sowie ein Abriß der Entwicklung von den modalen Skalen des fünften Jahrhunderts bis zum ‚diagramma polytropon‘ des Aristoxenos, in dem jede Art von Modulation beschrieben werden konnte.
Zusammenfassung englisch:
The music of the Delphic Paian by Athenaios, a Hellenistic score of which the initial three parts have been preserved, the second of which has always startled modern scholars, reveals a delicate scenario of modulation of tone (metabolé kata tónon), if interpreted under the point of view of ancient music theory. The musical setting includes a harsh modulation between two scales but a semitone apart, which was judged non-melodic (ekmelés) by theorists, but it introduces the special tone needed for this modulation by a serious of melodic (emmelés), if sometimes surprising, movements. Thus, in contrast to the archaizing first section, the second part of the Paian seems to be characteristic for the ‚New Music‘, which Plato and the comedy disapproved so much. Its music may shed new light not only upon the interpretation of other scores, less well preserved, but also upon some theoretical concepts, hitherto badly understood. The thesis begins with a brief introduction on the concepts of ancient music theory. The appendix contains a rhythmical analysis of the Paian as well as an outline of the development of the ancient scale-system from fifth-century modal scales to the ‘diagramma polytropon’ by Aristoxenos, which allowed for any kind of modulation.
Availability: Universitaetsbibliothek der Universitaet Wien,
Dr. Karl Lueger-Ring 1, A-1010 Wien, Austria
Az elozoekben nagyjabol "korulkeritettuk" az ogorog zenei irodalmat, ezt mar csak itt-ott kell kiegesziteni, ha valami elkerulte a figyelmunket, es az uj munkakat hozzatenni. A kovetkezo lepes a folyoirat publikaciok listaja, valamint mas, lexikon, kezirat stb. kozlemenyek osszegyujtese. Kerlek ird meg ha ezen anyag atfesulese valami okbol reszedrol akadalyba utkozik, mert akkor segitsegul hivunk masokat, megosztva a terheket. Ezen adathalmazhoz hozzatettuk, tesszuk, ahogy a kutatas soran elenksodrodik, a megtalalt konyvrol ha van cimlapkepet, ismertetest, a szerzo adatait, a cimet. Ez kulon lista. Csakugy mint a nelkulozhetetlen roviditesek jegyzeke.
Aristidis Quintiliani De musica libri tres /
Aristides Quintilianus.; R P Winnington-Ingram
1963
Greek, Ancient [to 1453] Book xxix, 198 p., [8] p. of plates : facsims. ; 21 cm.
Lipsiae : Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 69
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Find Items About: Peri mousikes (3); Aristides Quintilianus. (18); Winnington-Ingram, R. P. (max: 2)
Title: Aristidis Quintiliani De musica libri tres /
Author(s): Aristides Quintilianus. ; Winnington-Ingram, R. P.; 1904- ; (Reginald Pepys),
Publication: Lipsiae : Teubner,
Year: 1963
Description: xxix, 198 p., [8] p. of plates : facsims. ; 21 cm.
Language: Greek, Ancient [to 1453]
Series: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana;
Standard No: LCCN: 85-460160
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism -- Early works to 1800.
Music theory -- Early works to 1800.
Note(s): Greek text, commentary in Latin./ Includes index./ Bibliography: p. xxvii-xxviii.
Class Descriptors: LC: ML168
Other Titles: Peri mousikes; De musica libri tres.
Responsibility: edidit R.P. Winnington-Ingram.
Document Type: Book
Entry: 19860117
Update: 20001119
Accession No: OCLC: 13123534
Database: WorldCat
===
The music to The frogs of Aristophanes
C Hubert H Parry; Aristophanes.; D G Hogarth; A D Godley
1890-1899?
English Musical Score : Printed music : Operas : Microform 1 vocal score (86 p.)
Berlin ; New York : Breitkopf & Härtel,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 39
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Find Items About: Frogs. (5,039); Parry, C. Hubert H. (max: 23); Aristophanes. (1,363); Hogarth, D. G. (max: 5)
Title: The music to The frogs of Aristophanes
Author(s): Parry, C. Hubert H. 1848-1918. (Charles Hubert Hastings),; Aristophanes. ; Frogs.; Hogarth, D. G.; 1862-1927. ; (David George),; Godley, A. D.; 1856-1925. ; (Alfred Denis),
Publication: Berlin ;; New York :; Breitkopf & Härtel,
Year: 1890-1899?
Description: 1 vocal score (86 p.)
Language: English
Series: Variation: English and American drama of the nineteenth century.; English.
Music Type: Operas
SUBJECT(S)
Descriptor: Incidental music -- Vocal scores with piano.
Note(s): Incidental music, with cues to the text./ English and Greek words, interlinear./ Reproduction: Microopaque./ New York :/ Readex Microprint,/ 1979./ 3 microopaques ; 23 x 15 cm./ (English and American drama of the nineteenth century. English).
Class Descriptors: LC: PR1271
Other Titles: Frogs. Vocal score. English & Greek; Frogs.
Responsibility: composed for performance at Oxford in 1892 by C. Hubert H. Parry ; with an English version by D.G. Hogarth and A.D. Godley.
Material Type: Printed music (pmu); Microform (mic)
Document Type: Score
Entry: 19830304
Update: 20020704
Accession No: OCLC: 9279964
Database: WorldCat
===
A sea symphony ; The wasps :
Aristophanic suite
Ralph Vaughan Williams; Walt Whitman; Sheila Armstrong; John Carol Case; Adrian Boult, Sir; Ralph Vaughan Williams
1969
English Sound Recording : Music : Multiple forms : LP recording 2 sound discs : analog, 33 1/3 rpm, stereo. ; 12 in.
Hollywood, Calif. : Angel,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 228
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Find Items About: Symphonies, (64,332); Vaughan Williams, Ralph, (max: 240); Whitman, Walt, (max: 4,910); Boult, Adrian, (max: 11); London Philharmonic Choir. (2); London Philharmonic Orchestra. (19)
Title: A sea symphony ; The wasps :
Aristophanic suite
Author(s): Vaughan Williams, Ralph, 1872-1958. ; Whitman, Walt,; 1819-1892. ; (Librettist - lbt); Armstrong, Sheila. ; (Performer - prf); Case, John Carol. ; (Performer - prf); Boult, Adrian,; Sir,; 1889- ; (Conductor - cnd); Vaughan Williams, Ralph,; 1872-1958. ; Wasps.; Suite.
Corp Author(s): London Philharmonic Choir. ; (Performer - prf); London Philharmonic Orchestra. ; (Performer - prf)
Publication: Hollywood, Calif. :; Angel,
Year: 1969
Description: 2 sound discs :; analog, 33 1/3 rpm, stereo. ;; 12 in.
Language: English
Music Type: Multiple forms; Suites; Symphonies
Standard No: Publisher: SB-3739; Angel; LCCN: 75-750232
SUBJECT(S)
Descriptor: Symphonies.
Suites (Orchestra)
Incidental music -- Excerpts.
Named Person: Whitman, Walt, 1819-1892 -- Musical settings.
Note(s): Words of 1st work by Walt Whitman./ The 2d work, an orchestral suite from the incidental music for Aristophanes' play./ Automatic sequence./ Durations: 1:12:17; 26:03./ Program notes by Michael Kennedy and texts for vocal portions of 1st work ([5] p. : ill.) laid in container; biographical notes on the conductor on container./ Participants: Sheila Armstrong, soprano ; John Carol Case, baritone ; London Philharmonic Choir ; London Philharmonic Orchestra ; Sir Adrian Boult, conductor.
Class Descriptors: LC: M1001; M1001
Other Titles: Symphonies, no. 1; Sea symphony.; Wasps.
Responsibility: Vaughan Williams.
Material Type: Music (msr); LP (lps)
Document Type: Sound Recording
Entry: 19780829
Update: 20011019
Accession No: OCLC: 4176958
Database: WorldCat
=====
The music to The birds of Aristophanes
C Hubert H Parry; Aristophanes.; A W Verrall
1885
English Musical Score : Printed music : Microform 1 vocal score (iv, iv, 77 p.)
London : Sold for the committee by Stanley Lucas, Weber,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 35
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Find Items About: Birds. (44,533); Parry, C. Hubert H. (max: 23); Aristophanes. (1,363); Verrall, A. W. (max: 4)
Title: The music to The birds of Aristophanes
Author(s): Parry, C. Hubert H. 1848-1918. (Charles Hubert Hastings),; Aristophanes. ; Birds.; Verrall, A. W.; 1851-1912. ; (Arthur Woollgar),
Publication: London :; Sold for the committee by Stanley Lucas, Weber,
Year: 1885
Description: 1 vocal score (iv, iv, 77 p.)
Language: English
Series: Variation: English and American drama of the nineteenth century.; English.
SUBJECT(S)
Descriptor: Incidental music -- Vocal scores with piano.
Note(s): English and Greek words./ English translation printed as text: p. [i]-iv [2nd sequence]/ Introduction arranged for two pianos./ Reproduction: Microopaque./ New York :/ Readex Microprint,/ 1979./ 3 microopaques ; 23 x 15 cm./ (English and American drama of the nineteenth century. English)
Class Descriptors: LC: PR1271
Other Titles: Birds. Vocal score. English & Greek
Responsibility: composed by C. Hubert H. Parry ; with an English version by A.W. Verrall.
Material Type: Printed music (pmu); Microform (mic)
Document Type: Score
Entry: 19830121
Update: 20020703
Accession No: OCLC: 9152146
Database: WorldCat
===
The music to the Agamemnon of Aeschylus :
as performed in the new theatre, Cambridge, Nov. 16-21, 1900, by members of the university /
C Hubert H Parry; Aeschylus.; Henry John Edwards
1900
English Musical Score : Printed music 1 vocal score (130 p.) ; 26 cm.
London : Published for the Greek Play Committee by Novello,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 10
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Find Items About: Agamemnon. (107); Parry, C. Hubert H. (max: 23); Aeschylus. (1,734)
Title: The music to the Agamemnon of Aeschylus :
as performed in the new theatre, Cambridge, Nov. 16-21, 1900, by members of the university /
Author(s): Parry, C. Hubert H. 1848-1918. (Charles Hubert Hastings),; Aeschylus. ; Agamemnon.; Edwards, Henry John,; 1854-1933.
Publication: London :; Published for the Greek Play Committee by Novello,
Year: 1900
Description: 1 vocal score (130 p.) ;; 26 cm.
Language: English
Series: Novello's original octavo edition;
Standard No: Publisher: 8310; Novello
SUBJECT(S)
Descriptor: Incidental music -- Vocal scores with piano.
Note(s): Acc. arr. for piano.
Class Descriptors: LC: M1513
Other Titles: Agamemnon. Vocal score
Responsibility: composed by C. Hubert H. Parry ; the English version by H.J. Edwards.
Material Type: Printed music (pmu)
Document Type: Score
Entry: 19860807
Update: 19990503
Accession No: OCLC: 14061946
Database: WorldCat
====
De arithmetica, musica, geometria:
et Proclus De sphæra,
Michael Psellus; Proclus; Elie Vinet; Cavellat, family of printers.
1557
French Book 77 (i.e. 75) l. diagrs. 16 cm.
Parisiis, Apud Gulielmum Cauellat,
Ownership: Check the catalogs in your library.
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Find Items About: Psellus, Michael. (72); Proclus, (max: 194); Vinet, Elie, (max: 6)
Title: De arithmetica, musica, geometria:
et Proclus De sphæra,
Author(s): Psellus, Michael. ; Proclus,; ca. 410-485. ; Sphaera.; Vinet, Elie,; 1509-1587. ; Cavellat,; family of printers. ; (Printer - prt)
Publication: Parisiis, Apud Gulielmum Cauellat,; France; Paris.
Year: 1557
Description: 77 (i.e. 75) l. diagrs. 16 cm.
Language: French
References: Smith, D.E. Rara arithmetica,; p. 170.
SUBJECT(S)
Descriptor: Cosmography.
Globes.
Mathematics -- Early works to 1800.
Music theory -- Medieval.
Note(s): Leaves 73-75 numbered 75-77./ Cavellat's device on t.p. and on recto of last leaf./ Sphaera has separate title page: Sphaera Procvli, Elia Veneto Santone interprete. P. 63.
Other Titles: In mathematicas disciplinas; Michael Psellvs arithmetica, mvsica, geometria.; Michael Psellus arithmetica, musica, geometria.; Sphaera Procvli.; Sphaera Proculi.
Responsibility: Elia Vineto Santone interprete.
Document Type: Book
Entry: 19920514
Update: 20020607
Accession No: OCLC: 29269399
Database: WorldCat
======
De arithmetica, musica, geometria:
et Proclus De sphæra,
Michael Psellus; Proclus; Elie Vinet; Cavellat, family of printers.
1557
French Book 77 (i.e. 75) l. diagrs. 16 cm.
Parisiis, Apud Gulielmum Cauellat,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 3
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Find Items About: Psellus, Michael. (72); Proclus, (max: 194); Vinet, Elie, (max: 6)
Title: De arithmetica, musica, geometria:
et Proclus De sphæra,
Author(s): Psellus, Michael. ; Proclus,; ca. 410-485. ; Sphaera.; Vinet, Elie,; 1509-1587. ; Cavellat,; family of printers. ; (Printer - prt)
Publication: Parisiis, Apud Gulielmum Cauellat,; France; Paris.
Year: 1557
Description: 77 (i.e. 75) l. diagrs. 16 cm.
Language: French
References: Smith, D.E. Rara arithmetica,; p. 170.
SUBJECT(S)
Descriptor: Cosmography.
Globes.
Mathematics -- Early works to 1800.
Music theory -- Medieval.
Note(s): Leaves 73-75 numbered 75-77./ Cavellat's device on t.p. and on recto of last leaf./ Sphaera has separate title page: Sphaera Procvli, Elia Veneto Santone interprete. P. 63.
Other Titles: In mathematicas disciplinas; Michael Psellvs arithmetica, mvsica, geometria.; Michael Psellus arithmetica, musica, geometria.; Sphaera Procvli.; Sphaera Proculi.
Responsibility: Elia Vineto Santone interprete.
Document Type: Book
Entry: 19920514
Update: 20020607
Accession No: OCLC: 29269399
Database: WorldCat
===
Antiquae musicae auctores septem :
Graece et latine /
Marcus Meibom
1977, 1652
Latin Book 2 v. : [4] fold. tables., music, 27 cm.
New York : Broude Brothers, ISBN: 0845022512
Ownership: Check the catalogs in your library.
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Title: Antiquae musicae auctores septem :
Graece et latine /
Author(s): Meibom, Marcus, d.1711.
Publication: New York : Broude Brothers,
Year: 1977, 1652
Description: 2 v. : [4] fold. tables., music, 27 cm.
Language: Latin
Series: Monuments of music and music literature in facsimile ; LI;
Standard No: ISBN: 0845022512
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Music theory -- History -- To 500.
Note(s): "A Facsimile of the Amsterdam, 1652 Edition".
Class Descriptors: LC: ML167
Responsibility: Marcus Meibom.
Document Type: Book
Entry: 19780407
Update: 20000829
Accession No: OCLC: 3789028
Database: WorldCat
====
Les problèmes musicaux d'Aristote :
texte grec avec traduction française, notes philologiques, commentaire musical et appendice /
F A Gevaert; Aristotle.; J C Vollgraff
1903
French Book xx, 421 p. : music ; 28 cm.
Gand : A. Hoste,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 36
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Find Items About: Gevaert, F. A. (max: 6); Aristotle. (10,523); Vollgraff, J. C. (max: 1)
Title: Les problèmes musicaux d'Aristote :
texte grec avec traduction française, notes philologiques, commentaire musical et appendice /
Author(s): Gevaert, F. A. 1828-1908. (François Auguste),; Aristotle. ; Vollgraff, J. C.; 1848-1920. ; (Johann Christoph),
Publication: Gand : A. Hoste,
Year: 1903
Description: xx, 421 p. : music ; 28 cm.
Language: French
Standard No: LCCN: 06-12639
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): "Appendice. Genres, tons et modes de l'époque préaristoxénienne exposés et analysés à l'aide de l'écriture musicale des Grecs": p. [357]-392./ "Index graecitatis": p. [393]-398./ "Index alphabétique et récapitulatif": p. [399]-421./ The Problems are no longer attributed to Aristotle.
Class Descriptors: LC: ML168.A5; ML169
Responsibility: F.A. Gevaert et J.C. Vollgraff.
Document Type: Book
Entry: 19790326
Update: 20010627
Accession No: OCLC: 4782044
Database: WorldCat
=====
De la musique ...
Plutarch.; Henri Weil; Théodore Reinach
1900
French Book 2 p. l., lxxii, 173 p. 1 l. 25 cm.
Paris, E. Leroux,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
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Find Items About: Plutarch. (941); Weil, Henri, (max: 3); Reinach, Théodore, (max: 8)
Title: De la musique ...
Author(s): Plutarch. ; Weil, Henri,; 1818-1909, ; ed.; Reinach, Théodore,; 1860-1928, ; joint ed.
Publication: Paris, E. Leroux,
Year: 1900
Description: 2 p. l., lxxii, 173 p. 1 l. 25 cm.
Language: French
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Title also in Greek./ Contains music./ "La constitution du texte est l'oeuvre commune des deux collaborateurs. La traduction, les notes critiques et explicatives, l'introduction, l'appendice et l'index ont été rédigés par Th. Reinach."
Responsibility: Ed. critique et explicative, par Henri Weil ... et Th. Reinach ...
Document Type: Book
Entry: 19890828
Update: 20020923
Accession No: OCLC: 23415383
Database: WorldCat
====
Fonds ethnomusicologique Samuel Baud-Bovy :
catalogue des archives /
Lampros Liavas
1989
French Book 186 p. ; 24 cm.
Genève : Conservatoire de musique de Genève,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 27
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Title: Fonds ethnomusicologique Samuel Baud-Bovy :
catalogue des archives /
Author(s): Liavas, Lampros.
Corp Author(s): Conservatoire de musique de Genève.
Publication: Genève : Conservatoire de musique de Genève,
Year: 1989
Description: 186 p. ; 24 cm.
Language: French
Standard No: LCCN: 90-110518
SUBJECT(S)
Descriptor: Ethnomusicology -- Bibliography -- Catalogs.
Folk music -- Discography -- Catalogs.
Named Person: Baud-Bovy, Samuel, 1906- -- Library -- Catalogs.
Named Corp: Conservatoire de musique de Genève -- Catalogs.
Note(s): Cover title: Catalogue de Fonds Samuel Baud-Bovy./ Includes bibliographical references (p. [162]-171).
Class Descriptors: LC: ML136.G432; Dewey: 016.78/089
Other Titles: Catalogue du Fonds Samuel Baud-Bovy.
Responsibility: rédigé par Lambros Liavas.
Document Type: Book
Entry: 19900129
Update: 20020809
Accession No: OCLC: 20701693
Database: WorldCat
=====
Die aristotelischen Musikprobleme.
Gerhard Tischer
1903
German Book 100 p. 25 cm.
Berlin, E. Ebering,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 6
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Title: Die aristotelischen Musikprobleme.
Author(s): Tischer, Gerhard.
Publication: Berlin, E. Ebering,
Year: 1903
Description: 100 p. 25 cm.
Language: German
Series: Musikwissenschaftliche Studien,; Heft 3; Variation: Musikwissenschaftliche Studien (Berlin, Germany) ;; Heft 3
Standard No: LCCN: 04-9968
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Named Person: Aristotle. Problems.
Title Subject: Problemata Aristotelis.
Class Descriptors: LC: ML169
Responsibility: Von Gerhard Tischer.
Document Type: Book
Entry: 19860805
Update: 19940606
Accession No: OCLC: 14046116
Database: WorldCat
===
Pótlás a zenei lexikonhoz /
Bence Szabolcsi; Aladár Tóth
1935
Hungarian Book 56 p. ; 21 cm.
Budapest : Gyózó Andor Kiadása,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: Pótlás a zenei lexikonhoz /
Author(s): Szabolcsi, Bence,; 1899-1973. ; Tóth, Aladár,; 1898-
Publication: Budapest : Gyózó Andor Kiadása,
Year: 1935
Description: 56 p. ; 21 cm.
Language: Hungarian
SUBJECT(S)
Descriptor: Music -- Dictionaries -- Hungarian.
Music -- Bio-bibliography -- Dictionaries -- Hungarian.
Class Descriptors: LC: ML100
Responsibility: szerkesztették, Szabolcsi Bence és Tóth Aladár.
Document Type: Book
Entry: 19930528
Update: 20020805
Accession No: OCLC: 28176594
Database: WorldCat
===
Fragmentum Graecae scriptionis de musica e codicibus editum /
Friedrich Bellermann
1840
Latin Book 26 p. : music ; 25 cm.
Berlin : Gedruckt bei J. Petsch,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 4
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Title: Fragmentum Graecae scriptionis de musica e codicibus editum /
Author(s): Bellermann, Friedrich,; 1795-1874.
Publication: Berlin : Gedruckt bei J. Petsch,
Year: 1840
Description: 26 p. : music ; 25 cm.
Language: Latin
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): "Zu dep öffentlichen Prüfung der Zöglinge des Berlinischen Gymnasiums zum grauen Kloster"--Cover./ Caption title./ Includes bibliographical references.
Responsibility: ab I.F. Bellermann.
Document Type: Book
Entry: 19860709
Update: 19950406
Accession No: OCLC: 13842379
Database: WorldCat
==
richesse rythmique musicale de l'antiquité;
leçon d'ouverture du cours d'histoire de la musique professé en 1902-1903 à la Sorbonne
Georges Louis Houdard
1903
French Book 2 p.l., 84 p. 23 cm.
Paris, A. Picard,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 6
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Title: La richesse rythmique musicale de l'antiquité;
leçon d'ouverture du cours d'histoire de la musique professé en 1902-1903 à la Sorbonne
Author(s): Houdard, Georges Louis, 1860-1913.
Publication: Paris, A. Picard,
Year: 1903
Description: 2 p.l., 84 p. 23 cm.
Language: French
Standard No: LCCN: 04-990
SUBJECT(S)
Descriptor: Musical meter and rhythm.
Music, Greek and Roman.
Greek language -- Versification.
Class Descriptors: LC: ML169
Responsibility: par Georges Houdard.
Document Type: Book
Entry: 19860801
Update: 19940411
Accession No: OCLC: 13996098
Database: WorldCat
==
G[eorges] Houdard.
La Notation neumatique.
Georges Louis Houdard
1911
French Book 1 p.l., p. [45]-72. illus. (facsims.) 26 cm.
Étude. (Angers
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: G[eorges] Houdard.
La Notation neumatique.
Author(s): Houdard, Georges Louis, 1860-1913.
Publication: Étude. (Angers
Year: 1911
Description: 1 p.l., p. [45]-72. illus. (facsims.) 26 cm.
Language: French
Series: Umschlagt.;
Note(s): Aus: Revue archeol. 1911./ Cover title.
Class Descriptors: LC: ML 174
Responsibility: 1911: Burdin.
Document Type: Book
Entry: 19891012
Update: 20020806
Accession No: OCLC: 23397968
Database: WorldCat
==
Disputatio de Aristidis Quintiliani musicae scriptoris aetate.
Julius Caesar
1882
Latin Book 14 p. 4to.
[n.p.]
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Find Items About: Caesar, Julius. (3,085)
Title: Disputatio de Aristidis Quintiliani musicae scriptoris aetate.
Author(s): Caesar, Julius.
Publication: [n.p.]
Year: 1882
Description: 14 p. 4to.
Language: Latin
SUBJECT(S)
Named Person: Aristides Quintilianus.
Note(s): Dissertation: Pr.
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 20000404
Update: 20011015
Accession No: OCLC: 43764082
Database: WorldCat
==
Della natura e perfezione della antica musica de' Greci e della utilita che ci potremmo noi promettere dalla nostra applicandola secondo il loro esempio alla educazione de' giovani
dissertazioni III /
Giovenale Sacchi
1778
Italian Book : Microform [6], 207 p. ; 20 cm.
Milano : [Per Antonio Mogni nella stamperìa Malatesta],
Ownership: Check the catalogs in your library.
Libraries that Own Item: 14
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Find Items About: Sacchi, Giovenale, (max: 2)
Title: Della natura e perfezione della antica musica de' Greci e della utilita che ci potremmo noi promettere dalla nostra applicandola secondo il loro esempio alla educazione de' giovani
dissertazioni III /
Author(s): Sacchi, Giovenale, 1726-1789.
Publication: Milano : [Per Antonio Mogni nella stamperìa Malatesta],
Year: 1778
Description: [6], 207 p. ; 20 cm.
Language: Italian
References: RISM; B VI II, p. 744.
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Music -- Instruction and study.
Note(s): Publisher named on p. 207./ Reproduction: Microopaque./ [Rochester, N.Y.] :/ University of Rochester Press,/ [1959?]/ 3 microopaques ; 8 x 13 cm.
Responsibility: del p. d. Giovenale Sacchi Bernabita.
Material Type: Microform (mic)
Document Type: Book
Entry: 19841119
Update: 20010716
Accession No: OCLC: 11403751
Database: WorldCat
==
The New Grove dictionary of music and musicians /
George Grove, Sir; Stanley Sadie
1980
English Book 20 v. : ill. ; 26 cm.
London : Washington, D.C. : Macmillan Publishers ; Grove's Dictionaries of Music, ISBN: 0333231112 1561591742 (pbk.)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2407
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Find Items About: The New Grove dictionary of music and musicians / (4); Grove, George, (max: 13)
Title: The New Grove dictionary of music and musicians /
Author(s): Grove, George,; Sir,; 1820-1900, ; ed.; Grove's dictionary of music and musicians.; Sadie, Stanley.
Publication: London : Macmillan Publishers ; Washington, D.C. : Grove's Dictionaries of Music,
Year: 1980
Description: 20 v. : ill. ; 26 cm.
Language: English
Standard No: ISBN: 0333231112; 1561591742 (pbk.); LCCN: 79-26207
SUBJECT(S)
Descriptor: Music -- Encyclopedias.
Music -- Bio-bibliography.
Musique -- Dictionnaires anglais.
Musique -- Bibliographie.
Musica (Dic Enciclopedias)
Identifier: Music - Encyclopaedias.; Music.
Note(s): Includes bibliographies.
Class Descriptors: LC: ML100; Dewey: 780/.3
Responsibility: edited by Stanley Sadie.
Material Type: Biography (bio)
Document Type: Book
Entry: 19791022
Update: 20020808
Accession No: OCLC: 5676891
Database: WorldCat
==
Plutarchi Cheronei opuscula argutissima & ingeniosissima :
hac serie ...
Plutarch.
1514
Latin Book cxlix leaves ; 30 cm. (fol.)
[Paris] : Venundantur ab I. Paruo & I. Badio,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Find Items About: Plutarch. (941)
Title: Plutarchi Cheronei opuscula argutissima & ingeniosissima :
hac serie ...
Author(s): Plutarch.
Publication: [Paris] : Venundantur ab I. Paruo & I. Badio,
Year: 1514
Description: cxlix leaves ; 30 cm. (fol.)
Language: Latin
Contents: Amatoriae narrationes -- Politica -- De virtute mor. -- Precepta con[n]ubialia -- De liberis educandis -- De differentia odii & inuidie -- De tranquillitate animi -- De fortuna Romanorum -- De virtute & fortuna Alexandri --Parallela -- De claris mulieribus -- Apophthegmata regu[m] & impatoru[m] -- Laconica apophthegmata -- An brutis insit ratio dialogus -- Placita philosophorum -- De musica -- Problemata.
Standard No: LCCN: 76-229026
References: Moreau; II, 941
Note(s): Translations from the Greek by Angelo Ambrogini (Poliziano) and others (cf. Moreau)/ Signatures:/ Includes index./ With: Cantiuncula, Claudius. Topica. Basileae : Apud Andream Cartandrum, anno 1520 (LCCN 77229029, copy 2). Bound together subsequent to publication.
Class Descriptors: LC: KJA+ [because bound with a KJA work]
Document Type: Book
Entry: 19770506
Update: 19991216
Accession No: OCLC: 9153575
Database: WorldCat
===
Ptolemaios und Porphyrios über die Musik /
Ptolemy; Porphyry; Ingemar Düring
1980, 1934
English Book 293 p. : ill. ; 24 cm.
New York : Garland Pub., ISBN: 0824095995 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 65
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Find Items About: Harmonics. (49); Ptolemy, (max: 381); Porphyry, (max: 561); Düring, Ingemar, (max: 2)
Title: Ptolemaios und Porphyrios über die Musik /
Author(s): Ptolemy, 2nd cent. ; Porphyry,; ca. 234-ca. 305. ; In Ptolemaei Harmonica commentarius.; German.; 1980.; Düring, Ingemar,; 1903-
Publication: New York : Garland Pub.,
Year: 1980, 1934
Description: 293 p. : ill. ; 24 cm.
Language: English
Series: Ancient philosophy; Variation: Göteborgs högskolas årsskrift ;; XL, 1.
Standard No: ISBN: 0824095995 :; LCCN: 78-20290
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Music -- Early works to 1800.
Named Person: Ptolemy, 2nd cent. Harmonics.
Note(s): Translation of Ptolemaeus' Harmonica and Porphyrius' In Ptolemaei Harmonica commentarius./ Reprint of the 1934 ed. published by Elanders boktr., Göteborg, which was issued as Göteborgs högskolas årsskrift, XL, 1934, 1./ Includes bibliographical references and indexes.
Class Descriptors: LC: ML168.P97; Dewey: 780/.938
Other Titles: Harmonics. German
Responsibility: [Übersetzung von] Ingemar Düring.
Document Type: Book
Entry: 19790124
Update: 20020619
Accession No: OCLC: 4641933
Database: WorldCat
===
Michaelis Pselli Arithmetica, mvsica et geometria: item Procli Sphaera, Elia Vineto Samtone interprete.
Michael Constantin Psellus
1592
Latin Book 119, [1] p. illus., diagrs. 16 cm.
Turnoni, apvd C. Michaelem,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Michaelis Pselli Arithmetica, mvsica et geometria: item Procli Sphaera, Elia Vineto Samtone interprete.
Author(s): Psellus, Michael Constantin, 1020-1110.
Publication: Turnoni, apvd C. Michaelem,
Year: 1592
Description: 119, [1] p. illus., diagrs. 16 cm.
Language: Latin
SUBJECT(S)
Descriptor: Arithmetic -- Early works to 1800.
Music theory -- Medieval.
Geometry -- Early works to 1800.
Class Descriptors: LC: QA33
Responsibility: Accesit in hac vltima editione singulorum librorum in capita, necnon capitum in sectiones percommoda distributio: in vsum studiosæ iuuentutis academiæ Turnoniæ Societ. Iesv.
Document Type: Book
Entry: 19951117
Update: 20010409
Accession No: OCLC: 33497191
Database: WorldCat
==
Éléments harmoniques d'Aristoxène;
tr. en français pour la première fois d'après un texte revu sur les sept manuscrits de la Bibliothèque Nationale et sur celui de Strasbourg
Aristoxenus.; Charles Émile Ruelle
1871
French Book xx, 128 p. 5 pl. (4 fold.) 23 cm.
Paris, Pottier de Lalaine,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 11
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Find Items About: Aristoxenus. (41)
Title: Éléments harmoniques d'Aristoxène;
tr. en français pour la première fois d'après un texte revu sur les sept manuscrits de la Bibliothèque Nationale et sur celui de Strasbourg
Author(s): Aristoxenus. ; Ruelle, Charles Émile,; 1833- ; tr.
Publication: Paris, Pottier de Lalaine,
Year: 1871
Description: xx, 128 p. 5 pl. (4 fold.) 23 cm.
Language: French
Series: Collection des auteurs grecs relatifs à la musique; Auteurs grecs relatifs à la musique; traduction française;
Standard No: LCCN: 06-10790
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML168.A7
Responsibility: par Ch.-Ém. Ruelle ...
Document Type: Book
Entry: 19801118
Update: 20010122
Accession No: OCLC: 6950321
Database: WorldCat
===
Boetius und die griechische harmonik.
Boethius; Oscar Paul
1872
German Book lvi, 379 p. facsims., tables. 23 cm.
Leipzig, F.E.C. Leuckart,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 31
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Find Items About: Boethius, (max: 554); Paul, Oscar, (max: 1)
Title: Boetius und die griechische harmonik.
Author(s): Boethius, d. 524. ; Paul, Oscar,; 1836-1898, ; tr.
Publication: Leipzig, F.E.C. Leuckart,
Year: 1872
Description: lvi, 379 p. facsims., tables. 23 cm.
Language: German
Standard No: LCCN: 03-23732
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): "Tabellen der färbungen nach Ptolemaeus mit beigesetzter erklärung": p. [357]-379.
Class Descriptors: LC: ML171.B6
Responsibility: Des Anicius Manlius Severinus Boetius fünf bücher über die musik, aus der lateinischen in die deutsche sprache übertragen und mit besonderer berücksichtigung der griechischen harmonik sachlich erklärt von Oscar Paul. Mit vielen tabellen und facsimiles.
Document Type: Book
Entry: 19770401
Update: 20020718
Accession No: OCLC: 2855040
Database: WorldCat
===
Boetius und die griechische harmonik.
Boethius; Oscar Paul
1872
German Book lvi, 379 p. facsims., tables. 23 cm.
Leipzig, F.E.C. Leuckart,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 31
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Find Items About: Boethius, (max: 554); Paul, Oscar, (max: 1)
Title: Boetius und die griechische harmonik.
Author(s): Boethius, d. 524. ; Paul, Oscar,; 1836-1898, ; tr.
Publication: Leipzig, F.E.C. Leuckart,
Year: 1872
Description: lvi, 379 p. facsims., tables. 23 cm.
Language: German
Standard No: LCCN: 03-23732
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): "Tabellen der färbungen nach Ptolemaeus mit beigesetzter erklärung": p. [357]-379.
Class Descriptors: LC: ML171.B6
Responsibility: Des Anicius Manlius Severinus Boetius fünf bücher über die musik, aus der lateinischen in die deutsche sprache übertragen und mit besonderer berücksichtigung der griechischen harmonik sachlich erklärt von Oscar Paul. Mit vielen tabellen und facsimiles.
Document Type: Book
Entry: 19770401
Update: 20020718
Accession No: OCLC: 2855040
Database: WorldCat
===
Aristoxeni musici antiquiss[imi] Harmonicorum elementorum libri III. Cl. Ptolomaei Harmonicorum, seu de musica lib. III. Aristotelis De obiecto auditus fragmentum ex Porphyrij commentarijs /
Aristoxenus.; Ptolemy; Aristotle.; Porphyry; Antonius Gogava
1562
Latin Book 165, [3] p. : ill. ; 23 cm. (4to)
Venetijs : Apud Vincentium Valgrisium,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 10
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Find Items About: Aristoxenus. (41); Ptolemy, (max: 381); Aristotle. (10,517); Porphyry, (max: 561)
Title: Aristoxeni musici antiquiss[imi] Harmonicorum elementorum libri III. Cl. Ptolomaei Harmonicorum, seu de musica lib. III. Aristotelis De obiecto auditus fragmentum ex Porphyrij commentarijs /
Author(s): Aristoxenus. ; Ptolemy,; 2nd cent. ; Harmonicorum, seu de musica.; Aristotle. ; De obiecto auditus fragmentum.; Porphyry,; ca. 234-ca. 305. ; Gogava, Antonius,; 1529-1569.
Publication: Venetijs : Apud Vincentium Valgrisium,
Year: 1562
Description: 165, [3] p. : ill. ; 23 cm. (4to)
Language: Latin
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Each work has separate t.p./ Signatures: A-X4./ Final leaf blank./ Woodcuts: printer's devices (2), historiated and decorated initials, ill./ "Index capitum quae in hisce libris Harmonicorum Cl. Ptolemaei continentur.": p. [48-50]./ "Porphyrii de decem praedicamentis ... ": p. [161]-165.
Class Descriptors: LC: Z233.I8
Other Titles: Harmonicorum elementorum.; Musici antiquissimi harmonicorum elementorum.
Responsibility: omnia nunc primum latine conscripta & edita ab Ant. Gogauino grauiensi.
Document Type: Book
Entry: 19881220
Update: 20020723
Accession No: OCLC: 18929184
Database: WorldCat
==
Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Ptolemy; Porphyry; Ingemar Düring
1980, 1930
Greek, Ancient [to 1453] Book 512 p. in various pagings : ill. ; 24 cm.
New York : Garland Publishing, ISBN: 0824096002
Ownership: Check the catalogs in your library.
Libraries that Own Item: 62
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Find Items About: Harmonics (49); Ptolemy, (max: 381); Porphyry, (max: 561); Düring, Ingemar, (max: 2)
Title: Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Author(s): Ptolemy, 2nd cent. ; Porphyry,; ca. 234-ca. 305. ; In Ptolemaei Harmonica commentarius. 1980.; Düring, Ingemar,; 1903-
Publication: New York : Garland Publishing,
Year: 1980, 1930
Description: 512 p. in various pagings : ill. ; 24 cm.
Language: Greek, Ancient [to 1453]
Series: Ancient philosophy; Variation: Göteborgs högskolas årsskrift ;; XXXVI, 1 etc.
Standard No: ISBN: 0824096002; LCCN: 78-66554
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism -- Early works to 1800.
Music theory -- Early works to 1800.
Named Person: Ptolemy, 2nd cent. Harmonics.
Note(s): Text in Greek; editor's commentary in German./ Reprint of the 1930 and 1932 ed. published by Elanders boktr., Göteborg, which were issued as Göteborgs högskolas årsskrift, XXXVI, 1930: 1, and XXXVIII, 1932: 2./ Includes bibliographical references and indexes.
Class Descriptors: LC: ML168.P97; Dewey: 780/.938
Other Titles: Harmonics
Responsibility: [hrsg. von] Ingemar Düring.
Document Type: Book
Entry: 19790129
Update: 20001119
Accession No: OCLC: 4667251
Database: WorldCat
==
Studien zur griechischen musik-geschichte ...
Heinrich Reimann
1882-1885
German Book 2 v. in 1. 25 cm.
Ratibor, Riedinger [etc., etc.]
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Find Items About: Reimann, Heinrich, (max: 2)
Title: Studien zur griechischen musik-geschichte ...
Author(s): Reimann, Heinrich, 1850-1906
Publication: Ratibor, Riedinger [etc., etc.]
Year: 1882-1885
Description: 2 v. in 1. 25 cm.
Language: German
SUBJECT(S)
Descriptor: Music -- Greece -- History and criticism.
Responsibility: von ... Dr. H. Reimann ...
Document Type: Book
Entry: 19870605
Update: 19980314
Accession No: OCLC: 38635599
Database: WorldCat
==
Specimen lexici in Musicos graecos.
H Vetter
1861
Latin Book 34 p. 4to.
[n.p.]
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Specimen lexici in Musicos graecos.
Author(s): Vetter, H.
Publication: [n.p.]
Year: 1861
Description: 34 p. 4to.
Language: Latin
SUBJECT(S)
Geographic: Greece -- Music.
Note(s): Dissertation: Pr.
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 20000322
Update: 20011101
Accession No: OCLC: 43683949
Database: WorldCat
==
Du caractère de la musique grecque
d'après les derniers travaux de M.A.J.H. Vincent.
Henri Michal; Alexandre Joseph Hidulphe Vincent
1849
French Book p. 241-250 25 cm.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Find Items About: Vincent, Alexandre Joseph Hidulphe, (max: 2)
Title: Du caractère de la musique grecque
d'après les derniers travaux de M.A.J.H. Vincent.
Author(s): Michal, Henri. ; Vincent, Alexandre Joseph Hidulphe,; 1797-1868.
Year: 1849
Description: p. 241-250 25 cm.
In: Revue archéologique. Paris, Ernest Leroux, 1844- 6 année. 1849. p. 241-250. (OCoLC)1639074
Language: French
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Document Type: Book
Entry: 19860807
Update: 19950411
Accession No: OCLC: 14056016
Database: WorldCat
==
Griechische rhythmik und harmonik nebst der Geschichte der drei musischen Disciplinen ...
R Westphal
1867 2d ed.
German Book 2 v.
Leipzig, B.G. Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: Griechische rhythmik und harmonik nebst der Geschichte der drei musischen Disciplinen ...
Author(s): Westphal, R.
Publication: Leipzig, B.G. Teubner,
Edition: 2d ed.
Year: 1867
Description: 2 v.
Language: German
SUBJECT(S)
Descriptor: Greek language.
Document Type: Book
Entry: 19970401
Update: 19970401
Accession No: OCLC: 36658434
Database: WorldCat
=
Theorie der musischen Künste der Hellenen,
August Rossbach; Rudolf Georg Hermann Westphal; Hugo Gleditsch
1885 Als 3. Aufl. der Rossbach-Westphalschen Metrik ...
German Book 3 v. in 2. 23 cm.
Leipzig, B.G. Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 39
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Find Items About: Rossbach, August, (max: 2); Westphal, Rudolf Georg Hermann, (max: 3); Gleditsch, Hugo, (max: 1)
Title: Theorie der musischen Künste der Hellenen,
Author(s): Rossbach, August, 1823-1898. ; Westphal, Rudolf Georg Hermann,; 1826-1892, ; joint author.; Gleditsch, Hugo,; 1837-1913.
Publication: Leipzig, B.G. Teubner,
Edition: Als 3. Aufl. der Rossbach-Westphalschen Metrik ...
Year: 1885
Description: 3 v. in 2. 23 cm.
Language: German
Contents: 1. Bd. Griechische Rhythmik, von Rudolf Westphal ... Als 3. Aufl. der Griechischen Rhythmik und der Fragmente und Lehrsätze der griechischen Rhythmiker. 1885.--2. Bd. Griechische Harmonik und Melopoeie, von Rudolf Westphal ... 3. gänzlich umgearb. Aufl. 1886.--3. Bd., 1. abth. Allgemeine Theorie der griechischen Metrik, von Rudolf Westphal ... und Hugo Gleditsch ... Nebst einem Nachworte zum zweiten Bande. Als 3. Aufl. der Rossbach-Westphalschen Allgemeinen Metrik der Griechen. 1887.--3 Bd., 2. abth. Griechische Metrik mit besonderer rücksicht auf die Strophengattungen und die übrigen melischen Metra, von A. Rossbach und R. Westphal. 3. Aufl. bearb. von August Rossbach. 1889.
Standard No: LCCN: 01-20704
SUBJECT(S)
Descriptor: Greek language -- Metrics and rhythmics.
Music, Greek and Roman.
Note(s): Each volume has both general and special t.-p./ First edition published under title: Metrik der griechischen Dramatiker und Lyriker (Leipzig, 1854-65)
Class Descriptors: LC: PA411
Other Titles: Metrik der greichischen Dramatiker und Lyriker
Responsibility: von August Rossbach und Rudolf Westphal.
Document Type: Book
Entry: 19790322
Update: 20010523
Accession No: OCLC: 4765543
Database: WorldCat
==
le milieu du quatrième siecle, avant l'ere vulgaire.
J -J Barthélemy
1777
French Book 110 p. ; 20 cm.
Amsterdam ; Paris : Chez les frères De Bure,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 13
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Find Items About: Barthélemy, J.-J. (max: 9)
Title: Entretiens sur l'état de la musique grecque :
vers le milieu du quatrième siecle, avant l'ere vulgaire.
Author(s): Barthélemy, J.-J. 1716-1795. (Jean-Jacques),
Publication: Amsterdam ; Paris : Chez les frères De Bure,
Year: 1777
Description: 110 p. ; 20 cm.
Language: French
Contents: Sur la partie technique de la musique -- Sur la partie morale de la musique.
Standard No: LCCN: 06-43353
SUBJECT(S)
Descriptor: Music -- Philosophy and aesthetics.
Music -- Greece -- To 500 -- History and criticism.
Class Descriptors: LC: ML169.A2
Document Type: Book
Entry: 19850211
Update: 19960411
Accession No: OCLC: 17709597
Database: WorldCat
==
Discours sur divers ouvrages.
Burette, M.
1726-1730
French Book 2 v. 25 cm.
[Paris?
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Discours sur divers ouvrages.
Author(s): Burette, M. 1665-1747. (Pierre Jean),
Publication: [Paris?
Year: 1726-1730
Description: 2 v. 25 cm.
Language: French
Contents: [v. 1] Discours dans lequel on rend compte de divers ouvrages modernes touchant l'ancienne musique.--Examen du traité de Plutarque sur la musique.--Observations touchant l'histoire litteraire du dialogue de Plutarque sur la musique.--[v. 2] Nouvelles reflexions sur la symphonie de l'ancienne musique, pour servir de confirmation à ce qu'on à tâché d'establir là-dessus dans le quatriéme volume des memoires de litterature, page 116.--Analysedu dialogue de Plutarque sur la musique.
SUBJECT(S)
Descriptor: Music theory -- Ancient.
Named Person: Plutarch.
Note(s): Detached from L'Academie Royale des Inscriptions & Belles Lettres. Memoires de litterature, v. 8 [1726-1730?]/ Title from front cover of [v. 1]/ The articles are numbered [I]-III and IV-V on front covers.
Document Type: Book
Entry: 19860514
Update: 20001018
Accession No: OCLC: 13570002
Database: WorldCat
====
Nouveaux fragmens philosophiques /
Victor Cousin
1828
French Book iv, 404 p. ; 22 cm.
Paris : Pichon et Didier,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 23
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Title: Nouveaux fragmens philosophiques /
Author(s): Cousin, Victor, 1792-1867.
Publication: Paris : Pichon et Didier,
Year: 1828
Description: iv, 404 p. ; 22 cm.
Language: French
Contents: Du vrai commencement de l'histoire la philosophie.--Xénophane.--Zénon d'Elée.--Scrate. De la part que peut avoir eue dans son procès la comédie des Nuées.--Platon. Langue de la théorie des idées.--Platon. Antécédens du Phèdre.--Platon. Examen d'un passage du Ménon.--Eunape.--Proclus. Commentaire sur le premier Alcibiade.--Olympiodore. Commentaire sur le premier Alcibiade.-- Olympiodore. Commentaire sur le second Alcibiade.--Olympiodore. Commentaire sur le Philèbe.--Olympiodore. Fragment du commentaire inédit sur le Gorgias.
SUBJECT(S)
Descriptor: Philosophy, Ancient.
Class Descriptors: LC: B108
Responsibility: par Victor Cousin.
Document Type: Book
Entry: 19800319
Update: 20010720
Accession No: OCLC: 6104048
Database: WorldCat
===
Discours dans lequel on rend compte de divers ouvrages modernes touchant l'ancienne musique ;
Examen du traité de Plutarque sur la musique ; Observations touchant l'histoire littéraire du dialogue de Plutarque sur la musique ; Nouvelles réfléxions sur la symphonie de l'anciènne musique ; Analyse du dialogue de Plutarque sur la musique /
Pierre Jean Burette
1730-1739?
French Book 96 p. ; 26 cm.
Paris : [s.n.,
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Libraries that Own Item: 2
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Find Items About: Essays. (7,272)
Title: Discours dans lequel on rend compte de divers ouvrages modernes touchant l'ancienne musique ;
Examen du traité de Plutarque sur la musique ; Observations touchant l'histoire littéraire du dialogue de Plutarque sur la musique ; Nouvelles réfléxions sur la symphonie de l'anciènne musique ; Analyse du dialogue de Plutarque sur la musique /
Author(s): Burette, Pierre Jean, 1665-1747.
Publication: Paris : [s.n.,
Year: 1730-1739?
Description: 96 p. ; 26 cm.
Language: French
Series: Mémoires de littérature, tirez des registres de l'Academie royale des inscriptions & belles lettres ;; t. 8; Variation: Mémoires de littérature ;; t. 8
SUBJECT(S)
Descriptor: Music -- History and criticism.
Music -- 500-1400 -- History and criticism.
Other Titles: Essays. Selections
Responsibility: par M. Burette.
Document Type: Book
Entry: 19840524
Update: 19920218
Accession No: OCLC: 17703318
Database: WorldCat
De musicis Graecis :
commentatio ... muneris rite adeundi gratia ... /
Johannes Franz
1840
Latin Book 23 S ; 4.
Berolini : Typis academiae,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: De musicis Graecis :
commentatio ... muneris rite adeundi gratia ... /
Author(s): Franz, Johannes.
Publication: Berolini : Typis academiae,
Year: 1840
Description: 23 S ; 4.
Language: Latin
Note(s): @Berlin, Univ., Phil. Fak., Antrittsprogr., 1840.
Responsibility: Scripsit Joh. Franzius.
Document Type: Book
Entry: 19940226
Update: 20010222
Accession No: OCLC: 46309615
Database: WorldCat
===
Die Tonleitern und Musiknoten der Griechen.
Friedrich Bellermann
1969
German Book 83, [6] p. music. 31 cm.
Wiesbaden, M. Sändig
Ownership: Check the catalogs in your library.
Libraries that Own Item: 44
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Find Items About: Bellermann, Friedrich, (max: 1)
Title: Die Tonleitern und Musiknoten der Griechen.
Author(s): Bellermann, Friedrich, 1795-1874.
Publication: Wiesbaden, M. Sändig
Year: 1969
Description: 83, [6] p. music. 31 cm.
Language: German
Standard No: LCCN: 70-382440
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Reprint of the original ed. published in Berlin 1847./ "Beilagen" (music): 6 p. at end.
Class Descriptors: LC: ML169
Document Type: Book
Entry: 19750114
Update: 19971211
Accession No: OCLC: 1140081
Database: WorldCat
==
Recherches sur la symphonie des anciens /
Rochefort, M. de; F Arnaud
1776
French Book p. 365-381 ; 25 cm.
[Paris : Academie des Inscriptions et Belles lettres],
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Libraries that Own Item: 1
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Find Items About: Rochefort, (max: 32); Arnaud, F. (max: 1)
Title: Recherches sur la symphonie des anciens /
Author(s): Rochefort, M. de 1731-1788. (Guillaume Dubois),; Arnaud, F.; 1721-1784. ; (François),; Mémoire sur la prose grecque.
Publication: [Paris : Academie des Inscriptions et Belles lettres],
Year: 1776
Description: p. 365-381 ; 25 cm.
Language: French
SUBJECT(S)
Descriptor: Music -- To 1500.
Music and literature -- History -- To 1500.
Note(s): Caption title./ Extracted from Mémoires de littérature de l'Academie des Inscriptions et Belles Lettres, 27 Février 1776./ With: Mémoire sur la prose grecque / par M. l'Abbé [François] Arnaud [1721-1784]. [Paris : Mémoires de littérature de l'Academie des Inscriptions et Belles Lettres], 2 Décembre 1773, p. 382-408./ Includes bibliographical references.
Class Descriptors: LC: ML162
Other Titles: Mémoires de l'Académie des inscriptions et belles-lettres.; Mémoire sur la prose grecque.
Responsibility: par M. de Rochefort.
Document Type: Book
Entry: 20030203
Update: 20030203
Accession No: OCLC: 51563776
Database: WorldCat
==
Grèce
chansons et danses populaires : collection Samuel Baud-Bovy = Greece : folk songs and dances : Samuel Baud-Bovy collection.
Samuel Baud-Bovy
1990
Greek, Modern [1453- ] Sound Recording : Music : Folk music : Compact disc 1 sound disc (72 min.) : digital ; 4 3/4 in.
Donneloye, Suisse : VDE-Gallo,
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Libraries that Own Item: 3
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Title: Grèce
chansons et danses populaires : collection Samuel Baud-Bovy = Greece : folk songs and dances : Samuel Baud-Bovy collection.
Author(s): Baud-Bovy, Samuel,; 1906-
Publication: Donneloye, Suisse :; VDE-Gallo,
Year: 1990
Description: 1 sound disc (72 min.) :; digital ;; 4 3/4 in.
Language: Greek, Modern [1453- ]
Series: Archives internationales de musique populaire ;; AIMP 12 Variation: Archives internationales de musique populaire (Series) ;; 12.
Music Type: Folk music
Standard No: Publisher: CD-552; VDE-Gallo
Contents: Grèce insulaire: Dodécanèse -- Grèce insulaire: Crète -- Gréce continentale: Roumélie, Épire.
SUBJECT(S)
Descriptor: Folk music -- Greece.
Geographic: Greece -- Sound recordings.
Note(s): Compact disc./ Program notes in French and English (35 p. : ports.) in container./ Participants: Various performers./ Recorded 1930-1959 in various regions of continental and insular Greece by Samuel Baud-Bovy.
Other Titles: Greece.; Chansons et danses populaires.; Folk songs and dances.
Material Type: Music (msr); CD audio (cda)
Document Type: Sound Recording
Entry: 19931123
Update: 20020710
Accession No: OCLC: 29506986
Database: WorldCat
==
Mémoire sur l'harmonie simultanée des sons chez les Grecs et les romains,
en réponse à la quiestion suivante: Les Grecs et les Romains ont-ils connu l'harmonie simultanée des sons? En ont-ils fait usage dans leur musique?
François-Joseph Fétis
1858
French Book 120 p. 4 pl. (2 fold.) 30 cm.
Bruxelles, M. Hayez, imprimeur,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 19
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Title: Mémoire sur l'harmonie simultanée des sons chez les Grecs et les romains,
en réponse à la quiestion suivante: Les Grecs et les Romains ont-ils connu l'harmonie simultanée des sons? En ont-ils fait usage dans leur musique?
Author(s): Fétis, François-Joseph, 1784-1871.
Publication: Bruxelles, M. Hayez, imprimeur,
Year: 1858
Description: 120 p. 4 pl. (2 fold.) 30 cm.
Language: French
Standard No: LCCN: 09-31169
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Harmony.
Note(s): On cover: Bruxelles, M. Hayez, imprimeur de l'Académie royale; Paris, Chez Aubry, 1859./ "Extrait du tome XXXI des Mémoires de l'Académie royale des sciences, des lettres et des beaux-arts de Belgique."
Class Descriptors: LC: ML169
Responsibility: Par Fr. Jos. Fétis ...
Document Type: Book
Entry: 19740409
Update: 20030108
Accession No: OCLC: 852610
Database: WorldCat
==
[Mémoire sur la symphonie des anciens]
Charles Edmond Henri de Coussemaker
1860-1869?
French Book 82 p. 29 cm.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 5
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Title: [Mémoire sur la symphonie des anciens]
Author(s): Coussemaker, Charles Edmond Henri de, 1805-1876.
Year: 1860-1869?
Description: 82 p. 29 cm.
Language: French
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Music -- To 500.
Note(s): T.p. lacking.
Class Descriptors: LC: ML169
Document Type: Book
Entry: 19860801
Update: 19940604
Accession No: OCLC: 13999388
Database: WorldCat
==
Études sur l'ancienne musique grecque.
Rapports à M. Le Ministre de l'Instruction publique sur une mission littéraire en Espagne,
Charles Émile Ruelle
1875
French Book 135 p., tab. (fold) 24 cm.
Paris, Imprimerie Nationale,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
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Title: Études sur l'ancienne musique grecque.
Rapports à M. Le Ministre de l'Instruction publique sur une mission littéraire en Espagne,
Author(s): Ruelle, Charles Émile, 1833-1912.
Publication: Paris, Imprimerie Nationale,
Year: 1875
Description: 135 p., tab. (fold) 24 cm.
Language: French
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: par Ch. Émile Ruelle.
Document Type: Book
Entry: 19860805
Update: 19940606
Accession No: OCLC: 14049211
Database: WorldCat
==
Études sur l'ancienne musique grecque.
Rapports à M. Le Ministre de l'Instruction publique sur une mission littéraire en Espagne,
Charles Émile Ruelle
1875
French Book 135 p., tab. (fold) 24 cm.
Paris, Imprimerie Nationale,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
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Title: Études sur l'ancienne musique grecque.
Rapports à M. Le Ministre de l'Instruction publique sur une mission littéraire en Espagne,
Author(s): Ruelle, Charles Émile, 1833-1912.
Publication: Paris, Imprimerie Nationale,
Year: 1875
Description: 135 p., tab. (fold) 24 cm.
Language: French
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: par Ch. Émile Ruelle.
Document Type: Book
Entry: 19860805
Update: 19940606
Accession No: OCLC: 14049211
Database: WorldCat
===
Greek musical writings /
Andrew Barker
1984-1989
English Book 2 v. : ill. ; 24 cm.
Cambridge ; New York : Cambridge University Press, ISBN: 0521235936 (v. 1) 052130220X (v. 2)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 614
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Title: Greek musical writings /
Author(s): Barker, Andrew,; 1943-
Publication: Cambridge ; New York : Cambridge University Press,
Year: 1984-1989
Description: 2 v. : ill. ; 24 cm.
Language: English
Series: Cambridge readings in the literature of music;
Contents: v. 1. The musician and his art -- v. 2. Harmonic and acoustic theory.
Standard No: ISBN: 0521235936 (v. 1); 052130220X (v. 2); LCCN: 83-20924
Access: Materials specified: Publisher description http://www.loc.gov/catdir/description/cam022/83020924.html
Materials specified: Table of contents http://www.loc.gov/catdir/toc/cam024/83020924.html
SUBJECT(S)
Descriptor: Music, Greek and Roman -- Sources.
Music -- To 500 -- Sources.
Note(s): Includes bibliographies and indexes.
Class Descriptors: LC: ML167; Dewey: 781.738
Responsibility: edited by Andrew Barker.
Document Type: Book
Entry: 19830926
Update: 20020824
Accession No: OCLC: 10022960
Database: WorldCat
==
The Greek aulos;
a study of its mechanism and of its relation to the modal system of ancient Greek music, followed by a survey of the Greek harmoniai in survival or rebirth in folk-music,
Kathleen Schlesinger
1939
English Book L, 577, [1] p. front., illus. (incl. music) plates (part double) facsim. (music) fold. tables. 25 cm.
London, Methuen & co., ltd.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 106
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Title: The Greek aulos;
a study of its mechanism and of its relation to the modal system of ancient Greek music, followed by a survey of the Greek harmoniai in survival or rebirth in folk-music,
Author(s): Schlesinger, Kathleen.
Publication: London, Methuen & co., ltd.
Year: 1939
Description: L, 577, [1] p. front., illus. (incl. music) plates (part double) facsim. (music) fold. tables. 25 cm.
Language: English
Standard No: LCCN: 39-21981
SUBJECT(S)
Descriptor: Musical instruments -- Greece.
Music, Greek and Roman.
Musical intervals and scales.
Note(s): "First published in 1939."
Class Descriptors: LC: ML169.S34; Dewey: 781.88
Responsibility: by Kathleen Schlesinger ... With an introduction by J. F. Mountford ...
Document Type: Book
Entry: 19720830
Update: 19971204
Accession No: OCLC: 395914
Database: WorldCat
====
Mode in ancient Greek music,
R P Winnington-Ingram
1936
English Book viii, 90 p. illus. (music) 22 cm.
Cambridge [Eng.] The University press,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 168
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Title: Mode in ancient Greek music,
Author(s): Winnington-Ingram, R. P. 1904- (Reginald Pepys),
Publication: Cambridge [Eng.] The University press,
Year: 1936
Description: viii, 90 p. illus. (music) 22 cm.
Language: English
Series: Cambridge classical studies. General editors: F. M. Cornford, D. S. Robertson, F. E. Adcock. II;
Standard No: LCCN: 36-12096
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Musical intervals and scales.
Class Descriptors: LC: ML167.W5; Dewey: 781.2/2/0938
Responsibility: by R. P. Winnington-Ingram ...
Document Type: Book
Entry: 19720830
Update: 20010509
Accession No: OCLC: 395956
Database: WorldCat
====
Die griechischen Saiteninstrumente,
Karl von Jan
1882
German Book 36 p. illus. 26 cm.
Leipzig, Druck von B.G. Teubner,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 13
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Title: Die griechischen Saiteninstrumente,
Author(s): Jan, Karl von, 1836-1899.
Publication: Leipzig, Druck von B.G. Teubner,
Year: 1882
Description: 36 p. illus. 26 cm.
Language: German
Standard No: LCCN: 06-43342
SUBJECT(S)
Descriptor: Stringed instruments.
Music, Greek and Roman.
Note(s): Programm--Gymnasium, Saargemünd.
Class Descriptors: LC: ML169.J33
Responsibility: von Dr. Karl Jan ... Mitsechs Abbildungen in Zinkätzung ...
Document Type: Book
Entry: 19860707
Update: 20010607
Accession No: OCLC: 13825859
Database: WorldCat
===
On the interpreatation of Greek music,
Cecil Torr
1896
English Book 26 p. illus. 23 cm.
London, H. Frowde,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 23
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Title: On the interpreatation of Greek music,
Author(s): Torr, Cecil, 1857-1928.
Publication: London, H. Frowde,
Year: 1896
Description: 26 p. illus. 23 cm.
Language: English
Standard No: LCCN: 06-6349
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169; Dewey: 770.937
Responsibility: by Cecil Torr.
Document Type: Book
Entry: 19800401
Update: 20011011
Accession No: OCLC: 6153252
Database: WorldCat
====
The music to The Oresteia of Aeschylus;
Agamemnon, Choephori, Eumenides.
C Armstrong Gibbs; R C Trevelyan
1921
English Musical Score : Printed music vocal score (129 p.) 31 cm.
Cambridge, London; Bowes & Bowes, Goodwin & Tabb Ltd. Pub. for The Greek Play Committee,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 6
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Find Items About: Gibbs, C. Armstrong. (1); Trevelyan, R. C. (max: 12)
Title: The music to The Oresteia of Aeschylus;
Agamemnon, Choephori, Eumenides.
Author(s): Gibbs, C. Armstrong. ; Trevelyan, R. C.; 1872-1951. ; (Robert Calverley),
Publication: Cambridge, London;; Bowes & Bowes,; Goodwin & Tabb Ltd. Pub. for The Greek Play Committee,
Year: 1921
Description: vocal score (129 p.); 31 cm.
Language: English
SUBJECT(S)
Descriptor: Incidental music -- Vocal scores with piano.
Note(s): Interlinear text in Greek & English.
Class Descriptors: LC: M1513
Other Titles: Oresteia of Aeschylus. Vocal score
Responsibility: By C. Armstrong Gibbs. Op. 33. As arranged for performance at Cambridge. English verse translation by R. C. Trevelyan.
Material Type: Printed music (pmu)
Document Type: Score
Entry: 19901011
Update: 19990514
Accession No: OCLC: 22497915
Database: WorldCat
===
The music to Iphigenia in Tauris of Euripides.
Charles Wood; A W Verrall
1894
Musical Score : Printed music score (51 p.) 27 cm.
Cambridge, Pub. for the Greek Play Committee,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 4
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Title: The music to Iphigenia in Tauris of Euripides.
Author(s): Wood, Charles, 1866-1926. ; Verrall, A. W.; 1851-1912. ; (Arthur Woollgar),
Publication: Cambridge,; Pub. for the Greek Play Committee,
Year: 1894
Description: score (51 p.); 27 cm.
Language: N/A
SUBJECT(S)
Descriptor: Incidental music -- Vocal scores with piano.
Note(s): Text in Greek and English.
Class Descriptors: LC: M1513
Other Titles: Iphigenia in Tauris of Euripides. Vocal score. Selections
Responsibility: Composed by Charles Wood. The English translation by A. W. Verrall.
Material Type: Printed music (pmu)
Document Type: Score
Entry: 19901016
Update: 19990504
Accession No: OCLC: 22517101
==
Philodemi de musica librorum quae exstant
Philodemus; Johannes Kemke
1884
Greek, Ancient [to 1453] Book xv, 111 p. 29 cm.
Lipsiae, in aedibus B. G. Teubneri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 67
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Title: Philodemi de musica librorum quae exstant
Author(s): Philodemus, ca. 110-ca. 40 B.C. ; Kemke, Johannes,; 1863-1918.
Publication: Lipsiae, in aedibus B. G. Teubneri,
Year: 1884
Description: xv, 111 p. 29 cm.
Language: Greek, Ancient [to 1453]
Series: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana;
Standard No: LCCN: 07-22542
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: PA3404; ML168.P5
Other Titles: De musica
Responsibility: edidit Ioannes Kemke.
Document Type: Book
Entry: 19790330
Update: 20011011
Accession No: OCLC: 4801650
Database: WorldCat
===
Geschichte der griechischen Musik :
mit einer Musikbeilage, enthaltend die sämmtlichen noch vorhandenen Proben altgriechischer Melodien und vierzig neugriechische Volksmelodien /
C F Weitzmann
1973, 1855
German Book 35 p., 12 p. of music ; 29 cm.
Walluf bei Wiesbaden : M. Sandig, ISBN: 3500272002
Ownership: Check the catalogs in your library.
Libraries that Own Item: 8
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Title: Geschichte der griechischen Musik :
mit einer Musikbeilage, enthaltend die sämmtlichen noch vorhandenen Proben altgriechischer Melodien und vierzig neugriechische Volksmelodien /
Author(s): Weitzmann, C. F. 1808-1880. (Carl Friedrich),
Publication: Walluf bei Wiesbaden : M. Sandig,
Year: 1973, 1855
Description: 35 p., 12 p. of music ; 29 cm.
Language: German
Standard No: ISBN: 3500272002
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History.
Folk songs, Greek -- History and criticism.
Note(s): Reprint of the 1855 Berlin edition.
Class Descriptors: LC: ML169
Responsibility: von C.F. Weitzmann.
Document Type: Book
Entry: 19831012
Update: 19940520
Accession No: OCLC: 10004425
Database: WorldCat
===
De Praestantia musicae veteris libri tres totidem dialogis comprehensi.
Gio Battista Doni
1955, 1647
Latin Book : Microform 4 cards ; 8 x 13 cm.
[Rochester, N.Y.] : U[niversity of] R[ochester Press,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 15
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Title: De Praestantia musicae veteris libri tres totidem dialogis comprehensi.
Author(s): Doni, Gio. Battista 1593 or 4-1647. (Giovanni Battista),
Publication: [Rochester, N.Y.] : U[niversity of] R[ochester Press,
Year: 1955, 1647
Description: 4 cards ; 8 x 13 cm.
Language: Latin
SUBJECT(S)
Descriptor: Music -- History and criticism -- 16th-17th centuries.
Music, Greek and Roman.
Note(s): Microprint copy of the original at Sibley Music Library, Eastman School of Music./ Collation of the original: 266 (i.e. 146) p.
Responsibility: Florentiae, 1647.
Material Type: Microform (mic)
Document Type: Book
Entry: 19780301
Update: 19940311
Accession No: OCLC: 3678943
Database: WorldCat
===
Ueber altgriechische Musik /
Carl Lang
1880
German Article p. [107]-123 : ill. ; 24 cm.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: Ueber altgriechische Musik /
Author(s): Lang, Carl, 1841-
Year: 1880
Description: p. [107]-123 : ill. ; 24 cm.
In: Nord und Süd Bd. 13, Heft 37 (Apr. 1880) (OCoLC)1760428
Language: German
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Class Descriptors: LC: ML169
Responsibility: von Carl Lang.
Document Type: Article
Entry: 19860805
Update: 19860805
Accession No: OCLC: 14048332
Database: WorldCat
=====
Die griechische griechisch-römische und altchristlich-lateinische Musik :
ein Beitrag zur Geschichte des gregorianischen Chorals /
Anton Möhler
1898
German Book xxiii, 88 p. : music ; 26 cm.
Rom : Freiburg im Breisgau : Spithover ; In Commission der Hender'schen,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 8
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Title: Die griechische griechisch-römische und altchristlich-lateinische Musik :
ein Beitrag zur Geschichte des gregorianischen Chorals /
Author(s): Möhler, Anton, 1866-
Publication: Rom : Spithover ; Freiburg im Breisgau : In Commission der Hender'schen,
Year: 1898
Description: xxiii, 88 p. : music ; 26 cm.
Language: German
Series: Römische Quartalschrift für christliche Alterthumskunde und für Kirchengeschichte ;; 9. Supplementheft; Variation: Römische Quartalschrift für christliche Alterhumskunde und für Kirchengeschichte.; Supplementheft ;; 9.
Standard No: LCCN: 15-569
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Gregorian chants.
Note(s): Bibliography: p. [vii]-xxiii.
Class Descriptors: LC: ML3082; Dewey: 780.938
Responsibility: von A. Möhler.
Document Type: Book
Entry: 19851209
Update: 20001025
Accession No: OCLC: 12884887
Database: WorldCat
====
Les origines du chant liturgique de l'Église latine;
étude d'histoire musicale.
F A Gevaert
1971, 1890
French Book 92 p. 25 cm.
Hildesheim, New York, G. Olms,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 56
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Find Items About: Les origines du chant liturgique de l'Église latine; (3); Gevaert, F. A. (max: 6)
Title: Les origines du chant liturgique de l'Église latine;
étude d'histoire musicale.
Author(s): Gevaert, F. A. 1828-1908. (François Auguste),
Publication: Hildesheim, New York, G. Olms,
Year: 1971, 1890
Description: 92 p. 25 cm.
Language: French
Standard No: LCCN: 75-587932
SUBJECT(S)
Descriptor: Gregorian chants -- History and criticism.
Antiphonaries -- History and criticism.
Named Corp: Catholic Church -- Liturgy -- Texts -- History and criticism.
Note(s): "Reprografischer Nachdruck der Ausgabe Gent 1890."/ Includes bibliographical references.
Class Descriptors: LC: ML3080
Document Type: Book
Entry: 19800909
Update: 20020519
Accession No: OCLC: 648203
Database: WorldCat
====
Die delphischen Hymnen.
Untersuchungen über Texte und Melodien,
Otto Crusius
1894
German Book 1 p. ., 165, [3] p. illus. (incl. music) 23 cm.
Göttingen, Dieterich,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 28
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Title: Die delphischen Hymnen.
Untersuchungen über Texte und Melodien,
Author(s): Crusius, Otto, 1857-1918.
Publication: Göttingen, Dieterich,
Year: 1894
Description: 1 p. ., 165, [3] p. illus. (incl. music) 23 cm.
Language: German
Standard No: LCCN: 05-3417
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Geographic: Delphi (Extinct city)
Note(s): "Anhang" (music): p. [152]-158.
Class Descriptors: LC: PA3118.H8
Responsibility: von O. Crusius.
Document Type: Book
Entry: 19840529
Update: 20010706
Accession No: OCLC: 10781050
Database: WorldCat
===
The arts in Greece;
three essays.
F A Wright
1969, 1923
English Book viii, 111 p. 22 cm.
Port Washington, N.Y., Kennikat Press ISBN: 0804607192
Ownership: Check the catalogs in your library.
Libraries that Own Item: 141
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Title: The arts in Greece;
three essays.
Author(s): Wright, F. A. 1869-1946 (Frederick Adam),
Publication: Port Washington, N.Y., Kennikat Press
Year: 1969, 1923
Description: viii, 111 p. 22 cm.
Language: English
Series: Kennikat classics series;
Contents: The dance.--Music.--Painting.
Standard No: ISBN: 0804607192; LCCN: 75-101054
SUBJECT(S)
Descriptor: Dance -- Greece.
Music, Greek and Roman -- History and criticism.
Painting, Greek.
Note(s): Reprint of the 1923 ed.
Class Descriptors: LC: DF78; Dewey: 700
Document Type: Book
Entry: 19691126
Update: 20010530
Accession No: OCLC: 30574
Database: WorldCat
Die griechische Musik auf ihre Grundgesetze zurückgeführt
Friedrich von Drieberg
1841
German Book : Microform 1 v.
Berlin, ISBN: 3598505965
Ownership: Check the catalogs in your library.
Libraries that Own Item: 10
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Title: Die griechische Musik auf ihre Grundgesetze zurückgeführt
Author(s): Drieberg, Friedrich von, 1780-1856.
Publication: Berlin,
Year: 1841
Description: 1 v.
Language: German
Series: Variation: Bibliothek der deutschen Literatur ;; fiche 18954.
Standard No: ISBN: 3598505965; National Library of Canada: 911522910
Note(s): Reproduction: Microfiche./ Munich :/ Saur,/ [between 1990 and 1994]./ 1 fiche./ (Bibliothek der deutschen Literatur ; box 43, fiche 18954).
Material Type: Microform (mic)
Document Type: Book
Entry: 19951218
Update: 20021029
Accession No: OCLC: 50884313
Database: WorldCat
===
System der altgriechischen Instrumentalnotenschrift.
A Thierfelder
1897
German Book p. [492]-524 : music ; 23 cm.
[Leipzig? : Dieterich'sche Verlagsbuchhandlung?,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 5
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Title: System der altgriechischen Instrumentalnotenschrift.
Author(s): Thierfelder, A. 1846-1924. (Albert),
Publication: [Leipzig? : Dieterich'sche Verlagsbuchhandlung?,
Year: 1897
Description: p. [492]-524 : music ; 23 cm.
Language: German
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Musical notation.
Note(s): Caption title./ Signed at end: A. Thierfelder./ "Separatabdruck aus 'Philologus' LVI (N.F. X), 3."/ Includes bibliographical references.
Class Descriptors: Dewey: 780.901
Document Type: Book
Entry: 19870210
Update: 19940302
Accession No: OCLC: 15176185
Database: WorldCat
=====
Rhythmischer choral, Altarweisen und griechische Rhythmen in ihrem wesen Dargestellt durch eine Rhythmik des einstimmigen Gesanges auf Grund der accente,
Friedrich Succo
1906
German Book xiii, 405 p. 24 cm.
Gütersloh, C. Bertelsmann,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 8
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Find Items About: Succo, Friedrich. (1)
Title: Rhythmischer choral, Altarweisen und griechische Rhythmen in ihrem wesen Dargestellt durch eine Rhythmik des einstimmigen Gesanges auf Grund der accente,
Author(s): Succo, Friedrich.
Publication: Gütersloh, C. Bertelsmann,
Year: 1906
Description: xiii, 405 p. 24 cm.
Language: German
Standard No: LCCN: 07-41505
SUBJECT(S)
Descriptor: Chorale.
Musical meter and rhythm.
Class Descriptors: LC: ML3084
Responsibility: von Friedrich Succo ...
Document Type: Book
Entry: 19900427
Update: 20011023
Accession No: OCLC: 21436924
Database: WorldCat
===
Die Eisagoge des Bacchius
Bacchius, senior.; Karl von Jan
1900-1983?
German Book : Microform 32 p. ; 27 cm.
Strassburg : Strassburger Druckerei u. Verlagsanstalt,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Die Eisagoge des Bacchius
Author(s): Bacchius, senior. ; Jan, Karl von,; 1836-1899.
Corp Author(s): Strasbourg (France).; Lyceum.
Publication: Strassburg : Strassburger Druckerei u. Verlagsanstalt,
Year: 1900-1983?
Description: 32 p. ; 27 cm.
Language: German
Standard No: LCCN: nuc 87-334530
SUBJECT(S)
Descriptor: Music -- Greece.
Geographic: Greece.
Note(s): At head of title: Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1889/90./ Text in Greek and German in parallel columns./ 1890. Programm Nr. 509./ Master microform held by: NN./ Microform master no.: FSN-10,633./ Reproduction: Microfiche./ New York :/ New York Public Library,/ 19--./ 1 microfiche ; 11 x 15 cm.
Responsibility: vom Oberlehrer Professor Dr. von Jan.
Material Type: Microform (mic)
Document Type: Book
Entry: 19890103
Update: 20020715
Accession No: OCLC: 22048356
Database: WorldCat
====
Studien zur griechischen Musik-Geschichte.
A, der Nómos /
Heinrich Reimann
1882
German Book 24 p. ; 26 cm.
Ratibor : Riedinger,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Studien zur griechischen Musik-Geschichte.
A, der Nómos /
Author(s): Reimann, Heinrich, 1850-1906.
Corp Author(s): Königliches Gymnasiums zu Ratibor.
Publication: Ratibor : Riedinger,
Year: 1882
Description: 24 p. ; 26 cm.
Language: German
SUBJECT(S)
Descriptor: Music -- Greece -- History and criticism.
Note(s): Cover title./ "1882. Progr. Nr. 179."/ "Beilage zum Jahresberichte des Königlichen Gymnasiums zu Ratibor, Ostern 1882."/ Includes bibliographical references.
Class Descriptors: LC: ML169
Responsibility: von H. Reimann.
Document Type: Book
Entry: 19980623
Update: 19980623
Accession No: OCLC: 39337674
Database: WorldCat
===
Studien zur griechischen musik-geschichte ...
Heinrich Reimann
1882-1885
German Book 2 v. in 1. 25 cm.
Ratibor, Riedinger [etc., etc.]
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Find Items About: Reimann, Heinrich, (max: 2)
Title: Studien zur griechischen musik-geschichte ...
Author(s): Reimann, Heinrich, 1850-1906
Publication: Ratibor, Riedinger [etc., etc.]
Year: 1882-1885
Description: 2 v. in 1. 25 cm.
Language: German
SUBJECT(S)
Descriptor: Music -- Greece -- History and criticism.
Responsibility: von ... Dr. H. Reimann ...
Document Type: Book
Entry: 19870605
Update: 19980314
Accession No: OCLC: 38635599
Database: WorldCat
====
Les innovations musicales dans la tragédie grecque à l'époque d'Euripide /
J Estève
1902
French Book xiii, 308 p. : music ; 23 cm.
Nimes : La Laborieuse,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 16
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Title: Les innovations musicales dans la tragédie grecque à l'époque d'Euripide /
Author(s): Estève, J.
Publication: Nimes : La Laborieuse,
Year: 1902
Description: xiii, 308 p. : music ; 23 cm.
Language: French
Standard No: LCCN: 03-19849
SUBJECT(S)
Descriptor: Drama -- Chorus (Greek drama)
Greek drama (Tragedy)
Music and literature -- History -- To 500.
Literatura Grega (Historia E Critica)
Named Person: Euripides -- Knowledge -- Music.
Note(s): Originally published as a thesis: University of Paris./ Includes bibliographical references and index.
Class Descriptors: LC: PA3136
Responsibility: par J. estève.
Document Type: Book
Entry: 19851206
Update: 20010513
Accession No: OCLC: 12878597
Database: WorldCat
===
Die musikalischen Wissenschaften der Griechen.
Friedrich von Drieberg
1820
German Book 3 p. l., [5]-107, [1] p. 28 x 23 cm.
Berlin, T. Trautwein,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
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Title: Die musikalischen Wissenschaften der Griechen.
Author(s): Drieberg, Friedrich von, 1780-1856.
Publication: Berlin, T. Trautwein,
Year: 1820
Description: 3 p. l., [5]-107, [1] p. 28 x 23 cm.
Language: German
Standard No: LCCN: 10-8589
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: Von Friedrich von Drieberg.
Document Type: Book
Entry: 19950803
Update: 20010912
Accession No: OCLC: 32914850
Database: WorldCat
===
Die Marschlieder des griechischen Drama.
L Myriantheus
1873
German Book 141 p. fold. diagr. 23 cm.
Muenchen, T. Ackermann,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 3
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Title: Die Marschlieder des griechischen Drama.
Author(s): Myriantheus, L.
Publication: Muenchen, T. Ackermann,
Year: 1873
Description: 141 p. fold. diagr. 23 cm.
Language: German
Document Type: Book
Entry: 19880819
Update: 19880819
Accession No: OCLC: 18374304
Database: WorldCat
===
Souvenirs d'une mission musicale en Grèce et en Orient.
L A Bourgault-Ducoudray
1878 2 ed.
French Book 31 p. 4to.
Paris,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 5
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Title: Souvenirs d'une mission musicale en Grèce et en Orient.
Author(s): Bourgault-Ducoudray, L. A. 1840-1910. (Louis Albert),
Publication: Paris,
Edition: 2 ed.
Year: 1878
Description: 31 p. 4to.
Language: French
SUBJECT(S)
Descriptor: Music, Greek.
Document Type: Book
Entry: 19961121
Update: 20011005
Accession No: OCLC: 35968457
Database: WorldCat
=====
Die absolute harmonik der Griechen ...
Oscar Paul
1866
German Book viii p., 1 l., 44, xxviii p., v tab. (partly fold.) 28 x 23 cm.
Leipzig, A. Dörffel,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 13
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Title: Die absolute harmonik der Griechen ...
Author(s): Paul, Oscar, 1836-1898.
Publication: Leipzig, A. Dörffel,
Year: 1866
Description: viii p., 1 l., 44, xxviii p., v tab. (partly fold.) 28 x 23 cm.
Language: German
Standard No: LCCN: 03-16271
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Habilitationsschrift--Leipzig./ "Die thetischen und dynamischen benennungen der klänge innerhalb der tonarten nach Claudius Ptolemaeus übersichtlich in tabellen ... zusammengestellt": xxviii p.
Class Descriptors: LC: ML168
Document Type: Book
Entry: 19860805
Update: 19940412
Accession No: OCLC: 14049224
Database: WorldCat
===
Études sur la musique grecque,
le plain-chant et la tonalité moderne,
Alix Tiron
1866
French Book 264 p. double pl., diagrs. 28 cm.
Paris, Imprimerie impériale,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 30
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Title: Études sur la musique grecque,
le plain-chant et la tonalité moderne,
Author(s): Tiron, Alix, 1798 or 9-1873.
Publication: Paris, Imprimerie impériale,
Year: 1866
Description: 264 p. double pl., diagrs. 28 cm.
Language: French
Standard No: LCCN: 09-31925
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: par Alix Tiron.
Document Type: Book
Entry: 19770726
Update: 20011026
Accession No: OCLC: 3141574
Database: WorldCat
====
musique grecque antique /
Jacques Chailley
1979
French Book 219 p. : ill., music ; 20 cm.
Paris : Belles Lettres, ISBN: 2251325123 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 82
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Title: La musique grecque antique /
Author(s): Chailley, Jacques, 1910-
Publication: Paris : Belles Lettres,
Year: 1979
Description: 219 p. : ill., music ; 20 cm.
Language: French
Series: Collection d'études anciennes;
Standard No: ISBN: 2251325123 :; LCCN: 80-107488
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes bibliographical references.
Class Descriptors: LC: ML169; Dewey: 781.738
Responsibility: Jacques Chailley.
Document Type: Book
Entry: 19800527
Update: 20010701
Accession No: OCLC: 6448163
Database: WorldCat
====
De Graecorum veterum re musica quaestionum capita duo...
Ernst Graf
1889
Latin Book 2 p.l, 90 p., 1 l. 22 cm.
Marburg, Universitäts-Buchdruckerei [R. Friedrich]
Ownership: Check the catalogs in your library.
Libraries that Own Item: 8
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Title: De Graecorum veterum re musica quaestionum capita duo...
Author(s): Graf, Ernst, 1861-
Publication: Marburg, Universitäts-Buchdruckerei [R. Friedrich]
Year: 1889
Description: 2 p.l, 90 p., 1 l. 22 cm.
Language: Latin
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Habilitationsschrift zur Erlangung der venia legendi für die classiche Philologie...
Class Descriptors: LC: ML169
Document Type: Book
Entry: 19860801
Update: 19940604
Accession No: OCLC: 13995927
Database: WorldCat
====
Aristoxenus. Nicomachus. Alypius. :
Auctores musices antiquissimi, hactenus non editi /
Johannes van Meurs; Aristoxenus.
1616
Greek, Ancient [to 1453] Book [8], 160 [i.e. 196] p. ; 18 cm. (4to)
Lugduni Batavorum [Leiden] : ex officinâ L. Elzevirii, typis G. Basson,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 11
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Find Items About: Meurs, Johannes van, (max: 2); Aristoxenus. (41); Nicomachus Gerasenus. (1); Alypius. (4)
Title: Aristoxenus. Nicomachus. Alypius. :
Auctores musices antiquissimi, hactenus non editi /
Author(s): Meurs, Johannes van,; 1579-1639. ; Aristoxenus.
Corp Author(s): Nicomachus Gerasenus. ; Alypius.
Publication: Lugduni Batavorum [Leiden] : ex officinâ L. Elzevirii, typis G. Basson,
Year: 1616
Description: [8], 160 [i.e. 196] p. ; 18 cm. (4to)
Language: Greek, Ancient [to 1453]
Contents: Epistola dedicatoria -- Lectori -- Series operis -- Aristoxenou Harmonikon stoicheion biblia g --- Nicomachou Gerasenou ... Harmonikes engcheiridion. Biblia dyo -- Alypiou Eisagoge mousike -- Joaniss Meursii ad Aristoxenum, Nicomachum, Alypium, notae -- Errata.
Standard No: LCCN: 04-3225
References: Hoffmann,; Willems,; Goldsmid,; Mansell,; v. 3, p. 365 (Scriptores musicae artis);; 106;; p. 15;; 379:171.
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): Texts in Greek only, preliminaries and notes in Greek and Latin./ First printing of all three treatises in the original Greek. Cf. Hoffmann, Bibl. Lexikon ... der Griechen, v. 1, p. 124 (Alypius), p. 375 (Aristoxenes) and v. 2, p. 368 (Nicomachus Gerasenus)./ Signatures: ***4 A-Aa4 Bb2./ The last page misnumbered 160 for 196./ Printer's mark: open music book.
Class Descriptors: LC: ML167
Other Titles: Auctores musices antiquissimi.
Responsibility: Joannes Meursius nunc primus vulgavit, & notas addidit.
Document Type: Book
Entry: 19820828
Update: 19950309
Accession No: OCLC: 8730155
Database: WorldCat
=====
Die pseudo-aristotelischen Probleme über Musik.
Carl Stumpf
1897
German Book 85, [1] p. 28 cm.
Berlin, Königl. Akademie der Wissenschaften, in Commission bei G. Reimer,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 9
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Title: Die pseudo-aristotelischen Probleme über Musik.
Author(s): Stumpf, Carl, 1848-1936.
Publication: Berlin, Königl. Akademie der Wissenschaften, in Commission bei G. Reimer,
Year: 1897
Description: 85, [1] p. 28 cm.
Language: German
Standard No: LCCN: 03-31837
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Named Person: Aristotle.
Title Subject: Problemata Aristotelis.
Note(s): Aus den Abhandlugen der Königl. Preuss. Akademie der Wissenschaften zu Berlin vom Jahre 1896.
Class Descriptors: LC: ML168.A6
Responsibility: Von Carl Stumpf.
Document Type: Book
Entry: 19891017
Update: 19990126
Accession No: OCLC: 20498362
Database: WorldCat
===
Die Harmonik des Aristoxenianers Kleonides.
Karl von Jan
1870
German Book 23 p. 8vo.
Landsberg a.d. W., R. Schneider
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Find Items About: Landsberg an der Warthe, Germany. (7)
Title: Die Harmonik des Aristoxenianers Kleonides.
Author(s): Jan, Karl von, 1836-1899.
Corp Author(s): Landsberg an der Warthe, Germany.; Gymnasium.
Publication: Landsberg a.d. W., R. Schneider
Year: 1870
Description: 23 p. 8vo.
Language: German
SUBJECT(S)
Descriptor: Cleonides.
Greek music.
Other Titles: At head of title:; Programm des Gymnasiums mit Realklassen zu Landsberg a.W., 1870
Responsibility: Vom Oberlehrer Dr. Karl von Jan ...
Document Type: Book
Entry: 19991115
Update: 19991115
Accession No: OCLC: 42828528
Database: WorldCat
====
Die Eisagoge des Bacchius Erklärung.
Karl von Jan
1891
German Book 23 p. 25 cm.
Strassburg, R. Schultz,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: Die Eisagoge des Bacchius Erklärung.
Author(s): Jan, Karl von, 1836-1899.
Publication: Strassburg, R. Schultz,
Year: 1891
Description: 23 p. 25 cm.
Language: German
Series: Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1890/91 Programm; Nr. 512;
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Music theory -- Ancient.
Named Person: Bacchius, senior.
Responsibility: Zu den Grundlagen der nicht-euklidischen Geometrie von Max Simon.
Document Type: Book
Entry: 19930625
Update: 20001018
Accession No: OCLC: 28592517
Database: WorldCat
======
Wörterbuch der griechischen Musik in ausführlichen Artikeln über Harmonik, Rhythmik, Metrik, Kanonik, Melopoïe, Rhythmopoïe, Theater, Kampfspiele, Instrumente,
Friedrich von Drieberg
1835
German Book 1 p. l., vi, 219, [1] p. vii fold. pl. 27 x 22 cm.
Berlin, Schlesinger,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 8
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Title: Wörterbuch der griechischen Musik in ausführlichen Artikeln über Harmonik, Rhythmik, Metrik, Kanonik, Melopoïe, Rhythmopoïe, Theater, Kampfspiele, Instrumente,
Author(s): Drieberg, Friedrich von, 1780-1856.
Publication: Berlin, Schlesinger,
Year: 1835
Description: 1 p. l., vi, 219, [1] p. vii fold. pl. 27 x 22 cm.
Language: German
Standard No: LCCN: 10-9328
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: notirung u. s. w. Nach den Quellen neu bearbeitet von Friedrich von Drieberg.
Document Type: Book
Entry: 19860801
Update: 19940604
Accession No: OCLC: 13999472
Database: WorldCat
=====
Aufschlüsse über die Musik der Griechen
Friedrich von Drieberg
1819
German Book : Microform 1 v.
Leipzig, ISBN: 3598505965
Ownership: Check the catalogs in your library.
Libraries that Own Item: 10
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Title: Aufschlüsse über die Musik der Griechen
Author(s): Drieberg, Friedrich von, 1780-1856.
Publication: Leipzig,
Year: 1819
Description: 1 v.
Language: German
Series: Variation: Bibliothek der deutschen Literatur ;; fiche 18953.
Standard No: ISBN: 3598505965; National Library of Canada: 911522880
Note(s): Reproduction: Microfiche./ Munich :/ Saur,/ [between 1990 and 1994]./ 1 fiche./ (Bibliothek der deutschen Literatur ; box 43, fiche 18953).
Material Type: Microform (mic)
Document Type: Book
Entry: 19951218
Update: 20021029
Accession No: OCLC: 50884291
Database: WorldCat
====
Paragone dell' antica colla moderna musica
Burette, M.
1748
Italian Book : Microform 12 p. 23 cm.
Venezia, Appresso A. Groppo,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 3
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Title: Paragone dell' antica colla moderna musica
Author(s): Burette, M. 1665-1747. (Pierre Jean),
Publication: Venezia, Appresso A. Groppo,
Year: 1748
Description: 12 p. 23 cm.
Language: Italian
Standard No: LCCN: nuc 87-390746
SUBJECT(S)
Descriptor: Music, Influence of.
Music, Greek and Roman.
Note(s): Title vignette./ A translation of the French original published in "Memoires de litterature ... de l'Academie royale des inscriptions et belles lettres," Paris, 1729, v. 5, p. 133-151./ Master microform held by: DLC./ Reproduction: Microfilm./ Washington, D.C.,/ United States Library of Congress,/ 19--./ 1 reel. 35 mm.
Class Descriptors: LC: Microfilm Music 5000 Item B-151; ML169.A2
Responsibility: Dissertazione del Signor Burette. In cui si dimostra, che i maravigliosi effetti attribuiti alla musica degli antichi non provano in niun modo, ch' essa fosse più perfetta della nostra. No. XIV.
Material Type: Microform (mic)
Document Type: Book
Entry: 19920118
Update: 20020704
Accession No: OCLC: 25129933
====
Die Musik der alten Griechen.
Richard Batka
1900
German Book 18 p. 23 cm.
Prag, Selbstverlag,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Die Musik der alten Griechen.
Author(s): Batka, Richard, 1868-1922.
Publication: Prag, Selbstverlag,
Year: 1900
Description: 18 p. 23 cm.
Language: German
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169
Responsibility: Ein Vortrag von Dr. Richard Batka.
Document Type: Book
Entry: 19860805
Update: 19940606
Accession No: OCLC: 14046009
Database: WorldCat
======
Die Lehre vom Ethos in der griechischen Musik.
Ein Beitrag zur Musikästhetik des klassischen Altertums.
Hermann Abert
1968 2 Aufl.
German Book x, 168 p. music. 24 cm.
Tutzing, H. Schneider,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 56
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Title: Die Lehre vom Ethos in der griechischen Musik.
Ein Beitrag zur Musikästhetik des klassischen Altertums.
Author(s): Abert, Hermann, 1871-1927.
Publication: Tutzing, H. Schneider,
Edition: 2 Aufl.
Year: 1968
Description: x, 168 p. music. 24 cm.
Language: German
Standard No: LCCN: 70-379542
SUBJECT(S)
Descriptor: Music -- Philosophy and aesthetics.
Music, Greek and Roman.
Ethics -- Greece.
Note(s): Includes bibliographical references.
Class Descriptors: LC: ML3920; Dewey: 780.901
Responsibility: Mit einem Geleitwort von Heinrich Hüschen. [Unveränderter Nachdruck der 1. Aufl. Leipzig 1899].
Document Type: Book
Entry: 19750506
Update: 20030109
Accession No: OCLC: 1313893
Database: WorldCat
Dialogue sur la musique des anciens :
a facsimile of the 1725 Paris edition /
François de Castagnères Chateauneuf, abbé de
1966, 1725
French Book 126 p., [7] leaves of plates (1 folded) : ill. ; 20 cm.
New York : Broude Bros.,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 20
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Title: Dialogue sur la musique des anciens :
a facsimile of the 1725 Paris edition /
Author(s): Chateauneuf, François de Castagnères, abbé de, d. 1709, d.1709. abbé de,
Publication: New York : Broude Bros.,
Year: 1966, 1725
Description: 126 p., [7] leaves of plates (1 folded) : ill. ; 20 cm.
Language: French
Series: Monuments of music and music literature in facsimile.; Second series,; Music literature ;; 38;
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Responsibility: Fr. de Castagnères Châteauneuf.
Document Type: Book
Entry: 19850718
Update: 19940401
Accession No: OCLC: 13468742
Database: WorldCat
====
Aristoxène de Tarente, disciple d'Aristote, et la musique de l'Antiquité /
Louis Laloy
1973, 1904
French Book 371 p. : music ; 23 cm.
Genève : Minkoff Reprint, ISBN: 2826600389 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 35
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Title: Aristoxène de Tarente, disciple d'Aristote, et la musique de l'Antiquité /
Author(s): Laloy, Louis, 1874-1944.
Publication: Genève : Minkoff Reprint,
Year: 1973, 1904
Description: 371 p. : music ; 23 cm.
Language: French
Standard No: ISBN: 2826600389 :; LCCN: 75-510283
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Named Person: Aristoxenus.
Note(s): Reprint of the 1904 ed. published by Société française d'imprimerie et de librairie, Paris./ Includes bibliographical references.
Class Descriptors: LC: ML169.A7
Responsibility: Louis Laloy.
Document Type: Book
Entry: 19750728
Update: 20010604
Accession No: OCLC: 1211063
Database: WorldCat
=====
Des représentations en musique anciennes et modernes /
Claude-François Menestrier
1972, 1681
French Book [26], 333 p. ; 22 cm.
Genève : Minkoff Reprint,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 29
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Title: Des représentations en musique anciennes et modernes /
Author(s): Menestrier, Claude-François, 1631-1705.
Publication: Genève : Minkoff Reprint,
Year: 1972, 1681
Description: [26], 333 p. ; 22 cm.
Language: French
SUBJECT(S)
Descriptor: Opera.
Music -- History and criticism.
Note(s): Reprint of the 1681 ed. published by R. Guignard, Paris.
Class Descriptors: LC: ML1700
Responsibility: C. F. Ménestrier.
Document Type: Book
Entry: 19760226
Update: 19931208
Accession No: OCLC: 2014355
Database: WorldCat
====
De fidibus Graecorum :
dissertatio inaugralis quam consensu et auctoritate amplissimi philosophorum ordinis in alma litterarum Universitate Friderica Guilelma ad summos in philosophia honores rite capessendos die XXV. m. Julii a. MDCCCLIX /
Karl von Jan
1859
Latin Book 43 p. ; 23 cm.
Berolini : G. Schade,
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Libraries that Own Item: 6
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Title: De fidibus Graecorum :
dissertatio inaugralis quam consensu et auctoritate amplissimi philosophorum ordinis in alma litterarum Universitate Friderica Guilelma ad summos in philosophia honores rite capessendos die XXV. m. Julii a. MDCCCLIX /
Author(s): Jan, Karl von, 1836-1899.
Publication: Berolini : G. Schade,
Year: 1859
Description: 43 p. ; 23 cm.
Language: Latin
SUBJECT(S)
Descriptor: Musical instruments -- Greece.
Stringed instruments.
Note(s): Vita: p. [42]-43./ Dissertation: Thesis (Ph. D.)--Universitas Friderica Guilelma.
Responsibility: auctor Carolus de Jan.
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 19860618
Update: 19860618
Accession No: OCLC: 13744147
Database: WorldCat
====
Musica ex Platone secundum locum logg. VII. p. 712 /
Godofredus Stallbaumius
1846
Latin Book 34 S.
Lipsiae : Staritz,
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Title: Musica ex Platone secundum locum logg. VII. p. 712 /
Author(s): Stallbaumius, Godofredus.
Publication: Lipsiae : Staritz,
Year: 1846
Description: 34 S.
Language: Latin
Note(s): @Leipzig, Thomasschule, Schulprogramm, 1846.
Responsibility: Godofredus Stallbaumius.
Document Type: Book
Entry: 19970109
Update: 20020107
Accession No: OCLC: 48718102
Database: WorldCat
====
Musica ex Platone secundum locum Legg. VIII. p. 712.
Gottfried Stallbaum
1846
Latin Book 34 p. 4to.
[n.p.]
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Title: Musica ex Platone secundum locum Legg. VIII. p. 712.
Author(s): Stallbaum, Gottfried, 1793-1861.
Publication: [n.p.]
Year: 1846
Description: 34 p. 4to.
Language: Latin
SUBJECT(S)
Named Person: Plato.
Note(s): Dissertation: Pr.
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 20000328
Update: 20010911
Accession No: OCLC: 43716940
Database: WorldCat
===
Musikgeschichtliches aus Homer.
I.
Heinrich Guhrauer
1886
German Book 24 p. 4to.
[n.p.]
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Title: Musikgeschichtliches aus Homer.
I.
Author(s): Guhrauer, Heinrich.
Publication: [n.p.]
Year: 1886
Description: 24 p. 4to.
Language: German
SUBJECT(S)
Named Person: Homer.
Note(s): Dissertation: Pr.
Material Type: Thesis/dissertation (deg)
Document Type: Book
Entry: 20000318
Update: 20011025
Accession No: OCLC: 43659754
Database: WorldCat
=====
Etwas von altgriechischer Musik :
wissenschaftliche Abhandlung zum Osterprogramm 1909 /
Author: Guhrauer, Heinrich.
Publication: Wittenberg : Druck von Fr. Wattrodt, 1909
Document: German : Book
Libraries: 7
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2. Altgriechische Programm-Musik
Author: Guhrauer, Heinrich.
Publication: Wittenberg, Buchdruckerei von Fr. Wattrodt, 1904
Document: German : Book
Libraries: 4
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3. Musikgeschichtliches aus Homer.
I.
Author: Guhrauer, Heinrich.
Publication: [n.p.] 1886
Document: German : Book
Libraries: 2
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4. Z. Gesch. d. Aulodik b. d. Griechen.
Author: Guhrauer, Heinrich.
Publication: [n.p.] 1879
Document: German : Book
Libraries: 2
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5. Antigone und Ismene.
Eine studie ...
Author: Guhrauer, Heinrich.
Publication: Wittenberg, 1896
Document: German : Book
Libraries: 1
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6. Das Wandgemälde in der Aula des Gymnasiums zu Wittenberg.
Author: Guhrauer, Heinrich.
Publication: Wittenberg, 1894
Document: German : Book
Libraries: 1
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7. Bemerkungen zum kunstunterricht auf dem gymnasium.
Author: Guhrauer, Heinrich.
Publication: Wittenberg, 1891
Document: German : Book
Libraries: 1
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8. Zur Geschichte der Aulodik bei den Griechen.
Author: Guhrauer, Heinrich.
Publication: Waldenburg in Schl., P. Schmidt, 1879
Document: German : Book
Libraries: 1
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9. Der pythische Nomos;
eine Studie zur griechischen Musik-Geschichte.
Author: Guhrauer, Heinrich.
Publication: Leipzig, B.G. Teubner, 1876
Document: German : Book
Libraries: 1
Ezzel felterkepeztuk az atheni kulfoldi regeszeti intezetek konyvtarainak ozenei allomanyat. A kovetkezokben ezt kiegeszitjuk az OCLC angol nyelvu vilagkatalogusanak megfelelo kartyaival. Majd a vilaghalon bongeszve osszegyujtjuk a konyvkritikakat, tanulmanyokat, szakmai eletrajzi adatokat, kepeket az elerheto szerzokrol, konyveikrol, ahol kozlik adataikat, telefonjukat, fenyposta cimuket is listazzuk, hogy alkalomadtan kapcsolatba lepjunk veluk.
ÅããñáöÞ 516 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118881
Ôßôëïò: Rythme et mesure dans la musique populaire bulgare / par Stoyan Djoudjeff
ÓõããñáöÝáò: Djoudjeff, Stoyan
Äçìoóßåõóç: Paris : Champion, 1931
ÖõóéêÞ ÐåñéãñáöÞ: ii, 364 p. : illus. (incl. music) ; 26 cm.
ÓåéñÝò: (Travaux publés par l'Institut d'études slaves, XII)
Óçìåéþóåéò: "Indications bibliographiques": p. [360]-364.
The author's doctoral thesis, Paris.
ÈÝìáôá: Bulgarian language--Rhythm
Bulgarian language--Versification
Folk songs, Bulgarian
Music, Bulgarian
Musical meter and rhythm
DDC Ôáîéíüìçóç: 784.49497
LCC Ôáîéíüìçóç: ML3602.D5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111235 11 M 102.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 517 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118884
Ôßôëïò: Mendelssohn's music to the Antigone of Sophocles / by Arthur M. Little
ÓõããñáöÝáò: Little, Arthur Mitchell
Äçìoóßåõóç: Washington, D.C. : printed by Gibson Bros, 1893
ÖõóéêÞ ÐåñéãñáöÞ: 2 p. l., 92 [1] p. ; 24 cm.
Óçìåéþóåéò: Vita.
"Books of reference": p. [90]-91.
Inaug.-Diss.-Leipzig.
ÈÝìáôá: Sophocles
Mendelssohn-Bartholdy. Felix. 1809-1847. Antigone.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111238 11 GC 2077 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 518 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118986
Ôßôëïò: Musique et versification françaises au moyon-age ... / Par Titus Galino ...
ÓõããñáöÝáò: Galino, Titus, 1862-
Äçìoóßåõóç: Leipzig : A. Pries, [1890/91]
ÖõóéêÞ ÐåñéãñáöÞ: 39, [1] p. ; 20 cm.
Óçìåéþóåéò: Vita.
Inaug.--diss.--Leipzig.
ÈÝìáôá: French language--To 1500--Versification
Music--Theory--Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111348 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 519 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118997
Ôßôëïò: De Organis Graecorum Musicis. Pars I.
ÓõããñáöÝáò: Esmann, Fr. E. M.
Äçìoóßåõóç: Wismariae : Typis Hinstorfii, 1880
ÖõóéêÞ ÐåñéãñáöÞ: 66 p. ; cm.
Óçìåéþóåéò: Dissertation--Rostock.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111359 11 M 38 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 520 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119067
Ôßôëïò: ˆLa ‰musique byzantine chez les Bulgares et les Russes (du IXe au XIVe siècle)
ÓõããñáöÝáò: Palikarova Verdeil, R.
Äçìoóßåõóç: Copenhague : E. Munksgaard ; Boston : Byzantine Institute, 1953
ÖõóéêÞ ÐåñéãñáöÞ: 249 p. : ill., facsims ; 26 cm.
ÓåéñÝò: (Monumenta musicae byzantinae. Subsidia ; v. 3)
Óçìåéþóåéò: Thèse--Paris.
ÈÝìáôá: Music--Bulgaria--History and criticism
Music--Manuscripts--Facsimiles
Music--Russia--History and criticism
Music, Byzantine--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111491 11 M 48.43 - ¼÷é ÄéáèÝóéìï
**111492 11 M 48.42 - ¼÷é ÄéáèÝóéìï
**111493 11 M 48.43 - ¼÷é ÄéáèÝóéìï
**111494 11 M 48.42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 521 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119075
Ôßôëïò: Studien zur alten griechischen musik ...
ÓõããñáöÝáò: Papastamtopulos, Joh.
Äçìoóßåõóç: Bonn : Druck von F. Krueger, [1878]
ÖõóéêÞ ÐåñéãñáöÞ: 1 p.l., 63 p. ; 21 cm.
Óçìåéþóåéò: Dissertation--Jena.
ÈÝìáôá: Music--Greek, Ancient
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.P21
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111509 11 GC 5238 - ¼÷é ÄéáèÝóéìï
**111510 11 M 58 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 522 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119100
Ôßôëïò: De musicis panathenaeorum certaminibus / [Scripsit] Henricus Augustus Breuer
ÓõããñáöÝáò: Breuer, Heinrich August, 1837-
Äçìoóßåõóç: Bonnae : P. Neusser, 1865
ÖõóéêÞ ÐåñéãñáöÞ: 33 p. ; 22 cm.
Óçìåéþóåéò: Vita.
Includes bibliographical notes.
Dissertation--Bonn.
ÈÝìáôá: Music--Greece
Greece
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111561 11 M 42 - ¼÷é ÄéáèÝóéìï
**111562 11 M 42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 523 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119151
Ôßôëïò: De fontibus quibus Athenaeus in rebus musicis lyricisque enarrandis usus sit : dissertatio inauguralis quam ... / scripsit Carolus Alobertus Bapp
ÓõããñáöÝáò: Bapp, Carolus Albertus, b. 1863
Äçìoóßåõóç: Lipsiae : J.B. Hirschfeld, 1885
ÖõóéêÞ ÐåñéãñáöÞ: 88-160 p. ; 22 cm.
Óçìåéþóåéò: Includes bibliographical references and index.
Dissertation.
ÈÝìáôá: Athenaeus. of Naucratis. Deipnosophistae. Sources.
Music, Greek and Roman--History and criticism--Sources
LCC Ôáîéíüìçóç: ML169.B13 1885
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111665 11 M 42 - ¼÷é ÄéáèÝóéìï
**111666 11 M 42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 524 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119555
Ôßôëïò: De Aelio Dionysio musico qui vocatur / [Scripsit] Carolus Scherer
ÓõããñáöÝáò: Scherer, Karl, 1861-
Äçìoóßåõóç: Bonnae : Typis C. Georgi univ. typogr, 1886
ÖõóéêÞ ÐåñéãñáöÞ: 54 p. ; cm.
Óçìåéþóåéò: Dissertation--Universitas Fridericia Guilelmia Rhenana.
ÈÝìáôá: Dionysius, Aelius
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112202 11 GC 4606 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 525 Ìïíïãñáößá
Ãëùóóéêü õëéêü, ÷åéñüãñáöï
Ôáõôüôçôá ÅããñáöÞò: 119702
Ôßôëïò: De arts musica apud Graecos
ÓõããñáöÝáò: Meurs, Guilelmus Ludovicus van.
Äçìoóßåõóç: Hagae Comitum : [s.n.], 1879
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Dissertation.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112403 11 M 41 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 526 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 119714
Ôßôëïò: De Musica apud veteres cum philosophia coniunctione
ÓõããñáöÝáò: Goblot, Edmond
Äçìoóßåõóç: Lutetiae Parisiorum : [s.n.], 1898
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Dissertation.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112415 11 M 36 - ¼÷é ÄéáèÝóéìï
**112416 11 M 41 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 527 Ìïíïãñáößá
Ãëùóóéêü õëéêü, ÷åéñüãñáöï
Ôáõôüôçôá ÅããñáöÞò: 119892
Ôßôëïò: De Christianorum psalmis et hymnis usque ad Ambrosii tempora
ÓõããñáöÝáò: Thierfelder, Albert
Äçìoóßåõóç: Lipsiae : [s.n.], 1868
ÖõóéêÞ ÐåñéãñáöÞ: 51 p. ; 22 cm.
Óçìåéþóåéò: Inaugural Dissertation--Leipzig.
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112596 11 M 60.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 528 Ìïíïãñáößá
Ãëùóóéêü õëéêü, ÷åéñüãñáöï
Ôáõôüôçôá ÅããñáöÞò: 119944
Ôßôëïò: De musicis Graecorum certaminibus capita quat quattuor
ÓõããñáöÝáò: Reisch, Emil
Äçìoóßåõóç: Vindobonae : sumptibus et typis Caroli Gerold filii, 1885
ÖõóéêÞ ÐåñéãñáöÞ: 123 p. ; cm.
Óçìåéþóåéò: Inaugural dissertation--Vienna.
ÈÝìáôá: Music--Competitions
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112663 11 M 42 - ¼÷é ÄéáèÝóéìï
**112664 11 M 42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 529 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120061
Ôßôëïò: ˆLa ‰chanson populaire grecque du Dodécanèse / par Samuel Baud-Bovy
ÓõããñáöÝáò: Baud-Bovy, Samuel, 1906-
Äçìoóßåõóç: Paris : Société d'édition "Les Belles lettres", 1936-
ÖõóéêÞ ÐåñéãñáöÞ: v. : music ; 25 cm.
ÓåéñÝò: (Collection de l'Institut néo-hellénique de l'Université de Paris ; t. 3)
Óçìåéþóåéò: Includes index..--546 Includes texts in Greek.
"Liste des ouvrages cités en abrégé": v. 1, p. [9]-16.
"Bibliographie des chansons ... du Dodécanèse": v. 1, p. [17]-24.
Ðåñéå÷üìåíá: 1. Les texts
ÈÝìáôá: Folk music--Greece--Dodekanesos
Greeks--Greece--Dodekanesos--Music
Songs
LCC Ôáîéíüìçóç: PA1025.P32 fasc. 3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112811 11 M 91.6 v.I ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 530 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120165
Ôßôëïò: Dir singen wir : Beiträge zur Musik der Ostkirche / Irenäus Totzke ; mit einem Geleitwort von Fairy v. Lilienfeld
ÓõããñáöÝáò: Totzke, Irenäus.
Äçìoóßåõóç: St. Ottilien : EOS-Verlag, c1992-
ÖõóéêÞ ÐåñéãñáöÞ: v. : music ; 23 cm.
ÓåéñÝò: (Gesammelte Schriften / Irenäus Totzke ; Bd. 1)
ISBN: 3880961557
Óçìåéþóåéò: Includes bibliographical references and index.
ÈÝìáôá: Church music--Orthodox Eastern Church
Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**127282 GEN M 63.76 1992 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 531 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120319
Ôßôëïò: Byzantine elements in early Slavic chant : The Hirmologion
ÓõããñáöÝáò: Velimirović, Milo M.
Äçìoóßåõóç: Copenhagen : Munksgaard, 1960
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. : facsims., music ; 27-32 cm.
Óçìåéþóåéò: Studies on the Fragmenta Chiliandarica palaeoslavica, 1.
Ðåñéå÷üìåíá: [1] Main volume -- [2] Volume of appendices
ÈÝìáôá: Athos (Monasteries).. Chilandar
Orthodox Eastern Church
Orthodox Eastern Church--Hymns
Orthodox Eastern Church--Hymns--History and criticism
Chants (Plain, Gregorian, etc.)--History and criticism
Hymns, Church Slavic
Hymns, Church Slavic--History and criticism
Music, Byzantine--History and criticism
LCC Ôáîéíüìçóç: M2.B99S9 vol.4
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**112993 11 M 48.43 v.1 ¼÷é ÄéáèÝóéìï
**112994 11 M 48.43 v.2 ¼÷é ÄéáèÝóéìï
**112995 11 M 46.43 v.1 ¼÷é ÄéáèÝóéìï
**112996 11 M 46.43 v.2 ¼÷é ÄéáèÝóéìï
**112997 11 M 46.43 v.1 ¼÷é ÄéáèÝóéìï
**112998 11 M 46.43 v.2 ¼÷é ÄéáèÝóéìï
**112999 11 M 48.43 v.1 ¼÷é ÄéáèÝóéìï
**113000 11 M 48.43 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 532 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120438
Ôßôëïò: Saggi sul ristabilimento dell' arte armonica de' greci e romani cantori
ÓõããñáöÝáò: Requeno y Vives, Vincenzo, 1743-1811
Äçìoóßåõóç: Parma : Fratelli Gozzi, 1798
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. : ill. ; 21 cm.
ÈÝìáôá: Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.A2R4 (Case)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**113676 11 M 28 v.1 ¼÷é ÄéáèÝóéìï
**113677 11 M 28 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 533 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120688
Ôßôëïò: Études de science musicale / par A. Dechevrens
ÓõããñáöÝáò: Dechevrens, Antoine
Äçìoóßåõóç: Paris : Chez l'auteur, 1898
ÖõóéêÞ ÐåñéãñáöÞ: 3 v. : ill., plates, facsims., tables ; 29 cm.
Óçìåéþóåéò: "Appendice" IV, v.l, has special t.p. and separate paging.
"Table des auteurs cités dans l'ouvrage": [v. 3] p. [485]-488.
Ðåñéå÷üìåíá: [v. I] I. étude. Origine et formation de l'échelle musicale. II. étude. Développement du principe musical. La musique grégorienne : I. traité, Théorie fondamentale. Appendices : I. Système modal de Pythagore et des Grecs postérieurs. II. La musique ecclésiastique des Grecs modernes. III. La musique gréco-romaine et l'octoechos. Iv. De la musique arabe -- [v. 2.] III. étude. De la musique grégorienne : 2. traité, Rythmique -- [v. 3] III. étude. Documents
ÈÝìáôá: Chant (Plain, Gregorian, etc.
Music--Theory--Medieval
Music, Arabian
Scale (Music)
LCC Ôáîéíüìçóç: ML173.D29
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**115003 11 M 49 v.1 ¼÷é ÄéáèÝóéìï
**115004 11 M 49 v.2 ¼÷é ÄéáèÝóéìï
**115005 11 M 49 v.3 ¼÷é ÄéáèÝóéìï
**115006 11 M 49 v.1 ¼÷é ÄéáèÝóéìï
**115007 11 M 49 v.2 ¼÷é ÄéáèÝóéìï
**115008 11 M 49 v.3 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 534 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 120737
Ôßôëïò: ˆThe ‰ordinary chants of the Byzantine mass / Neil K. Moran
ÓõããñáöÝáò: Moran, Neil K.
Äçìoóßåõóç: Hamburg : K.D. Wagner, 1975
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. : ill. ; 21 cm.
ÓåéñÝò: (Hamburger Beiträge zur Musikwissenschaft ; 12)
ISBN: 3921029260
Óçìåéþóåéò: Bibliography: v. 1, p. 188-196.
Ðåñéå÷üìåíá: v. 1. Investigations -- v. 2. Critical edition
ÈÝìáôá: Chants (Byzantine)--History and criticism
Church music--Orthodox Eastern Church--History and criticism
Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**115265 11 M 63.63 v.1 ¼÷é ÄéáèÝóéìï
**115266 11 M 63.63 v.2 ¼÷é ÄéáèÝóéìï
**115267 11 M 63.63 v.1 ¼÷é ÄéáèÝóéìï
**115268 11 M 63.63 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 535 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 121105
Ôßôëïò: Hirmologium Sabbaiticum : Codex Monasterii S. Sabbae 83 ; phototypice depictus / Edendum curavit Jørgen Raasted
ÓõããñáöÝáò: Raasted, Jørgen (ed.)
Orthodox Eastern Church
Äçìoóßåõóç: Hauniae : Munksgaard, 1968
ÖõóéêÞ ÐåñéãñáöÞ: 3 v. : facsims ; 26-31 cm.
ÓåéñÝò: (Union académique internationale. Monumenta musicae Byzantinae, 8 : 1, 8 : 2, 1-2)
Ðåñéå÷üìåíá: Pars prima. Toni authentici -- Pars secunda. Toni plagales -- Pars suppletoria. Prolegomena and indices
ÈÝìáôá: Music--Manuscripts--Facsimiles
Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**117061 11 M 48.37 v.1 ¼÷é ÄéáèÝóéìï
**117062 11 M 48.37 v.3 ¼÷é ÄéáèÝóéìï
**117063 11 M 48.37 v.1 ¼÷é ÄéáèÝóéìï
**117064 11 M 48.37 v.3 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 536 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 121531
Ôßôëïò: Fragmenta Chiliandarica palaeoslavica / Praefatus est Roman Jakobson
ÓõããñáöÝáò: Athos. Chilandar (Monasteries)
Athos. Chilandar (Monasteries)
Orthodox Eastern Church
Orthodox Eastern Church
Äçìoóßåõóç: Copenhagen : E. Munksgaard, 1957
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. ; 24-33 cm.
Óçìåéþóåéò: Facsimile reproductions.
Ðåñéå÷üìåíá: A. Sticherarium codex; codex Monasterii Chiliandarici 307.--B. Hirmologium; codex Monasterii Chiliandarici 308
ÈÝìáôá: Orthodox Eastern Church--Hymns
Hymns, Church Slavic
Manuscripts, Church Slavic--Facsimiles
Music--Manuscripts--Facsimiles
LCC Ôáîéíüìçóç: M2.B99 vol.5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**119164 11 M 48.34 v.1 ¼÷é ÄéáèÝóéìï
**119165 11 M 48.341 v.2 ¼÷é ÄéáèÝóéìï
**119166 11 M 48.34 v.1 ¼÷é ÄéáèÝóéìï
**119167 11 M 48.341 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 537 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 121532
Ôßôëïò: ˆThe ‰hymns of the Hirmologium / Transcribed by Aglaia Ayoutanti and Maria Stöhr. Rev. and annotated by Carsten Høeg, with the assistance of Jørgen Raasted
ÓõããñáöÝáò: Ayoutanti, Aglaia
Høeg, Carsten, 1896-
Stöhr, Maria
Orthodox Eastern Church
Athos. Iveron (Monasteries)
Äçìoóßåõóç: Copenhagen : Munksgaard, 1952-
ÖõóéêÞ ÐåñéãñáöÞ: v. : facsims ; 27 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Transcripta, v. 6, 8)
Óçìåéþóåéò: Greek words.
Transcription in modern notation of all the hirmi occuring in the Hirmologium Athoum. Includes also the variants in other mss., in the original notation and in transcription, for at least one canon of each mode.
Ðåñéå÷üìåíá: Pt. 1. The first mode. The first plagal mode
ÈÝìáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
DDC Ôáîéíüìçóç: 783.9
LCC Ôáîéíüìçóç: M2.B99T7 vol.6,etc.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100446 11 M 48.54 - ¼÷é ÄéáèÝóéìï
**100447 11 M 48.54 - ¼÷é ÄéáèÝóéìï
**119168 11 M 48.54 I ¼÷é ÄéáèÝóéìï
**119169 11 M 48.541 III ¼÷é ÄéáèÝóéìï
**119170 11 M 48.54 - ¼÷é ÄéáèÝóéìï
**119171 11 M 48.54 v.1 ¼÷é ÄéáèÝóéìï
**119172 11 M 48.54 pt. 1 ¼÷é ÄéáèÝóéìï
**119173 11 M 48.54 I ¼÷é ÄéáèÝóéìï
**119174 11 M 48.541 III ¼÷é ÄéáèÝóéìï
**119175 11 M 48.54 v.1 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 538 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 121534
Ôßôëïò: ˆThe ‰hymns of the Octoechus / transcribed by H. H. W. Tillyard
ÓõããñáöÝáò: Høeg, Carsten, 1896- (ed.)
Tillyard, Henry Julius Wetenhall, 1881-
Orthodox Eastern Church
Greece. Ethnike bibliotheke, Athens
Vienna. Nationalbibliothek
Äçìoóßåõóç: Copenhagen : E. Munksgaard, 1940-49
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. ; 27 cm.
Óçìåéþóåéò: Unacc. melodies. Words in Greek.
Transcriptions, in modern notation, of the hymns of the Octoechus, based chiefly on the Codex Dalasseni (Codex vindobonensis theol. graec. 181) published in facsimile in 1935 as first volume of Monumenta musicae byzantinae, and on Atheniensis 974, published in facsimile in 1931 in Byz. zeitschr., xxxi. cf. v 1. p. xi and [xxiii].
Edited by Carsten Höeg. cf. v. 1, leaf at end.
"Manuscripts and sources": v. 1, p. [xxiii]-xxiv; v. 2, p. [xix]-xx.
ÈÝìáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
LCC Ôáîéíüìçóç: M2.B99T7 vol.3, 5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**119188 11 M 48.52 v.1 ¼÷é ÄéáèÝóéìï
**119189 11 M 48.52 v.2 ¼÷é ÄéáèÝóéìï
**119190 11 M 48.52 v.1 ¼÷é ÄéáèÝóéìï
**119191 11 M 48.52 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 539 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 122110
Ôßôëïò: Musici Scriptores Graeci : Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius et Meliodarum Veterum quidquid extat / Recognovit prooemiis et indice instruxit Carolus Janus ; Annexae sunt tabulae
ÓõããñáöÝáò: Jan, Karl von, 1836-1899
Äçìoóßåõóç: Lipsiae : B.G. Teubner, 1895-1899
ÖõóéêÞ ÐåñéãñáöÞ: [2 v.] ; cm.
ÓåéñÝò: (Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana)
ÈÝìáôá: Scriptores musici
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**121567 11 GC 4600 v.1 ¼÷é ÄéáèÝóéìï
**121568 11 GC 4600 v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 540 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 122312
Ôßôëïò: Herculanensium voluminum quae supersunt
ÓõããñáöÝáò: Ciampitti, Nicolò, 1749-1832
Rosini, Carlo Maria, 1748-1836
Accademia ercolanese di archeologia (Naples, Italy)
Äçìoóßåõóç: Neapoli : Ex Regia Typographia, 1793-
ÖõóéêÞ ÐåñéãñáöÞ: v. : port., facsims ; 39 cm.
Óçìåéþóåéò: Title vignettes, engraved.
Facsim. reproductions of the manuscripts found at Herculaneum; transcription printed on opposite pages, for the Greek mss. with Greek and Latin text printed in columns; text and commentaries in Latin.
Signature title: Papyr.
Dedication signed: Academici Herculanensea.
Ðåñéå÷üìåíá: v.1. Philodemi De musica IV.--v. 2. Fragmenta papyri latinae. Epicuri De natura liber II.
ÈÝìáôá: Philodemus. ca. 110-ca. 40 B.C.. GENNADIUS.
GENNADIUS. Epicurus.
Manuscripts, Greek (Papyri)--Facsimiles
Music, Greek and Roman
Papyri
Herculaneum (Extinct city)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**122432 11 BB 1166 Q v.1 ¼÷é ÄéáèÝóéìï
**122433 11 BB 1166 Q v.2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 541 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 122772
Ôßôëïò: Triodium Athoum : codex Monasterii Vatopedii 1488 phototypice depictus / edendum curaverunt Enrica Follieri et Oliver Strunk
Ïìïéüìïñöïò Ôßôëïò: Triodion
ÓõããñáöÝáò: Follieri, Enrica (ed.)
Strunk, William Oliver, 1901- (ed.)
Orthodox Eastern Church
Mone Vatopediou (Athos, Greece) Codex Graecus 1488
Orthodox Eastern Church
Orthodox Eastern Church
Äçìoóßåõóç: Havniae : Munksgaard, 1975
ÖõóéêÞ ÐåñéãñáöÞ: 1 v.in 2 pts. : chiefly facsims ; 26-31 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae ; 9)
Óçìåéþóåéò: The Pars principalis contains a facsim. of an 11th-cent. manuscript on 217 leaves of plates printed on both sides; the Pars suppletoria includes an introduction, description, discussion of sources etc. in English plus tables, appendices and indices.
Coislin or Chartres notation; Greek words.
Ðåñéå÷üìåíá: Triodion -- Pentekostarion -- Oktoechos
ÈÝìáôá: Manuscripts--Greece--Athos
Music--Manuscripts--Facsimiles
Music, Byzantine
LCC Ôáîéíüìçóç: M2.B99 vol. 9
M2157.B99 vol. 9
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**124990 11 M 48.373 v.1. pt.1 ¼÷é ÄéáèÝóéìï
**124991 11 M 48.373 v.1. pt.2 ¼÷é ÄéáèÝóéìï
**124992 11 M 48.373 1 ¼÷é ÄéáèÝóéìï
**124993 11 M 48.373 2 ¼÷é ÄéáèÝóéìï
**124994 11 M 48.373 v.1. pt.1 ¼÷é ÄéáèÝóéìï
**124995 11 M 48.373 v.1. pt.2 ¼÷é ÄéáèÝóéìï
**124996 11 M 48.373 1 ¼÷é ÄéáèÝóéìï
**124997 11 M 48.373 2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 542 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 123409
Ôßôëïò: Dimitri Mitropoulos, Katy Katsoyanis : a correspondence, 1930-1960 / Foreword by George Seferis. Introductions by Louis Biancolli [and] Katy Katsoyanis
ÓõããñáöÝáò: Mitropoulos, Dimitri, 1896-1960
greek characters, 1900-1971
Katsogianne, Kaite
Äçìoóßåõóç: New York : Martin Dale, 1973
ÖõóéêÞ ÐåñéãñáöÞ: 187 p. : illus ; 23 cm.
ÈÝìáôá: Katsogianne, Kaite
Mitropoulos, Dimitri, 1896-1960
Conductors (Music)--Correspondence
DDC Ôáîéíüìçóç: 785/.092/4
B
LCC Ôáîéíüìçóç: ML422.M59A28
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100559 11 BG 564.571 - ¼÷é ÄéáèÝóéìï
**100560 11 BG 564.571 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 543 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 124661
Ôßôëïò: Added t.-p.: Union académique internationale. Monumenta musicae byzantinae. Subsidia, ediderunt Carsten Höeg, H.J.W. Tillyard, Egon Wellesz. vol.I, fasc.l
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 544 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 125685
Ôßôëïò: Aristides Quintilianus de musica, nunc primum separatim edidit ... pars prima
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 548 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 128093
Ôßôëïò: Cambridge readings in the literature of music
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 549 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 129314
Ôßôëïò: Columbia University studies in musicology
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 550 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 130524
Ôßôëïò: Early drama, art, and music monograph series
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 555 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 134968
Ôßôëïò: Monumenta musicae Byzantinae. Corpus scriptorum de re musica
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 556 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 134969
Ôßôëïò: Monumenta musicae Byzantinae. Corpus scriptorum de re musica
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 566 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 135515
Ôßôëïò: New Oxford history of music
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 567 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 135516
Ôßôëïò: New Oxford history of music
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 568 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 136631
Ôßôëïò: Polifonie : Musica e spettacolo nella storia
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 569 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 139428
Ôßôëïò: Storia della musica (Turin, Italy)
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 570 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 140757
Ôßôëïò: Theorie der musichen Künste der Hellenen von August Rossbach und Rudolf Westphal, zweiter Band
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç
ÅããñáöÞ 571 Ðåñéïäéêü Äçìïóßåõìá - ÌïíïãñáöéêÞ ÓåéñÜ
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 141218
Ôßôëïò: Union académique internationale. Monumenta musicae Byzantinae. Subsidia
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 471 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114187
Ôßôëïò: Traduction de quelques textes grecs inédits recueillis à Madrid et à l'Escurial : Lettres de Psellus. --Fragments anonymes sur la musique et sur l'accentuation grecque. --Table des chapitres du Dynaméron du médecin Élius Promotus / Par Ch.-Émile Ruelle ...
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Psellus, Michael
Äçìoóßåõóç: Paris : Durand et Pedone-Lauriel, 1875
ÖõóéêÞ ÐåñéãñáöÞ: 31 p. ; 24 cm.
Óçìåéþóåéò: Extrait de l'Annuaire de l'Association pour l'encouragement des études grecques en France.--Année 1874.
ÈÝìáôá: Manuscripts--Spain--Madrid
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.R92
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105895 11 GC 4614 - ¼÷é ÄéáèÝóéìï
**105896 11 BB 1156 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 472 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114199
Ôßôëïò: ˆThe ‰modes in Byzantine music
ÓõããñáöÝáò: Tillyard, H. J. W. (Henry Julius Wetenhall), 1881-1968
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Reprinted from the Annual of the British School at Athens, no. XXII, 1916-1917, 1917-1918, p. 133-156.
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105916 11 M 52.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 473 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114217
Ôßôëïò: Modern Greek folk music and dance in The New York Public Library
ÓõããñáöÝáò: Ratliff, Neil
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Includes bibliography.
ÈÝìáôá: New York Public Library
Music, Greek, Modern
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105935 11 M 85.3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 474 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114282
Ôßôëïò: Hindu music : reprinted from the Hindoo Patriot, September 7, 1874
Äçìoóßåõóç: Calcutta : Hindoo Patriot Press, 1874
ÖõóéêÞ ÐåñéãñáöÞ: [53] p. ; cm.
ÈÝìáôá: Music, Hindustani
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**106015 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 475 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114311
Ôßôëïò: Ueber die altindische Opfermusik
ÓõããñáöÝáò: Chrysander, Friedrich, 1826-1901
Äçìoóßåõóç: [Leipzig : Breitkopf und Härtel], 1885
ÖõóéêÞ ÐåñéãñáöÞ: p. (21)-34 ; 24 cm.
Óçìåéþóåéò: Extract from: Vierteljahrsschrift für Musikwissenschaft. 1885. Erster Jahrgang.
(Unidentified extract, 1885, p. 21-34).
ÈÝìáôá: Music, Hindu
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**106044 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 476 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114396
Ôßôëïò: Analyse du traité de métrique et de rhythmique de Saint Augustin, intitulé : De musica. Nouvelles considérations sur la poésie lyrique / par A.-J.-H. Vincent ...
ÓõããñáöÝáò: Vincent, A. J. H. (Alexandre Joseph Hidulphe), 1797-1868
Äçìoóßåõóç: Paris : P. Dupont, 1849
ÖõóéêÞ ÐåñéãñáöÞ: 28 p. ; 22 cm.
Óçìåéþóåéò: Extrait du Journal général de l'instruction publique (28 février et 3 mars 1849).
ÈÝìáôá: Augustine, Saint
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**106135 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 477 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114400
Ôßôëïò: Mémoire sur la théorie des battements : Application à l'accord de l'orgue et des autres instruments / par M.A.-J.H. Vincent
ÓõããñáöÝáò: Vincent, A. J. H. (Alexandre Joseph Hidulphe), 1797-1868
Äçìoóßåõóç: Paris : Bachelier, 1849
ÖõóéêÞ ÐåñéãñáöÞ: 73 p. : plate (fold.) ; 23 cm.
Óçìåéþóåéò: "Extraits des Annales de Chimie et de Physique, 3e série, t. XXVI.
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**106140 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 478 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114432
Ôßôëïò: ˆA ‰hymn for Thursday in Holy Week
ÓõããñáöÝáò: Levy, Kenneth
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Reprinted from: Journal of the American musilogical society, 1963. vol. 16, no.2. p. [127]-175. illus. (music).
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**106181 11 M 60.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 479 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115415
Ôßôëïò: ˆThe ‰Pope and church music : instruction to the Catholic world / letter to the Cardinal-Vicar of Rome
Äçìoóßåõóç: London : [s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Reprinted from "The Tablet" Jan. 2. 1904).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107254 11 M. 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 480 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115420
Ôßôëïò: De la notation musicale attribuée à Boëce, et de quelques anciens chants qui se trouvent dans le Manuscrit Latin No. 989 de la Bibliothèque Impériale : Nouvelles considérations sur la musique et sur la versification du Moyen-Age
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: Paris : librairie de Charles Douniol, 1855
ÖõóéêÞ ÐåñéãñáöÞ: 24 p. ; 23 cm.
Óçìåéþóåéò: .
ÈÝìáôá: Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107261 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 481 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115459
Ôßôëïò: ˆLes ‰noms des notes ut, ré, mi, fa, sol, la, si, sont des notes grecques
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: Angers : Lachèse, 1895
ÖõóéêÞ ÐåñéãñáöÞ: 8 p. ; 25 cm.
Óçìåéþóåéò: Extrait de la Revue Angevine.
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107300 11 GC 4614 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 482 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115460
Ôßôëïò: Poesia e musica tradizionali degli Italo-Albanesi
ÓõããñáöÝáò: Schirò, Giuseppe
Äçìoóßåõóç: Udine : Idea, 1943
ÖõóéêÞ ÐåñéãñáöÞ: 15 p. ; 25 cm.
Óçìåéþóåéò: Estratto dagli Atti del IV Congresso Nazionale di Arti e Tradizioni Popolari, Venezia, 1940.
ÈÝìáôá: Albanian folk poetry
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107301 11 HB 418/S 331 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 483 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115740
Ôßôëïò: Two composers of Byzantine music : John Vatatzes and John Iascaris
ÓõããñáöÝáò: Velimirović, Milo
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Aspects of Medieval and Renaissance music, 1966, p. 818-831).
ÈÝìáôá: Musicians, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107591 11 M 62.27 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 484 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 115936
Ôßôëïò: Corrections anciennes & novelles dans le texte des problèmes musicaux d'Aristote
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Révue de philologie, 1891, 168-174; extrait).
ÈÝìáôá: Aristotle
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107787 11 GC 4614 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 485 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116004
Ôßôëïò: Sur un point d'histoire de la musique grecque
ÓõããñáöÝáò: Tannery, Paul, 1843-1904
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Extrait de la Revue archéologique, 1902, p. 49-54).
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107855 11 A 503 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 486 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116066
Ôßôëïò: Explication d'une scène relative à la musique, représentée sur un vase grec du Musée de Berlin
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: .
Date of publication not known.
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107917 11 M 31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 487 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116068
Ôßôëïò: Musique des Grecs
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 3 p. ; cm.
Óçìåéþóåéò: .
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107919 11 M 31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 488 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116072
Ôßôëïò: Supplément à une précédente note sur l'emploi des quarts de ton dans le chant lithurgique
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Extrait de la Revue archéologique, XII année, 1855, p. 669-676, plate).
ÈÝìáôá: Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107923 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 489 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116074
Ôßôëïò: Sur une clef universelle
ÓõããñáöÝáò: Vincent, Alexandre Joseph Midulphe, 1797-1868
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 5 p., plate ; cm.
Óçìåéþóåéò: (Extrait de la Revue de musique ancienne et moderne, 1856).
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**107925 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 490 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116169
Ôßôëïò: Byzantine composers in MS. Athens 2406
ÓõããñáöÝáò: Velimirović, Milo
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (In: Essays presented to Egon Wellesz, ed. by Jack Westrup, Oxford 1966, p. 7-18).
ÈÝìáôá: Musicians, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108020 11 M 62.28 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 491 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116248
Ôßôëïò: ˆLes ‰chants populaires et le plain-chant
ÓõããñáöÝáò: Burnouf, Émile, 1821-1907
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Revue des deux mondes, t. 77, 1886, p. 349-374).
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108099 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 492 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116394
Ôßôëïò: Griechische Musik
ÓõããñáöÝáò: Fortlage, Carl
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Ersch u. Gruber, Allgemeine Encyclopädie der Wissenschaften und Künste, erste Section, LXXXI, Leipzig 1863, S. 175-245).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108245 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 493 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 116509
Ôßôëïò: ˆL'‰orientalisme musical et la musique arabe
ÓõããñáöÝáò: Mitjana, Rafael
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Extrait du Monde oriental, 1906, p. 184-221).
ÈÝìáôá: Music, Arab
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108360 11 M 106 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 494 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117022
Ôßôëïò: Signatures and cadences of the Byzantine modes / by H.J.W. Tillyard
ÓõããñáöÝáò: Tillyard, H. J. W.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Reprinted from the Annual of the British school at Athens, no. XXVI, 1923-1924; 1924-1925, p. 78-87.
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108873 11 M 52.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 495 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117026
Ôßôëïò: ˆA ‰post-Byzantine musical anthology, MS Greek 21 in the Houghton Library / by Panagiotis A. Agapitos
ÓõããñáöÝáò: Agapitos, Panagiotis A.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. : facsims ; 26 cm.
Óçìåéþóåéò: (Harvard Library Bulletin, v. 35, no. 2, 1987, 150-164; offprint).
ÈÝìáôá: Manuscripts--U.S.A.--Harvard University
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**108877 11 BB 1162.89 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 496 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117226
Ôßôëïò: Études sur l'ancienne musique grecque : Plutarque, De musica, ch. XI.
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Révue archéologique, 1900, 326-332; reprint).
ÈÝìáôá: Plutarch
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109078 11 GC 4614 - ¼÷é ÄéáèÝóéìï
**109079 11 M 17 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 497 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117284
Ôßôëïò: Deux textes grecs anonymes concernant le canon musicale heptacordi, puis octacorde / publiés d'après le ms. N-72 de la Biblioteca Nacional de Madrid ; avec une traduction française et des notes par Ch.-Émile Ruelle
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Annuaire de l'Association pour l'encouragement des études grecques en France, 11, 1877, 147-169; extrait).
ÈÝìáôá: Scriptores musici
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109210 11 GC 4614 - ¼÷é ÄéáèÝóéìï
**109211 11 GC 4600.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 498 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117285
Ôßôëïò: ˆLe ‰musicographe Alypius / corrigé par Boèce
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Comptes rendus des séances de l'Acadamie des Inscriptions et Belles Lettres, 1894, 1-14; extrait).
ÈÝìáôá: Alypius
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109212 11 GC 4614 - ¼÷é ÄéáèÝóéìï
**109213 11 GC 4600.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 499 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117658
Ôßôëïò: Des notations scientifiques à l'École d'Alexandrie
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; cm.
Óçìåéþóåéò: .
ÈÝìáôá: Music, Greek, Ancient
Numbers
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109687 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 500 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117723
Ôßôëïò: Key, mode, species
ÓõããñáöÝáò: Gombosi, Otto
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Extract from: Journal of the Musicological Society, 4, 1951, p. 20-26).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109752 11 M 41.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 501 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117927
Ôßôëïò: ˆLe ‰monocorde, instrument de musique
ÓõããñáöÝáò: Ruelle, Charles Émile, 1833-1912
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Revue des études grecques, 10, 1897, 309-312; extrait).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**109987 11 GC 4614 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 502 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117950
Ôßôëïò: Griechische Rhythmik = [Griechische Metrik]
ÓõããñáöÝáò: Weissenborn, Hermann
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Ersch u. Gruber, Allgemeine Encyclopädie der Wissenschaften und Künste, erste Section, LXXXI, Leipzig 1863, S. 245-274).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110010 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 503 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 117986
Ôßôëïò: ˆDie ‰Harmonielehre des Klaudios Ptolemaios / herausgegeben von Ingemar Düring
Ïìïéüìïñöïò Ôßôëïò: Harmonics
ÓõããñáöÝáò: Ptolemy, fl. 2nd cent
Düring, Ingemar, 1903- (ed.)
Äçìoóßåõóç: Hildesheim ; New York : G. Olms, 1982
ÖõóéêÞ ÐåñéãñáöÞ: civ, 147 p. : ill. ; 23 cm.
ISBN: 3487072637
Óçìåéþóåéò: Text in Greek; editor's commentary in German.
Includes bibliographical references and index.
ÈÝìáôá: Music--Theory--To 1400
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110048 11 GC 2856.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 504 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118003
Ôßôëïò: Passage du Traité de la musique d'Aristide Quintilien relatif au nombre nuptial de Platon / traduit et annoté par M. A.-J.-H. Vincent... et M. Th. Henri Martin... suivi de deux notes de M. Th. Henri Martin...
ÓõããñáöÝáò: Aristides Quintilianus
Martin, Thomas Henri, 1813-1884 (joint ed.)
Vincent, A. J. H., 1797-1868 (joint ed.)
Äçìoóßåõóç: Rome : Imprimerie des Sciences Mathématique et Physique, 1865
ÖõóéêÞ ÐåñéãñáöÞ: 14 p., 1 l. ; 29 cm.
Óçìåéþóåéò: Extrait des Atti dell'Accademia Pontificia de'Nuovi Lincei. Tome XVIII. Année XVIII. Séance du 11 juin 1865.
Bibliographical foot-notes.
ÈÝìáôá: Aristides Quintilianus
Ptolemaeus, Claudius
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110081 11 M 34 - ¼÷é ÄéáèÝóéìï
**110082 11 M 34 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 505 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118102
Ôßôëïò: ˆThe ‰Toscanini memorial archives at the New York Public Library / [by] Susan T. Sommer and Richard Koprowski
ÓõããñáöÝáò: Sommer, Susan T.
Koprowski, Richard
New York. Public library. Music division
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (College Music Symposium, vol. 17, no. 2, 1977, p. 1-23 ; offprint).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110194 11 M 8.6 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 506 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118168
Ôßôëïò: ˆUn ‰traité de musique arabe moderne : Préface, traduction française, texte et notes
ÓõããñáöÝáò: Ronzevalle, Louis (ed. and tr.)
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mélanges de la Faculté orientale, Beyrouth, t.6, 1913, 120, [6] p., plates; offprint.).
ÈÝìáôá: Music, Arab
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110266 11 M 106 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 507 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118448
Ôßôëïò: From Petrarch to Einstein : illuminated manuscripts, incunabula, Americana, first editions of classical, renaissance, and baroque literature, monuments of book illustration from the 15th to the 18th centuries, landmarks in the history of science and medicine, early sources of music, theater, and dance / exhibited and offered for sale by the William H. Schab Gallery, Inc
ÓõããñáöÝáò: William H. Schab (firm : New York)
Äçìoóßåõóç: New York : W.H. Schab Gallery, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 78 p., [24] leaves of plates : ill. (some col.) ; 29 cm.
Óçìåéþóåéò: Catalogue 51.
ÈÝìáôá: Bibliography--Rare books--Catalogs
Bibliography--Rare books--Exhibitions
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110706 11 BB 88/SC 2 1/NO.51 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 508 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118527
Ôßôëïò: Musée rétrospectif de la classe 13 : librairie - éditions musicales - reliure (matérial et produits) - journaux - affiches - à l'Exposition internationale de 1900, à Paris / rapport du Comité d'installation
ÓõããñáöÝáò: Exposition universelle internationale de 1900 Section française Classe 13 Comité d'installation : (Paris, France).
Äçìoóßåõóç: [Saint Cloud : Imprimerie Belin frères, 1900]
ÖõóéêÞ ÐåñéãñáöÞ: 139 p : ill. (incl. facsims.) ; 28 cm.
ÈÝìáôá: Bookbinding--Exhibitions
Books and bookmaking
Printing--Exhibitions
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110818 11 BB 224 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 509 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118552
Ôßôëïò: Theonis Smyrnaei, philosophi platonici : Expositio rerum mathematicarum ad legendum Platonem utilium / Recensuit Eduardus Hiller
ÓõããñáöÝáò: Theon, of Smyrna
Hiller, Eduard, 1844-1891 (ed.)
Äçìoóßåõóç: Lipsiae : in aedibus B.G. Teubneri, 1878
ÖõóéêÞ ÐåñéãñáöÞ: viii p., 1 leaf, 216 p. : ill. ; 18 cm.
ÓåéñÝò: (Bibliotheca scriptorum graecorum et romanorum Teuberiana. [S.g.])
Óçìåéþóåéò: Bound ;with: Themistius. Themistii Paraphrases Aristotelis librorum . Lipsiae, 1866.
ÈÝìáôá: Astronomy, Greek
Mathematics, Greek
Music, Greek and Roman
Platonic number
LCC Ôáîéíüìçóç: PA3404.T16 1866
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
11262 04 RT 9/2 - ¼÷é ÄéáèÝóéìï
**110860 11 GC 3047.2 - ¼÷é ÄéáèÝóéìï
**110861 11 GC 3047.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 510 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118609
Ôßôëïò: ˆLa ‰librairie : l'édition musicale, la presse, la reliure, l'affiche à l'exposition universelle de 1900. Recueil précédé d'une notice historique par Lucien Layus
ÓõããñáöÝáò: Layus, Lucien, 1858-1915
Cercle de la Librairie, Paris
Äçìoóßåõóç: Paris : Cercle de la libr, 1900
ÖõóéêÞ ÐåñéãñáöÞ: 100, [364] p. : ill. ; 26 cm.
ÈÝìáôá: Book industries and trade--Exhibitions
Book industries and trade--France
Books and bookmaking
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**110931 11 BB 224 - ¼÷é ÄéáèÝóéìï
**110932 11 BB 224 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 511 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118675
Ôßôëïò: Studie zur altchristlichen Vokalmusik in der griechischen und lateinischen Kirche : und ihr Zusammenhang mit der altgriechischen Musik
ÓõããñáöÝáò: Krausse, Bernhard Rudolf, 1866-
Äçìoóßåõóç: Leipzig : Metzger & Wittig, 1892
ÖõóéêÞ ÐåñéãñáöÞ: 52 p. ; 22 cm.
Óçìåéþóåéò: Inaug.-Diss.--Leipzig.
ÈÝìáôá: Church music--Catholic Church
Church music--Orthodox Eastern Church
Music
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML188.K81
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111025 11 M 60.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 512 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 118702
Ôßôëïò: ˆDie ‰aristotelischen Musikprobleme ...
ÓõããñáöÝáò: Tischer, Gerhard
Äçìoóßåõóç: Berlin : Druck von E. Eberling, [1902]
ÖõóéêÞ ÐåñéãñáöÞ: 34, [2] p. ; 23 cm.
Óçìåéþóåéò: Lebenslauf.
Published in full as hft. 3 of "Musikwissenschaftliche Studien veröffenlicht v. Dr. E. Eberling."
Inaug.-Diss.--Berlin.
ÈÝìáôá: Aristotle. Problemata.
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.T4
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**111052 11 GC 4606 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 422 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 108645
Ôßôëïò: Essays on Armenian music / edited by Vrej Nersessian
ÓõããñáöÝáò: Nersessian, Vrej, 1948- (ed.)
Institute of Armenian Music (London, England)
Äçìoóßåõóç: London : Published by Kahn & Averill for the Institute of Armenian Music, 1978
ÖõóéêÞ ÐåñéãñáöÞ: 222 p. : facsims., music ; 24 cm.
ISBN: 0900707496
Óçìåéþóåéò: English, French, and German.
Includes bibliographical references.
Ðåñéå÷üìåíá: Introduction -- Komitas Vardapet and his contribution to ethnomusicology / S. Poladian -- Les anciens manuscrits musicaux arméniens et les questions relatives à leur déchiffrement / N. Tahmizyan -- Recherches sur la genèse de l'octoéchos arménien / N. Serkoyan, N. Tahmizyan, and B. Outtier -- Armenische Chasen / R. Atayan -- Die Armenische professionelle Liederkunst des Mittelalters / R. Atayan -- Elemente der Mehrstimmigkeit in der armenischen Volksmusik / R. Atayan -- Monodische Denkmäler Alt-Armeniens / N. Tahmizyan
ÈÝìáôá: Music--Armenia (Republic)
Music, Armenian
Musical notation
DDC Ôáîéíüìçóç: 781.7/291992 (19)
LCC Ôáîéíüìçóç: ML309.A75E9 1978
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**97086 11 HNE 124.7/N 45 - ¼÷é ÄéáèÝóéìï
**97087 11 HNE 124.7/N 45 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 424 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 108755
Ôßôëïò: ˆLa ‰notation ekphonétique / par Carsten Höeg.
ÓõããñáöÝáò: Höeg, Carsten, 1896-
Carlsbergfondet
Äçìoóßåõóç: Copenhague : Levin & Munksgaard, 1935
ÖõóéêÞ ÐåñéãñáöÞ: 162 p. : ill. (music) III facsim ; 27 cm.
ÓåéñÝò: (Union académique internationale. Monumenta musicae byzantinae. Subsidia, vol. 1, fasc. 2)
Óçìåéþóåéò: "Publié aux frais de la Fondation Carlsberg, de Copenhague."
"Liste des manuscrits collationnés": p. [77]-80. "Liste d'autres manuscrits munis de la notation ekphonétique": p. [81]-83.
"Quelques ouvrages cités en abrége": p. [13]-14.
ÈÝìáôá: Music--Manuscripts
Music, Byzantine
Neumes
Paleography, Musical
DDC Ôáîéíüìçóç: 781.24
LCC Ôáîéíüìçóç: ML188.M6 vol. 1, fasc. 2
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**97328 11 M 48.41 - ¼÷é ÄéáèÝóéìï
**97329 11 M 48.41 - ¼÷é ÄéáèÝóéìï
**97330 11 M 48.41 - ¼÷é ÄéáèÝóéìï
**97331 11 M 48.41 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 425 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109150
Ôßôëïò: Fonds ethnomusicologique Samuel Baud-Bovy : catalogue des archives / rédigé par Lambros Liavas
ÓõããñáöÝáò: Liavas, Lampros
Conservatoire de musique de Genève.
Äçìoóßåõóç: Genève : Conservatoire de musique de Genève, 1989
ÖõóéêÞ ÐåñéãñáöÞ: 186 p. ; 24 cm.
Óçìåéþóåéò: Cover title: Catalogue de Fonds Samuel Baud-Bovy.
Includes bibliographical references (p. [162]-171).
ÈÝìáôá: Baud-Bovy, Samuel, 1906---Library--Catalogs
Conservatoire de musique de Genève--Catalogs
Ethnomusicology--Bibliography--Catalogs
Folk music--Discography--Catalogs
DDC Ôáîéíüìçóç: 016.78/089 (20)
LCC Ôáîéíüìçóç: ML136.G432C62 1989
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**98291 11 M 91.654 - ¼÷é ÄéáèÝóéìï
**98292 11 M 91.654 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 426 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109301
Ôßôëïò: ˆThe ‰treatise of Manuel Chrysaphes, the lampadarios : On the theory of the art of chanting and on certain erroneous views that some hold about it (Mount Athos, Iviron Monastery MS 1120, July 1458) / text, translation and commentary by Dimitri E. Conomos
Ïìïéüìïñöïò Ôßôëïò: Peri ton entheoroumenon te psaltike techne kai on phronousi kakos tines peri auton
ÓõããñáöÝáò: Chrysaphes, Manuel, fl. 1440-1463
Conomos, Dimitri E. (ed. and tr.)
Äçìoóßåõóç: Wien : Verlag der Österreichischen Akademie der Wissenschaften, 1985
ÖõóéêÞ ÐåñéãñáöÞ: 119 p. ; 26 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Corpus scriptorum de re musica ; v. 2)
Óçìåéþóåéò: English and Greek.
Includes bibliographical references.
ÈÝìáôá: Chants (Byzantine)--Instruction and study--Early works to 1800
DDC Ôáîéíüìçóç: 782.2/92 (20)
LCC Ôáîéíüìçóç: MT860.C5213 1985
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**98615 11 M 52.6/V.2 - ¼÷é ÄéáèÝóéìï
**98616 11 M 52.6/V.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 427 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109490
Ôßôëïò: Ethnomusicology and folk music : an international bibliography of dissertations and theses / compiled and annotated by Frank Gillis and Alan P. Merriam
ÓõããñáöÝáò: Gillis, Frank
Merriam, Alan P., 1923-
Society for Ethnomusicology
¸êäïóç: 1st ed.
Äçìoóßåõóç: Middletown, CT : Published for the Society for Ethnomusicology by the Wesleyan University Press, c1966
ÖõóéêÞ ÐåñéãñáöÞ: 148 p. ; 24 cm.
ÓåéñÝò: (Special series in ethnomusicology ; no. 1)
ÈÝìáôá: Dissertations, Academic--Bibliography
Ethnomusicology--Bibliography
Folk music--Bibliography
Music
DDC Ôáîéíüìçóç: 016.7817
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99033 11 BB 72.46 - ¼÷é ÄéáèÝóéìï
**99034 11 BB 72.46 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 428 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109574
Ôßôëïò: Serbo-Croatian folk songs : texts and transcriptions of seventy-five folk songs from the Milman Parry collection and a morphology of Serbo-Croatian folk melodies / by Béla Bartók and Albert B. Lord ; with a foreword by George Herzog
ÓõããñáöÝáò: Bartók, Béla, 1881-1945
Lord, Albert B (ed. and tr.)
Äçìoóßåõóç: New York : Columbia University Press, 1951
ÖõóéêÞ ÐåñéãñáöÞ: xvii, 431 p. ; 25 cm.
ÓåéñÝò: (Columbia University studies in musicology ; no. 7)
Óçìåéþóåéò: Discussion of morphology and transcriptions of music by Béla Bartók; texts edited and translated by Albert B. Lord.
"Music examples": p. 95-230.
Includes bibliographies.
ÈÝìáôá: Folk-songs, Serbo-Croatian
Folk-songs, Serbo-Croatian--History and criticism
Serbian folk poetry
DDC Ôáîéíüìçóç: 784.49497
LCC Ôáîéíüìçóç: ML3590.B3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99229 11 B/HB 131.5/B 29 - ¼÷é ÄéáèÝóéìï
**99230 11 HB 131.5/B 25 - ¼÷é ÄéáèÝóéìï
**99231 11 HB 131.5/B 25 - ¼÷é ÄéáèÝóéìï
**99232 11 HB 131.5/B 29 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 429 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109578
Ôßôëïò: Gabriel Hieromonachos : Abhandlung über den Kirchengesang / herausgegeben von Christian Hannick und Gerda Wolfram
ÓõããñáöÝáò: Hannick, Christian (ed. and tr.)
Hieromonachos, Gabriel
Wolfram, Gerda (ed. and tr.)
Österreichische Akademie der Wissenschaften. Kommission für Byzantinistik
Äçìoóßåõóç: Wien : Österreichischen Akademie der Wissenschaften, 1985
ÖõóéêÞ ÐåñéãñáöÞ: 157 p. : facsim ; 26 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Corpus scriptorum de re musica ; Bd. 1)
ISBN: 3700107293
Óçìåéþóåéò: Includes the text of Hieromonachos' treatise in Greek with a German translation.
Includes index.
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99241 11 M 52.6/V.1 - ¼÷é ÄéáèÝóéìï
**99242 11 M 52.6/V.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 430 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109600
Ôßôëïò: Originality in Byzantine literature, art, and music : a collection of essays / edited by A.R. Littlewood
ÓõããñáöÝáò: Littlewood, Antony Robert (ed.)
Äçìoóßåõóç: Oxford : Oxbow Books ; Oakville, CT : D. Brown Book Co. [distributor], 1995
ÖõóéêÞ ÐåñéãñáöÞ: 228 p. : ill., music, plans ; 25 cm.
ÓåéñÝò: (Oxbow monograph ; 50)
ISBN: 0946897875
Óçìåéþóåéò: Includes bibliographical references and index.
ÈÝìáôá: Art, Byzantine
Byzantine literature
Music, Byzantine
Byzantine Empire--Civilization
DDC Ôáîéíüìçóç: 949.5/02 (21)
LCC Ôáîéíüìçóç: DF521.O75 1995
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99295 11 HG 207.4/L 78 - ¼÷é ÄéáèÝóéìï
**99296 11 HG 207.4/L 78 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅðéëïãÞ ¼ëùí | Áêýñùóç ÅðéëïãÞò ¼ëùí
ÅããñáöÞ 431 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109668
Ôßôëïò: ˆDie ‰Musik der Araber : nach Originalquellen dargestellet / von R.G. Kiesewetter, begleitet mit einem Vorworte von dem Freiherrn v. Hammer-Purgstall ; mit VI Abbildungen im Text und XXIV seiten Noten-beilagen, welche die Tonformeln der alten Autoren, dann einige jetzt gangbare Volksweisen und Gesänge enthalten
ÓõããñáöÝáò: Kiesewetter, Raphael Georg, edler von Wiesenbrunn, 1773-1850
Hammer-Purgstall, Joseph von.
Äçìoóßåõóç: Leipzig : Breitkopf und Härtel, 1842
ÖõóéêÞ ÐåñéãñáöÞ: xix, 96 p. 1 leaf, xxv p. (music), 1 leaf : ill. ; 28 cm.
Óçìåéþóåéò: "Die arabische und persische Literatur im Fache der Musik": p. 87-90.
"Verzeichniss der Namen der musikalischen Instrumente": p. 90-94.
ÈÝìáôá: Music--Iran
Music, Arabic
LCC Ôáîéíüìçóç: ML189.K47
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99447 11 M 108 - ¼÷é ÄéáèÝóéìï
**99448 11 M 108 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 432 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109840
Ôßôëïò: ˆA ‰treatise concerning the lawfulness of instrumental musick in holy offices / By Henry Dodwell, M.A. To which is prefixed, a preface in vindication of Mr. Newte's sermon, concerning the lawfulness and use of organs in the Christian church, &c. From the exceptions of an anonymous letter, to a friend in the country, concerning the use of instrumental musick in the worship of God, &c.
ÓõããñáöÝáò: Dodwell, Henry, 1641-1711
Newte, John, 1655?-1716
Äçìoóßåõóç: London : Printed for W. Hawes, 1700
ÖõóéêÞ ÐåñéãñáöÞ: 1 p. l., [46], 82 p. ; 19 cm.
Óçìåéþóåéò: Irregularities in paging: p. 34-48 not in consecutive order.
Preface signed: J. Newte.
On flyleaf, signature of W[illiam] Maskell, d. 1890.
ÈÝìáôá: Church music
Music in churches
LCC Ôáîéíüìçóç: ML3001.D6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99863 11 T 501 - ¼÷é ÄéáèÝóéìï
**99864 11 T 501 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 433 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109870
Ôßôëïò: Plutarque : De la musique / Édition critique et explicative par Henri Weil et Th. Reinach
Ïìïéüìïñöïò Ôßôëïò: De musica
ÓõããñáöÝáò: Plutarch
Reinach, Théodore, 1860-1928 (joint ed.)
Weil, Henri, 1818-1909 (ed.)
Äçìoóßåõóç: Paris : E. Leroux, 1900
ÖõóéêÞ ÐåñéãñáöÞ: lxxii, 178 p. ; 25 cm.
Óçìåéþóåéò: Greek and French on opposite pages.
ÈÝìáôá: Plutarch. De musica.
Music, Greek and Roman
LCC Ôáîéíüìçóç: PA4368.D52 1900
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**99954 11 GC 2611 - ¼÷é ÄéáèÝóéìï
**99955 11 GC 2611 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 434 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 109964
Ôßôëïò: ˆLes ‰problèmes musicaux d'Aristote / Texte grec avec traduction française, notes philologiques, commentaire musical et appendice
ÓõããñáöÝáò: Aristoteles
Gevaert, François Auguste, 1828-1908 (tr.)
Vollgraff, Johann Christoph, 1848-1920 (joint tr.)
Äçìoóßåõóç: Gand : A. Hoste, 1903
ÖõóéêÞ ÐåñéãñáöÞ: xx, 421 p. : ill., music ; 28 cm.
Óçìåéþóåéò: At head of title: F. A. Gevaert et J. C. Vollgraff.
"Appendice. Genres, tons et modes de l'époque préaristoxénienne exposés et analysés à l'aide de l'écriture musicale des Grecs": p. [357]-392.
"Index graecitatis": p. [393]-398.
"Index alphabétique et récapitulatif": p. [399]-421.
ÈÝìáôá: Aristotle
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100192 11 GC 3210 - ¼÷é ÄéáèÝóéìï
**100193 11 GC 3210 - ¼÷é ÄéáèÝóéìï
**100194 11 GC 3210 - ¼÷é ÄéáèÝóéìï
**100195 11 GC 3210 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 435 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 110041
Ôßôëïò: Antiquae musicae auctores septem : Graece et Latine / Marcus Meibomius restituit ac notis explicavit
ÓõããñáöÝáò: Meibom, Marcus, 1630-1711
Copinger, H. B. (Harold Bernard), b. 1881 (former owner)
Prime, Richard (former owner)
Äçìoóßåõóç: Amstelodami : Apud Ludovicum Elzevirium, 1652
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. in 1 : ill., music ; 22 cm. (4to)
Óçìåéþóåéò: Vol. 2 has title: Aristeidou Kointilianov peri mousikes biblia III. = Aristidis Qvintiliani De mvsica libri III. Marcvs Meibomivs restitvit, ac notis explicavit.
Vol. 1: [52], 132, [4], 68, [4], 60, 8, 80, [4], 40, [4], 36 p., [5] leaves of folded plates; v. 2: [8], 363, [1] p.
Imprint date in roman numerals.
Printer's device on t.p.: la Minerve.
Title pages in red and black.
Each part of v. 1 has half title page and separate paging.
Headpieces; tailpiece; initials.
Numerous blanks throughout.
"Corrigenda": v. 1, p. 137..--510 Copinger, H.B. Elzevier Press,.--510 Willems, A. Elzevier,.--510 Berghman, G. Impressions Elzeviriennes,.--510 Rahir, E. Les Elzevier,
Includes bibliographical references.
Ðåñéå÷üìåíá: v. 1. Aristoxeni Harmonicorvm elementorvm libri III -- Evclidis Introdvctio harmonica -- Evclidis Sectio canonis -- Nicomachi Geraseni Pythagorici Harminices manvale -- Alypii Introdvctio mvsica -- Gavdentii, philosophi, Harmonica introvctio -- Bacchii Senioris Introdvctio artis mvsicae -- v. 2. Aristidis Qvintiliani De mvsica libri III -- Martiani Minei Felicis Capellae Afri Carthaginiensis De mvsica liber IX.
ÈÝìáôá: Aristoxenus. Latin. 1652.
Euclid. 1652.
Euclid. 1652.
Nicomachus. of Gerasa. Latin. 1652.
Alypius. 1652.
Gaudentius. 1652.
Bacchius. senior. 1652.
Aristides Quintilianus. Latin. 1652.
Martianus Capella. 1652.
Music--Theory--To 500
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
17986 14 BJ MEI v.1 ¼÷é ÄéáèÝóéìï
17987 14 BJ MEI v.2 ¼÷é ÄéáèÝóéìï
**100376 11 GC 4599/B - ¼÷é ÄéáèÝóéìï
**100377 11 GC 4599/B - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 436 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 110063
Ôßôëïò: Hymns of the Eastern Church / translated, with notes and an introduction by J. M. Neale ; with music from Greek and other sources, verifications, various readings and prose translations by S. G. Hatherly
ÓõããñáöÝáò: Hatherly, Stephen G.
Neale, John Mason, 1818-1866 (comp)
¸êäïóç: 4th ed.
Äçìoóßåõóç: London : J. T. Hayes, 1882
ÖõóéêÞ ÐåñéãñáöÞ: xxxii, 160 p. ; 22 cm.
ÈÝìáôá: Orthodox Eastern Church--Hymns
Hymns, English--Translations from Greek
Hymns, Greek--Translations into English
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100436 11 T 692 - ¼÷é ÄéáèÝóéìï
**100437 11 T 692 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 437 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 110082
Ôßôëïò: ˆIl ‰combattimento di Tancredi e Clorinda : versi di Torquato Tasso ; Vicenza, theatro Olimpico, 7 ottobre 1967
Ïìïéüìïñöïò Ôßôëïò: Madrigali guerrieri et amorosi. Combattimento di Tancredi e Clorinda
ÓõããñáöÝáò: Monteverdi, Claudio, 1567-1643
Äçìoóßåõóç: Vicenza : [s.n.], 1967
ÖõóéêÞ ÐåñéãñáöÞ: 11 p. ; 25 cm.
ÈÝìáôá: Tasso, Torquato, 1544-1595--Musical settings
Tasso. Torquato. 1544-1595. GENNADIUS.
Operas--To 1800--Scores
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100592 11 V 1054.3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 438 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 110169
Ôßôëïò: Allgemeine Theorie der griechischen Metrik / von Rudolf Westphal und Hugo Gleditsch. Nebst einem Nachworte zum zweiten Bande. Als 3. Aufl. der Rossbach-Westphalschen Allgemeinen Metrik der Griechen
ÓõããñáöÝáò: Westphal, Rudolf Georg Hermann
Gleditsch, Hugo (joint author)
Äçìoóßåõóç: Leipzig : [s.n.], 1887
ÖõóéêÞ ÐåñéãñáöÞ: 40 + 305 p. ; 8vo
ÓåéñÝò: (Theorie der musischen Künste der Helenen ; 3. Bd., 1. Abth)
ÈÝìáôá: Greek language--Metrics and rhythmics
Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100703 11 M 22.2 - ¼÷é ÄéáèÝóéìï
**100704 11 M 22.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 439 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 110212
Ôßôëïò: Michael Psellus de arithmetica, musica, geometria et Proclus de Sphaera, Elia Vineto,... interprete
ÓõããñáöÝáò: Psellos, Michel
Vinet, Élie (tr.)
Äçìoóßåõóç: Parisiis : G. Cavellat, 1557
ÖõóéêÞ ÐåñéãñáöÞ: 77 f. ; cm.
Óçìåéþóåéò: Les feuillets sont imprimés recto-verso.
ÈÝìáôá: Proklos lykios diadochos
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**100763 11 BL 1341.62 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 440 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 110927
Ôßôëïò: Fiorina o La fanciulla di glaris : Melodramma semiserio in due atti. Musica del maestro Carlo Pedrotti, da rappresentarsi nel teatro comunale di Corfù nelle stagioni di autunno 1854 e carnevale 1855
ÓõããñáöÝáò: Pedrotti, Carlo
Äçìoóßåõóç: Corfù : nella tipografia del Governo, 1854
ÖõóéêÞ ÐåñéãñáöÞ: 32 p. ; 18 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**101910 11 V 1177.5/F 51 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 441 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 111189
Ôßôëïò: Catalogue of a very important, interesting & valuable collection of books of airs, ballads, catches, madrigals, songs & other music from the renowned library at Britwell Court, Burnham, Bucks, the property of S.R. Christie-Miller, including many of the scarcest song books of the Elizabethan and Jacobean periods ... / which will be sold by auction by Sotheby, Wilkinson & Hodge ... on Monday, the 15th of December, 1919 ...
ÓõããñáöÝáò: Christie-Miller, Sydney Richardson
Sotheby and Co.
Äçìoóßåõóç: [London] : Dryden Press, [1919]
ÖõóéêÞ ÐåñéãñáöÞ: 23 p., plates ; 25 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**102175 11 BB 103 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 442 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 111687
Ôßôëïò: ˆThe ‰hymns of the Hirmologium. Part III, 2, The third plagal mode, Barus / transcribed by Aglaia Ayoutanti ; revised and annotated by H.J.W. Tillyard
ÓõããñáöÝáò: Tillyard, H. J. W. (joint ed.)
Äçìoóßåõóç: Copenhagen : Ejnar Munksgaard, 1956
ÖõóéêÞ ÐåñéãñáöÞ: [9], 95 p. ; 25 cm.
ÓåéñÝò: (Monumenta musicae byzantine. Transcripta ; v. 8)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**102677 11 M 48.541 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 443 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 111978
Ôßôëïò: Emotional religion in Islam as affected by music and singing / being a translation of a book of the Ihya 'Ulum ad-Din of Al-Ghazzali, with analysis, annotation and appendices ; by Duncan B. Macdonald
ÓõããñáöÝáò: al-Ghazzali, 1058-1111
Macdonald, Duncan B. (tr.)
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Journal of the Royal Asiatic society, 1901, p. 195-252, 705-748; 1902, p. 1-28; detached copy).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103069 11 T 2522 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 444 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112171
Ôßôëïò: ˆThe ‰music to the Frogs of Aristophanes / composed for performance at Oxford in 1892 by C. Hubert H. Parry ; with an English version by D.G. Hogarth and A.D. Godley
ÓõããñáöÝáò: Godley, A. D. (joint tr.)
Äçìoóßåõóç: Leipzig ; Brussels ; London ; New York : [s.n., 1893]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103290 11 GC 2115 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 445 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112191
Ôßôëïò: ˆThe ‰flag that flew at Trafalgar : sung at the Navy League Patriotic Concert, London Opera House, Trafalgar Day, 1914 / words by Victor H. Vincent ; music by George F. Vincent
ÓõããñáöÝáò: Vincent, Victor H.
Vincent, George F.
Äçìoóßåõóç: London : [s.n.], 1914
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103310 11 M 114.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 446 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112226
Ôßôëïò: Merope, dramma per musica da rappresentarsi nel Teatro di Torre Argentina, nel Carnevale dell'anno 1751 ...
ÓõããñáöÝáò: Capranica, Matteo (composer)
Äçìoóßåõóç: In Roma : si vendono da Fausto Amidei, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 63 p. ; 16 cm.
Óçìåéþóåéò: Music by Matteo Capranica.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103352 11 B/V 342.02 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 447 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112285
Ôßôëïò: ˆThe ‰music to the Agamemnon of Aeschylus : as performed in the New Theatre, Cambridge, November 16-21, 1900, by members of the University : composed by C. Hubert H. Parry ... The English version by H.J. Edwards ...
ÓõããñáöÝáò: Edwards, H. J. (tr.)
Äçìoóßåõóç: London : Novello and Co., Ltd. ; Cambridge : MacMillan and Bowes, 1900
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aeschylus
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103416 11 GC 2118 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 448 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112478
Ôßôëïò: Chants grecs de la divine liturgie / de S. Jean Chrysostome
ÓõããñáöÝáò: Vos, S. de (ed.)
¸êäïóç: <2. éd.>.
Äçìoóßåõóç: Chevetogne (Belgique) ; Paris : Editions de Chevetogne, [1949]
ÖõóéêÞ ÐåñéãñáöÞ: 31 p. ; 26 cm.
Óçìåéþóåéò: Music score and words.
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103610 11 M 60.31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 449 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112491
Ôßôëïò: ˆThe ‰music to the Birds of Aristophanes, as performed at Cambridge, November, 1883 / composed by C. Hubert H. Parry ... ; with an English version by A.W. Verrall ....
ÓõããñáöÝáò: Verrall, A. W. (tr.)
Äçìoóßåõóç: London : sold for the Committee by Stanley Lucas, Weber & Co., 1885
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aristophanes
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103623 11 GC 2114 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 450 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112492
Ôßôëïò: ˆThe ‰music to the Birds of Aristophanes as performed at Cambridge, November, 1883, and November, 1903 / composed by C. Hubert H. Parry .. ; with an English version of the songs by A.W. Verrall ....
ÓõããñáöÝáò: Verrall, A. W. (tr.)
Äçìoóßåõóç: Cambridge : Printed at the University Press, and sold by Macmillan And Bowes, 1903
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aristophanes
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**103624 11 GC 2114.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 451 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 112993
Ôßôëïò: ˆThe ‰music to the Clouds of Aristophanes : as written for performance by the Oxford University Dramatic Society : 1905 / by C. Hubert H. Parry ; with an English version of the choruses by A.D. Godley
ÓõããñáöÝáò: Godley, A. D. (tr.)
Äçìoóßåõóç: Leipzig ; Brussels ; London ; New York : Breitkopf & Hrtel, [1905]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Breitkopf & Härtel's edition of vocal scores.
ÈÝìáôá: Aristophanes
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104136 11 GC 2116 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 452 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113002
Ôßôëïò: Hymns chiefly of the Eastern Church : second series / set to music by request of the translator the Rev. J.M. Neale, D.D.
ÓõããñáöÝáò: Neale, John Mason, 1818-1866 (tr.)
¸êäïóç: 4th ed.
Äçìoóßåõóç: London : Novello, Ewer and Co. ; Leicester : Crossley and Clarke, [ca. 1866]
ÖõóéêÞ ÐåñéãñáöÞ: 19 p. ; 20 cm.
ÈÝìáôá: Hymns
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104145 11 T 697 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 453 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113033
Ôßôëïò: ˆAn ‰imitative version of Sophocles' tragedy Antigone : with its melo-dramatic dialogue and choruses, as written and adapted to the music of Dr. Felix Mendelssohn Bartholdy / by W. Bartholomew
ÓõããñáöÝáò: Bartholomew, William (tr.)
Äçìoóßåõóç: London : printed by J. Bonsor, 1845
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Sophocles. Antigone. GENNADIUS.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104176 11 GC 2079 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 454 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113153
Ôßôëïò: ˆThe ‰music to the Wasps of Aristophanes / composed by T. Tertius Noble ; the English translation by Benjamin Bickley Rogers ... and Wilfred A. Gill ...
ÓõããñáöÝáò: Gill, Wilfred A. (joint tr.)
Rogers, Benjamin Bickley (tr.)
Äçìoóßåõóç: Cambridge : Published for the Greek Play Committee, 1897
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aristophanes
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104331 11 GC 2113 - ¼÷é ÄéáèÝóéìï
**104332 11 GC 2113 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 455 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113337
Ôßôëïò: ˆThe ‰music to the Frogs of Aristophanes / composed for performance at Oxford in 1892 by C. Hubert H. Parry ; with an English version by D.G. Hogarth and A.D. Godley
ÓõããñáöÝáò: Hogarth, D. G.
Godley, A. D. (joint tr.)
Äçìoóßåõóç: Leipzig ; Brussels ; London ; New York : [s.n., 1893]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aristophanes
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104557 11 GC 2115 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 457 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113543
Ôßôëïò: Poésies galantes et gracieuses d'Anacréon, Bion, Moschus, Catulle et Horace : imitées en vers français, et soumises pour la plupart au rhythme musical / Par M. Lachabeaussière ...
ÓõããñáöÝáò: Lachabeaussière (tr.)
Äçìoóßåõóç: A Paris : chez Goujon fils, an xi, [1803]
ÖõóéêÞ ÐåñéãñáöÞ: 314 p. ; 21 cm.
ÈÝìáôá: Greek poetry, Ancient--Selections
Latin poetry--Selections
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**104788 11 GC 1323 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 458 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113686
Ôßôëïò: Aristidis Quintiliani De musica libri tres / edidit R.P. Winnington-Ingram
Ïìïéüìïñöïò Ôßôëïò: Peri mousikes
ÓõããñáöÝáò: Aristides Quintilianus
Winnington-Ingram, R. P. (Reginald Pepys), 1904- (ed.)
Äçìoóßåõóç: Lipsiae : Teubner, 1963
ÖõóéêÞ ÐåñéãñáöÞ: xxix, 198 p., [8] p. of plates : facsims ; 21 cm.
ÓåéñÝò: (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana)
Óçìåéþóåéò: Greek text, commentary in Latin.
Includes index.
Bibliography: p. xxvii-xxviii.
ÈÝìáôá: Music--Theory--To 500
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML168.A45 1963
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**28203 04 RA 92/3 - ¼÷é ÄéáèÝóéìï
**37080 14 CN ARIS WIN - ¼÷é ÄéáèÝóéìï
**105031 11 GC 4608 - ¼÷é ÄéáèÝóéìï
**105032 11 GC 4608 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 459 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113740
Ôßôëïò: Greek musical writings / edited by Andrew Barker
ÓõããñáöÝáò: Barker, Andrew, 1943- (ed.)
Äçìoóßåõóç: Cambridge ; New York : Cambridge University Press, 1984-1989
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. : ill. ; 24 cm.
ÓåéñÝò: (Cambridge readings in the literature of music)
ISBN: 0521235936 v. 1
052130220X v. 2
Óçìåéþóåéò: Includes bibliographies and indexes.
Ðåñéå÷üìåíá: v. 1. The musician and his art -- v. 2. Harmonic and acoustic theory
ÈÝìáôá: Music--To 500--Sources
Music, Greek and Roman--Sources
Music, Greek--Philosophy and aesthetics
DDC Ôáîéíüìçóç: 781.738 (19)
LCC Ôáîéíüìçóç: ML167.G73 1984
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
40185 06 33.044 1 ¼÷é ÄéáèÝóéìï
44610 06 33.044 2 ¼÷é ÄéáèÝóéìï
51866 04 R 36/10 v.1 ¼÷é ÄéáèÝóéìï
56751 04 R 36/10 v.2 ¼÷é ÄéáèÝóéìï
**105161 11 M 41.5 - ¼÷é ÄéáèÝóéìï
**105162 11 M 41.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 460 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113921
Ôßôëïò: Lettre a M. Rossignol... sur le vers dochmiaque
ÓõããñáöÝáò: Vincent, A. J. H. (Alexandre Joseph Hidulphe), 1797-1868
Äçìoóßåõóç: [Paris : P. Dupont, 1846]
ÖõóéêÞ ÐåñéãñáöÞ: 12 p. ; 22 cm.
Óçìåéþóåéò: Extrait du Journal général de l'instruction publique, 22 août 1846.
ÈÝìáôá: Musical meter and rhythm
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105532 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 461 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 113953
Ôßôëïò: Quelques mots sur la musique et la poésie ancienne : à propos de l'ouvrage de m. B. Jullein, intitulé De quelques points des sciences dans l'antiquité ...
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Guizot collection of pamphletsv. 9Mélanges historiques. 1846-1856
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: Paris : C. Douniol, 1854
ÖõóéêÞ ÐåñéãñáöÞ: 48 p. ; 25 cm.
Óçìåéþóåéò: "Extrait du Correspondant, 23 septembre et 25 octobre, 1854."
ÈÝìáôá: Jullien. Bernard. 1798-1881. De quelques points des sciences dans l'antiquité..
Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105570 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 462 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114001
Ôßôëïò: Notice sur divers manuscrits grecs relatifs à la musique ... [comprenant une traduction française et des commentaires] / par M. A.J.H. Vincent
ÓõããñáöÝáò: Vincent, A. J. H. (Alexandre Joseph Hidulphe), 1797-1868
Äçìoóßåõóç: Paris : Impr. royale, 1847
ÖõóéêÞ ÐåñéãñáöÞ: 600 p. : charts, music ; 28 cm.
ÓåéñÝò: (Notices et extraits des manuscrits de la Bibliothèque du Roi et autres bibliothèques ; t. 16, 2e ptie)
Óçìåéþóåéò: French and Greek.
Includes indexes.
ÈÝìáôá: Manuscripts, Greek--France
Music--Theory--To 500
Music, Greek and Roman
Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105618 11 GC 4601 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 463 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114007
Ôßôëïò: Stile e autori dei canti cleftici / Mario Vitti
ÓõããñáöÝáò: Vitti, Mario
Äçìoóßåõóç: Firenze : Olschki, 1958
ÖõóéêÞ ÐåñéãñáöÞ: 16 p. ; 25 cm.
Óçìåéþóåéò: Cover title.
"Estratto da 'Lares', organo della Società di etnografia italiana - Roma, anno XXIV, fasc. I-II gennaio-giugno 1958."--T.p.
Includes bibliographical references.
ÈÝìáôá: Ballads, Greek (Modern)--History and criticism
Folk poetry, Greek (Modern)--History and criticism
Folk songs, Greek (Modern)--History and criticism
Klephts in literature
Klephts--Songs and music--History and criticism
LCC Ôáîéíüìçóç: PA5255.V488 1958
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105624 11 MGL 595.9/V. 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 464 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114058
Ôßôëïò: Recherches sur l'histoire de la gamme arabe / par J.P.N. Land
ÓõããñáöÝáò: Land, Jan Pieter Nicolaas, 1834-1897
Äçìoóßåõóç: Leide : E. J. Brill, 1884
ÖõóéêÞ ÐåñéãñáöÞ: 141 p. : illus ; 24 cm.
Óçìåéþóåéò: Reprint from Actes du sixième Congrès international des orientalistes à Leide, 2 ptie., p. [35]-168.
Includes French translation, followed by text in Arabic, of extracts from al-Farabis Book of music.
Includes bibliographical references.
ÈÝìáôá: al-Farabi.
Music intervals and scales
Music, Arab--History and criticism
LCC Ôáîéíüìçóç: ML332.L3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105675 11 M 106 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 465 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114064
Ôßôëïò: Études sur l'ancienne musique grecque : Rapports à M. Le Ministre de l'Instruction publique sur une mission littéraire en Espagne / par Ch. Émile Ruelle
ÓõããñáöÝáò: Ruelle, Ch.-Em., 1833-1912
Äçìoóßåõóç: Paris : Imprimerie Nationale, 1875
ÖõóéêÞ ÐåñéãñáöÞ: 135 p. : tab. (fold) ; 24 cm.
Óçìåéþóåéò: Extrait des Archives des Missions Scientifiques et Littéraires, 3ème série, t. 2.
ÈÝìáôá: Music, Greek and Roman
Music, Greek, Ancient
LCC Ôáîéíüìçóç: ML169.R921e
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105681 11 GC 4614 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 466 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114069
Ôßôëïò: Histoire de l'harmonie au moyen age par E. de Coussemaker, ... / par A.-J.-H. Vincent ...
ÓõããñáöÝáò: Vincent, A. J. H., 1797-1868
Äçìoóßåõóç: Paris : C. Douniol, 1853
ÖõóéêÞ ÐåñéãñáöÞ: 31 p. ; 25 cm.
Óçìåéþóåéò: Extrait du Correspondant recueil périodique, no. du 25 juin et du 25 jullet 1853.
ÈÝìáôá: Coussemaker. Charles Edmond Henri de. 1805-1876. Histoire de l'harmonie au moyen age..
Music--Theory--15th century
Music--Theory--500-1400
Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105686 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 467 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114087
Ôßôëïò: Mémoire sur la symphonie des anciens] / par A. Wagener, professeur a l'Universite de Gand
ÓõããñáöÝáò: Coussemaker, Charles Edmond Henri de, 1805-1876
Wagener, A.
Äçìoóßåõóç: [Bruxelles : l'Académie royale de Belgique, 1861]
ÖõóéêÞ ÐåñéãñáöÞ: 82 p. ; 30 cm.
Óçìåéþóåéò: On title page: Académie Royale de Belgique.
Extrait du tome XXXI des mémoires couronnés et des savants étrangers..--501 With: Fétis, Francois J. Mémoire sur l'harmonie simultanée des sons chez .. Bruxelles, 1858.
ÈÝìáôá: Music--To 500
Music, Greek and Roman
Music, Greek, Ancient
LCC Ôáîéíüìçóç: ML169.F58
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105704 11 M 31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 468 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114090
Ôßôëïò: Réponse à M. Fétis et réfutation de son mémoire sur cette question:les Grecs et les Romains ont-ils connu l'harmonie simultanée des sons? : En ont-ils fait usage dans leur musique? / Par Mr. A.-J.-H. Vincent
ÓõããñáöÝáò: Vincent, A. J. H. (Alexandre Joseph Hidulphe), 1797-1868
Äçìoóßåõóç: Lille : Impr. de L. Danel, 1859
ÖõóéêÞ ÐåñéãñáöÞ: 80 p. : 5 fold. pl. ; 22 cm.
Óçìåéþóåéò: "Extrait des Mémoires de la Société impériale des sciences, de l'agriculture et des arts de Lille."
ÈÝìáôá: Fétis. François-Joseph. 1784-1871. Mémoire sur l'harmonie ....
Harmony
Music, Greek and Roman
Music, Greek, Roman
LCC Ôáîéíüìçóç: ML169.F58
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105709 11 M 31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 469 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114125
Ôßôëïò: ˆThe ‰oldest Slavonic tradition of Byzantine music
ÓõããñáöÝáò: Høeg, Carsten, 1896-
Äçìoóßåõóç: London : [s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: [37]-66 p. : facsims., music ; 26 cm.
ÓåéñÝò: (In British Academy, London (Founded 1901) Proceedings 1953. v.39 (1954))
Óçìåéþóåéò: Read 14 Jan., 1953.
Bibliographical footnotes.
ÈÝìáôá: Church music--Orthodox Eastern Church
Music, Byzantine--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
26636 04 NQ 71 - ¼÷é ÄéáèÝóéìï
**105758 11 M 48.7 - ¼÷é ÄéáèÝóéìï
**105759 11 M 48.7 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 470 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 114181
Ôßôëïò: Essai d'explication de quelques pierres gnostiques / par M. Vincent
ÓõããñáöÝáò: Vincent, Alexandre Joseph Hidulphe, 1797-1868
Äçìoóßåõóç: Paris : Crapelet, 1849
ÖõóéêÞ ÐåñéãñáöÞ: 24 p. : plate (fold.) ; 24 cm.
Óçìåéþóåéò: Cover title.
Extrait des Mémoires de la Société des Antiquaires de France.
ÈÝìáôá: Gnosticism
Musical instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**105881 11 A 1134 - ¼÷é ÄéáèÝóéìï
**105882 11 A 1353 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 361 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100293
Ôßôëïò: ˆL'‰harmonie au moyen âge : "Orientis partibus"
ÓõããñáöÝáò: Coussemaker, Charles Edmond Henri de.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Annales archéologiques, t. 16, p. 300-304, plate).
ÈÝìáôá: Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87208 11 M 53 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 362 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100365
Ôßôëïò: Mémoire sur cette question : Les Grecs et les Romains ont-ils connu l'harmonie simultanée des sons? : En ont-ils fait usage dans leur musique? :
ÔñÝ÷ùí ôßôëïò: Sur l'harmonie simultanée des sons chez les Grecs et les Romains
ÓõããñáöÝáò: Fétis, François Joseph, 1784-1871
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de l'Académie royale de Belgique, t. 31, 120 p. 2 tables, 2 plates).
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87280 11 M 31 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 363 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100405
Ôßôëïò: Essai sur le chant ecclésiastique : Réponse aux précédentes notes du directeur
ÓõããñáöÝáò: Jouve, abbé.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Annales archéologiques, t. 4, p. 215-222).
ÈÝìáôá: Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87320 11 M 53 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 364 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100435
Ôßôëïò: ˆAn ‰Octogenarian musician : Giuseppe Verdi
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Review of reviews, Feb. 1901, p. 144-146).
ÈÝìáôá: Verdi, Giuseppe, 1813-1901
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87351 11 H 521.5/O 47 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 365 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100575
Ôßôëïò: ˆUne ‰page de musique grecque
ÓõããñáöÝáò: Reinach, Théodore
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (In: La Revue de Paris, 1894, p. [204]-224).
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87491 11 M 33.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 366 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100826
Ôßôëïò: ˆL'‰ ornementation dans le chant de l' église grecque et la chanson populaire grecque moderne
ÓõããñáöÝáò: Baud-Bovy, Samuel
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Studia musicologica Academiae Scientiarum Hungaricae, 21, 1979, p. 281-293).
ÈÝìáôá: Music, Greek, Modern
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87742 11 M 91.652 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 367 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100879
Ôßôëïò: ˆLa ‰musique arabe
ÓõããñáöÝáò: Rouanet, J.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Bulletin de la Société de géographie d'Alger, 1905, p. 304-333).
ÈÝìáôá: Music, Arab
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87795 11 M 106 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 368 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 101204
Ôßôëïò: Observations with a view to an inquiry into the music of the East
ÓõããñáöÝáò: Dauney, William
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Journal of the Royal Asiatic Society, May, 1840, p. 1-10).
ÈÝìáôá: Music, Oriental
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**88120 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 369 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 101323
Ôßôëïò: English ritual music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Christian remembrancer, no. 52 N.S., 1846, p. 114-183).
ÈÝìáôá: Hymns
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**88239 11 M 68 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 370 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 101732
Ôßôëïò: Byzantine ecclesiastical music
ÓõããñáöÝáò: Hatherly, Stephen G.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (The Scottish review, vol. XIV, no. 28, 1889, p. 239-281; detached copy).
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**88648 11 M 60.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 371 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 101733
Ôßôëïò: Coptic ecclesiastical music
ÓõããñáöÝáò: Hatherly, Stephen G.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (The Scottish review, vol. XV, no. 30, 1890, p. 315-364; detached copy).
ÈÝìáôá: Music, Coptic
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**88649 11 M 60.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 372 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 101800
Ôßôëïò: Essai sur le chant ecclésiastique
ÓõããñáöÝáò: Jouve, abbé.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Annales archéologiques, t. 4, p. 215-222).
ÈÝìáôá: Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**88716 11 M 53 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 373 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 102181
Ôßôëïò: Recherches sur la symphonie des anciens / par M. de Rochefort
ÓõããñáöÝáò: Rochefort, Guillaume Dubois de, 1731-1788
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, t. 41, 1780, p. 365-381; detached copy).
Paper presented 27 February 1776.
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**89099 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 374 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 102256
Ôßôëïò: ˆA ‰contribution to the study of the interpretation of late Byzantine notation / [by] Mark Ph. Dragoumis
ÓõããñáöÝáò: GREEK CHARACTERS
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Report of the eleventh congress of the International Musicological Society, vol. 2, 1972, p. 751-757; photocopies).
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**89174 11 M 63.32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 375 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 102787
Ôßôëïò: ˆDie ‰erste deutsche Meer-Turnfahrt zum Hellespont : Mit einer musicalisch-poetischen Zugabe
ÓõããñáöÝáò: Kallenberg, C.
Äçìoóßåõóç: Lindau i. B. : [s.n.], 1892
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Near East--Description and travel
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**89840 11 GT 1504 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 376 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 103089
Ôßôëïò: ˆDie ‰Tonleitern und Musiknoten der Griechen
ÓõããñáöÝáò: Bellermann, Friedrich
Äçìoóßåõóç: Berlin : [s.n.], 1847
ÖõóéêÞ ÐåñéãñáöÞ: 84 p., 6 plates ; 28 cm.
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**90142 11 M 42.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 377 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 103556
Ôßôëïò: Music to the choruses of the Rhesus of Euripides / written for the performance by the O.U.D.S. in 1923 ; by Ernest Walker
ÓõããñáöÝáò: Walker, Ernest
Äçìoóßåõóç: [Oxford : s.n.], 1923]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Euripides
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**90609 11 GC 2107.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 378 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 103865
Ôßôëïò: Collection of Russian music
ÓõããñáöÝáò: Prach, Ivan
Äçìoóßåõóç: [S.l. : s.n.], 1815
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Volume so lettered consists of 2 vols. bound in 1, St. Petersburg, 1815..--546 Text all in Russian. Apparently edited by Ivan Prach.
ÈÝìáôá: Modern music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**90967 11 M 95 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 379 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104099
Ôßôëïò: Chants de la liturgie byzantine : melodies slaves, textes français
Äçìoóßåõóç: Chevetogne (Belgique) : Editions de Chevetogne, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 32 p. ; 21 cm.
Óçìåéþóåéò: With musical scores.
ÈÝìáôá: Music--Slavic
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91208 11 M 101.9 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 380 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104205
Ôßôëïò: Round Europe : an entertainment with song : the readings written, and the airs harmonised as part-songs / by J. Spencer Curwen
ÓõããñáöÝáò: Curwen, J. Spencer
Äçìoóßåõóç: London : J. Curwen, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: [2], 36 p. ; 22 cm.
Óçìåéþóåéò: A collection of national anthems.
ÈÝìáôá: Music--National anthems
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91314 11 M 114 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 381 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104218
Ôßôëïò: Eastern music : twenty melodies from the Egyptian, Greek, Jewish, Syrian, Turkish, and Arabic, for the voice, dulcimer, and drum, with pianoforte accompaniments and illustrations ...
ÓõããñáöÝáò: Macgregor, John
Äçìoóßåõóç: London : J. Alfred Novello, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: vi, 34 p., plates : ill. ; 24 cm.
ÈÝìáôá: Songs
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91327 11 M 103 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 382 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104235
Ôßôëïò: Catholic hymns : set to music by the Composer of hymns of the Eastern Church / revised and edited by Rev. W.H. Anderdon +250
ÓõããñáöÝáò: Anderdon, W. H.
Äçìoóßåõóç: London : Novello, Ewer and Co, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 2 pts., 15, 15 p. ; 20 cm.
ÈÝìáôá: Hymns
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91349 11 T 697 pt. 1 ¼÷é ÄéáèÝóéìï
**91350 11 T 697 pt. 2 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 383 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104247
Ôßôëïò: Johnson & music : a paper read at the supper of the Johnson Club, held at "The Old Cheshire Cheese" ... 14th March, 1892 ...
ÓõããñáöÝáò: Sargeaunt, John, 1857-1922
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 15 p. ; 18 cm.
ÈÝìáôá: Johnson, Samuel
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91367 11 F 544.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 384 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104405
Ôßôëïò: Bibliotheca hymnologica : a priced catalogue ... of hymnals, versions of the Psalms, volumes and pamphlets upon hymnology, church psalmody and music ...
ÓõããñáöÝáò: Brooke, W. T.
Äçìoóßåõóç: London : Charles Higham, 1890
ÖõóéêÞ ÐåñéãñáöÞ: 98 p. ; 19 cm.
ÈÝìáôá: Hymnology
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91528 11 M 68.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 385 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104513
Ôßôëïò: Hymns of ye Holy Eastern Church, set to musick for four voices ...
ÓõããñáöÝáò: Sedding, Edmund, 1836-1868
Äçìoóßåõóç: London : Masters & son, 1864
ÖõóéêÞ ÐåñéãñáöÞ: 15 p. ; 20 cm.
Óçìåéþóåéò: Text of the hymns from J.M. Neale, Hymns of the Eastern Church.
ÈÝìáôá: Hymns
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91636 11 T 697 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 386 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104765
Ôßôëïò: Veglat muzikore të popullit Shqiptar / [by] Ramadan Sokoli [and] Pirro Miso
ÓõããñáöÝáò: Sokoli, Ramadan
Miso, Pirro
Äçìoóßåõóç: Tiranë : Akademia e Shkencave e RPS të Shqipërisë, Instituti i Kulturës Popullore, 1991
ÖõóéêÞ ÐåñéãñáöÞ: 319, [4] p., col. plates : ill., music ; 26 cm.
ÈÝìáôá: Music, Albanian
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91888 11 HB 420/S 68 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 387 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 104865
Ôßôëïò: De musicis Graecis commentatio / Scripsit Ioannes Franzius ; Inest fragmentum ineditum ad Cl. Ptolemaei Harmonicam pertinens
ÓõããñáöÝáò: Franz, Johann, 1804-1851
Äçìoóßåõóç: Berolini : ex libraria Guilelmi Besseri, 1840
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; 26 cm.
ÈÝìáôá: Ptolemaeus, Claudius
Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**91988 11 M 34 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 388 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105319
Ôßôëïò: Sapphus Lesbiae carmina et fragmenta / Recensuit commentario illustravit, sbbemata musica adiecit et indices confecit Henr ; frid ; magnus Volger
ÓõããñáöÝáò: Sappho
Volger, Heinrich Friedrich Magnus (ed.)
Äçìoóßåõóç: Lipsiae : in libraria Weidmannia, 1810
ÖõóéêÞ ÐåñéãñáöÞ: 193 p. ; cm.
ÈÝìáôá: Sappho
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92665 11 GC 1518 - ¼÷é ÄéáèÝóéìï
**92666 11 GC 1518 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 389 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105340
Ôßôëïò: ˆThe ‰music of the Serbian liturgy / arranged for the English rite by Francis Burgess and Voyeslav Yanitch
ÓõããñáöÝáò: Burgess, Francis
Yanitch, Voyeslav
Äçìoóßåõóç: London : G. Schirmer, [1917]
ÖõóéêÞ ÐåñéãñáöÞ: 32 p. ; 26 cm.
ÈÝìáôá: Music, Slavic
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92711 11 M 101 - ¼÷é ÄéáèÝóéìï
**92712 11 M 101 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 390 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105541
Ôßôëïò: Analyse du dialogue de Plutarque Sur la musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, t. 8, 1733, p. 80-96; detached copy).
Presented 3 Mar. 1730.
ÈÝìáôá: Plutarch
Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92969 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 391 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105542
Ôßôëïò: Discours dans lequel on rend compte de divers ouvrages modernes touchant l'ancienne musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoirs de Littérature, t. 8, 1733, p. 1-27; detached copy).
Presented 19 July 1726.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92970 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 392 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105543
Ôßôëïò: Dissertation, où l'on fait voir, que les merveilleux effets, attribuez à la musique des anciens, ne prouvent point, qu'elle fust aussi parfaite que la nôtre
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: Presented 26 July 1718.
(Mémoires de Littérature, tome 5, 1729, p. 133-151; detached copy).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92971 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 393 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105546
Ôßôëïò: Dissertation sur la mélopée de l'ancienne musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Addition à la Dissertation sur la mélopée).
(Mémoires de Littérature, t. 5, 1729, p. 169-206, plates; detached copy).
Presented 12 Nov. 1720 and 2 Sept. 1721.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92974 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 394 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105547
Ôßôëïò: Dissertation sur le rhythme de l'ancienne musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémories de Littérature, t. 5, 1729, p. 152-168; detached copy).
Presented 22 Aug. 1719.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92975 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 395 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105548
Ôßôëïò: Examen du traité de Plutarque Sur la musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, tome 8, 1733, p. 27-44; detached copy).
Presented 20 Apr. 1728.
ÈÝìáôá: Plutarch
Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92976 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 396 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105552
Ôßôëïò: Observations touchant l'histoire littéraire du dialogue de Plutarque Sur la musique
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, t. 8, 1733, p. 44-62; detached copy).
Presented 3 May 1729.
ÈÝìáôá: Plutarch
Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92980 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 397 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105553
Ôßôëïò: Supplément à la Dissertation sur la théorie de l'ancienne musique comparée avec celle de la musique moderne
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, t. 17, 1751, p. 107-126, plates; detached copy).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**92981 11 GC 2607 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 398 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105592
Ôßôëïò: Examen d'un passage de Platon sur la musique
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Histoire de l'Académie royale des Inscriptions et Belles Lettres, t. 3, 1746, p. 111-122).
ÈÝìáôá: Plato
Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93020 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 399 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 105732
Ôßôëïò: Nouvelles reflexions sur la symphonie de l'ancienne musique / pour servir de confirmation à ce qu'on a tâché d'establir là-dessus dans le quatrième volume des Mémoires de Littérature, p. 116
ÓõããñáöÝáò: Burette, Pierre Jean, 1665-1747
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Mémoires de Littérature, t. 8, 1733, p. 63-80; detached copy).
Presented 23 Aug. 1729.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93160 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 400 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106212
Ôßôëïò: Dialogo per musica nella vittoria ottenuta dall'armi christiane contro l'ottomane all' assedio di Vienna ... cantato nel palazzo del Duca di Bracciano
Äçìoóßåõóç: In Bracciano : nella ducal stamparia del Bernabo, 1683
ÖõóéêÞ ÐåñéãñáöÞ: 8 p. ; 24 cm.
ÈÝìáôá: Vienna--Siege (1683)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93693 11 B/TH 70.59 Q - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 401 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106219
Ôßôëïò: Entretiens sur l'état de la musique grecque, vers le milieu du quatrième siècle, avant l'ère vulgaire
ÓõããñáöÝáò: Barthélemy, Jean Jacques, 1716-1795
Äçìoóßåõóç: A Amsterdam : et se trouve à Paris, chez les frères De Bure, 1777
ÖõóéêÞ ÐåñéãñáöÞ: 110, [1] p. ; 21 cm.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93700 11 M 22 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 402 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106226
Ôßôëïò: Griechische Harmonik und Melopoeie / Von Rudolf Westphal ... Dritte gänzlich umgearbeitete Auflage
ÓõããñáöÝáò: Westphal, Rudolf
Äçìoóßåõóç: Leipzig : Druck und Verlag von B.G. Teubner, 1886
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Theorie der musichen Künste der Hellenen von August Rossbach und Rudolf Westphal, zweiter Band)
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93707 11 M 22.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 403 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106227
Ôßôëïò: Griechische Rhythmik / Von Rudolf Westphal ... ; Als dritte Auflage der Griechischen Rhythmik und der Fragmente und Lehrsätze der griechischen Rhythmiker
ÓõããñáöÝáò: Westphal, Rudolf
Äçìoóßåõóç: Leipzig : Druck und Verlag von B.G. Teubner, 1885
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Theorie der musischen Künste der Hellenen / von August Rossbach und Rudolf Westphal ; 1. Bd.)
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93708 11 M 22.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 404 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106260
Ôßôëïò: Du caractère de la musique grecque d'après les derniers travaux de M.A.J.H. Vincent
ÓõããñáöÝáò: Michal, Henri
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Rev. archéologique, t. 6, p. 241-250).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93743 11 M 39 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 405 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106272
Ôßôëïò: Notes sur la musique grecque : Conférence faite à Athènes / par Louis Nicole, lors de l'Exécution de l'Hymne Delphique à Apollon
ÓõããñáöÝáò: Nicole, Louis
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 8 p. : music ; 25 cm.
Óçìåéþóåéò: (L'Avenir musical, supplément, 1894).
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93755 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 406 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106285
Ôßôëïò: Specimen lexici in musicos graecos
ÓõããñáöÝáò: Vetter, Max. Hermann
Äçìoóßåõóç: Misenae : [s.n.], 1861
ÖõóéêÞ ÐåñéãñáöÞ: 34 p. ; 25 cm.
Óçìåéþóåéò: Programm.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93770 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 407 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106296
Ôßôëïò: Studien zur griechischen Musik-Geschichte. B, Die Prosodien und die denselben verwandten Gesänge der Griechen
ÓõããñáöÝáò: Reimann, Heinrich
Äçìoóßåõóç: Glatz : [s.n.], 1885
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; 25 cm.
Óçìåéþóåéò: Beilage zum Oster-Programm 1885 des Königlichen Katholischen Gymnasiums zu Glatz.
ÈÝìáôá: Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93781 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 408 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106385
Ôßôëïò: ˆA ‰Letter to a friend in the country concerning the use of instrumental musick in the worship of God : in answer to Mr. Newte's sermon preach'd at Tiverton in Devon on the occasion of an organ being erected in that parish-church
Äçìoóßåõóç: London : Printed for A. Baldwin, 1698
ÖõóéêÞ ÐåñéãñáöÞ: 94 p. ; cm.
Óçìåéþóåéò: 510 Wing
ÈÝìáôá: Newte. John. 1655?-1716. GENNADIUS.
Music in churches
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**93884 11 T 502 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 409 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106587
Ôßôëïò: ˆI ‰campi Elisi ossia Le spose ricuperate : Dramma giocoso per musica da rappresentarsi nel Teatro alla Scala la primavera dell' anno 1788 ...
ÓõããñáöÝáò: Bertati, Giovanni, 1735-1815
Caruso, Luigi, 1754-1822
Formenti, Lorenzo
Äçìoóßåõóç: Milano : Gio. Batista Bianchi, [n.d.]
ÖõóéêÞ ÐåñéãñáöÞ: 72 p. ; 16 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94105 11 V 315 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 410 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106726
Ôßôëïò: Kommentar zur Harmonielehre des Ptolemaios / Porphyrius ; [hrsg. von Ingemar Düring]
ÓõããñáöÝáò: Porphyrius
Düring, Ingemar, 1903- (ed.)
Äçìoóßåõóç: Hildesheim ; New York : G. Olms, 1978
ÖõóéêÞ ÐåñéãñáöÞ: xlii, 217 p. : diagr ; 19 cm.
Óçìåéþóåéò: Reprint of the 1932 Göteborg edition, issued as v. 38, no. 2 in series Göteborgs högskolas arsskrift.
"Verzeichnis der Handschriften": p. [ix]-xv.
Includes indexes.
ÈÝìáôá: Ptolemaeus. Claudius. Harmonica.
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94244 11 GC 2856.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 411 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106749
Ôßôëïò: Plutarchi De musica / editit Ricardus Volkmann
Ïìïéüìïñöïò Ôßôëïò: De musica
¢ëëåò ðáñáëëáãÝò ôßôëïõ: De musica
ÓõããñáöÝáò: Plutarch
Volkmann, Richard Emil, 1832-1892 (ed.)
Äçìoóßåõóç: Lipsiae : Sumptibus et typis B.G. Teubneri, 1856
ÖõóéêÞ ÐåñéãñáöÞ: xxiv, 171 p. ; 23 cm.
ÈÝìáôá: Plutarch, (De musica)
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML168.P7V8
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94267 11 GC 2610 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 412 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 106914
Ôßôëïò: Aristoxeni musici antiquiss[imi] Harmonicorum elementorum libri III.Cl. Ptolomaei Harmonicorum, seu de musica lib.III.Aristotelis De obiecto auditus fragmentum ex Porphyrij commentarijs / omnia nunc primum latine conscripta & edita ab Ant. Gogauino grauiensi
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Harmonicorum elementorum
Musici antiquissimi harmonicorum elementorum
ÓõããñáöÝáò: Aristoxenus
Porphyry, ca. 234-ca. 305
Gogava, Antonius, 1529-1569 (tr.)
Äçìoóßåõóç: Venetijs : Apud Vincentium Valgrisium, 1562
ÖõóéêÞ ÐåñéãñáöÞ: 165, [3] p. : ill. ; 23 cm. (4to)
Óçìåéþóåéò: Each work has separate t.p.
Final leaf blank.
Woodcuts: printer's devices (2), historiated and decorated initials, ill.
"Index capitum quae in hisce libris Harmonicorum Cl. Ptolemaei continentur.": p. [48-50].
"Porphyrii de decem praedicamentis ...": p. [161]-165.
Printer's marks on t.-p. & verso of last leaf.
ÈÝìáôá: Aristotle
Aristoxenus
Ptolemaeus. Claudius. Harmonica.
Ptolemy. 2nd cent.
Aristotle.
Music, Greek and Roman--History and criticism
LCC Ôáîéíüìçóç: Z233.I8A73 1562
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94432 11 GC 4602 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 413 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 107078
Ôßôëïò: Palaeobyzantine notations : a reconsideration of the source material / edited by Jørgen Raasted and Christian Troelsgård
ÓõããñáöÝáò: Raasted, Jørgen (ed.)
Troelsgård, C. (Christian).
Conference on Byzantine Music (2nd : 1992 : Hernen, Netherlands)
Äçìoóßåõóç: Hernen [Netherlands] : A.A. Bredius Foundation, 1995
ÖõóéêÞ ÐåñéãñáöÞ: vii, 172 p. : ill., music ; 22 cm.
ISBN: 9071333043
Óçìåéþóåéò: "This is a publication of the acta of the second conference on Byzantine Music organized by the A.A. Bredius Foundation and held at Hernen Castle, the Netherlands, in November 1992. The theme 'Zur Erforschung der paläobyzantinischen Musikquellen' was in no way less complex and controversial than that of the preceding meeting, devoted to the problems of 'Rhythm in Byzantine Chant'. By the choice of 'Palaeobyzantine Musical Notations', the scholarly committee behind the conference wanted to address some of the most fundamental problems in Byzantine musicology, namely the origin, development, nature, purpose and function of the older musical notations." -- Introduction, p. v.
Includes bibliographical references and indexes.
ÈÝìáôá: Music, Byzantine--Congresses
Musical notation--Congresses
Neumes--Congresses
Paleography, Musical--Congresses
LCC Ôáîéíüìçóç: ML188.C65 1992
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94597 11 M 64.6 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 414 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 107347
Ôßôëïò: Hieronymos Tragodistes : über das Erfordernis von Schriftzeichen für die Musik der Griechen / herausgegeben von Bjarne Schartau
ÓõããñáöÝáò: Hieronymos Tragodistes
Schartau, Bjarne (ed.)
Österreichische Akademie der Wissenschaften. Kommission für Byzantinistik
Äçìoóßåõóç: Wien : Verlag der Österreichischen Akademie der Wissenschaften, 1990
ÖõóéêÞ ÐåñéãñáöÞ: 137 p., [14]p. of plates : facsims., music ; 26 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Corpus scriptorum de re musica ; v. 3)
ISBN: 3700117728
Óçìåéþóåéò: Text in Greek with German translation; critical matter in German.
At head of title: Österreichische Akademie der Wissenschaften.
Includes indexes.
Includes bibliopgraphical references (p. [8]-10).
ÈÝìáôá: Chants (Byzantine)--History and criticism--Early works to 1800
Musical notation--Early works to 1800
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**94868 11 M 52.6/V. 3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 415 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 107555
Ôßôëïò: Boetius und die griechische Harmonik / Des Anicius Manlius Severinus Boetius fünf Bücher über die Musik, aus der lateinischen in die deutsche Sprache übertragen und mit besonderer Berücksichtigung der griechischen Harmonik sachlich erklärt von Oscar Paul. Mit vielen Tabellen und Facsimiles
ÓõããñáöÝáò: Boethius, d. 524
Paul, Oscar, 1836-1898 (tr.)
Äçìoóßåõóç: Leipzig : F.E.C. Leuckart, 1872
ÖõóéêÞ ÐåñéãñáöÞ: lvi, 379 p. : facsims., tables ; 23 cm.
Óçìåéþóåéò: "Tabellen der Färbungen nach Ptolemaeus mit beigesetzter Erklärung": p. [357]-379.
ÈÝìáôá: Music, Greek and Roman--History and criticism
Music, Greek, Ancient
LCC Ôáîéíüìçóç: ML171.B6P3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**95107 11 M 23 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 416 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 107686
Ôßôëïò: Éléments harmoniques d'Aristoxène / tr. en français pour la première fois d'après un texte revu sur les sept manuscrits de la Bibliothèque Nationale et sur celui de Strasbourg par Ch.-Ém. Ruelle
ÓõããñáöÝáò: Aristoxenus
Ruelle, Ch.-Em., 1833-1912 (tr.)
Äçìoóßåõóç: Paris : Pottier de Lalaine, 1871
ÖõóéêÞ ÐåñéãñáöÞ: xx, 128 p. : 5 pl. (4 fold.) ; 23 cm.
ÓåéñÝò: (Collection des auteurs grecs relatifs à la musique)
Óçìåéþóåéò: Half title: Auteurs grecs relatifs à la musique; traduction française.
ÈÝìáôá: Aristoxenus
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**95257 11 GC 4600.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 417 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 107907
Ôßôëïò: Michaelis Pselli Arithmetica, mvsica et geometria : Item Procli Sphaera / Elia Vineto interprete. Accessit in hac vltima editione singulorum librorum in capita, necnon capitum in sectiones percommoda distributio
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Arithmetica, mvsica et geometria
ÓõããñáöÝáò: Psellus, Michael
Vinet, Élie, 1509-1587 (tr.)
Äçìoóßåõóç: Turnoni : apvd C. Michaelem, 1591-1592
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. in 1 : diagrs ; 14 cm.
Óçìåéþóåéò: Vol. [2] has title: Procli Sphaera, Elia Vineto ... interprete.
Part 2 has a seperate title page.
ÈÝìáôá: Proclus. Diadochus. GENNADIUS.
Astronomy--Early works to 1800
Mathematics--Early works to 1800
Music--Theory--16th & 17th centuries
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**95505 11 BL 1341.64 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 419 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 108109
Ôßôëïò: ˆL'‰arte della stampa nel rinascimento italiano:Venezia
ÓõããñáöÝáò: Ongania, Ferdinando, 1842-1911
Castellani, Carlo, 1822-1897
Äçìoóßåõóç: Venezia : F. Ongania [Tipografia Emiliana], 1894
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. in 1 : ill., facsims. (some col.), ports ; 31 cm.
Óçìåéþóåéò: Collection of facsimile illustrations of pages from early printed books, title pages, borders, initials, printers' marks, water-marks, art bindings, etc., with short introductions by Carlo Castellani.
Title vignette (port. of Aldus Manutius).
Reproductions of types, ornaments, and illustrations, with text by Carlo Castellani.
ÈÝìáôá: Music printing
Printers' marks--Venice
Printing--History--Venice
Water-marks
LCC Ôáîéíüìçóç: Z156.V4O5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**95899 11 BB 347 QS - ¼÷é ÄéáèÝóéìï
**95900 11 BB 347 QS - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 420 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 108585
Ôßôëïò: Ptolemaios und Porphyrios über die Musik / [herausgegeben von] Ingemar Düring
Ïìïéüìïñöïò Ôßôëïò: Harmonics
ÓõããñáöÝáò: Ptolemy, 2nd cent
Düring, Ingemar (Ingemar Duering), 1903-
Äçìoóßåõóç: Hildesheim ; New York : G. Olms, 1987
ÖõóéêÞ ÐåñéãñáöÞ: 293 p. : ill. ; 22 cm.
ÓåéñÝò: (Göteborgs Högskolas Arsskrift ; 40, 1934:1)
ISBN: 3487079321
Óçìåéþóåéò: Translation of Ptolemy's Harmonica and Porphyry's In Ptolemaei Harmonica commentarius.
Reprint. Originally published: Göteborg : Elanders boktr., 1934. (Göteborgs högskolas årsskrift ; 40, 1934, 1).
Bibliography: p. [13]-17.
ÈÝìáôá: Porphyrius, Of Tyrus
Porphyrius, Claudius
Porphyry. ca. 234-ca. 305. German. 1987.
Ptolemaeus. Claudius. GENNADIUS.
GENNADIUS. Porphyrius.
Music--Theory--To 500
Music, Greek and Roman--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**96958 11 GC 2856.3 - ¼÷é ÄéáèÝóéìï
**96959 11 GC 2856.3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 421 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 108605
Ôßôëïò: Anonyma de musica scripta Bellermanniana / ed. Dietmar Najock
ÓõããñáöÝáò: Najock, Dietmar (ed.)
¸êäïóç: 1. Aufl
Äçìoóßåõóç: Leipzig : Teubner, BSB, 1975
ÖõóéêÞ ÐåñéãñáöÞ: xxvi, 38 p. ; 21 cm.
ÓåéñÝò: (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana : [Scriptores Graeci])
Óçìåéþóåéò: Latin and Greek.
Includes index.
Bibliography: p. xxiii-xxiv.
ÈÝìáôá: Bellermann. Friedrich. 1795-1874. GENNADIUS.
Music, Byzantine
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**97000 11 M 42.15 - ¼÷é ÄéáèÝóéìï
**97001 11 M 42.15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 291 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 090450
Ôßôëïò: Plutarchi Cheronei Opuscula argutissima ingeniosissima hac serie : Politica ... De virtute morum ... Praecepta connubialia ... De liberis educandis ... De differentia odii & invidiae ... De tranquillitat animi ... De fortuna Romanorum ... De virtute & fortuna Alexandri ... Parallela ... De claris mulieribus ... Apophthegmata regum & imperatorum ... Graecorum ... Romanorum ... Laconica ... Lacaenarum ... An Brutus insit ratio dialogus ... Piacita philosophorum ... De musica Problemata ... / Praemissis amatoriis narrationibus & indice
Ïìïéüìïñöïò Ôßôëïò: Moralia
ÓõããñáöÝáò: Plutarch
Äçìoóßåõóç: [S.l.] : Iehan Petit [colophon: in edibus Ascensianis, 1514]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; 28 cm.
Óçìåéþóåéò: 546 Latin.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**76647 11 GC 2583 Q - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 292 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 090722
Ôßôëïò: Byron songs. no. 2 : Medora's song ... / the music by Ernest Aug. Kellner
ÓõããñáöÝáò: Byron, George Gordon, Lord, 1788-1824
Äçìoóßåõóç: London : Jefferys & co., [1835?]
ÖõóéêÞ ÐåñéãñáöÞ: 5 p. ; 36 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**76923 11 BY 454 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 293 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 090983
Ôßôëïò: ˆThe ‰Oedipus tyrannus of Sophocles : as arranged for performance at Cambridge, November, 1887. I. The text in Greek and English. II. The incidental music / written by C. Villiers Stanford
Ïìïéüìïñöïò Ôßôëïò: Oedipus Rex.
ÓõããñáöÝáò: Sophocles
Jebb, Richard Claverhouse, Sir, 1841-1905 (ed. and tr.)
Verrall, A. W. (Arthur Woollgar), 1851-1912 (tr.)
Äçìoóßåõóç: Cambridge : Macmillan, 1887
ÖõóéêÞ ÐåñéãñáöÞ: 39, 69 p. ; 27 cm.
Óçìåéþóåéò: Each part has also special t.-p.
"The Greek text and the English prose translation...from Professor Jebb's second edition of the play... The translation of the choruses into English verse...by A. W. Verrall."--cf. 3d prelim. p.
ÈÝìáôá: Stanford. Charles Villiers. Sir. 1852-1924.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77396 11 GC 2112 - ¼÷é ÄéáèÝóéìï
**77397 11 GC 2126 - ¼÷é ÄéáèÝóéìï
**77398 11 GC 2112 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 294 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091195
Ôßôëïò: Music and poetry : their origin and functions
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (London quarterly rev., Oct. 1872).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77631 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 295 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091196
Ôßôëïò: Music : its origin and influence
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Quarterly rev., July 1871, v. 131, no. 261).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77632 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 296 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091212
Ôßôëïò: National anthems : stirring words and rousing music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77648 11 M 114 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 297 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091276
Ôßôëïò: Sacred music : instructions to the Catholic world : letter to the Cardinal-Vicar of Rome
ÓõããñáöÝáò: Pius X (Papa).
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Reprinted from "The Tablet", Jan. 2, 1904).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77712 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 298 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091505
Ôßôëïò: Sacred Music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (London quarterly rev., Apr. 1861).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**77941 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 299 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091647
Ôßôëïò: ˆThe ‰notes Mese and Hycate in Greek music
ÓõããñáöÝáò: Williams, C. Abdy
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Classical review, Mar. 1898).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78083 11 M 32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 300 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091702
Ôßôëïò: ˆThe ‰origin of music
ÓõããñáöÝáò: Rowbotham, J. F.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (The Contemporary Rev., Oct. 1880).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78138 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 301 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 091955
Ôßôëïò: Ecclesiae modis musicis ouae ratio sit ad veterum Graecorum musicam
ÓõããñáöÝáò: Wennemer
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Jahresbericht ... Collegium Augustinianum zu Gaesdonck, 1853).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78391 11 M 32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 302 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092105
Ôßôëïò: Shakespeare et ses musiciens
ÓõããñáöÝáò: Blaze de Bury, Henri
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Rev. des deux mondes, July, 1867).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78541 11 V 600 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 303 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092133
Ôßôëïò: Early ecclesiastical music in the western church
ÓõããñáöÝáò: Birkbeck, W. J.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Newbery house magazine, Aug. 1890).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78569 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 304 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092134
Ôßôëïò: Ecclesiastical music in the Middle Ages
ÓõããñáöÝáò: Birkbeck, W. J.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Newbery House Magazine, Sept. 1890).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78570 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 305 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092429
Ôßôëïò: ˆThe ‰notes mese and hypate in Greek music
ÓõããñáöÝáò: Williams, C. Abdy
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Classical review, Mar. 1898).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78865 11 M 32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 307 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092542
Ôßôëïò: Music of the East
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Journal of the Royal Asiatic Society, May 1840).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**78978 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 308 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092569
Ôßôëïò: Carillon Music
ÓõããñáöÝáò: Osborn, E. B.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Nineteenth century, Jan. 1911).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79005 11 M 38 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 309 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092656
Ôßôëïò: Nathan on the history and theory of music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Westminster Rev., July 1833).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79092 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 310 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 092906
Ôßôëïò: Ancient music
Ïìïéüìïñöïò Ôßôëïò: Music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Foreign quarterly review, v. 20, no. 39, 1837, p. 105-120; detached copy).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79342 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 311 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093023
Ôßôëïò: Hogarth's general survey of music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Edinburgh review, Apr. 1836).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79459 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 312 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093293
Ôßôëïò: Gardiner's music of nature
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Westminster review, Oct. 1832).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79729 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 313 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093372
Ôßôëïò: Grove's dictionary of music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Edinburgh Rev., Jan. 1881).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**79808 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 314 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093581
Ôßôëïò: Departed shade of youthful worth / sung by Miss Wagstaff ; words by Maurice Harcourt ; music by Charles Severn
ÓõããñáöÝáò: Severn, Charles
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (In Album Wreath, Dec. 1833).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80020 11 P/614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 315 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093732
Ôßôëïò: Departed shade of youthful worth / sung by Miss Wagstaff ; words by Maurice Harcourt ; music by Charles Severn
ÓõããñáöÝáò: Harcourt, Maurice
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (In Album Wreath, Dec. 1833).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80172 11 P 614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 316 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093733
Ôßôëïò: Love mighty love endures forever / inscribed to Miss Bruce ; words by Maurice Harcourt ; music by Mr. Nathan
ÓõããñáöÝáò: Harcourt, Maurice
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Album Wreath, Feb. 1824).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80173 11 P 614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 317 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093770
Ôßôëïò: My child! my child! : a ballad inscribed to Miss Wing / words by W.H. Prideux ; music by W. Palmer
ÓõããñáöÝáò: Palmer, W.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Album Wreath, Mch 1834).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80210 11 P 614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 318 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093775
Ôßôëïò: Love mighty love endures forever : inscribed to Miss Bruce / words by Maurice Harcourt ; music by Mr. Nathan
ÓõããñáöÝáò: Nathan, I.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Album Wreath, Feb. 1834).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80215 11 P 614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 319 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093792
Ôßôëïò: My child! My child! : a ballad inscribed to Miss C. Wing / words by W.H. Prideux ; music by W. Palmer
ÓõããñáöÝáò: Prideux, W. H.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Album Wreath, Mar. 1834).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80232 11 P 614.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 320 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093813
Ôßôëïò: Remarks on Eastern church music. I-II.
ÓõããñáöÝáò: Chaplin, Wyndham A.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Musical opinion & Musical trade Review, No. 239-240, 1898).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80253 11 M 57 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅðéëïãÞ ¼ëùí | Áêýñùóç ÅðéëïãÞò ¼ëùí
ÅããñáöÞ 321 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093829
Ôßôëïò: Greek popular music. I-II.
ÓõããñáöÝáò: Goddard, Joseph
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Clipping from Musical opinion & music trade review, No, 255, 1898 and No. 256, 1898).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80269 11 M 90 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 322 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 093908
Ôßôëïò: Church music
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Edinburgh review, Jan. 1852).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80393 11 M 60 - ¼÷é ÄéáèÝóéìï
**80394 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 323 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094106
Ôßôëïò: ˆThe ‰harp of God : twelve letters on liturgical music : its import, history, present state, and reformation
ÓõããñáöÝáò: Young, Edward
Äçìoóßåõóç: London : [s.n.], 1861
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80690 11 M 71 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 324 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094111
Ôßôëïò: ˆThe ‰national songs of the allies and neutral nations : music arranged and adapted for children
ÓõããñáöÝáò: Bath, Hubert
Äçìoóßåõóç: London : [s.n.], 1915
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Books for the Bairns ; No. 230)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80695 11 M 113 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 325 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094185
Ôßôëïò: Music : in relation to public worship : (a sermon)
ÓõããñáöÝáò: Bulmer, John
Äçìoóßåõóç: Cambridge : [s.n.], 1881
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80769 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 326 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094222
Ôßôëïò: ˆThe ‰voice, the music of language, and the sould of song : a short essay on the art of singing
ÓõããñáöÝáò: Cooper, Wilbye
Äçìoóßåõóç: London : [s.n., 1874]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**80806 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 327 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094553
Ôßôëïò: ˆThe ‰place of science in music
ÓõããñáöÝáò: Saint-George, Henry
Äçìoóßåõóç: London : [s.n., 1905]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**81137 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 328 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094560
Ôßôëïò: Della natura e oerfezione della antica musica de' Greci e della utilita che ci potremmo noi promettere dalla nostra applicandola secondo il loro esempio alla educazione de' giovani
ÓõããñáöÝáò: Sacchi, Giovenale
Äçìoóßåõóç: In Milano : [s.n.], 1778
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**81144 11 M 26 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 329 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 094915
Ôßôëïò: Disputatio de Aristidis Quintiliani musicae scriptoris aetate
ÓõããñáöÝáò: Caesar, Julius
Äçìoóßåõóç: Marburgi : [s.n.], 1882
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Indices Lectionum ... in Academia Marburgensi)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**81499 11 M - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 330 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095423
Ôßôëïò: Examen de la Théorie Musicale des Grecs
ÓõããñáöÝáò: Heegmann, Alphonse
Äçìoóßåõóç: Lille : [s.n.], 1852
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82008 11 M 41 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅðéëïãÞ ¼ëùí | Áêýñùóç ÅðéëïãÞò ¼ëùí
ÅããñáöÞ 331 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095648
Ôßôëïò: ˆLa ‰Notation Musicale dite Neumatique
ÓõããñáöÝáò: Houdard, Georges
Äçìoóßåõóç: Paris : [s.n.], 1911
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Revue Archéologioue).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82233 11 M 17 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 332 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095649
Ôßôëïò: ˆLa ‰Richesse Rhythmique Musicale de l'Antiquité
ÓõããñáöÝáò: Houdard, Georges
Äçìoóßåõóç: Paris : [s.n.], 1903
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Leçon d'Ouverture)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82234 11 M 40 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 333 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095870
Ôßôëïò: Fragmentum Graecae scriptionis de musica / e codicibus editum ab I.F. Bellermann
Äçìoóßåõóç: Berlin : [s.n.], 1840
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Oeffentl. Prüfung ... Berlinischen Gymnasiums zum Greuen Kloster).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82457 11 M 42.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 334 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095877
Ôßôëïò: Music / by William Kimberly Palmer
ÓõããñáöÝáò: Palmer, William Kimberly
Äçìoóßåõóç: Chicopee, Mass : [s.n.], 1921
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82464 11 KG 1158.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 335 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 095942
Ôßôëïò: ˆA ‰catalogue of books on music / offered for sale by Bernard Quaritch
ÓõããñáöÝáò: Quaritch, Bernard
Äçìoóßåõóç: London : [s.n.], 1908
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82529 11 M 8 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 336 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096039
Ôßôëïò: Valentine : a romantic comedy opera / the lyrics by Arthur Davenport, the music by Napoleon Lambelet
ÓõããñáöÝáò: Davenport, Arthur
Äçìoóßåõóç: London : [s.n.], 1918
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Produced at St. James' theatre, Jan. 24th, 1918).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82626 11 M 89 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 337 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096047
Ôßôëïò: Souvenir of a Greek slave : a musical comedy / produced by George Edwardes at Daly's Theatre on Wed. June 8, 1898 ; the book by Owen Hall ; lyrics by Harry Greenbank & Adrian Ross ; composed by Sidney Jones
ÓõããñáöÝáò: Edwardes, George
Äçìoóßåõóç: London : [s.n.], 1898
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82634 11 M 89.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 338 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096064
Ôßôëïò: ˆThe ‰flag that flew at Trafalgar : sung at the Nary League Patriotic Concert, London Opera House, Trafalgar Day, 1914 / words by Victor H. Vincent ; music by George F. Vincent
Äçìoóßåõóç: London : [s.n.], 1914
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82651 11 M 114.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 339 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096073
Ôßôëïò: Valentina : a romantic comedy opera / the lyrics by Arthur Davenport, the music by Napoleon Lambelet
ÓõããñáöÝáò: Lambelet, Napoleon E.
Äçìoóßåõóç: London : [s.n.], 1918
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Produced at St. James' Theatre, Jan. 24th, 1918).
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82660 11 M 89 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 340 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096192
Ôßôëïò: Flowers of the East / with an introductory sketch of oriental poetry and music
ÓõããñáöÝáò: Pocock, Ebenezer
Äçìoóßåõóç: London : [s.n.], 1833
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**82781 11 V 265 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 341 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096628
Ôßôëïò: ˆGli ‰Antiquarj in Palmira : Commedia per musica da rappresentarsi nel Teatro Grande alla Scala l' autunno dell'anno 1780
Äçìoóßåõóç: In Milano : appresso Gio. Batista Bianchi, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 86 p. ; 17 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83327 11 V 315 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 342 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096679
Ôßôëïò: ˆL'‰Alessandro nell'Indie, dramma per musica, del signor abate Pietro Metastasio, poeta Cesareo, da rappresentarsi nel Regio-Ducal Teatro Vecchio di Mantova il Carnovale dell'anno 1768
ÓõããñáöÝáò: Metastasio, Pietro Antonio D. B.
Äçìoóßåõóç: In Mantova : per l'erede di Alberto Pazzoni, [s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: 56 p. ; 18 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83378 11 V 318.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 343 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096922
Ôßôëïò: Russian church music
ÓõããñáöÝáò: Henderson, A. M.
Äçìoóßåõóç: London : [s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83633 11 M 96 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 344 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 096983
Ôßôëïò: Evenings in Greece / the poetry by Thomas Moore ; the music composed and selected by Henry R. Bishop and Mr. Moore
ÓõããñáöÝáò: Moore, Thomas
Äçìoóßåõóç: London : [s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83694 11 M 118 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 345 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 097077
Ôßôëïò: ˆThe ‰use of organs in Christian worship : a sermon preached in Trinity Episcopal Church, Edinburgh, October 22, 1865
ÓõããñáöÝáò: Ramsay, Edward Bannerman
Äçìoóßåõóç: Edinburgh : E. Grant, 1865
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; 22 cm.
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83796 11 T 485 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 346 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 097201
Ôßôëïò: Geschichte des griechischen Musik : Mit einer Musikbeilage ...
ÓõããñáöÝáò: Weitzmann, C. F.
Äçìoóßåõóç: Berlin : Th. Fr. Enslin, 1884
ÖõóéêÞ ÐåñéãñáöÞ: 35, [1], 12 p. of music ; 25 cm.
ÈÝìáôá: Music, Greek, Ancient
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**83920 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 347 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 097399
Ôßôëïò: Sacred minstrelsy : a lecture on Biblical and post-Biblical Hebrew music ...
ÓõããñáöÝáò: Margoliouth, Moses
¸êäïóç: 2nd ed.
Äçìoóßåõóç: London : Wertheim, Macintosh, and Hunt, 1863
ÖõóéêÞ ÐåñéãñáöÞ: vi, 50 p. ; 22 cm.
ÈÝìáôá: Music, Hebrew
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**84119 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 348 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 097801
Ôßôëïò: ˆLo ‰stato degli studii sulla musica degli Arabi
ÓõããñáöÝáò: Tripodo, Pietro
Äçìoóßåõóç: Roma : Tip. della Casa editrice italiana, 1904
ÖõóéêÞ ÐåñéãñáöÞ: 32 p. ; 24 cm.
ÈÝìáôá: Music, Arab
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**84528 11 M 106 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 349 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 098262
Ôßôëïò: ˆI ‰canti ecclesiastici greco-siculi
ÓõããñáöÝáò: Falsone, Francesco
Äçìoóßåõóç: Padova : Cedam, [1936]
ÖõóéêÞ ÐåñéãñáöÞ: 342, vi, [1] p. : music ; 25 cm.
ÈÝìáôá: Music, Greek
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**84991 11 M 58.3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 350 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 098374
Ôßôëïò: Discorso sopra la musica de′ suoi tempi di Vincenzo Giustiniani, marchese di Baassano.MDCXXVIII
ÓõããñáöÝáò: Giustiniani, Vincenzo, 1564-1637
Äçìoóßåõóç: Lucca : Giusti, 1878
ÖõóéêÞ ÐåñéãñáöÞ: 37, [5] p. ; 23 cm.
Óçìåéþóåéò: Half-title: Nozze Banchi-Brini.
"Edizione di sole centacinquanta copie per regalare e due singolarissime in pergemena di Roma ..."
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**85103 11 M 2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 351 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 098583
Ôßôëïò: De tibiis veterum et earum antiquo usu libri tres
ÓõããñáöÝáò: Bartholinus, Casparus
¸êäïóç: Editio altera, figuris auctior
Äçìoóßåõóç: Amstelaodami : apud Henr. Wetstenium, 1679
ÖõóéêÞ ÐåñéãñáöÞ: [24], 415, [5] p., plates : ill., port ; 13 cm.
ÈÝìáôá: Musical instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**85312 11 A 1129 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 352 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 098940
Ôßôëïò: Canti bizantini inediti / Interpretati sulle notazioni paleografiche dal jeromonaco Lorenzo Tardo ... ; Audizione musicale nella Badia di Grottaferrata ...
ÓõããñáöÝáò: Tardo, Lorenzo
Äçìoóßåõóç: Grottaferrata : Scuola tipgrafica italo-orientale, [1936]
ÖõóéêÞ ÐåñéãñáöÞ: 7 p. ; 24 cm.
ÓåéñÝò: (V Congresso internazionale di studi bizantini (Roma, 20-27 sett. 1936))
ÈÝìáôá: Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**85670 11 M 48.7 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 353 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099240
Ôßôëïò: ˆThe ‰music for Sophocles' tragedy Ajax / composed by G.A. Macfarren ... the English version by E. Seymer Thompson ... the piano-forte arrangement by Windeyer Clark
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Ajax (acting version)GENNADIUS
ÓõããñáöÝáò: Macfarren, G. A.
Äçìoóßåõóç: London : Stanley Lucas, Weber & Co., 1885
ÖõóéêÞ ÐåñéãñáöÞ: 57 p. ; 27 cm.
ÈÝìáôá: Sophocles
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**85970 11 GC 2108 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 354 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099330
Ôßôëïò: Greek folk dances / by Rickey Holden and Mary Vouras ; music consultant, Wouter Swets ; cover drawing and map by George Sikeliotis ; incidental sketches by Grace Dimmick
ÓõããñáöÝáò: Holden, Rickey
Äçìoóßåõóç: Brussels : Folkraft Europe, 1976
ÖõóéêÞ ÐåñéãñáöÞ: 128 p. : ill., map, music ; 23 cm.
ÈÝìáôá: Dance
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**86060 11 A 1781.32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 355 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099359
Ôßôëïò: Philodemi de Musica Librorum quae exstant / Edidit Ioannes Komke
ÓõããñáöÝáò: Kemke, Johannes
Äçìoóßåõóç: Lipsiae : B.G. Teubner, 1884
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÓåéñÝò: (Bibliotheca Sciptorum Graecorum et Romanorum Teubnoriana)
ÈÝìáôá: Philodemus. De musica. GENNADIUS.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**86089 11 GC 4600 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 356 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099416
Ôßôëïò: ˆThe ‰music to the Iphigenia in Tauris of Euripides / composed by Charles Wood ; the English translation by A.W. Verrall ...
ÓõããñáöÝáò: Wood, Charles
Äçìoóßåõóç: Cambridge : Published for the Greek Play Committee, 1894
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Euripides
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**86146 11 GC 2110 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 357 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099557
Ôßôëïò: ˆThe ‰music to the Oresteia of Aeschylus : Agamemnon : Choephori, Eumenides / by C. Armstrong Gibbs : as arranged for performance at Cambridge / English verse translation by R.C. Trevelyan
ÓõããñáöÝáò: Trevelyan, R. C. (tr.)
Äçìoóßåõóç: Cambridge : Bowes & Bowes ; London : Goodwin & Tabb Ltd., [1921]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
ÈÝìáôá: Aeschylus
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**86288 11 GC 2117 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 358 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 099618
Ôßôëïò: Regola di musica, divise in cinque trattati, con le quali s'insegna il canto fermo, e figurato, per vere e facili regole : Il modo di fare il contrapunto / Di comporre L'uno e l'altro canto : Di cantare alcuni canti difficili, e molte cose nuove e curios
ÓõããñáöÝáò: Avella, Giovanni d'.
Äçìoóßåõóç: In Roma : nella stampa di Francesco Moneta, 1657
ÖõóéêÞ ÐåñéãñáöÞ: [4], 167, [1] p. : ill. ; 34 cm.
ÈÝìáôá: Music
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**86349 11 M 10 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 359 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 100163
Ôßôëïò: Two Christmas carols [[music]] : the words from "Hymns of the Eastern Church" ... / translated by the Rev. J.M. Neale D.D. ; the music from "Our own fireside" ... composed by the very Rev. S.G. Hatherly ...
ÓõããñáöÝáò: Hatherly, Stephen G.
Äçìoóßåõóç: London : J.T. Hayes, [ca. 1876]
ÖõóéêÞ ÐåñéãñáöÞ: 1 score (2 p.) ; 33 cm.
ÈÝìáôá: Hymns
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87070 11 M 43 - ¼÷é ÄéáèÝóéìï
**87071 11 M 43.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 360 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 100292
Ôßôëïò: Essai sur les instruments de musique au moyen âge : Instruments à percussion
ÓõããñáöÝáò: Coussemaker, Charles Edmond Henri de.
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. ; cm.
Óçìåéþóåéò: (Annales archéologiques, t.4, p. 94-101).
Signed: E. de Coussemaker.
ÈÝìáôá: Musical instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**87207 11 M 6.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 231 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 079660
Ôßôëïò: ˆThe ‰Akathistos hymn / introduced and transcribed by Egon Wellesz
ÓõããñáöÝáò: Wellesz, Egon, 1885-1974 (ed.)
Orthodox Eastern Church
Äçìoóßåõóç: Copenhagen : Munksgaard, 1957
ÖõóéêÞ ÐåñéãñáöÞ: xcii, 108 p. ; 27 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Transcripta ; v. 9)
Óçìåéþóåéò: Greek words.
Transcription in modern notation based on the Codex Ashburnhamensis 64, from the Laurenziana at Florence.
ÈÝìáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
LCC Ôáîéíüìçóç: M2.B99T7 vol. 9
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**8614 06 18.330 - ¼÷é ÄéáèÝóéìï
**57245 11 M 48.55 - ¼÷é ÄéáèÝóéìï
**57246 11 M 48.55 - ¼÷é ÄéáèÝóéìï
**57247 11 M 48.55 - ¼÷é ÄéáèÝóéìï
**57248 11 M 48.55 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 232 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080043
Ôßôëïò: On the interpretation of Greek music / by Cecil Torr
ÓõããñáöÝáò: Torr, Cecil, 1857-
Äçìoóßåõóç: London : H. Frowde, 1896
ÖõóéêÞ ÐåñéãñáöÞ: 26 p. : ill. (incl. music) ; 23 cm.
ÈÝìáôá: Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58069 11 M 41.1 - ¼÷é ÄéáèÝóéìï
**58070 11 M 41 - ¼÷é ÄéáèÝóéìï
**58071 11 M 41.1 - ¼÷é ÄéáèÝóéìï
**58072 11 M 41 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 233 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080126
Ôßôëïò: Byzantinische und slavische Notationen / Max Haas
ÓõããñáöÝáò: Haas, Max.
Äçìoóßåõóç: Köln : Volk-Verlag Gerig, 1973
ÖõóéêÞ ÐåñéãñáöÞ: 138 p., 4 leaves of plates : ill., music ; 25 cm.
ÓåéñÝò: (Palaeographie der Musik ; Bd. 1, 2 : Die einstimmige Musik des Mittelalters ; 2)
ISBN: 3872520601 : DM38.00
Óçìåéþóåéò: Originally presented as the author's thesis, Basel.
Bibliography: p. 125-138.
ÈÝìáôá: Music--Slavic countries--History and criticism
Music, Byzantine--History and criticism
Paleography, Musical
DDC Ôáîéíüìçóç: 780/.01 s
[781/.24]
LCC Ôáîéíüìçóç: ML93.P24 Bd. 1,Fasc. 2
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58247 11 M 63.5 - ¼÷é ÄéáèÝóéìï
**58248 11 M 63.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 234 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080146
Ôßôëïò: Renderings of church hymns from eastern and western office books / by the Rev. Robert Maude Moorsom ; music by the Rev. G.W. Griffith and Mr. W.S. De Winton
ÓõããñáöÝáò: De Winton, W. S.
Griffith, George Walter
Moorsom, Robert Maude (comp. and tr.)
Äçìoóßåõóç: London : C.J. Clay and Sons, 1901
ÖõóéêÞ ÐåñéãñáöÞ: xxvii, 130 p., 1 leaf ; 19 cm.
LCC Ôáîéíüìçóç: ML3086.M66
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58291 11 T 700 - ¼÷é ÄéáèÝóéìï
**58292 11 T 700 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 235 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080148
Ôßôëïò: Singers in late Byzantine and Slavonic painting / by Neil K. Moran
ÓõããñáöÝáò: Moran, Neil K.
Äçìoóßåõóç: Leiden : E.J. Brill, 1986
ÖõóéêÞ ÐåñéãñáöÞ: xii, 173 p., [50] p. of plates : ill. (some col.) ; 24 cm.
ÓåéñÝò: (Byzantina Neerlandica ; fasc. 9)
ISBN: 9004078096
Óçìåéþóåéò: Includes index.
Bibliography: p. [161]-166.
ÈÝìáôá: Choirs (Music) in art.
Painting, Byzantine
Painting, Slavic
DDC Ôáîéíüìçóç: 758/.997838 (19)
LCC Ôáîéíüìçóç: ND1432.B99M6 1986
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58295 11 A 1434.4 - ¼÷é ÄéáèÝóéìï
**58296 11 A 1434.4 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 236 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080200
Ôßôëïò: Catalogue of Byzantine chant manuscripts in the monastic and episcopal libraries of Cyprus / by Andrija Jakovljević
ÓõããñáöÝáò: Jakovljević, Andrija
Äçìoóßåõóç: Nicosia : Kentron Epistemonikon Ereunon Kyprou, 1990
ÖõóéêÞ ÐåñéãñáöÞ: xii, 181 p., 128 p. of plates : ill. (some col.) ; 30 cm.
ÓåéñÝò: (Publications of the Cyprus Research Centre ; 15)
ISBN: 9963080189
Óçìåéþóåéò: English and Greek.
Spine title: Byzantine chant manuscripts of Cyprus.
Summary in Greek.
Includes bibliographical references (p. x-xii) and indexes.
ÈÝìáôá: Chants (Byzantine)--Union lists
Manuscripts--Cyprus
Manuscripts, Greek (Medieval and modern)--Cyprus--Union lists
Music--Manuscripts--Cyprus--Union lists
Music, Byzantine
DDC Ôáîéíüìçóç: 016.78232/219 (20)
LCC Ôáîéíüìçóç: ML135.J34 1990
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58409 11 HNE 42.14/D 38/V. 15 - ¼÷é ÄéáèÝóéìï
**58410 11 HNE 42.14/D 38/V. 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 237 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080202
Ôßôëïò: ˆDie ‰griechischen Saiteninstrumente / von Karl von Jan
ÓõããñáöÝáò: Jan, Karl von, 1836-1899
Äçìoóßåõóç: Leipzig : B.G. Teubner, 1882
ÖõóéêÞ ÐåñéãñáöÞ: 36 p. : ill. ; 26 cm.
Óçìåéþóåéò: Cover title.
"Wissenschaftliche Beilage zum Jahresbericht des Gymnasiums zu Saargemünd für das Schuljahr 1881/82."
With: Die Tonleitern und Musiktonen der Griechen / erläutert durch Friedrich Bellermann. Berlin : A. Förstner, 1847.
Includes bibliographical references.
ÈÝìáôá: Musical instruments, Ancient--Greece
Stringed instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58413 11 M 32 - ¼÷é ÄéáèÝóéìï
**58414 11 M 32 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 238 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080259
Ôßôëïò: Music and musical instruments in the world of Islam / [by] Jean Jenkins and Poul Rovsing Olsen ; line drawings by John Pringle
ÓõããñáöÝáò: Jenkins, Jean L.
Rovsing Olsen, Poul, 1922-1982 (joint author)
Horniman Museum
Äçìoóßåõóç: London : World of Islam Festival Publishing Co. Ltd, 1976
ÖõóéêÞ ÐåñéãñáöÞ: iv, 100 p., [8] p. of plates : ill. (some col.), music ; 25 cm.
ISBN: 0905935119
0905935127 pbk. : £1.50
Óçìåéþóåéò: Catalogue of an exhibition held 6th April-6th Oct. at the Horniman Museum, London.
Bibliography: p. 90-100.
ÈÝìáôá: Islamic music--Exhibitions
Musical instruments--Exhibitions
DDC Ôáîéíüìçóç: 780/.917/671
LCC Ôáîéíüìçóç: ML141.L6H7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**58533 11 M 7.6 - ¼÷é ÄéáèÝóéìï
**58534 11 M 7.6 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 239 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080500
Ôßôëïò: Origine Byzantine de la notation neumatique de l'église Latine / Jean-Baptiste Thibaut
ÓõããñáöÝáò: Thibaut, Jean Baptiste
¸êäïóç: Nachdr. d. Ausg. Paris 1907
Äçìoóßåõóç: Hildesheim ; New York : Olms, 1975
ÖõóéêÞ ÐåñéãñáöÞ: viii, 105 p. : music (28 fold. in pocket) ; 22 cm.
ISBN: 3487058413 : DM88.00
Óçìåéþóåéò: Reprint of the 1907 ed. published by A. Picard, Paris, which was issued as v. 3 of Bibliothèque musicologique.
Bibliography: p. [5]-7.
ÈÝìáôá: Musical notation
Neumes
DDC Ôáîéíüìçóç: 781/.24
LCC Ôáîéíüìçóç: ML174.T3 1975
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**59090 11 M 52 - ¼÷é ÄéáèÝóéìï
**59091 11 M 52 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 240 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080528
Ôßôëïò: Mode in ancient Greek music / by R.P. Winnington-Ingram
ÓõããñáöÝáò: Winnington-Ingram, R. P. (Reginald Pepys), 1904-
Äçìoóßåõóç: Cambridge [England] : University press, 1936
ÖõóéêÞ ÐåñéãñáöÞ: viii, 90 p. : ill. (music) ; 22 cm.
ÓåéñÝò: (Cambridge classical studies / General editors: F.M. Cornford, D.S. Robertson, F.E. Adcock. II)
ÈÝìáôá: Music, Greek and Roman
Musical intervals and scales
DDC Ôáîéíüìçóç: 781.88
LCC Ôáîéíüìçóç: ML167.W5M6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
15977 04 NQ 50 - ¼÷é ÄéáèÝóéìï
**59154 11 M 41.12 - ¼÷é ÄéáèÝóéìï
**59155 11 M 41.12 - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 241 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080676
Ôßôëïò: ˆThe ‰quantity and music of the Greek chorus discovered / by Willis Moseley
ÓõããñáöÝáò: Moseley, William Willis
Äçìoóßåõóç: Oxford : Printed by T. Combe, Sold by J.H. Parker, 1847
ÖõóéêÞ ÐåñéãñáöÞ: 40 p. : music ; 25 cm.
ÈÝìáôá: Drama--Chorus (Greek drama)
Greek drama--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**59494 11 M 19 - ¼÷é ÄéáèÝóéìï
**59495 11 M 19 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 242 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080814
Ôßôëïò: ˆThe ‰national music of the world / edited by Henry G. Hewlett
ÓõããñáöÝáò: Chorley, Henry Fothergill, 1808-1872
Äçìoóßåõóç: London : S. Low, Marston, Searle, & Rivington, 1880
ÖõóéêÞ ÐåñéãñáöÞ: viii, 225 p. : music ; 20 cm.
ÈÝìáôá: Music--History and criticism
National songs--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**59798 11 M 115 - ¼÷é ÄéáèÝóéìï
**59799 11 M 115 - ¼÷é ÄéáèÝóéìï
**59800 11 M 115 - ¼÷é ÄéáèÝóéìï
**59801 11 M 115 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 243 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 080905
Ôßôëïò: Early medieval music up to 1300 / edited by Dom Anselm Hughes
ÓõããñáöÝáò: Hughes, Anselm, 1889- (comp)
Äçìoóßåõóç: London ; New York : Oxford University Press, 1954
ÖõóéêÞ ÐåñéãñáöÞ: xviii, 434 p. : ill., map, facsims., music ; 26 cm.
ÓåéñÝò: (New Oxford history of music ; v. 2)
Óçìåéþóåéò: Bibliography: p. [405]-417.
ÈÝìáôá: Music--500-1400--History and criticism
Music, Medieval
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**59996 11 M 42.5 - ¼÷é ÄéáèÝóéìï
**59997 11 M 42.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 244 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081117
Ôßôëïò: Studies in Eastern chant / general editors, Egon Wellesz and Milo Velimirović
ÓõããñáöÝáò: Conomos, Jim.
Velimirović, Milo M. (joint ed.)
Wellesz, Egon, 1885-1974 (ed.)
Äçìoóßåõóç: London ; New York : Oxford U.P., 1966-
ÖõóéêÞ ÐåñéãñáöÞ: v. : music ; 22 cm.
Óçìåéþóåéò: Vol. 1-4 edited by Milo Velimirović; v. 5 edited by Jim Conomos.
Vol. 4- has imprint: Crestwood, NY : St. Vladimir's Seminary Press, 1979-.
Bibliography: v. 1, p. xiii-xvi.
ÈÝìáôá: Chants (Byzantine)--History and criticism--Addresses, essays, lectures
Church music--Orthodox Eastern Church--History and criticism
DDC Ôáîéíüìçóç: 783.5
LCC Ôáîéíüìçóç: ML3060.W35
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**60500 11 M 48.65 - ¼÷é ÄéáèÝóéìï
**60501 11 M 48.65 - ¼÷é ÄéáèÝóéìï
**60502 11 M 48.65 - ¼÷é ÄéáèÝóéìï
**60503 11 M 48.65 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 245 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081168
Ôßôëïò: Handbook of the Middle Byzantine musical notation / by H.J.W. Tillyard
ÓõããñáöÝáò: Tillyard, Henry Julius Wetenhall, 1881-
Äçìoóßåõóç: Copenhagen : Levin & Munksgaard, 1935
ÖõóéêÞ ÐåñéãñáöÞ: 48 p., 1 leaf : ill. (music) ; 27 cm.
ÓåéñÝò: (Added t.-p.: Union académique internationale. Monumenta musicae byzantinae. Subsidia, ediderunt Carsten Höeg, H.J.W. Tillyard, Egon Wellesz. vol.I, fasc.l)
Óçìåéþóåéò: "Authorities": p. [9]-11.
ÈÝìáôá: Monumenta Musicae Byzantinae
Music, Byzantine
Neumes
Paleography, Musical
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**60668 11 M 48.4 - ¼÷é ÄéáèÝóéìï
**60669 11 M 48.4 - ¼÷é ÄéáèÝóéìï
**60670 11 M 48.4 - ¼÷é ÄéáèÝóéìï
**60671 11 M 48.4 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 246 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081221
Ôßôëïò: Études sur le Me‘eraf : commun de l'office divin éthiopien / introduction, traduction française, commentaire liturgique et musical par Bernard Velat
ÓõããñáöÝáò: Velat, Bernard
Äçìoóßåõóç: Paris : Firmin-Didot, 1966
ÖõóéêÞ ÐåñéãñáöÞ: 712 p. : music ; 29 cm.
ÓåéñÝò: (Patrologia orientalis ; t. 33)
Óçìåéþóåéò: Includes indexes.
Bibliography: p. [118]-126.
ÈÝìáôá: Ethiopic Church
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**60797 11 T 1068.8 - ¼÷é ÄéáèÝóéìï
**60798 11 T 1068.8 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 247 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081361
Ôßôëïò: ˆThe ‰Greek aulos : a study of its mechanism and of its relation to the modal system of ancient Greek music, followed by a survey of the Greek harmoniai in survival or rebirth in folk-music / by Kathleen Schlesinger ... With an introduction by J.F. Mountford
ÓõããñáöÝáò: Schlesinger, Kathleen
Äçìoóßåõóç: London : Methuen & Co., Ltd., [1939]
ÖõóéêÞ ÐåñéãñáöÞ: L, 577, [1] p. : ill. (incl. music) plates (part double) facsim. (music) folded tables ; 25 cm.
Óçìåéþóåéò: "First published in 1939."
ÈÝìáôá: Aulos
Music, Greek and Roman
Musical instruments, Greek
Musical intervals and scales
Wind instruments
LCC Ôáîéíüìçóç: ML169.S34G7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
15378 04 MZ 5 - ¼÷é ÄéáèÝóéìï
**61083 11 M 41.13 - ¼÷é ÄéáèÝóéìï
**61084 11 M 41.13 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 248 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081397
Ôßôëïò: Origine des instruments de musique : introduction ethnologique à l'histoire de la musique instrumentale / Avec 20 figures dans le texte et 78 gravures hors texte
ÓõããñáöÝáò: Schaeffner, André.
Äçìoóßåõóç: Paris : Payot, 1936
ÖõóéêÞ ÐåñéãñáöÞ: [7]-406 p. : ill., XXXII plates on 16 leaves ; 23 cm.
ÓåéñÝò: (Bibliothèque musicale)
Óçìåéþóåéò: "Bibliographie méthodique": p. [378]-400.
ÈÝìáôá: Music
Music, Primitive
Musical instruments--History
Musical instruments, Primitive
DDC Ôáîéíüìçóç: 781.91
LCC Ôáîéíüìçóç: ML460.S28O7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**61159 11 M 6.2 - ¼÷é ÄéáèÝóéìï
**61160 11 M 6.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 249 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081619
Ôßôëïò: Priest of music : the life of Dimitri Mitropoulos / by William R. Trotter
ÓõããñáöÝáò: Trotter, William R., 1943-
Äçìoóßåõóç: Portland, Or. : Amadeus Press, 1995
ÖõóéêÞ ÐåñéãñáöÞ: 495 p. : ill. ; 24 cm.
ISBN: 0931340810
Óçìåéþóåéò: Discography: p. 473-480.
Includes bibliographical references (p. 465-468) and index.
ÈÝìáôá: Mitropoulos, Dimitri, 1896-1960
Conductors (Music)--Biography
DDC Ôáîéíüìçóç: 780/.92 (20)
B (20)
LCC Ôáîéíüìçóç: ML422.M59T76 1995
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**61621 11 BG 1127/M 59 T - ¼÷é ÄéáèÝóéìï
**61622 11 BG 1127/M 59 T - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 250 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081680
Ôßôëïò: ˆThe ‰arts in Greece : three essays / by F.A. Wright
ÓõããñáöÝáò: Wright, Frederick Adam, 1869-
Äçìoóßåõóç: London ; New York : Longmans, Green and Co., 1923
ÖõóéêÞ ÐåñéãñáöÞ: viii, 111 p. ; 23 cm.
Ðåñéå÷üìåíá: The dance -- Music -- Painting
ÈÝìáôá: Dancing--Greece
Music, Greek
Music, Greek and Roman
Painting, Greek
LCC Ôáîéíüìçóç: DF78.W7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
34718 04 EK 24 - ¼÷é ÄéáèÝóéìï
**61749 11 A 249.1 - ¼÷é ÄéáèÝóéìï
**61750 11 A 249.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 251 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081822
Ôßôëïò: Meetings with Kontoglou : enlightening, lively discussions on Byzantine iconography and music, diverse writers, philosophers and theologians, and contemporary events and trends, between the author and the great icon painter, writer, and philosopher Photios Kontoglou / Constantine Cavarnos
Ïìïéüìïñöïò Ôßôëïò: Synanteseis me ton Kontoglou
ÓõããñáöÝáò: Cavarnos, Constantine
Kontoglou, Photes, 1895-1965
¸êäïóç: 1st English-language ed.
Äçìoóßåõóç: Belmont, Mass : Institute for Byzantine and Modern Greek Studies, c1992
ÖõóéêÞ ÐåñéãñáöÞ: 214 p. : ill. ; 22 cm.
ISBN: 091474495X
Óçìåéþóåéò: Includes indexes.
ÈÝìáôá: Kontoglou, Photes, 1895-1965--Interviews
Artists--Greece--Interviews
Arts, Modern--20th century--Greece
DDC Ôáîéíüìçóç: 700/.92 (20)
LCC Ôáîéíüìçóç: NX551.Z9K66 1992
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**62045 11 BG 1128/K 82 C - ¼÷é ÄéáèÝóéìï
**62046 11 BG 1128/K 82 C - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 252 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081851
Ôßôëïò: Théodorakis : le roman d'une musique populaire / Gérard Pierrat
ÓõããñáöÝáò: Pierrat, Gérard
Äçìoóßåõóç: Paris : A. Michel, c1977
ÖõóéêÞ ÐåñéãñáöÞ: 191 p. : ill. ; 17 cm.
ÓåéñÝò: (Rock & folk)
ISBN: 2226004017 : $29.00F
Óçìåéþóåéò: Errata slip inserted.
Filmography: p. 187.
Bibliography: p. [185]-186.
Discography: p. 187-191.
ÈÝìáôá: Theodorakis, Mikis
Composers--Greece--Biography
Music--Greek--Modern
DDC Ôáîéíüìçóç: 780/.92/4
B
LCC Ôáîéíüìçóç: ML410.T434P5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**62103 11 M 88.6 - ¼÷é ÄéáèÝóéìï
**62104 11 M 88.6 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 253 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 081920
Ôßôëïò: ˆA ‰hymn for all nations : 1851 / by M.F. Tupper ... Translated into thirty languages. The music composed expressly by S. Sebastian Wesley, MUS. DOC
ÓõããñáöÝáò: Tupper, Martin Farquhar, 1810-1889
Wesley, Sauel Sebastian, 1810-1876
Äçìoóßåõóç: London : Printed by T. Brettell, and sold by T. Hatchard, [1851?]
ÖõóéêÞ ÐåñéãñáöÞ: 72 p. ; 22 cm.
Óçìåéþóåéò: Music: p. [18-19].
"List of authors and languages": p 5-8.
LCC Ôáîéíüìçóç: PR5699.T5A65
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**62245 11 LANG 2119 - ¼÷é ÄéáèÝóéìï
**62246 11 LANG 2119 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 254 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082038
Ôßôëïò: Ueber den Sprachgesang der Vorzeit und die Herstellbarkeit der althebräischen Vocalmusik : mit entsprechenden Musikbeilagen / von Leopold A.F. Arends
ÓõããñáöÝáò: Arends, Leopold Alexander Friedrich, 1817-1882
Äçìoóßåõóç: Berlin : Friedr. Schulze's Buchhandlung, 1867
ÖõóéêÞ ÐåñéãñáöÞ: 123 p. : ill., music ; 21 cm.
Óçìåéþóåéò: Musical examples, with romanized Hebrew words: p. 115-123.
Includes bibliographical references.
ÈÝìáôá: Hebrew language
Jews--Music--History and criticism
Music--Hebrew
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**62502 11 M 105 - ¼÷é ÄéáèÝóéìï
**62503 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 255 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082300
Ôßôëïò: Sea Nile : the desert, and Nigritia : travels in company with Captain Peel, R.N. 1851-1852 / Described by Joseph H. Churi ; with thirteen Arabic songs, as sung by the Egyptian sailors on the Nile, tr., with notes, and the Arabic words written in English as pronounced and set to musical annotation ; with other Arabic songs
ÓõããñáöÝáò: Churi, Joseph H.
Äçìoóßåõóç: London : Author, 1853
ÖõóéêÞ ÐåñéãñáöÞ: xii, 331, [1] p. : ill. ; 23 cm.
ÈÝìáôá: Egypt--Description and travel
Nile River
Sudan, Egyptian--Description and travel
LCC Ôáîéíüìçóç: DT123.C5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**63074 11 GT 733.1 - ¼÷é ÄéáèÝóéìï
**63075 11 GT 733.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 256 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082392
Ôßôëïò: ˆDie ‰delphischen Hymnen : Untersuchungen über Texte und Melodien / von O. Crusius
ÓõããñáöÝáò: Crusius, Otto, 1857-1918
Äçìoóßåõóç: Göttingen : Dieterich, 1894
ÖõóéêÞ ÐåñéãñáöÞ: 165, [3] p. : ill. (incl. music) ; 23 cm.
ÓåéñÝò: (Philologus ; Zeitschrift für das classische Alterthum ; Bd. 53. Ergänzungsheft)
Óçìåéþóåéò: "Anhang" (music): p. [152]-158.
ÈÝìáôá: Music, Greek and Roman
Delphi (Extinct city)
LCC Ôáîéíüìçóç: PA3118.H8C7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**63268 11 M 37 - ¼÷é ÄéáèÝóéìï
**63269 11 M 37 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 257 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082496
Ôßôëïò: ˆThe ‰music of the most ancient nations : particularly of the Assyrians, Egyptians and Hebrews, with special reference to recent discoveries in Western Asia and in Egypt / by Carl Engel
ÓõããñáöÝáò: Engel, Carl, 1818-1882
Äçìoóßåõóç: London : W. Reeves, 1929
ÖõóéêÞ ÐåñéãñáöÞ: xii, 380 p., [4] leaves of plates : ill., music ; 23 cm.
Óçìåéþóåéò: "Exact facsimile of the 1864 edition."--Publisher's note (dated 1929).
Includes index.
"Literature of Hebrew music": p. 354-357.
ÈÝìáôá: Music--To 500--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**63480 11 M 9 - ¼÷é ÄéáèÝóéìï
**63481 11 M 9 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 258 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082568
Ôßôëïò: ˆLes ‰origines du chant romain : l'Antiphonaire grégorien / par Amédée Gastoué
ÓõããñáöÝáò: Gastoué, Amédée, 1873-1943
Äçìoóßåõóç: Paris : A. Picard & Fils, 1907
ÖõóéêÞ ÐåñéãñáöÞ: xii, 307 p. ; 29 cm.
ÓåéñÝò: (Bibliothèque musicologique ; 1)
Óçìåéþóåéò: "Manuscrits de chant cités dans l'ouvrage": p. [x]-xii.
ÈÝìáôá: Chant (Plain, Gregorian, etc.
LCC Ôáîéíüìçóç: ML3082.G2
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**63646 11 M 50 - ¼÷é ÄéáèÝóéìï
**63647 11 M 50 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 259 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082649
Ôßôëïò: ˆThe ‰late Byzantine and Slavonic Communion Cycle : liturgy and music / Dimitri E. Conomos
ÓõããñáöÝáò: Conomos, Dimitri E.
Äçìoóßåõóç: Washington, DC : Dumbarton Oaks Research Library and Collection, c1985
ÖõóéêÞ ÐåñéãñáöÞ: xiv, 207 p. : music ; 27 cm.
ÓåéñÝò: (Dumbarton Oaks studies ; 21)
ISBN: 0884021343
Óçìåéþóåéò: Includes index.
Bibliography: p. [197]-203.
ÈÝìáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)--History and criticism
Church music--Orthodox Eastern Church
Lord's Supper--Orthodox Eastern Church--Liturgy
DDC Ôáîéíüìçóç: 783.2 (19)
LCC Ôáîéíüìçóç: ML3060.C69 1985
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**63836 11 M 63.62 - ¼÷é ÄéáèÝóéìï
**63837 11 M 63.62 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 260 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 082987
Ôßôëïò: ˆLes ‰origines du chant liturgique de l'Église latine : étude d'histoire musicale / par Fr. Aug. Gevaert ; discours prononcé à la séance publique de la Classe des beaux-arts de l'Académie de Belgique ... le 27 octobre 1889, augmenté de notes et d'un appendice
ÓõããñáöÝáò: Gevaert, F. A. (François Auguste), 1828-1908
Äçìoóßåõóç: Gand : A. Hoste, 1890
ÖõóéêÞ ÐåñéãñáöÞ: 92 p., 1 leaf ; 26 1/2 cm.
Óçìåéþóåéò: 265.9 G33.
Appendice (p. [45]-92) : Décret du synode de 595 -- Préface d'Amalaire -- Lettre de Cassidore à Boéce -- Hymne à Némésis et hymne Ambrosienne -- Laudes et vêpres dans la règle de St. Benoît -- Extraits de Bède le Vénérable -- Lettre du pape Paul Ier à Pépin le Bref -- Extraits de la Musica enchiriadis -- Résponse à la Revue bénédictine.
ÈÝìáôá: Catholic church. Antiphonary.
Chants (Plain, Gregorian, etc.
Music, Medieval
LCC Ôáîéíüìçóç: ML3080.G39
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**64575 11 M 53 - ¼÷é ÄéáèÝóéìï
**64576 11 M 53 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 261 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 083054
Ôßôëïò: Salonikiós : "the best violin in the Balkans" : Dimítrios Sémsis alias Salonikiós : an outstanding musician, composer, and recording director / by Lisbet Torp
ÓõããñáöÝáò: Torp, Lisbet
Äçìoóßåõóç: [Copenhagen] : Museum Tusculanum Press, University of Copenhagen, 1993
ÖõóéêÞ ÐåñéãñáöÞ: 229 p. : ill. ; 25 cm.
ISBN: 8772892242
Óçìåéþóåéò: "Dimítrios Sémsis' recording catalog from 1938-1949": p. [91]-199.
Includes bibliographical references (p. [225]-229) and indexes.
ÈÝìáôá: Semses, Demetrios, ca. 1883-1950
Rebetika--Discography
Violinists--Greece--Biography
DDC Ôáîéíüìçóç: 787.2/092 (20)
B (20)
LCC Ôáîéíüìçóç: ML418.S46T67 1993
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**64723 11 BG 1127/S 47 T - ¼÷é ÄéáèÝóéìï
**64724 11 BG 1127/S 47 T - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 262 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 083172
Ôßôëïò: Theodorakis : myth & politics in modern Greek music / Gail Holst
ÓõããñáöÝáò: Holst-Warhaft, Gail, 1941-
Äçìoóßåõóç: Amsterdam : Hakkert, 1980
ÖõóéêÞ ÐåñéãñáöÞ: 262 p., [16] p. of plates : ill., ports ; 23 cm.
ISBN: 9025607950 pbk. : fl 45.00
Óçìåéþóåéò: Includes bibliographical references and index.
ÈÝìáôá: Theodorakis, Mikis
Composers--Greece--Biography
DDC Ôáîéíüìçóç: 780/.92/4 (19)
B (19)
LCC Ôáîéíüìçóç: ML410.T434H6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**64987 11 BG 1127/T 38 H E - ¼÷é ÄéáèÝóéìï
**64988 11 BG 1127/T 38 H E - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 263 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 083263
Ôßôëïò: ˆDas ‰byzantinische Prokeimena-Repertoire : Untersuchungen u. krit. Ed. / Gisa Hintze
ÓõããñáöÝáò: Hintze, Gisa
Äçìoóßåõóç: Hamburg : Verlag der Musikalienhandlung Wagner, 1973
ÖõóéêÞ ÐåñéãñáöÞ: 271, xvii p. : facsims., music ; 21 cm.
ÓåéñÝò: (Hamburger Beiträge zur Musikwissenschaft ; Bd. 9)
ISBN: 3921029147 : DM44.00
Óçìåéþóåéò: The music (p. 101-181) in the original and in modern notation; Greek words.
Bibliography: p. 267-271.
ÈÝìáôá: Chants (Byzantine)--History and criticism
Music, Byzantine
Prokeimena
Prokeimena--History and criticism
LCC Ôáîéíüìçóç: ML3060.H55
M2157.H55
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**65197 11 M 62.86 - ¼÷é ÄéáèÝóéìï
**65198 11 M 62.86 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 264 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 083292
Ôßôëïò: ˆA ‰pictorial history of jazz : people and places from New Orleans to modern jazz / Orrin Keepnews and Bill Grauer, Jr.
ÓõããñáöÝáò: Keepnews, Orrin
Grauer, William
¸êäïóç: New ed. / rev. by Orrin Keepnews
Äçìoóßåõóç: Middlesex, England : Spring Books, 1968, c1966
ÖõóéêÞ ÐåñéãñáöÞ: 297 p. : ill. ; cm.
ÈÝìáôá: Jazz music--Pictorial works
Musicians--Portraits
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**65263 11 M 5.4 - ¼÷é ÄéáèÝóéìï
**65264 11 M 5.4 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 265 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 083997
Ôßôëïò: ˆDie ‰griechische griechisch-römische und altchristlich-lateinische Musik : ein Beitrag zur Geschichte des gregorianischen Chorals / von A. Möhler
ÓõããñáöÝáò: Möhler, Anton, 1866-
Äçìoóßåõóç: Rom : Spithover ; Freiburg im Breisgau : In Commission der Hender'schen, 1898
ÖõóéêÞ ÐåñéãñáöÞ: xxiii, 88 p. : music ; 26 cm.
ÓåéñÝò: (Römische Quartalschrift für christliche Alterthumskunde und für Kirchengeschichte ; 9. Supplementheft)
Óçìåéþóåéò: Bibliography: p. [vii]-xxiii.
ÈÝìáôá: Chants (Plain, Gregorian, etc.)--History and criticism
Music
Music, Greek and Roman--History and criticism
LCC Ôáîéíüìçóç: ML3082.M74
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**66895 11 P 439.412 - ¼÷é ÄéáèÝóéìï
**66896 11 M 57 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 266 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 084232
Ôßôëïò: Dances of Greece / [Illus. by Doreen Renbold after drawings by Athena Tarsouli. Music arr. for the piano by Ferdinand Rauter]
ÓõããñáöÝáò: Crosfield, Domini
Rauter, Ferdinand, 1902- (arr.)
Äçìoóßåõóç: New York : Chanticleer Press, [1948]
ÖõóéêÞ ÐåñéãñáöÞ: 40 p. : col. illus., map. ; 19 cm.
ÓåéñÝò: (Handbooks of European national dances)
Óçìåéþóåéò: "Published under the auspices of the Royal Academy of Dancing and the Ling Physical Education Association."
Includes bibliographies.
ÈÝìáôá: Dance--Greece
Music, Greek, Modern
DDC Ôáîéíüìçóç: 793.31
LCC Ôáîéíüìçóç: GV1653.C76
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**67479 11 M 91.14 - ¼÷é ÄéáèÝóéìï
**67480 11 M 91.14 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 267 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 084564
Ôßôëïò: ˆAn ‰account of the national anthem entitled God save the king! / selected, ed., and arranged by Richard Clark
ÓõããñáöÝáò: Clark, Richard, 1780-1856 (comp. and ed.)
Äçìoóßåõóç: London : Printed for W. Wright, 1822
ÖõóéêÞ ÐåñéãñáöÞ: xxviii, 208 p. : plates (incl. music; part folded) ports ; 23 cm.
Óçìåéþóåéò: "Glees" : p. 137-203.
ÈÝìáôá: Carey. Henry. d. 1743. Supposed author.
Bull. John, d.. 1628. Supposed author.
God save the King
Glees
Music--National anthems
LCC Ôáîéíüìçóç: ML3658.C59
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68321 11 M 114 - ¼÷é ÄéáèÝóéìï
**68322 11 M 114 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 268 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 084611
Ôßôëïò: Trésor de musique byzantine ... / Par Egon Wellesz
ÓõããñáöÝáò: Wellesz, Egon, 1885- (ed.)
Äçìoóßåõóç: Paris : Éditions de l'Oiseau lyre, chez L.B.M. Dyer, [1934-
ÖõóéêÞ ÐåñéãñáöÞ: v. ; 33 x 25 cm.
Óçìåéþóåéò: Introductory text in German and French; words of hymns in Greek, with French translation.
Transcription, in modern notation, of liturgical melodies, chiefly from manuscripts of the thirteenth century.
"Sources": vol. I, pt. 1, p. [23].
Ðåñéå÷üìåíá: I, 1. ptie. Notes explicatives. 2. ptie. Melodies dans le premier mode
ÈÝìáôá: Church music--Orthodox Eastern Church
Hymns, Greek
Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68434 11 M 48.26 - ¼÷é ÄéáèÝóéìï
**68435 11 M 48.26 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 269 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 084725
Ôßôëïò: Intonation formulas and modal signatures in Byzantine musical manuscripts
ÓõããñáöÝáò: Raasted, Jørgen
Äçìoóßåõóç: Copenhagen : E. Munksgaard, 1966
ÖõóéêÞ ÐåñéãñáöÞ: xii, 238 p. : facsims., music ; 30 cm.
ÓåéñÝò: (Union académique internationale. Monumenta musicae Byzantinae. Subsidia ; v. 7)
ÈÝìáôá: Music--Manuscripts
Music, Byzantine
Neumes
Paleography, Musical
DDC Ôáîéíüìçóç: 781.74/96/1
LCC Ôáîéíüìçóç: M2.B99S9 vol.7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68711 11 M 48.46 - ¼÷é ÄéáèÝóéìï
**68712 11 M 48.46 - ¼÷é ÄéáèÝóéìï
**68713 11 M 48.46 - ¼÷é ÄéáèÝóéìï
**68714 11 M 48.46 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 270 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 084726
Ôßôëïò: Prophetologium
Ïìïéüìïñöïò Ôßôëïò: Prophetologion
ÓõããñáöÝáò: Engberg, Gudrun
Høeg, Carsten, 1896-
Zuntz, Günther, 1902-
Orthodox Eastern Church
Äçìoóßåõóç: Havniae : Munksgaard, 1939-1981
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. of music in 8 : facsims ; 27 cm.
ÓåéñÝò: (Monumenta musicae Byzantinae. Lectionaria ; v. 1)
Óçìåéþóåéò: Chants.
Greek words; prefaces and notes in Latin (pars prima) or English (pars altera).
Includes bibliographies and indexes.
Ðåñéå÷üìåíá: pars prima. Lectiones anni mobilis / adiuvantibus G. Engberg, J. Raasted aliique, ediderunt Carsten Høeg et Günther Zuntz (6 v.) -- pars altera. Lectiones anni immobilis / edidit Gudrun Engberg (2 v.).
ÈÝìáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)
Music, Byzantine
LCC Ôáîéíüìçóç: M2.B99L3 vol. 1
M2157L3 vol. 1
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68715 11 M 48.6 fasc. 1 ¼÷é ÄéáèÝóéìï
**68716 11 M 48.6 fasc. 2 ¼÷é ÄéáèÝóéìï
**68717 11 M 48.6 fasc. 3 ¼÷é ÄéáèÝóéìï
**68718 11 M 48.6 fasc. 4 ¼÷é ÄéáèÝóéìï
**68719 11 M 48.6 fasc. 5 ¼÷é ÄéáèÝóéìï
**68720 11 M 48.6 fasc. 6 ¼÷é ÄéáèÝóéìï
**68721 11 M 48.6 fasc. 7 ¼÷é ÄéáèÝóéìï
**68722 11 M 48.6 fasc. 8 ¼÷é ÄéáèÝóéìï
**68723 11 M 48.6 fasc. 1 ¼÷é ÄéáèÝóéìï
**68724 11 M 48.6 fasc. 2 ¼÷é ÄéáèÝóéìï
**68725 11 M 48.6 fasc. 3 ¼÷é ÄéáèÝóéìï
**68726 11 M 48.6 fasc. 4 ¼÷é ÄéáèÝóéìï
**68727 11 M 48.6 fasc. 5 ¼÷é ÄéáèÝóéìï
**68728 11 M 48.6 fasc. 6 ¼÷é ÄéáèÝóéìï
**68729 11 M 48.6 fasc. 7 ¼÷é ÄéáèÝóéìï
**68730 11 M 48.6 fasc. 8 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 271 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 084727
Ôßôëïò: Folk songs of Greece / compiled, edited, arranged and translated by Susan and Ted Alevizos
ÓõããñáöÝáò: Alevizos, Susan (comp)
Alevizos, Ted (joint comp)
Äçìoóßåõóç: [New York] : Oak Publications, [1968]
ÖõóéêÞ ÐåñéãñáöÞ: 96 p. : illus ; 28 cm.
Óçìåéþóåéò: Unacc., with chord symbols.
Words in Greek (original and romanized) and English.
Bibliography: p. 96.
Discography: p. 96.
ÈÝìáôá: Folk music--Greece
Folk-songs, Greek (Modern)--Greece
LCC Ôáîéíüìçóç: M1714.A42F6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68733 11 M 91.87 - ¼÷é ÄéáèÝóéìï
**68734 11 M 91.87 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 273 Ìïíïãñáößá
Ðáñôéôïýñåò, Ýíôõðåò
Ôáõôüôçôá ÅããñáöÞò: 084736
Ôßôëïò: Monumenta musicae Byzantinae. Lectionaria
ÓõããñáöÝáò: Union académique internationale
Äçìoóßåõóç: Hauniae : E. Munksgaard, 1939-<1981 >
ÖõóéêÞ ÐåñéãñáöÞ: v. of music <1 > in <8 > ; 27 cm.
Óçìåéþóåéò: At head of title, v. 1- : Union académique internationale.
Ðåñéå÷üìåíá: fasc. 1. Lectiones Nativitatis et Epiphaniae (1939) -- fasc. 2. Lectiones hebdomadarum 1ae et 2ae Quadragesimae (1940) -- fasc. 3. Lectiones hebdom. 3ae et 4ae Guadrages (1952) -- fasc. 4. Lectiones hebdom. 5ae Quadrages. et Hebdomadae in Palmis et Maioris (1960) -- fasc. 5. Lectiones Sabbati Sancti (1962) -- fasc. 6. Lectiones ab Ascensione usque ad Dominicam omnium Sanctorum (1970) -- Pars altera. Lectiones anni immobilis. 2 fasc. (1980-1981).
ÈÝìáôá: Orthodox Eastern Church--Liturgy
Chants (Byzantine)
Music, Byzantine
LCC Ôáîéíüìçóç: M2.B99L3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68766 11 M 48.6 fasc.1 ¼÷é ÄéáèÝóéìï
**68767 11 M 48.6 fasc.2 ¼÷é ÄéáèÝóéìï
**68768 11 M 48.6 fasc.3 ¼÷é ÄéáèÝóéìï
**68769 11 M 48.6 fasc.4 ¼÷é ÄéáèÝóéìï
**68770 11 M 48.6 fasc.5 ¼÷é ÄéáèÝóéìï
**68771 11 M 48.6 fasc.6 ¼÷é ÄéáèÝóéìï
**68772 11 M 48.6 Pars altera. 2 fasc. ¼÷é ÄéáèÝóéìï
**68773 11 M 48.6 fasc.1 ¼÷é ÄéáèÝóéìï
**68774 11 M 48.6 fasc.2 ¼÷é ÄéáèÝóéìï
**68775 11 M 48.6 fasc.3 ¼÷é ÄéáèÝóéìï
**68776 11 M 48.6 fasc.4 ¼÷é ÄéáèÝóéìï
**68777 11 M 48.6 fasc.5 ¼÷é ÄéáèÝóéìï
**68778 11 M 48.6 fasc.6 ¼÷é ÄéáèÝóéìï
**68779 11 M 48.6 Pars altera. 2 fasc. ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 274 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 084764
Ôßôëïò: Ueber altgriechische Musik / von Carl Lang
ÓõããñáöÝáò: Lang, Carl, 1841-
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÖõóéêÞ ÐåñéãñáöÞ: p. [107]-123 : ill. ; 24 cm.
ÈÝìáôá: Music, Greek and Roman--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**68985 11 M 17 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 275 Ìïíïãñáößá
Ç÷ïãñáöÞóåéò, ìïõóéêÝò ðáñáóôÜóåéò
Ôáõôüôçôá ÅããñáöÞò: 084778
Ôßôëïò: Folk music of Greece [[sound recording].]
ÓõããñáöÝáò: Notopoulos, James Anastasios
Äçìoóßåõóç: [S.l. : s.n., s.a.]
ÓåéñÝò: (Ethnic folkways library)
Óçìåéþóåéò: Program notes by J. A. Notopoulos, G. A. Megas, and S. Peristeres (16 p. ill.) inserted in container.
Ðåñéå÷üìåíá: The earth.--Kalamationos dance.--Go, Maro, to the well.--Wedding song.--Single gainda.--Marko Botzaris.--Three little girls were washing.--Syrtos rethymiotikis.--Paphitike melody.--Karsilamades for women.--The chramaki.--Egkin charasi.--Serra dance.--Sousta dance
ÈÝìáôá: Folk music, Greek
LCC Ôáîéíüìçóç: M1714
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**69001 11 D 7 A - ¼÷é ÄéáèÝóéìï
**69002 11 D 7 A - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 276 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 084921
Ôßôëïò: De Praestantia musicae veteris libri tres totidem dialogis comprehensi
ÓõããñáöÝáò: Doni, Gio. Battista (Giovanni Battista), 1593 or 4-1647
Äçìoóßåõóç: Florentiae : [s.n.], 1647
ÖõóéêÞ ÐåñéãñáöÞ: 266 (i.e. 146) p. ; cm.
ÈÝìáôá: Music--17th century--History and criticism
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**69168 11 M 25 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 277 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 085180
Ôßôëïò: ˆL'‰Elpidia : overo Li Rivali Generosi. Drama per musica. [In three acts, and in verse]
ÓõããñáöÝáò: ZENO, Apostolo
Äçìoóßåõóç: London : [s.n.], 1725
ÖõóéêÞ ÐåñéãñáöÞ: p. ; 8
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**69467 11 V 1176.33 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 278 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 085194
Ôßôëïò: On the musical scales of various nations
ÓõããñáöÝáò: Ellis, Alexander John, 1814-1890
Äçìoóßåõóç: [London : s.n.], 1885].
ÖõóéêÞ ÐåñéãñáöÞ: p. [485]-[528], [1000]-1111 ; 25 cm.
Óçìåéþóåéò: Caption title.
"A paper read before the Society of arts ... 25 March, 1886 ... Reprinted, with additions and corrections, from the Journal of the Society of arts for 27 March, 1885 ... vol. xxxiii".
ÈÝìáôá: Musical intervals and scales
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**69481 11 M 9.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 279 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 085664
Ôßôëïò: Francisci Blanchini veronensis utriusque signaturae referendarii et praelati domestici, de tribus generibus instrumentorum musicae veterum organicae dissertatio
ÓõããñáöÝáò: Bianchini, Francesco, 1662-1729
Äçìoóßåõóç: Roma : Bernabo & Lazzarini (Fausto Amidei), 1742
ÖõóéêÞ ÐåñéãñáöÞ: In-8, 58p. ; cm.
Óçìåéþóåéò: 510 RISM B/VI
ÈÝìáôá: Musical instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**70148 11 M 16 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 280 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 085773
Ôßôëïò: Études de musique byzantine
ÓõããñáöÝáò: Merlier, Melpo
Äçìoóßåõóç: Paris : P. Geuthner, 1935
ÖõóéêÞ ÐåñéãñáöÞ: 58 p. : illus. (music) ; 28 x 23 cm.
ÓåéñÝò: (Bibliotheque musicale du Musée Guimet : musique orientale, musique des régions lointaines. 2, sér. ; t. 2)
Óçìåéþóåéò: "Bibliography": v. 1, pp. [54]-56.
Ðåñéå÷üìåíá: Le premier mode et son plagal
ÈÝìáôá: Music, Byzantine
DDC Ôáîéíüìçóç: 781.7495
LCC Ôáîéíüìçóç: ML330.B5 ser. 2, t. 2
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**70257 11 M 62.3 - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 281 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 086678
Ôßôëïò: Fragmentum Graecae scriptionis de musica e codicibus editum / ab I.F. Bellermann
ÓõããñáöÝáò: Bellermann, Friedrich, 1795-1874
Äçìoóßåõóç: Berlin : Gedruckt bei J. Petsch, 1840
ÖõóéêÞ ÐåñéãñáöÞ: 1-26 p. ; cm.
Óçìåéþóåéò: Pages extracted from a program from the Berlinischen Gymnasium zum grauen Kloster.
Title taken from Caption Title.
Programm.
ÈÝìáôá: Music, Greek (Ancient)--GENNADIUS
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**71238 11 M 42.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 282 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 087681
Ôßôëïò: Glinka : biographie critique, illustrée de douze planches hors texte
ÓõããñáöÝáò: Calvocoressi, Michel D, 1877-1944
Äçìoóßåõóç: Paris : H. Laurens, [1911?]
ÖõóéêÞ ÐåñéãñáöÞ: 126, [2] p. : plates, ports., facsim ; 21 cm.
ÓåéñÝò: ((Les musiciens célèbres))
Óçìåéþóåéò: "Catalogue de l'ouevre de Glinka": pp. [124]-126.
"Note bibliographique": p. 126.
ÈÝìáôá: Glinka, Mikhail Ivanovich, 1804-1857
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**72755 11 XXX - ¼÷é ÄéáèÝóéìï
**72756 11 BG 1025 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 283 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 087781
Ôßôëïò: Folk musical instruments of Turkey / Laurence Picken
ÓõããñáöÝáò: Picken, Laurence Ernest Rowland
Äçìoóßåõóç: London ; New York : Oxford University Press, 1975
ÖõóéêÞ ÐåñéãñáöÞ: xl, 685 p. (3 fold.) : ill. ; 26 cm.
ISBN: 0193181029 : £38.50
Óçìåéþóåéò: Includes indexes.
Bibliography: p. [613]-626.
ÈÝìáôá: Musical instruments--Turkey
DDC Ôáîéíüìçóç: 781.9/1/09561
LCC Ôáîéíüìçóç: ML522.T9P5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**72972 11 M 6.86 - ¼÷é ÄéáèÝóéìï
**72973 11 M 6.86 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 284 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 087845
Ôßôëïò: ˆLa ‰musique grecque antique / Jacques Chailley
ÓõããñáöÝáò: Chailley, Jacques, 1910-
Äçìoóßåõóç: Paris : Belles Lettres, 1979
ÖõóéêÞ ÐåñéãñáöÞ: 219 p. : ill., music ; 20 cm.
ÓåéñÝò: (Collection d'études anciennes)
ISBN: 2251325123 : 75.00F
Óçìåéþóåéò: Includes bibliographical references.
ÈÝìáôá: Music, Greek
Music, Greek and Roman--History and criticism
DDC Ôáîéíüìçóç: 781.738
LCC Ôáîéíüìçóç: ML169.C35
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
44598 04 NZ 4.60 - ¼÷é ÄéáèÝóéìï
**12249 06 32.455 - ¼÷é ÄéáèÝóéìï
**73106 11 M 41.2 - ¼÷é ÄéáèÝóéìï
**73107 11 M 41.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 285 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 087903
Ôßôëïò: ˆA ‰short account of the Hindu system of music / by Anne C. Wilson (A.C. Macleod)
ÓõããñáöÝáò: Wilson, A. C. (M.), Mrs
Äçìoóßåõóç: Lahore, India : Gulab Singh & Sons, 1904
ÖõóéêÞ ÐåñéãñáöÞ: 48 p. ; 22 x 18 cm.
ÈÝìáôá: Music, Hindu
LCC Ôáîéíüìçóç: ML338.W74
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**73234 11 M 105 - ¼÷é ÄéáèÝóéìï
**73235 11 M 105 - ¼÷é ÄéáèÝóéìï
**73236 11 M 105 - ¼÷é ÄéáèÝóéìï
**73237 11 M 105 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 286 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 087976
Ôßôëïò: ˆA ‰treatise on Byzantine music / by the Very Rev. S.G. Hatherley [sic. ].
ÓõããñáöÝáò: Hatherly, Stephen Georgeson, 1827-1905
Äçìoóßåõóç: Paisley ; London : A. Gardner, 1892
ÖõóéêÞ ÐåñéãñáöÞ: vi, 162 p. : ill. (music) ; 28 x 22 cm.
Óçìåéþóåéò: Supplemented by the author's God save the queen, varied in twenty-four forms. (Paisley and London, 1895).
ÈÝìáôá: Music, Byzantine
LCC Ôáîéíüìçóç: ML188.H36
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**73392 11 M 43.1 - ¼÷é ÄéáèÝóéìï
**73393 11 M 43.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 287 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 088208
Ôßôëïò: Études sur la musique grecque : le plain-chant et la tonalité moderne / par Alix Tiron
ÓõããñáöÝáò: Tiron, Alix, 1798 or 9-1873
Äçìoóßåõóç: Paris : impr. impériale, 1866
ÖõóéêÞ ÐåñéãñáöÞ: 264 p. : double plates, ill. ; 28 cm.
ÈÝìáôá: Music, Greek
LCC Ôáîéíüìçóç: ML169.T39
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**73883 11 M 14 - ¼÷é ÄéáèÝóéìï
**73884 11 M 14 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 288 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 088495
Ôßôëïò: ˆLa ‰danse : Comment on dansait, comment on danse / Technique de Mme Berthe Bernay ... notation musicale de MM. Francis Casadesus et Jules Maugué. Illustrations de M. Valvérane
ÓõããñáöÝáò: Charbonnel, Raoul
Bernay, Berthe
Casadesus, Francis, 1870-
Maugué, Jules
Äçìoóßåõóç: Paris : Garnier frères, [1899]
ÖõóéêÞ ÐåñéãñáöÞ: ix, 418 p. : front., illus., plates (part col.) ; 28 cm.
ÈÝìáôá: Dance
LCC Ôáîéíüìçóç: GV1601.C6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**74498 11 XXX - ¼÷é ÄéáèÝóéìï
**74499 11 XXX - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 289 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 089192
Ôßôëïò: ˆThe ‰triumph of Thermopylae : a musical sketch for the piano forte
ÓõããñáöÝáò: Fiebig, Ferdinand
Äçìoóßåõóç: Francfort a.M. : A. Fischer, [ca. 1825]
ÖõóéêÞ ÐåñéãñáöÞ: 17 p. ; 31 cm.
Óçìåéþóåéò: Dedicated to King George IV of England.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**75385 11 IND 643 QS - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 290 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 090443
Ôßôëïò: Rainbow-music, or, The philosophy of harmony in colour-grouping / by Lady Archibald Campbell
ÓõããñáöÝáò: Campbell, Janey Sevilla
Äçìoóßåõóç: London : Bernard Quaritch, 1886
ÖõóéêÞ ÐåñéãñáöÞ: 34 p. ; 17 x 20 cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**76640 11 M 4 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 152 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 069563
Ôßôëïò: ˆDie ‰absolute harmonik der Griechen ...
ÓõããñáöÝáò: Paul, Oscar, 1836-1898
Äçìoóßåõóç: Leipzig : A. Dörffel, 1866
ÖõóéêÞ ÐåñéãñáöÞ: viii p., 1 l., 44, xxviii p. : v tab. (partly fold.) ; 28 x 23 cm.
Óçìåéþóåéò: Habilitationsschrift--Leipzig.
"Die thetischen und dynamischen benennungen der klänge innerhalb der tonarten nach Claudius Ptolemaeus übersichtlich in tabellen ... zusammengestellt": xxviii p.
ÈÝìáôá: Music, Greek and Roman--History and criticism
LCC Ôáîéíüìçóç: ML168.P32
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**42265 11 M 32 - ¼÷é ÄéáèÝóéìï
=====
ÅããñáöÞ 155 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 070041
Ôßôëïò: Souvenirs d'une mission musicale en Grèce et en Orient
ÓõããñáöÝáò: Bourgault-Ducoudray, L. A. (Louis Albert), 1840-1910
Äçìoóßåõóç: Paris : J. Baur, 1876
ÖõóéêÞ ÐåñéãñáöÞ: 43 p. ; cm.
ÈÝìáôá: Music--Asia--History and criticism
Music--Greece--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**42744 11 M 54 - ¼÷é ÄéáèÝóéìï
====
ÅããñáöÞ 159 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 070245
Ôßôëïò: ˆDie ‰Marschlieder des griechischen Drama
ÓõããñáöÝáò: Myriantheus, L.
Äçìoóßåõóç: Muenchen : T. Ackermann, 1873
ÖõóéêÞ ÐåñéãñáöÞ: 141 p. : fold. diagr ; 23 cm.
ÈÝìáôá: Drama--Chorus (Greek drama)
Greek drama--Incidental music
Greek drama, Ancient
Metrics
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**42949 11 GC 5003.1 - ¼÷é ÄéáèÝóéìï
====
ÅããñáöÞ 165 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 071860
Ôßôëïò: On the use of the Greek language, written phonetically, in the early service books of the church in England / Communicated to the Society of Antiquaries by William Chappell ...
ÓõããñáöÝáò: Chappell, W. (William), 1809-1888
Äçìoóßåõóç: London : J. B. Nichols and sons, 1881
ÖõóéêÞ ÐåñéãñáöÞ: 14 p., [5] leaves of plates : facsims., music ; cm.
Óçìåéþóåéò: "From The Archaeologia, vol. XLVI."
ÈÝìáôá: Church of England--Liturgy
Church music--Church of England
Musical notation
Pronunciation
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
====
ÅããñáöÞ 166 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 071930
Ôßôëïò: ˆDie ‰musikalischen Wissenschaften der Griechen / von Friedrich von Drieberg
ÓõããñáöÝáò: Drieberg, Friedrich von, 1780-1856
Äçìoóßåõóç: Berlin : Trautwein, 1820
ÖõóéêÞ ÐåñéãñáöÞ: 107 p. : music ; 28 cm.
Óçìåéþóåéò: Cover title.
With: Die Tonleitern und Musiktonen der Griechen / erläuert durch Friedrich Bellermann. Berlin : A. Förstner, 1847.
Includes bibliographical references.
ÈÝìáôá: Harmony
Music--Theory--To 500
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**44873 11 M 33 - ¼÷é ÄéáèÝóéìï
====
ÅããñáöÞ 168 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 072453
Ôßôëïò: ˆLes ‰innovations musicales dans la tragédie grecque à l'époque d'Euripide / par J. estève
ÓõããñáöÝáò: Estève, Joseph Léon.
Äçìoóßåõóç: Nimes : La Laborieuse, 1902
ÖõóéêÞ ÐåñéãñáöÞ: xiii, 308 p. : music ; 23 cm.
Óçìåéþóåéò: Originally published as a thesis: University of Paris.
Includes bibliographical references and index.
ÈÝìáôá: Euripides
Drama--Chorus (Greek drama)
Greek drama (Tragedy)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**45396 11 M 20 - ¼÷é ÄéáèÝóéìï
====
ÅããñáöÞ 171 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 072657
Ôßôëïò: Studien zur griechischen Musik-geschichte / von H. Reiman
ÓõããñáöÝáò: Reimann, Heinrich
Äçìoóßåõóç: Ratibor : Riedinger's Buch- und Steindruckerei, 1882-1885
ÖõóéêÞ ÐåñéãñáöÞ: 2 pts. (24, 23 p.) ; cm.
Óçìåéþóåéò: Imprint of 2nd part: Glatz : L. Schirmer.
Includes bibliographical references.
Ðåñéå÷üìåíá: A. Der Nómos : Beilage zum Jahresberichte des Königlichen Gymnasiums zu Ratibor, Ostern 1882 -- B. Die Prosodien und die denselben verwandten Gesänge der Griechen : Beilage zum Oster-Programm 1885 des Königlichen katholischen Gymnasiums zu Glatz
ÈÝìáôá: Music, Greek (Ancient)
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**45600 11 M 35 Pt.A ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 172 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 072681
Ôßôëïò: ˆDie ‰Eisagoge des Bacchius / vom Oberlehrer Professor Dr. von Jan
ÓõããñáöÝáò: Bacchius, senior
Jan, Karl von, 1836-1899
Strasbourg .. Lyceum (France)
Äçìoóßåõóç: Strassburg : Strassburger Druckerei u. Verlagsanstalt, 1890
ÖõóéêÞ ÐåñéãñáöÞ: 32 p. ; 27 cm.
Óçìåéþóåéò: At head of title: Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1889/90.
Text in Greek and German in parallel columns.
1890. Programm Nr. 509.
ÈÝìáôá: Music--Greece
Greece
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**45624 11 M 34 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 173 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 072986
Ôßôëïò: ˆI ‰due Foscari : tragedia lirica / di M.F. [i.e. F.M.] Piave ; posta in musica da Giuseppe Verdi
Ïìïéüìïñöïò Ôßôëïò: Due Foscari
ÓõããñáöÝáò: Verdi, Giuseppe, 1813-1901
Martin, George Whitney (former owner)
Piave, Francesco Maria, 1810-1876 (librettist)
George W. Martin Collection (Pierpont Morgan Library)
Äçìoóßåõóç: Vicenza : [S.n., 1848?]
ÖõóéêÞ ÐåñéãñáöÞ: 24 p. ; 18 cm.
Óçìåéþóåéò: No publisher indicated.
Libretto based on Byron's play, The two Foscari.
ÈÝìáôá: Byron. George Gordon Byron. Baron. 1788-1824.
1848
Operas
Corfu--Theatre
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**45936 11 MGL 1074.84 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 174 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 073186
Ôßôëïò: School music abroad : a series of reports on visits to schools in Prussia, Saxony, Bavaria, Austria, Switzerland, France, Belgium, Holland, Sweden, Norway, Denmark, Italy, and America, during the years 1882-1901 / by J. Spencer Curwen
ÓõããñáöÝáò: Curwen, J. Spencer (John Spencer), 1847-1916
Äçìoóßåõóç: London : J. Curwen, [1901]
ÖõóéêÞ ÐåñéãñáöÞ: viii, 140 p. : music ; 19 cm.
Óçìåéþóåéò: (Preface signed 1901).
ÈÝìáôá: School music
School music--Europe
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**46137 11 M 117 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 175 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 073377
Ôßôëïò: Congregational music : a sermon, preached before the Choral Association of the Diocese of Llandaff in the Cathedral of Llandaff, on Oct. 16, 1862 / by Alfred Ollivant
ÓõããñáöÝáò: Ollivant, Alfred, 1798-1882
Äçìoóßåõóç: London : Rivingtons, 1862
ÖõóéêÞ ÐåñéãñáöÞ: 22 p. ; 21 cm.
Óçìåéþóåéò: Published at the request of the Association.
Printing Master 110.
ÈÝìáôá: Music in churches
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**46328 11 M 60 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 176 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 073724
Ôßôëïò: Under the presidency of Saint Paul : the case of Byzantine originality / A.R. Littlewood
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Case of Byzantine originality
ÓõããñáöÝáò: Littlewood, Antony Robert
Hellenic Canadian Association of Constantinople
Äçìoóßåõóç: Toronto, Ontario, Canada : Hellenic Canadian Association of Constantinople, [1995]
ÖõóéêÞ ÐåñéãñáöÞ: 48 p. : 6 ill. ; 23 cm.
ÓåéñÝò: (The "Constantinople and its legacy" annual lecture ; February 5, 1995)
Óçìåéþóåéò: Two unnumbered preliminary pages give some biographical and bibliographical information about the author.
Includes bibliographical references.
ÈÝìáôá: Art, Byzantine
Byzantine literature--History and criticism
Music, Byzantine
Originality (Aesthetics)
Byzantine Empire--Civilization
LCC Ôáîéíüìçóç: DF531.L58 1995
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**46675 11 HG 206/L 78 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 177 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 073860
Ôßôëïò: ˆDie ‰byzantinische Notenschrift im 10. bis 15. Jahrhundert : paläographische Studie mit Übertragung von 70 Gesängen des Andreas von Kreta, Johannes Damascenus, Kosmas von Majuma, Johannes Monachus u. a. ; mit 8 phototypischen Faksimiles aus Handschriften des 10. bis 13. Jahrhunderts / von Dr. Phil. et Mus. Hugo Riemann ...
ÓõããñáöÝáò: Riemann, Hugo, 1849-1919
Äçìoóßåõóç: Leipzig : Breitkopf & Härtel, 1909
ÖõóéêÞ ÐåñéãñáöÞ: viii, 98 p. : ill. (music) 8 facsim ; 25 cm.
ÓåéñÝò: (Studien zur byzantinischen Musik ; 1. Heft)
ÈÝìáôá: Music, Byzantine
Musical notation
Paleography, Greek
Paleography, Musical
LCC Ôáîéíüìçóç: ML188.R53 Hft. 1
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**46812 11 M 48.2 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 178 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 073989
Ôßôëïò: Rapport sur une mission scientifique en Turquie d'Asie / par Dom J. Parisot
ÓõããñáöÝáò: Parisot, Jean, 1862-
France. Ministère de l'éducation nationale
Äçìoóßåõóç: Paris : E. Leroux, 1899
ÖõóéêÞ ÐåñéãñáöÞ: 250 p. ; 25 cm.
Óçìåéþóåéò: With musical illustrations.
Extrait des Nouvelles archives des missions scientifiques, t. IX.
Ðåñéå÷üìåíá: Rapport à M. le ministre.--Collection de chants orientaux: I. Chants maronites. II. Chants d'église en arabe. III. Chansons arabes. IV. Chants syriens. V. Chants Charléens.--Appendice. Chants israélites
ÈÝìáôá: Maronites--Liturgy and ritual
Music, Oriental
Syriac language, Modern
LCC Ôáîéíüìçóç: ML3740.P22
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**46949 11 M 104 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 179 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074321
Ôßôëïò: Rhythmischer choral, Altarweisen und griechische Rhythmen in ihrem wesen Dargestellt durch eine Rhythmik des einstimmigen Gesanges auf Grund der accente / von Friedrich Succo ...
ÓõããñáöÝáò: Succo, Friedrich
Äçìoóßåõóç: Gütersloh : C. Bertelsmann, 1906
ÖõóéêÞ ÐåñéãñáöÞ: xiii, 405 p. ; 24 cm.
ÈÝìáôá: Choral
Musical meter and rhythm
LCC Ôáîéíüìçóç: ML3084.S94
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47281 11 M 40 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 180 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074322
Ôßôëïò: System der altgriechischen instrumentalnotenschrift / von Albert Thierfelder
ÓõããñáöÝáò: Thierfelder, Albert Wilhelm, 1846-1924
Äçìoóßåõóç: Leipzig : Dieterich'sche verlagsbuchhandlung, 1897
ÖõóéêÞ ÐåñéãñáöÞ: [492]-524 p. ; 23 cm.
Óçìåéþóåéò: "Aus dem 56. Bande des 'Philologus' besonders abgedruckt."
ÈÝìáôá: Music, Greek and Roman
Musical notation
LCC Ôáîéíüìçóç: ML169.T3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47282 11 M 42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 181 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074477
Ôßôëïò: ˆDie ‰griechische Musik auf ihre grundgesetze zurückgeführt : Eine Antikritik in drei Büchern / von Friedrich von Drieberg
ÓõããñáöÝáò: Drieberg, Friedrich von, 1780-1856
Äçìoóßåõóç: Berlin : Trautwein, 1841
ÖõóéêÞ ÐåñéãñáöÞ: 3 p. l., [3]-196 p. ; 27 x 22 cm.
ÈÝìáôá: Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.D845
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47539 11 M 33 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 182 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074529
Ôßôëïò: ˆDie ‰Lehre vom Ethos in der griechischen Musik : Ein Beitrag zur Musikästhetik des klassischen Altertums / von Dr. Hermann Abert
ÓõããñáöÝáò: Abert, Hermann, 1871-1927
Äçìoóßåõóç: Leipzig : Breitkopf & Härtel, 1899
ÖõóéêÞ ÐåñéãñáöÞ: viii, 168 p. ; 23 cm.
ÓåéñÝò: (Breitkopf & Härtels Sammlung musikwissenschaftlicher Arbeiten von deutschen Hochschulen. 2. Bd.)
ÈÝìáôá: Ethics--Greece
Music--Philosophy and aesthetics
Music, Greek and Roman--History and criticism
LCC Ôáîéíüìçóç: ML3920.A14
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47591 11 M 345 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 183 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074638
Ôßôëïò: ˆDie ‰Musik der alten Griechen / Ein Vortrag von Dr. Richard Batka
ÓõããñáöÝáò: Batka, Richard, 1868-1922
Äçìoóßåõóç: Prag : Selbstverlag, 1900
ÖõóéêÞ ÐåñéãñáöÞ: 18 p. ; 23 cm.
ÈÝìáôá: Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47705 11 M 42 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 184 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074673
Ôßôëïò: Paragone dell' antica colla moderna musica / Dissertazione del Signor Burette. In cui si dimostra, che i maravigliosi effetti attribuiti alla musica degli antichi non provano in niun modo, ch' essa fosse più perfetta della nostra. No. XIV
ÓõããñáöÝáò: Burette, M. (Pierre Jean), 1665-1747
Äçìoóßåõóç: Venezia : Appresso A. Groppo, 1748
ÖõóéêÞ ÐåñéãñáöÞ: 12 p. ; 23 cm.
Óçìåéþóåéò: Title vignette.
A translation of the French original published in "Memoires de litterature ... de l'Academie royale des inscriptions et belles lettres," Paris, 1729, v. 5, p. 133-151.
ÈÝìáôá: Music, Greek (Ancient)
Music, Greek and Roman
Music, Influence of.
LCC Ôáîéíüìçóç: ML169.A2B8
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47740 11 M 15 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 185 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074691
Ôßôëïò: Aufschlüsse über die Musik der Griechen / Von Friedrich von Drieberg
ÓõããñáöÝáò: Drieberg, Friedrich von, 1780-1856
Äçìoóßåõóç: Leipzig : In commission bei C. Cnobloch, 1819
ÖõóéêÞ ÐåñéãñáöÞ: 2 p. l., 182 p. : tables, diagrs ; 26 x 22 cm.
ÈÝìáôá: Music, Greek and Roman
Music, Greek, Ancient
LCC Ôáîéíüìçóç: ML169.D842
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47758 11 M 13.6 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 186 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074692
Ôßôëïò: Wörterbuch der griechischen Musik in ausführlichen Artikeln über Harmonik, Rhythmik, Metrik, Kanonik, Melopoie, Rhythmopoie, Theater, Kampfspiele, Instrumente, Notirung u. s. w / Nach den Quellen neu bearbeitet von Friedrich von Drieberg
ÓõããñáöÝáò: Drieberg, Friedrich Johann von, 1780-1856
Äçìoóßåõóç: Berlin : Schlesinger, 1835
ÖõóéêÞ ÐåñéãñáöÞ: 1 p. l., vi, 219, [1] p. vii fold. pl. ; 27 x 22 cm.
ÈÝìáôá: Music, Greek and Roman--History and criticism
LCC Ôáîéíüìçóç: ML169.D844
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47759 11 M 33 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 187 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074752
Ôßôëïò: Grazer und Münchener balkanologische Studien / [Redaktion : Walther Wünsch und Hans Joachim Kissling]
ÓõããñáöÝáò: Kissling, Hans Joachim, 1912- (ed.)
Wünsch, Walther (ed.)
Balkanologentagung (2nd : Graz, Austria : 1966
Äçìoóßåõóç: München : Trofenik, 1967
ÖõóéêÞ ÐåñéãñáöÞ: 182 p. : illus ; 25 cm.
ÓåéñÝò: (Beiträge zur Kenntnis Südosteuropas und des Nahen Orients ; 2. Bd.)
Óçìåéþóåéò: Includes bibliographical references.
Ðåñéå÷üìåíá: Zweite Grazer Balkanologen-Tagung 1966 "Das Orientalische Element am Balkan -- Müncher Studien Geschichte und Volkskunde der Balkan- Länder
ÈÝìáôá: Folk music--Balkan Peninsula--History and criticism--Congresses
Balkans
LCC Ôáîéíüìçóç: ML3600.G72
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47819 11 HB 4/G 78 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 188 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074782
Ôßôëïò: ˆDie ‰Eisagoge des Bacchius Erklärung / Zu den Grundlagen der nicht-euklidischen Geometrie von Max Simon
ÓõããñáöÝáò: Jan, Karl von, 1836-1899
Äçìoóßåõóç: Strassburg : R. Schultz, 1891
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; 25 cm.
ÓåéñÝò: (Lyceum zu Strassburg im Elsass. Beilage zum Programm für das Schuljahr 1890 / 91 Programm ; Nr. 512)
ÈÝìáôá: Bacchius, senior
Music--Theory--To 500
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47849 11 M 34 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 189 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074783
Ôßôëïò: ˆDie ‰Harmonik des Aristoxenianers Kleonides / Vom Oberlehrer Dr. Karl von Jan
ÓõããñáöÝáò: Jan, Karl von, 1836-1899
Äçìoóßåõóç: Landsberg a.d.W. : R. Schneider, [1870]
ÖõóéêÞ ÐåñéãñáöÞ: 23 p. ; 25 cm.
Óçìåéþóåéò: (Programm des Gymnasiums ... zu Landsberg).
ÈÝìáôá: Aristotle
Cleonides
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47850 11 M 34 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 190 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074810
Ôßôëïò: ˆDie ‰pseudo-aristotelischen probleme über musik / Von Carl Stumpf
ÓõããñáöÝáò: Stumpf, Karl, 1848-1936
Äçìoóßåõóç: Berlin : Königl, Akademie der wissenschaften, in commission bei G. Reimer, 1897
ÖõóéêÞ ÐåñéãñáöÞ: 85, [1] p. ; 28 x 22 cm.
Óçìåéþóåéò: (Abhandl. d. k. Brauss. Akademie d. Wissenschaften zu Berlin vom Jahre 1896.).
ÈÝìáôá: Aristoteles. Spurious and doubtful works. Problemata.
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML168.A6S9
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47877 11 M 34 - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 191 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074868
Ôßôëïò: Mémoire sur la musique des anciens, oú l'on expose le principe des proportions authentiques, dites de Pythagore, & de divers systêmes de musique chez les Grecs, les Chinois & les Egyptiens : Avec un parallèle le systême des Egyptiens & celui des modernes / Par m. l'abbé Roussier
ÓõããñáöÝáò: Roussier, Pierre Joseph, l716-1700?
Äçìoóßåõóç: Paris : Lacombe, 1770
ÖõóéêÞ ÐåñéãñáöÞ: xxiv,252 p. : illus (incl. music) pl. (music) fold.tab. ; 26 cm.
ÈÝìáôá: Music--China
Music--Egypt
Music--Theory--18th century
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML162.A2R7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**47992 11 M 13 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 192 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074976
Ôßôëïò: Aristoxenvs.Nicomachvs.Alypivs : Auctores musices antiquissimi, hactenus non editi / Ioannes Mevrsivs nunc primus vulgavit, & notas addidit
¢ëëåò ðáñáëëáãÝò ôßôëïõ: Aristoxenus. Nicomachus. Alypius
ÓõããñáöÝáò: Meurs, Johannes van, 1579-1639
Alypius, Saint, d. 1114
Aristoxenus
Nicomachus, Of Gerasa
Äçìoóßåõóç: Lvgdvni Batavorvm : ex officinâ Lvdovici Elzeviri, typis G. Blasson, 1616
ÖõóéêÞ ÐåñéãñáöÞ: 4 p.l., 160 (i.e. 196) p. ; 18 cm.
Óçìåéþóåéò: The last page numbered 160 for 196.
Printer's mark: open music book.
ÈÝìáôá: Music, Greek and Roman
Scriptores musici
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48100 11 GC 4603 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 193 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 074990
Ôßôëïò: God save the queen : varied in twenty-four forms. Supplement to A treatise on Byzantine music / By the Very Rev. S.G. Hatherly ... Op. 57
ÓõããñáöÝáò: Hatherly, Stephen G. (Stephen Georgeson), 1827-1905
Äçìoóßåõóç: Paisley and London : A. Gardner, 1895
ÖõóéêÞ ÐåñéãñáöÞ: 2 p. 1., 36 p. ; 28 cm.
ÈÝìáôá: God save the King
Music, Byzantine
Musical intervals and scales
LCC Ôáîéíüìçóç: ML188.H362
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48114 11 M 43.1 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 194 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075002
Ôßôëïò: Music in the western church : A lecture on the history of psalmody, illustrated with examples of the music of the various periods / By William A. Leonard
ÓõããñáöÝáò: Leonard, William A.
Äçìoóßåõóç: London : F. Pitman; [etc., etc.], 1872
ÖõóéêÞ ÐåñéãñáöÞ: 1 p. l., vii, 80, ix p. : illus. (music) ; 19 cm.
Óçìåéþóåéò: Wrongly attributed to Bishop William Andrew Leonard by Allibone, Dict. of English literature.
ÈÝìáôá: Church music--History and criticism
LCC Ôáîéíüìçóç: ML3000.L36
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48126 11 M 70 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 195 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075024
Ôßôëïò: De Graecorum veterum re musica quaestionum capita duo : I. De polyphonia et dialecto crumatica. II. De Pindari re musica / [Scripsit dr. phil. Ernst Graf ... ].
ÓõããñáöÝáò: Graf, Ernst, 1861-
Äçìoóßåõóç: Marpurgi Cattorum : apud N.G. Elwertum, 1889
ÖõóéêÞ ÐåñéãñáöÞ: pp. (4) [2 p. l.,] 90 +[p., 1 l. ; 22 cm.]
Óçìåéþóåéò: "Commentatio ad veniam legendi in Academia marpurgensi impetrandam scripta."
ÈÝìáôá: Pindar
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48148 11 M - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 196 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075091
Ôßôëïò: ˆLe ‰rythme tonique dans la poésie liturgique et dans le chant des églises chrétiennes au moyen âge / par Pierre Aubry
ÓõããñáöÝáò: Aubry, Pierre, 1874-1910
Äçìoóßåõóç: Paris : H. Welter, 1903
ÖõóéêÞ ÐåñéãñáöÞ: 84 p., 1 . : illus. (music) ; 28 cm.
ÓåéñÝò: (Essais de musicologie comparée)
ÈÝìáôá: Chants (Plain, Gregorian, etc.)--History and criticism
Church music--History and criticism
Music, Medieval
Musical meter and rhythm
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48215 11 M 53 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 197 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075343
Ôßôëïò: Musikgeschichtliches aus Homer. I.
ÓõããñáöÝáò: Guhrauer, Heinrich
Äçìoóßåõóç: Leipzig : G. Fock, 1886
ÖõóéêÞ ÐåñéãñáöÞ: pp. 24 ; 4to
Óçìåéþóåéò: No more published.
Cover-title.
LIX. Jahresbericht - Evangelisches Städtisches Gymnasium zu Lauban.
ÈÝìáôá: Homer--Art, [etc.]
Music, Greek (Ancient)
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48522 11 M 35 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 198 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075413
Ôßôëïò: TroJa distrutta : dramma per musica : da rappresentarsi nel Nuovo Regio Ducal Teatro di Milano per il secondo spettacolo nel suo primo aprimento nel corrente autunno dell'anno 1778 : dedicato alle LL.AA.RR. il serenissimo arciduca Ferdinando principe reale d'Ungheria, e Boemia, arciduca d'Austria ... e la serenissima arciduchessa Maria Ricciarda Beatrice d'Este principessa di Modena
Ïìïéüìïñöïò Ôßôëïò: Troja distrutta
ÓõããñáöÝáò: Mortellari, Michele, ca. 1750-1807 (cmp)
Ferdinand, Duke of Modena, Reggio, Mirandola, and Breisgau, 1754-1806 (dte)
Balducci, Maria (voc)
Chiesa, Melchiorre (itr)
Gaggini, Antoniuccio (prd)
Giussani, Severo (cnd)
Grassi, Paolo (prd)
Isacci, Clemente (art ; prd)
Lampugnani, Gio. Batista (itr)
Lebrun, Francesca, nata Danzi (voc)
Maria Beatrice d'Este, Duchess of Massa and Carrara, d. 1829 (dte)
Mazza, Gio. (cst)
Moroni, Giulia (voc)
Motta, Francesco (cst)
Prati, Antonio (voc)
Roscio, Luca (itr)
Rubinelli, Giovanni (voc)
Scotti, Giovanni (prd)
Valcamonica, Stefano (cnd)
Äçìoóßåõóç: In Milano : Appresso Gio. Batista Bianchi Regio stampatore, [1778?]
ÖõóéêÞ ÐåñéãñáöÞ: p. 3-55, [1] ; 18 cm.
Óçìåéþóåéò: Three acts; "Colla permissione"--title page; "Argomento"--p. 11-12; "Mutazioni di scene"--p. 16.
Dedication signed, "I cavalieri associati" on p. 5-6.
Foreword, "Al rispettabilissimo pubblico di Milano" on p. 7-10.
"La musica è nuova composizione del Sig. maestro Michele Mortellari"--p. 14.
"Alli cembali, signori maestri Gio. Batista Lampugnani, e Melchiorre Chiesa"--p. 14.
"Capo dell'orchestra, Sig. Luca Roscio"--p. 14.
"Direttori de' cori, signori Stefano Valcamonica, e Severo Giussani"--p. 14.
"Direttore degli abbattimenti, Sig. Antoniuccio Gaggini, maestro di scherma napolitano"--p. 15.
"Copista della musica dell'opera, e de' balli, Sig. Giovanni Scotti"--p. 15.
"Il vestiario è di nuova invenzione, de' signori Francesco Motta, e Gio. Mazza"--p. 15.
"Inventore, e pittore dello scenario, Sig. Clemente Isacci"--p. 16.
"Direttore delle macchine, Sig. Paolo Grassi"--p. 16.
"Primo ballo tragico Calipso abbandonata"--p. [1] at end.
"Ballo secondo La Gelosia"--p. [1] at end.
Attori: PARIDE. Sig. Giovanni Rubinelli -- ELENA. Signora Maria Balducci -- CASSANDRA. Signora Francesca Lebrun nata Danzi, virtuosa di camera di S.A.S. elettoral palatina, e di Baviera -- DEIFEBO. Sig. AntonioPrati -- CREUSA. Signora Giulia Moroni--p. 13.
ÈÝìáôá: Ballets
Operas--Librettos
Paride.
Elena.
Cassandra.
Deifebo.
Creusa.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48604 11 V 315 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 199 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075473
Ôßôëïò: Rules for the catalogues of printed books, maps, & music
ÓõããñáöÝáò: Cambridge University Library
Äçìoóßåõóç: Cambridge : The University press, 1927
ÖõóéêÞ ÐåñéãñáöÞ: 77 numb. ., 1 . ; 22 cm.
Óçìåéþóåéò: Introductory note signed: A. F. Scholfield.
"Note on reference books": p. 63-68.
ÈÝìáôá: Cataloging
Cataloging--Maps
Cataloging--Music
Reference books--Bibliography
LCC Ôáîéíüìçóç: Z695.C17 1927
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48664 11 BB 766.9 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 200 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075551
Ôßôëïò: ˆLa ‰divine liturgie de St. Jean Chrysostome, chantée selon le rite byzantin avec traduction française & notation musicale
Ïìïéüìïñöïò Ôßôëïò: Leitourgikon
ÓõããñáöÝáò: Orthodox Eastern Church
Äçìoóßåõóç: Liban : Imp. de Saint Paul Harissa, 1926
ÖõóéêÞ ÐåñéãñáöÞ: 122 p. : plates ; cm.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48742 11 DAL/L 78 D - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 201 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075611
Ôßôëïò: Mehterhane : The Military band of the Turkish Army. Les Fanfares des anciennes armées turques
Äçìoóßåõóç: [Istanbul] : Türkiye Turing ve Otomobil Kurumu, [1971?]
ÖõóéêÞ ÐåñéãñáöÞ: 53 p. : illus ; 19 cm.
Óçìåéþóåéò: In Turkish, English, and French.
ÈÝìáôá: Bands (Music)---Turkey---History and criticism
Military music, Turkish--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48831 11 DAL/M 49 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 203 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075643
Ôßôëïò: ˆLes ‰chants liturgiques de l'église arménienne traduits en notes musicales européennes / par Pietro Bianchini
ÓõããñáöÝáò: Bianchini, Pietro
Äçìoóßåõóç: Venise : impr. arménienne de St-Lazare, 1877
ÖõóéêÞ ÐåñéãñáöÞ: XIII-226 p. : mus. ; cm.
Óçìåéþóåéò: Contient des textes en français et en arménien.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48863 11 M 74 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 204 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075737
Ôßôëïò: My Japanese : a topical song of Japan / words and music by S.L.G.
ÓõããñáöÝáò: S. L. G.
G., S. L.
Äçìoóßåõóç: Yokohama : Kelly & Walsh, [1896?].
ÖõóéêÞ ÐåñéãñáöÞ: [4] p., [15] leaves of plates : ill., music ; cm.
Óçìåéþóåéò: Caption title.
Primarily pictorial work which includes verses to a song for medium voice and piano.
ÈÝìáôá: Picture books--Japan
Songs (Medium voice) with piano
Japan
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**48958 11 V 793.3 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 205 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075833
Ôßôëïò: Musica ex Platone secundum locum Legg.vii, p. 712 : Programma quo examen publicum discipulorum scholae Thomanae... instituendum atque orationes... / habendas rite indicit... Godofredus Stallbaumius...
ÓõããñáöÝáò: Stallbaum, Gottfried, 1793-1861
Äçìoóßåõóç: Lipsiae : literis Staritzii, 1846
ÖõóéêÞ ÐåñéãñáöÞ: 46 p. ; 23 cm.
Óçìåéþóåéò: (Programma--Scholas Thomanae).
ÈÝìáôá: Plato. Leges.
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49067 11 M 36 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 206 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075835
Ôßôëïò: Lyric airs : consisting of specimens of Greek, Albanian, Walachian, Turkish, Arabian, Persian, Chinese and Moorish national songs and melodies ... / to which are added basses for the harp or piano-forte. Likewise are subjoined a few explanatory notes on the figures and movements of the modern Greek dances, with a short dissertation on the origin of the ancient Greek music ...
ÓõããñáöÝáò: Jones, Edward, 1752-1824
Mayer, Lewis (ill.)
Rowlandson, Thomas, 1756-1827 (engr)
Äçìoóßåõóç: London : Printed for the author, 1804
ÖõóéêÞ ÐåñéãñáöÞ: vi, 24 p., 32 p. of music : col. front ; 34 cm.
Óçìåéþóåéò: Aquatint frontispiece etched by Thomas Rowlandson after Lewis Mayer.
ÈÝìáôá: Dance
Music, Greek and Roman
National songs
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49069 11 M 87 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 207 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 075903
Ôßôëïò: Albanische Volksmusik / [von] Doris Stockmann, Wilfried Fiedler [und] Erich Stockmann
ÓõããñáöÝáò: Stockmann, Doris
Fiedler, Wilfried (joint author)
Stockmann, Erich (joint author)
Äçìoóßåõóç: Berlin : Akademie-Verlag, 1965-
ÖõóéêÞ ÐåñéãñáöÞ: v. : map, music ; 25 cm.
ÓåéñÝò: (Deutsche Akademie der Wissenschaften zu Berlin. Veröffentlichungen des Instituts für deutsche Volkskunde, Bd. 36)
Óçìåéþóåéò: Includes musical examples (principally unacc. melodies).
Ðåñéå÷üìåíá: I. Gesänge der Camen
ÈÝìáôá: Folk music--Albania
Folk music--Albania--History and criticism
Music, Albnaian
LCC Ôáîéíüìçóç: ML3613.S76
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49145 11 M 102.7 Bd.1 ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 208 Ìïíïãñáößá
Ãëùóóéêü õëéêü, ÷åéñüãñáöï
Ôáõôüôçôá ÅããñáöÞò: 075927
Ôßôëïò: De fidibus Graecorum / [Scripsit] Carolus de Jan
ÓõããñáöÝáò: Jan, Karl von, 1836-1899
Äçìoóßåõóç: Berolini : Typis expressit G. Schade, 1859
ÖõóéêÞ ÐåñéãñáöÞ: 43 p. ; cm.
ÈÝìáôá: Musical instruments--Greece
Stringed instruments
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49174 11 M 38 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 209 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076000
Ôßôëïò: Ballet material and manuscripts from the Serge Lifar collection : which will be sold by auction by Sotheby Parke Bernet & Co.
ÓõããñáöÝáò: Sotheby Parke Bernet & Co.
Äçìoóßåõóç: London : Sotheby Parke Bernet & Co., c1984
ÖõóéêÞ ÐåñéãñáöÞ: [208] p. : ill. (some col.) ; 25 cm.
Óçìåéþóåéò: "At their large galleries, 34 & 35 New Bond Street, London."
"Wednesday, 9th May 1984 at 10.30am and 2.30pm."
Includes indexes.
ÈÝìáôá: Lifar, Serge, 1905---Art collections--Catalogs
Art--Private collections--Catalogs
Ballet--Collectibles--Catalogs
Manuscripts--Exhibitions
Music--Collectibles--Catalogs
LCC Ôáîéíüìçóç: N5262.L53B35 1984
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49328 11 BB 88/SO 7-20/S - ¼÷é ÄéáèÝóéìï
**49329 11 BB 88/SO 7-20/S - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 210 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076091
Ôßôëïò: Byzantine sacred music : the traditional music of the Orthodox Church, its nature, purpose, and execution
ÓõããñáöÝáò: Cavarnos, Constantine
Äçìoóßåõóç: Belmont, MA : Institute for Byzantine and Modern Greek Studies, [1974, c1956]
ÖõóéêÞ ÐåñéãñáöÞ: 31 p. ; 22 cm.
ÈÝìáôá: Church music--Orthodox Eastern Church
Music, Byzantine
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**28883 04 MZ - ¼÷é ÄéáèÝóéìï
**49514 11 M 63.25 - ¼÷é ÄéáèÝóéìï
**49515 11 M 63.25 - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 211 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076111
Ôßôëïò: ˆL'‰antica melurgia bizantina : nell'interpretazione della Scuola monastica di Grottaferrata
ÓõããñáöÝáò: Tardo, Lorenzo
Grottaferrata, Italy (Basilian monastery)
Äçìoóßåõóç: Grottaferrata : S. Nilo, 1938
ÖõóéêÞ ÐåñéãñáöÞ: xx, 402 p. : music, facsims., ill. ; 31 cm.
ÓåéñÝò: (Collezione meridionale. Ser.III: Il mezzogiorno artistico)
Óçìåéþóåéò: Bibliography: p. xvii-xx.
Ðåñéå÷üìåíá: Genesi e sviluppo della melurgia e della semiografia bizantina -- Testi teoretici di melurgia bizantina
ÈÝìáôá: Church music--Orthodox Eastern Church
Music, Byzantine
Paleography, Musical
LCC Ôáîéíüìçóç: ML188.T17A5
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49554 11 M 62.5 - ¼÷é ÄéáèÝóéìï
**49555 11 M 62.5 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 212 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076275
Ôßôëïò: Introduction à la paléographie musicale byzantine : Catalogue des manuscrits de musique byzantine de la Bibliothèque nationale de Paris et des bibliothèque publiques de France
ÓõããñáöÝáò: Gastoué, Amédée, 1873-1943
Äçìoóßåõóç: [Paris : Impressions artistiques L.M. Fortin, 1907]
ÖõóéêÞ ÐåñéãñáöÞ: ix, 99 p. : ill., 7 plates (facsims.) music ; 29 cm.
ÓåéñÝò: (Publications de la Société internationale de musique. Section de Paris)
Óçìåéþóåéò: Bibliography : p. [v]-vi.
ÈÝìáôá: Manuscripts--France--Catalogs
Music--Bibliography--Manuscripts
Music, Byzantine
Paleography, Greek
Paleography, Musical
LCC Ôáîéíüìçóç: ML136.P2G3
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**49898 11 M 48 - ¼÷é ÄéáèÝóéìï
**49899 11 M 48 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 213 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076477
Ôßôëïò: Classification.Music and books on music : M : Music. ML : Literature of music. MT : Musical instruction and study
ÓõããñáöÝáò: Sonneck, Oscar George Theodore, 1873-1928
United States. Library of Congress. Music Division
¸êäïóç: Adopted December, 1902; as in force April, 1904; as rev. April, 1917
Äçìoóßåõóç: Washington : Govt. Print. Off., 1917
ÖõóéêÞ ÐåñéãñáöÞ: 157 p. ; 25 cm.
Óçìåéþóåéò: At head of title: Library of Congress.
By O.G.T. Sonneck, chief, Division of music.
ÈÝìáôá: Classification
Classification--Books--Music
Classification--Music
LCC Ôáîéíüìçóç: Z696.U5M 1917
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**50336 11 BB 766.56 - ¼÷é ÄéáèÝóéìï
**50337 11 BB 766.56 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 214 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076768
Ôßôëïò: Histoire de la musique en Russie
ÓõããñáöÝáò: Soubies, Albert
Äçìoóßåõóç: Paris : May, 1898
ÖõóéêÞ ÐåñéãñáöÞ: 303 p. : ill. ; cm.
ÓåéñÝò: (Bibliothèque de l'enseignement des beaux-arts)
ÈÝìáôá: Music, Russian
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**50949 11 M 100 - ¼÷é ÄéáèÝóéìï
**50950 11 M 100 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 215 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 076933
Ôßôëïò: ˆA ‰history of music
ÓõããñáöÝáò: Stafford, William Cooke, 1793-1876
Äçìoóßåõóç: Edinburgh : Printed for Constable, 1830
ÖõóéêÞ ÐåñéãñáöÞ: viii, 387 p. ; 16 cm.
ÓåéñÝò: ([Constable's miscellany, v. 52])
ÈÝìáôá: Music
Music--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**51293 11 M 5/S 77 - ¼÷é ÄéáèÝóéìï
**51294 11 M 5/S 77 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 216 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 077255
Ôßôëïò: Early Venetian printing illustrated
ÓõããñáöÝáò: Castellani, Carlo, 1822-1897
Ongania, Ferdinando, 1842-1911 (pub.)
Äçìoóßåõóç: Venice : F. Ogania ; New York : Scribner, 1895
ÖõóéêÞ ÐåñéãñáöÞ: 228 p. : ill., facsims. (part col.) ; 31 cm.
Óçìåéþóåéò: Given in memory of Eleanor Price Mather.
Introd. by Carlo Castellani.
Loose-leaf.
ÈÝìáôá: Music printing
Printers' marks--Italy--Venice
Printing--Italy--Venice--History
Water-marks
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**51959 11 BB 304 - ¼÷é ÄéáèÝóéìï
**51960 11 BB 304 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 217 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 077307
Ôßôëïò: Des représentations en musique anciennes et modernes
ÓõããñáöÝáò: Menestrier, Claude François, 1631-1705
Äçìoóßåõóç: Paris : René Guignard, 1681
ÖõóéêÞ ÐåñéãñáöÞ: [22], 333, [3] p. ; 17 cm.
Óçìåéþóåéò: Errors in paging.
Marginal notes.
"Table de matières contenues en ce volume" contained on the 3 unnumbered pages at the end of the text.
"Extrait du privilège du roi," dated 1679 and contained on the 22nd unnumbered page, is for Menestrier's "Philosophie des images" of which this forms a part.
ÈÝìáôá: Menestrier. Claude François. 1631-1705.
Ballet--History
Music--History
Opera--History
Singing--Interpretation (Phrasing, dynamics, etc.
Theater--History
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**52065 11 M 29 - ¼÷é ÄéáèÝóéìï
**52066 11 M 29 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 218 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 077513
Ôßôëïò: Aristoxène de Tarente et la musique de l'antiquité
ÓõããñáöÝáò: Laloy, Louis, 1874-
Äçìoóßåõóç: Paris : Société française d'impr. et de libr, 1904
ÖõóéêÞ ÐåñéãñáöÞ: 371, xlii p., 1 leaf ; 25 cm.
Óçìåéþóåéò: "Lexique d'Aristoxène": xlii p.
ÈÝìáôá: Aristoxenus
Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.A7L2
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**4238 06 7.245 - ¼÷é ÄéáèÝóéìï
**39846 14 CN ARIS LAL - ¼÷é ÄéáèÝóéìï
**52503 11 GC 4604 - ¼÷é ÄéáèÝóéìï
**52504 11 GC 4604 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 219 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 077539
Ôßôëïò: Dialogue sur la musique des anciens / a Monsieur de ***
ÓõããñáöÝáò: Chateauneuf, François de Castagnères, abbé de, d. 1709
Morabin, Jacques, 1687-1762
¸êäïóç: Nouv. ed.
Äçìoóßåõóç: Paris : Pissot, 1735
ÖõóéêÞ ÐåñéãñáöÞ: 127 p., 7 p. of plates (1 folded) ; 18 cm.
Óçìåéþóåéò: Published, with a pref., by Jacques Morabin.
Ur: Mémoires de la littérature tirez des registres de l'Academie royale des inscriptions et belles lettre. 10(1736), 13, 15, 17..--510 RISM B/VI/1
ÈÝìáôá: Music--History and criticism
Music, Greek and Roman--History and criticism
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**39640 14 CN PLUT BUR - ¼÷é ÄéáèÝóéìï
**52557 11 M 30 - ¼÷é ÄéáèÝóéìï
**52558 11 M 30 - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
ÅããñáöÞ 220 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 077717
Ôßôëïò: Bulgarian-Macedonian folk music
ÓõããñáöÝáò: Kremenliev, Boris A.
Äçìoóßåõóç: Berkeley : University of California Press, 1952
ÖõóéêÞ ÐåñéãñáöÞ: 165 p. : ill., music ; 27 cm.
Óçìåéþóåéò: Bibliography: p. [145]-155.
ÈÝìáôá: Folk music--Bulgaria--History and criticism
Folk music--Macedonia--History and criticism
Folk-songs, Bulgarian--History and criticism
Folk-songs, Macedonian--History and criticism
Music, Bulgarian
DDC Ôáîéíüìçóç: 784.49497
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**52937 11 M 102.6 - ¼÷é ÄéáèÝóéìï
**52938 11 M 102.6 - ¼÷é ÄéáèÝóéìï
Haritini Kotsidu, Die musischen Agone der Panathenäean in archaischer und klassischer Zeit: Eine historisch-archäologische Untersuchung. Munich: Tuduv, 1991. Pp. 301; 12 figures, 20 plates. ISBN 3-88073-418-6.
Contents: 1. Introduction and history of scholarship, II. Remarks on the ancient use of the concept "musical contest", III. The beginning and spread of musical contests (musical competitions in international festivals in Greece; the introduction of Panathenaic musical contests before Pericles), IV. Description of the Panathenaic musical contests (types and content of musical contests; reconstruction of the contest program; musical contestants; dedications; prizes), V. Representations of musical contests on Attic vases of the 6th and 5th C., VI. Location of the Panathenaic musical contests in the archaic and classical period (postSolonian agora as cult place and Panathenaic contest place; the "Odeion of Pericles"; the location of the musical contests and the west side of the Agora). VII. Conclusions.
This exemplary dissertation provides a thorough and up-to-date review of the primary evidence and the secondary literature (including unpublished dissertations) for virtually every imaginable question concerning the Panathenaic musical contests. In addition, most of the testimonia are provided (including Timotheus' Persians since K. is interested in the general development of music during this time) and catalogues of 86 pseudo-panathenaic amphorae and 139 other vases showing musical contests.
Some of K.'s main points: (1) musical contests through the classical period did not include choral contests such as dithyramb and drama; (2) the Panathenaic musical contests included rhapsodes, parodes, boy aulodes, boy kitharists, kitharodes, men aulodes, men kitharists, auletes, men's choruses, perhaps boys' choruses and sunaulia (double aulos-players, attested by Pollux and found on at least two 5th C. vases); (3) Plutarch is wrong to say that Pericles "first decreed that there be a musical contest at the Panathenaia"; and (4) the musical contests were held in the Agora, never in Pericles' Odeion.
Point #3 is no longer controversial (see e.g. Shapiro's essay reviewed below p.193), but K.'s full vase catalogues allow us to see how common musical contests were before Pericles though she confuses the value of pseudo-panathenaic amphorae as evidence for the existence of the contest, which is good, and their value as evidence for the type of prize, which is bad. (Also, she misunderstands the Hekatompedon inventories, which refer to the same crown year after year not to a series of identical crowns.) She might have noted that while pseudo-panathenaics often show non-Panathenaic scenes they are not simply a cross-section of contemporary vase painting: the frequency of musical contests on pseudo-panathenaics is many times greater than on vases in general.
Point #1 is trickier because the evidence is so fragmentary and so various, and when K. comes to reconstruct the musical contests she ends up including "choruses of men" on the basis of an Acropolis dedication but then does not define these as dithyrambs (since there is not talk of tribe or choregos) even though she thinks CIA ii 1367 proves there were dithyrambs at the Great Panathenaia. Yet the dedication goes on to say "he says that he won the tripod with very many (the most?) choruses elsewhere by tribes" and the specification of "elsewhere by tribes" could mean that the present victory too was "by tribes", the contrast being between Athenian victory and "outside" victory, not, as K. would have it, between tribal and non-tribal victory. Nor is CIA ii 1367 secure: on the base are carved five laurel crowns each with the word "(at the) Pythia"; in the center are two olive crowns with the inscriptions, "(at the) Great Panathenaia" and "(at the) Lenaia with dithyramb". Since dithyramb is specified only for the Lenaia it is almost certain that all the other victories were in Nikokles' speciality, kithara-singing (see Pausanias). Still, dithyramb is different: it is a group performance, organized and financed through tribal choregia and won by the tribe, and the prizes should be correspondingly different from the gold crowns and money of the musical contests and the oil of the equestrian and athletic contests, all of which are prizes for individuals. But the only place among the tribal/choregic events on our most complete Panathenaic prize list (IG ii2 2311) is after the pyrrhic dances, the torch race and the naval contest, which seems odd and I would have liked K. to have commented on this.
Otherwise, K.'s reconstruction of the Panathenaic musical contests (#2) is quite reasonable. One might object that the mention of men aulodes and kitharists does not necessarily imply boy aulodes and kitharists given the 2nd C. list of musical contests at the Artemisia in Ephesus (IG xii 9 189), which has only rhapsodes, men kitharists, kitharodes, and parodes, but that does not make her reconstruction unlikely. Parodes, which seem to be a form of parody, are perhaps the most surprising event in her list (not mentioned by Shapiro), but the testimony about the Thasian Hegemon (Poetics 1448a, Athenaeus 699A) seems irrefutable. I wonder if parodes were introduced by Pericles -- it may be significant that the one practitioner, Hegemon, comes from Thasos and his compatriot and contemporary Stesimbrotos not only performed at the Panathenaia but also reviled politicians, in what might be a parodic fashion.
K.'s discussion of the location of the musical contests (#4) begins by locating equestrian and athletic events in the Agora and determining that the Agora orchestra was used for cult dances not for theatrical presentations (which were confined to the precincts of Lenaian and Eleutherian Dionysus). Although there is little evidence for Panathenaic musical contests in the Agora, they were never in Pericles' Odeion, which could not have been a concert hall with all those columns (but rather a music school) and which probably was originally built right after the Persian Wars. The best evidence for them in the Agora is the Hephaestia inscription of 421 BC (IG I2 84), which mentions a penteteris, the Agora, and a musical contest for Athena and Hephaestus. Thus we may have musical contests for the penteteric Panathenaia in the Agora after the death of Pericles. K. does not consider some of the inscription's difficulties, particularly the dominant role of the hieropoioi, the mention of gymnasiarchs for the torch race and the other contest (singular!), which are to follow the model of the Prometheia the way the musical contest followed some erased model. It seems unlikely, then, that the musical contest is the Panathenaic one (which is not new) and we must either separate the Panathenaia from the inscription's penteteris or understand that this is not a first-time event. I am also bothered by K.'s treatment of the Pindaric dithyramb that seems to be located in the Agora, which she connects with the Anthesteria (following Webster), though, given the reference to spring flowers, it can hardly be Panathenaic.
In sum, this easily read dissertation is a handy guide to a wide range of problems; it is systematic, up-to-date, thorough, and useful, especially with its lists of vases and collections of the testimonia. The author is sensible and, particularly in the last part, constructs a complex and persuasive argument. The text is simply a photocopy of the original (somewhat corrected) dissertation, with the result that the print is uneven and sometimes quite faint in the testimonia. The plates, however, have been reproduced much more effectively.
http://ccat.sas.upenn.edu/bmcr/1993/04.03.29.html
PD Dr. Haritini Kotsidu
Beruflicher
Werdegang geb. 1963 in Griechenland
1981/82-1986 Studium der Klassischen Archäologie mit den Nebenfächern Kunstgeschichte und Klassische Philologie an der J.W.Goethe-Universität, Frankfurt/M.
1987-1989 Promotionsstipendium der Gerda Henkel-Stiftung
1990-1993 Mitarbeit am Forschungsprojekt "Ehrungen für hellenistische Herrscher"
1994-1996 Habilitandenstipendium der Deutschen Forschungsgemeinschaft
Seit 1998 Mitarbeit am DFG-Forschungsprojekt "Schenkungen griechischer Städte, römischer Klientelkönige, senatorischer Amtsträger und römischer Kaiser an griechische Städte und Heiligtümer"
http://www.uni-frankfurt.de/fb09/klassarch/Kotsidu.html
Publikationen
(Auswahl) Die musischen Agone der Panathenäen in archaischer und klassischer Zeit (1991)
Augusteische Sakrallandschaften: ihre Bedeutung und ihre Rezeption in der bürgerlichen Privatsphäre, Hephaistos 16, 1998/99, 91ff.
Die Königin als vornehme Bürgerin, in: Antike Porträts. Zum Gedächtnis von Helga von Heintze (Hrsg. H. v.Steuben 1999) 39ff.
Time kai doxa. Ehrungen für hellenistische Herrscher im griechischen Mutterland und in Kleinasien unter besonderer Berücksichtigung der archäologischen Denkmäler (2000)
Zur Verbreitung der panathenäischen Preisamphoren, in: Panathenaika. Symposion zu den Panathenäischen Preisamphoren Rauischholzhausen 25.11.-29.11.1998 (Hrsg. M. Bentz/N. Eschbach 2000) 55ff.
Bagpipes par Anthony Baines
Publié pour la première fois en 1960, et réédité plusieurs fois depuis, Bagpipes est un ouvrage de référence pour ce qui concerne l'étude de la cornemuse en général. Spécialiste des instruments à vent en bois, également joueur de cornemuse, Anthony Baines, l'auteur de cet ouvrage, a basé en grande partie son étude sur l'observation de la collection de cornemuses du Pitt Rivers Museum (Université d'Oxford). A travers un parcours géographique sur les 3 continents concernés par cet instrument - Europe, Asie (centrale), Afrique (Nord) -, il propose une typologie de la cornemuse basée sur la description organologique. Outre une description des principaux types, l'ouvrage contient également un chapitre consacré aux hornpipes (clarinettes primitives à pavillon) et aux cornemuses primitives (à tuyau simple ou tuyaux doubles). Agrémenté de nombreux dessins très précis ainsi que d'un livret de 16 planches de photographies, Bagpipes présente toutefois la difficulté de ne pas avoir été traduit en français. C'est donc la version originale en langue anglaise qui vous attend.
BAINES, Anthony. Bagpipes. S.l. : T.K. Penniman & B.M. Blackwood, 1960. 142 p. + 16 p. (Occasional papers on technology ; 9).
ÅããñáöÞ 142 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 066741
Ôßôëïò: De la musique / Texte, traduction, commentaire précédés d'une étude sur L'éducation musicale dans la Grèce antique, par François Lasserre
ÓõããñáöÝáò: Plutarchus
Äçìoóßåõóç: Olten : Urs Graf Verlag, 1954, [c1955]
ÖõóéêÞ ÐåñéãñáöÞ: 185 p. ; 24 cm.
ÓåéñÝò: (Bibliotheca helvetica romana ; 1)
Óçìåéþóåéò: Bibliographical footnotes.
ÈÝìáôá: Lasserre. François..
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**6045 06 9.522 (I) - ¼÷é ÄéáèÝóéìï
**37137 14 CN PLUT LAS - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
===
De la musique.
Plutarch.; François Lasserre
1975, ?
English Book xiii, 215 p. ; 22 cm.
New York : Da Capo Press, ISBN: 0306706995
Ownership: Check the catalogs in your library.
Libraries that Own Item: 222
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Title: Musical thought in ancient Greece /
Author(s): Lippman, Edward A.
Publication: New York : Da Capo Press,
Year: 1975, ?
Description: xiii, 215 p. ; 22 cm.
Language: English
Series: Da Capo Press music reprint series;
Standard No: ISBN: 0306706995; LCCN: 74-23415
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Reprint of the 1st ed. published by Columbia University Press, New York./ Includes index./ Bibliography: p. [177]-199.
Class Descriptors: LC: ML169; Dewey: 780/.1/0938
Responsibility: Edward A. Lippmann.
Document Type: Book
Entry: 19741025
Update: 20010604
Accession No: OCLC: 1094925
Database: WorldCat
====
ÅããñáöÞ 144 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 067359
Ôßôëïò: Altgriechische Musik : e. Einf / Annemarie Jeanette Neubecker
ÓõããñáöÝáò: Neubecker, Annemarie Jeanette, 1908-
Äçìoóßåõóç: Darmstadt : Wissenschaftliche Buchgesellschaft, 1977
ÖõóéêÞ ÐåñéãñáöÞ: 182 p., [4] leaves of plates : ill. ; 22 cm.
ÓåéñÝò: (Die Altertumswissenschaft)
ISBN: 3534044975 : DM34.00
Óçìåéþóåéò: Includes indexes.
Bibliography: p. [157]-165.
ÈÝìáôá: Music, Greek
DDC Ôáîéíüìçóç: 781.7/38
LCC Ôáîéíüìçóç: ML169.N47
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
42048 04 MZ 4.15 - ¼÷é ÄéáèÝóéìï
**11417 06 31.463 (II) - ¼÷é ÄéáèÝóéìï
19539 14 BJ NEU - ¼÷é ÄéáèÝóéìï
===
Altgriechische Musik :
e. Einf. /
Annemarie Jeanette Neubecker
1977
German Book 182 p., [4] leaves of plates : ill. ; 22 cm.
Darmstadt : Wissenschaftliche Buchgesellschaft, ISBN: 3534044975 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 60
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Title: Altgriechische Musik :
e. Einf. /
Author(s): Neubecker, Annemarie Jeanette, 1908-
Publication: Darmstadt : Wissenschaftliche Buchgesellschaft,
Year: 1977
Description: 182 p., [4] leaves of plates : ill. ; 22 cm.
Language: German
Series: Die Altertumswissenschaft;
Standard No: ISBN: 3534044975 :; LCCN: 78-375771
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes indexes./ Bibliography: p. [157]-165.
Class Descriptors: LC: ML169; Dewey: 781.7/38
Responsibility: Annemarie Jeanette Neubecker.
Document Type: Book
Entry: 19781115
Update: 20010611
Accession No: OCLC: 4460357
Database: WorldCat
===
Altgriechische Musik :
eine Einführung /
Annemarie Jeanette Neubecker
1994 2., durchgesehene und um einen Nachtrag erweiterte Aufl.
German Book 194 p., [8] p. of plates : ill. ; 22 cm.
Darmstadt : Wissenschaftliche Buchgesellschaft, ISBN: 3534044975
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Title: Altgriechische Musik :
eine Einführung /
Author(s): Neubecker, Annemarie Jeanette, 1908-
Publication: Darmstadt : Wissenschaftliche Buchgesellschaft,
Edition: 2., durchgesehene und um einen Nachtrag erweiterte Aufl.
Year: 1994
Description: 194 p., [8] p. of plates : ill. ; 22 cm.
Language: German
Series: Die Altertumswissenschaft;
Standard No: ISBN: 3534044975
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Note(s): Includes bibliography: p. [157]-165 and indexes.
Class Descriptors: Dewey: 781.738
Responsibility: Annemarie Jeanette Neubecker.
Document Type: Book
Entry: 19950106
Update: 19960624
Accession No: OCLC: 31772305
Database: WorldCat
===
ÅããñáöÞ 145 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 067499
Ôßôëïò: ˆL'‰instrument de musique dans la céramique de la Grèce antique : études d'organologie / Daniel Paquette
ÓõããñáöÝáò: Paquette, Daniel
Äçìoóßåõóç: Paris : Diffusion de Boccard, 1984
ÖõóéêÞ ÐåñéãñáöÞ: 262 p. : ill. ; 28 cm.
ÓåéñÝò: (Publications de la Bibliothèque Salomon Reinach ; 4)
ISBN: 2701800080 : 300F
Óçìåéþóåéò: Includes indexes.
Bibliography: p. [225]-227.
Discography: p. [229].
ÈÝìáôá: Music--Greece--To 500--History and criticism
Musical instruments--Greece
Musical instruments in art.
Pottery--Technique
Pottery, Greek
DDC Ôáîéíüìçóç: 781.91/0938 (19)
LCC Ôáîéíüìçóç: ML522.G74P33 1984
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
48336 04 MZ 4.6 - ¼÷é ÄéáèÝóéìï
**5865 06 9.363 (IV) - ¼÷é ÄéáèÝóéìï
22658B 14 BJ PAQ - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
====
L'instrument de musique dans la céramique de la Grèce antique :
études d'organologie /
Daniel Paquette
1984
French Book 262 p. : ill. ; 28 cm.
Paris : Diffusion de Boccard, ISBN: 2701800080 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 69
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Find Items About: Paquette, Daniel. (1)
Title: L'instrument de musique dans la céramique de la Grèce antique :
études d'organologie /
Author(s): Paquette, Daniel.
Publication: Paris : Diffusion de Boccard,
Year: 1984
Description: 262 p. : ill. ; 28 cm.
Language: French
Series: Publications de la Bibliothèque Salomon Reinach ;; 4;
Standard No: ISBN: 2701800080 :; LCCN: 84-206845
SUBJECT(S)
Descriptor: Musical instruments -- Greece.
Music -- Greece -- To 500 -- History and criticism.
Musical instruments in art.
Pottery, Greek.
Note(s): Includes indexes./ Bibliography: p. [225]-227./ Discography: p. [229]
Class Descriptors: LC: ML522.G74; Dewey: 781.91/0938
Responsibility: Daniel Paquette.
Document Type: Book
Entry: 19840828
Update: 20010706
Accession No: OCLC: 11249820
Database: WorldCat
=====
ÅããñáöÞ 146 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 067554
Ôßôëïò: ˆDie ‰Syrinx in der griechischen Bildkunst / Gerlinde Haas
ÓõããñáöÝáò: Haas, Gerlinde
Äçìoóßåõóç: Wien : H. Böhlau, 1985
ÖõóéêÞ ÐåñéãñáöÞ: 206 p. : ill. ; 24 cm.
ÓåéñÝò: (Wiener musikwissenschaftliche Beiträge ; Bd. 11)
ISBN: 3205082397 : S696.00
Óçìåéþóåéò: Originally presented as the author's thesis (doctoral--Universität Wien, 1978).
Includes indexes.
Bibliography: p. 129-136.
ÈÝìáôá: Musical instruments, Ancient--Greece
Panpipes
Panpipes in art.
DDC Ôáîéíüìçóç: 788/.5 (19)
LCC Ôáîéíüìçóç: ML990.P3H3 1985
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
50578 04 MZ 4.7 - ¼÷é ÄéáèÝóéìï
41.327 06 30.577 - ¼÷é ÄéáèÝóéìï
22942 14 BH HAA - ¼÷é ÄéáèÝóéìï
=====
Die Syrinx in der griechischen Bildkunst /
Gerlinde Haas
1985
German Book 206 p. : ill. ; 24 cm.
Wien : H. Böhlau, ISBN: 3205082397 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 55
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Title: Die Syrinx in der griechischen Bildkunst /
Author(s): Haas, Gerlinde.
Publication: Wien : H. Böhlau,
Year: 1985
Description: 206 p. : ill. ; 24 cm.
Language: German
Series: Wiener musikwissenschaftliche Beiträge ;; Bd. 11;
Standard No: ISBN: 3205082397 :; LCCN: 86-181751
SUBJECT(S)
Descriptor: Panpipes.
Musical instruments, Ancient -- Greece.
Panpipes in art.
Note(s): Originally presented as the author's thesis (doctoral--Universität Wien, 1978)/ Includes indexes./ Bibliography: p. 129-136.
Class Descriptors: LC: ML990.P3; Dewey: 788/.5
Responsibility: Gerlinde Haas.
Document Type: Book
Entry: 19870527
Update: 20010607
Accession No: OCLC: 13450783
Database: WorldCat
====
ÅããñáöÞ 147 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 067765
Ôßôëïò: ˆDie ‰musischen Agone der Panathenäen in archaischer und klassischer Zeit : eine historisch-archäologische Untersuchung / Haritini Kotsidu
ÓõããñáöÝáò: Kotsidu, Haritini, 1963-
Äçìoóßåõóç: München : Tuduv, c1991
ÖõóéêÞ ÐåñéãñáöÞ: 301 p., 20 p. of plates : ill., maps ; 21 cm.
ÓåéñÝò: (Quellen und Forschungen zur Antiken Welt ; Bd. 8)
ISBN: 3880734186
Óçìåéþóåéò: Revision of the author's thesis (doctoral)--Frankfurt University, 1990.
Includes bibliographical references (p. 180-241).
ÈÝìáôá: Music--Competitions--Greece--Athens--History
Music in art.
Performing arts--Competitions--Greece--Athens--History
Vase painting, Greek--Greece--Athens
LCC Ôáîéíüìçóç: PA3203.K67 1991
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
61818 04 MO 61 - ¼÷é ÄéáèÝóéìï
24085 14 BE KOT - ¼÷é ÄéáèÝóéìï
===
Die musischen Agone der Panathenäen in archaischer und klassischer Zeit :
eine historisch-archäologische Untersuchung /
Haritini Kotsidu
1991
German Book 301 p., 20 p. of plates : ill., maps ; 21 cm.
München : Tuduv, ISBN: 3880734186
Ownership: Check the catalogs in your library.
Libraries that Own Item: 26
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Title: Die musischen Agone der Panathenäen in archaischer und klassischer Zeit :
eine historisch-archäologische Untersuchung /
Author(s): Kotsidu, Haritini, 1963-
Publication: München : Tuduv,
Year: 1991
Description: 301 p., 20 p. of plates : ill., maps ; 21 cm.
Language: German
Series: Quellen und Forschungen zur Antiken Welt ;; Bd. 8;
Standard No: ISBN: 3880734186; LCCN: 92-192288
SUBJECT(S)
Descriptor: Performing arts -- Competitions -- Greece -- Athens -- History.
Music -- Competitions -- Greece -- Athens -- History.
Vase painting, Greek -- Greece -- Athens.
Music in art.
Note(s): Revision of the author's thesis (doctoral)--Frankfurt University, 1990./ Includes bibliographical references (p. 180-241).
Class Descriptors: LC: PA3203
Responsibility: Haritini Kotsidu.
Document Type: Book
Entry: 19920729
Update: 19930417
Accession No: OCLC: 27937680
Database: WorldCat
===
ÅããñáöÞ 148 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 068882
Ôßôëïò: Catalogue of musical instruments [in the] Victoria and Albert Museum / [by] Raymond Russell [and Anthony Baines]
ÓõããñáöÝáò: Baines, Anthony
Russell, Raymond
Victoria and Albert Museum
Äçìoóßåõóç: London : H.M.S.O., 1968
ÖõóéêÞ ÐåñéãñáöÞ: 2 v. : plates, ill. (incl. 2 col.) ; 26 cm.
Óçìåéþóåéò: Bibliography: v. 1, p. [83]-85; v. 2, p. [107]-109.
Ðåñéå÷üìåíá: v. 1. Keyboard instruments / R. Russell -- v. 2. Non-keyboard instruments / A. Baines
ÈÝìáôá: Musical instruments--Catalogs and collections
DDC Ôáîéíüìçóç: 781/.91/07402
LCC Ôáîéíüìçóç: ML462.L6S77
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**38834 14 CR LOND v.1 ¼÷é ÄéáèÝóéìï
**38836 14 CR LOND v.1 ¼÷é ÄéáèÝóéìï
**38837 14 CR LOND v.2 ¼÷é ÄéáèÝóéìï
**38835 14 CR LOND v.2 ¼÷é ÄéáèÝóéìï
====
ÅããñáöÞ 149 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 069192
Ôßôëïò: Catalogue of printed & manuscript music, autograph letters of musicians, books on music & musical instruments ... : [days of sale, Wednesday, 11th May, 1977 music, Thursday, 12th May, 1977, musical instruments]
ÓõããñáöÝáò: Sotheby Parke Bernet Inc.
Äçìoóßåõóç: [London : Sotheby Parke Bernet, c1977]
ÖõóéêÞ ÐåñéãñáöÞ: 154 p. : ill. (some col.) ; 25 cm.
Óçìåéþóåéò: Title on spine: Music and musical instruments.
Includes index.
ÈÝìáôá: Music--Bibliography--Catalogs
Musical instruments--Catalogs and collections
Musicians--Autographs--Catalogs
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**41893 11 M 8.5 - ¼÷é ÄéáèÝóéìï
ÅããñáöÞ 131 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 062902
Ôßôëïò: Philodemi de musica librorum quae exstant / edidit Ioannes Kemke
Ïìïéüìïñöïò Ôßôëïò: On music
ÓõããñáöÝáò: Philodemus, Of Gadara
Kemke, Johannes, 1863-1918 (ed.)
Äçìoóßåõóç: Lipsiae : in aedibus B.G. Teubneri, 1884
ÖõóéêÞ ÐåñéãñáöÞ: xv, 111 p. ; 22 x 29 cm.
ÓåéñÝò: (Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S. g.])
ÈÝìáôá: Music
Music, Greek and Roman
LCC Ôáîéíüìçóç: PA3404.P45 1884
ML168.P5.P45 1884
[ZYU:] ML 168 P566.P45 1884
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**29618 04 RP 40/7 - ¼÷é ÄéáèÝóéìï
**38066 14 CN PHIL KEM - ¼÷é ÄéáèÝóéìï
=====
Philodemi de musica librorum quae exstant
Philodemus; Johannes Kemke
1884
Greek, Ancient [to 1453] Book xv, 111 p. 29 cm.
Lipsiae, in aedibus B. G. Teubneri,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 67
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Find Items About: De musica (36); Philodemus, (max: 77)
Title: Philodemi de musica librorum quae exstant
Author(s): Philodemus, ca. 110-ca. 40 B.C. ; Kemke, Johannes,; 1863-1918.
Publication: Lipsiae, in aedibus B. G. Teubneri,
Year: 1884
Description: xv, 111 p. 29 cm.
Language: Greek, Ancient [to 1453]
Series: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana;
Standard No: LCCN: 07-22542
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: PA3404; ML168.P5
Other Titles: De musica
Responsibility: edidit Ioannes Kemke.
Document Type: Book
Entry: 19790330
Update: 20011011
Accession No: OCLC: 4801650
Database: WorldCat
====
ÅããñáöÞ 132 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 063041
Ôßôëïò: Musici scriptores graeci : Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius et melodiarum veterum quidquid exstat / Recognovit, prooemiis et indice instruxit Carolus Janus
ÓõããñáöÝáò: Alypius
Aristoteles
Bacchius, senior
Cleonides
Euclides
Gaudentius
Mesomedes
Nicomachus Gerasenus
Jan, Karl von, 1836-1899 (ed.)
Äçìoóßåõóç: Lipsiae : in aedibus B.G. Teubneri, 1895
ÖõóéêÞ ÐåñéãñáöÞ: xciii, 503 p. : folded facsim., folded ill. ; 18 cm.
ÓåéñÝò: (Bibliotheca scriptorum graecorum et romanorum Teubneriana. [S.g.])
Ðåñéå÷üìåíá: Praefatio -- De codicibus manuscriptis -- v. I. Aristotelis loci de musica -- v. II. Pseudo-Aristotelis de rebus musicis Problemata -- v. III. Euclidis Sectio canonis -- v. IV. Cleonidis Isagoge -- v. V. Nicomachus Gerasenus -- v. VI. Bacchii Gerontis Isagoge -- v. VII. Gaudenti philosophi Harmonica introductio -- v. VIII. Alypi Isagoge -- v. IX. Excerpta neapolitana -- v. X. Carminum graecorum reliquiae : 1. Ex Euripidis Oreste. 2-4. Carmina nuper Delphis inventa. 5. Sicili epitaphium. 6-8. De Mesomedis hymnis
ÈÝìáôá: Music, Greek and Roman
Music, Greek--Theory--To 400
LCC Ôáîéíüìçóç: PA3403.M8 1895
ML167.J35.M8 1895
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
3301 04 RB 36/8 v.1 ¼÷é ÄéáèÝóéìï
3320 04 RB 36/8 v.2 ¼÷é ÄéáèÝóéìï
**38046 14 CN JANU MUS - ¼÷é ÄéáèÝóéìï
=====
Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Karl von Jan
1962
English Book xciii, 503 p. illus. 18 cm.
Hildesheim, G. Olms,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 75
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Title: Musici scriptores Graeci.
Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, et melodiarum veterum quidquid exstat.
Author(s): Jan, Karl von, 1836-1899, ed.
Publication: Hildesheim, G. Olms,
Year: 1962
Description: xciii, 503 p. illus. 18 cm.
Language: English
SUBJECT(S)
Descriptor: Music theory.
Music, Greek and Roman.
Note(s): Supplementum, melodiarum reliquiae (61 p.) in pocket./ "Reprografischer Nachdruck der Ausgabe Leipzig 1895; [Supplement] 1899."
Class Descriptors: LC: ML167
Document Type: Book
Entry: 19740411
Update: 20001018
Accession No: OCLC: 854472
Database: WorldCat
=====
ÅããñáöÞ 133 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 064118
Ôßôëïò: Porphyrios kommentar zur Harmonielehre des Ptolemaios / herausgegeben von Ingemar Düring
ÓõããñáöÝáò: Porphyry, ca. 234-ca. 305
Düring, Ingemar, 1903- (ed.)
Äçìoóßåõóç: Göteborg : Elanders boktryckeri aktiebolag, 1932
ÖõóéêÞ ÐåñéãñáöÞ: xlii p., 2 leaves, [3]-217 p. : ill. () ; 25 cm.
ÓåéñÝò: (Göteborgs högskolas årsskrift ; XXXVIII, 1932:2)
Óçìåéþóåéò: Xerox copy.
"Verzeichnis der handschriften": p. [ix]-xv.
ÈÝìáôá: Ptolemaeus. Clausius. fl. 2nd cent. Harmonica. American.
Porphyrius. of Tyrus. American.
Music, Greek and Roman
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**25112 04 - - ¼÷é ÄéáèÝóéìï
2684A 14 CN PORP POR - ¼÷é ÄéáèÝóéìï
======
Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Ptolemy; Porphyry; Ingemar Düring
1980, 1930
Greek, Ancient [to 1453] Book 512 p. in various pagings : ill. ; 24 cm.
New York : Garland Publishing, ISBN: 0824096002
Ownership: Check the catalogs in your library.
Libraries that Own Item: 62
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Find Items About: Harmonics (49); Ptolemy, (max: 381); Porphyry, (max: 561); Düring, Ingemar, (max: 2)
Title: Die Harmonielehre des Klaudios Ptolemaios ; Porphyrios Kommentar zur Harmonielehre des Ptolemaios /
Author(s): Ptolemy, 2nd cent. ; Porphyry,; ca. 234-ca. 305. ; In Ptolemaei Harmonica commentarius. 1980.; Düring, Ingemar,; 1903-
Publication: New York : Garland Publishing,
Year: 1980, 1930
Description: 512 p. in various pagings : ill. ; 24 cm.
Language: Greek, Ancient [to 1453]
Series: Ancient philosophy; Variation: Göteborgs högskolas årsskrift ;; XXXVI, 1 etc.
Standard No: ISBN: 0824096002; LCCN: 78-66554
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism -- Early works to 1800.
Music theory -- Early works to 1800.
Named Person: Ptolemy, 2nd cent. Harmonics.
Note(s): Text in Greek; editor's commentary in German./ Reprint of the 1930 and 1932 ed. published by Elanders boktr., Göteborg, which were issued as Göteborgs högskolas årsskrift, XXXVI, 1930: 1, and XXXVIII, 1932: 2./ Includes bibliographical references and indexes.
Class Descriptors: LC: ML168.P97; Dewey: 780/.938
Other Titles: Harmonics
Responsibility: [hrsg. von] Ingemar Düring.
Document Type: Book
Entry: 19790129
Update: 20001119
Accession No: OCLC: 4667251
Database: WorldCat
======
ÅããñáöÞ 134 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 064884
Ôßôëïò: Plutarks dialog om musiken
ÓõããñáöÝáò: Plutarch
Skjerne, Godtfred, 1880-
Äçìoóßåõóç: København ; Leipzig : W. Hansen, 1909
ÖõóéêÞ ÐåñéãñáöÞ: 3-214 p. : ill. (port.) IV plates ; 27 cm.
Óçìåéþóåéò: At head of title: Godtfred Skjerne.
Udgivet med understøttelse af Carlsbergfondet.
Ðåñéå÷üìåíá: Indledning -- Plutarks dialog om musiken -- Tillæg : Lidt om de antike musikinstrumenter. Kronologisk oversigt over den græske musiks historie
ÈÝìáôá: Music, Greek and Roman
LCC Ôáîéíüìçóç: ML168.P7S6
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**35874 14 CN PLUT SKJ - ¼÷é ÄéáèÝóéìï
====
Plutarks dialog om musiken.
Plutarch.; Godtfred Skjerne
1909
Danish Book 8 p. ., 3-214 p. front. (port.) IV pl. 27 cm.
København; Leipzig, W. Hansen,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 2
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Find Items About: Plutarch. (941)
Title: Plutarks dialog om musiken.
Author(s): Plutarch. ; Skjerne, Godtfred,; 1880- ; ed. and tr.
Corp Author(s): Carlsbergfondet (Copenhagen, Denmark)
Publication: København; Leipzig, W. Hansen,
Year: 1909
Description: 8 p. ., 3-214 p. front. (port.) IV pl. 27 cm.
Language: Danish
Contents: Indledning.--Plutarks dialog om musiken.--Tillæg: Lidt om de antike musikinstrumenter. Kronologisk oversigt over den græske musiks historie.
Standard No: LCCN: 10-18835
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Note(s): At head of title: Godtfred Skjerne./ Udgivet med understøttelse af Carlsbergfondet.
Class Descriptors: LC: ML168.P7
Document Type: Book
Entry: 19831006
Update: 19950318
Accession No: OCLC: 9986912
Database: WorldCat
=====
ÅããñáöÞ 135 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 065294
Ôßôëïò: Griechische Musikfragmente : ein Weg zur altgriechischen Musik
ÓõããñáöÝáò: Pöhlmann, Egert
Äçìoóßåõóç: Nürnberg : H. Carl, 1960
ÖõóéêÞ ÐåñéãñáöÞ: 84 p. : ill., music ; 23 cm.
ÓåéñÝò: (Erlanger Beiträge zur Sprach und Kunstwissenschaft ; Bd. 8)
ÈÝìáôá: Music, Greek and Roman
LCC Ôáîéíüìçóç: ML169.P587G7
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
====
Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Egert Pöhlmann
1960
German Book 84 p. illus., music. 23 cm.
Nürnberg, H. Carl,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 87
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Title: Griechische Musikfragmente;
ein Weg zur altgriechischen Musik.
Author(s): Pöhlmann, Egert.
Publication: Nürnberg, H. Carl,
Year: 1960
Description: 84 p. illus., music. 23 cm.
Language: German
Series: Erlanger Beiträge zur Sprach und Kunstwissenschaft,; Bd. 8;
Standard No: LCCN: 61-36331
SUBJECT(S)
Descriptor: Music, Greek and Roman.
Class Descriptors: LC: ML169.P587
Document Type: Book
Entry: 19750321
Update: 19940114
Accession No: OCLC: 1228150
Database: WorldCat
====
Neue griechische Musikfragmente aus ptolemäischer Zeit in der Papyrussammlung der Österreichischen Nationalbibliothek (G 29.825a-f)
Herbert Hunger
1962
German Book [51]-78 p. illus. 25 cm.
Wien, O. Höfels,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1
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Title: Neue griechische Musikfragmente aus ptolemäischer Zeit in der Papyrussammlung der Österreichischen Nationalbibliothek (G 29.825a-f)
Author(s): Hunger, Herbert, 1914-
Publication: Wien, O. Höfels,
Year: 1962
Description: [51]-78 p. illus. 25 cm.
Language: German
Series: Wiener Studien, Zeitschrift für klassische Philologie,; 75. Bd., Jahrg. 1962, p. 51-78;
Note(s): Caption title.
Class Descriptors: Dewey: 780.938
Responsibility: [von Herbert Hunger und Egert Pöhlmann.
Document Type: Book
Entry: 20011014
Update: 20011014
Accession No: OCLC: 48144962
Database: WorldCat
=====
ÅããñáöÞ 136 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 065295
Ôßôëïò: ˆThe ‰rise of music in the ancient world, East and West
ÓõããñáöÝáò: Sachs, Curt, 1881-1959
Äçìoóßåõóç: New York : W.W. Norton & Co., Inc., [1943]
ÖõóéêÞ ÐåñéãñáöÞ: 324 p. : ill. (incl. music) plates ; 24 cm.
Óçìåéþóåéò: "First edition."
Bibliographical foot-notes.
ÈÝìáôá: Music--Asia--History and criticism
Music--To 500--History and criticism
Music, Greek and Roman--History and criticism
DDC Ôáîéíüìçóç: 781.8
LCC Ôáîéíüìçóç: ML162.S14
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
**37292 14 BJ SAC - ¼÷é ÄéáèÝóéìï
====
The rise of music in the ancient world, East and West.
Curt Sachs
1943
English Book 324 p. illus. (incl. music) plates, diagrs. 24 cm.
New York, W.W. Norton & Co., inc.
Ownership: Check the catalogs in your library.
Libraries that Own Item: 1628
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Find Items About: Sachs, Curt, (max: 3)
Title: The rise of music in the ancient world, East and West.
Author(s): Sachs, Curt, 1881-1959.
Publication: New York, W.W. Norton & Co., inc.
Year: 1943
Description: 324 p. illus. (incl. music) plates, diagrs. 24 cm.
Language: English
Standard No: LCCN: 43-16820
SUBJECT(S)
Descriptor: Music -- To 500 -- History and criticism.
Music -- Asia -- History and criticism.
Music, Greek and Roman -- History and criticism.
Musica (Antiguidade)
Note(s): "First edition."/ Bibliographical foot-notes.
Class Descriptors: LC: ML162; Dewey: 781.8
Document Type: Book
Entry: 19730522
Update: 20010601
Accession No: OCLC: 395923
Database: WorldCat
=====
ÅããñáöÞ 138 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 066168
Ôßôëïò: Music in Greek and Roman culture / Giovanni Comotti ; translated by Rosaria V. Munson
Ïìïéüìïñöïò Ôßôëïò: Musica nella cultura greca e romana
ÓõããñáöÝáò: Comotti, Giovanni, 1931-
Äçìoóßåõóç: Baltimore : Johns Hopkins University Press, c1989
ÖõóéêÞ ÐåñéãñáöÞ: xii, 186 p. : ill. ; 23 cm.
ÓåéñÝò: (Ancient society and history)
ISBN: 0801833647 alk. paper
Óçìåéþóåéò: Includes index.
Translation of: La musica nella cultura greca e romana.
Bibliography: p. 167-169.
ÈÝìáôá: Music, Greek and Roman--History and criticism
DDC Ôáîéíüìçóç: 780/.938 (19)
LCC Ôáîéíüìçóç: ML169.C6513 1989
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
23076 14 BJ COM - ¼÷é ÄéáèÝóéìï
===
Music in Greek and Roman culture /
Giovanni Comotti
1989
English Book xii, 186 p. : ill. ; 23 cm.
Baltimore : Johns Hopkins University Press, ISBN: 0801833647 (alk. paper)
Ownership: Check the catalogs in your library.
Libraries that Own Item: 697
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Title: Music in Greek and Roman culture /
Author(s): Comotti, Giovanni, 1931-
Publication: Baltimore : Johns Hopkins University Press,
Year: 1989
Description: xii, 186 p. : ill. ; 23 cm.
Language: English
Series: Ancient society and history;
Standard No: ISBN: 0801833647 (alk. paper); LCCN: 88-45413
SUBJECT(S)
Descriptor: Music, Greek and Roman -- History and criticism.
Identifier: Greek music, ancient period; Roman Empire music
Note(s): Includes index./ Translation of: La musica nella cultura greca e romana./ Bibliography: p. 167-169.
Class Descriptors: LC: ML169; Dewey: 780/.938
Other Titles: Musica nella cultura greca e romana. English
Responsibility: Giovanni Comotti ; translated by Rosaria V. Munson.
Document Type: Book
Entry: 19880608
Update: 20010111
Accession No: OCLC: 18049201
Database: WorldCat
====
ÅããñáöÞ 139 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 066470
Ôßôëïò: Pythagoras og de tonende tall : en studie i pythagoreisk musikk- og virkelighetsforståelse / Ove Kr. Sundberg
ÓõããñáöÝáò: Sundberg, Ove Kr., 1932-
Äçìoóßåõóç: Oslo : Tanum-Norli, 1980 ; (Oslo : S. Hammerstads boktr
ÖõóéêÞ ÐåñéãñáöÞ: 231 p. : ill. ; 19 cm.
ÓåéñÝò: (Idé og tanke ; 37)
ISBN: 8251809002 : kr88.00
Óçìåéþóåéò: Includes indexes.
Bibliography: p. 211-222.
ÈÝìáôá: Music--Acoustics and physics
Music--Theory--To 500
Music, Greek and Roman--History and criticism
Pythagoras and Pythagorean school
LCC Ôáîéíüìçóç: ML169.S95
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
19207A 14 CO SUN - ¼÷é ÄéáèÝóéìï
======
Pythagoras og de tonende tall :
en studie i pythagoreisk musikk- og virkelighetsforståelse /
Ove Kr Sundberg
1980
Norwegian Book 231 p. : ill. ; 19 cm.
Oslo : Tanum-Norli, ISBN: 8251809002 :
Ownership: Check the catalogs in your library.
Libraries that Own Item: 7
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Title: Pythagoras og de tonende tall :
en studie i pythagoreisk musikk- og virkelighetsforståelse /
Author(s): Sundberg, Ove Kr., 1932-
Publication: Oslo : Tanum-Norli, S. Hammerstads boktr.)
Year: 1980
Description: 231 p. : ill. ; 19 cm.
Language: Norwegian
Series: Idé og tanke ;; 37;
Standard No: ISBN: 8251809002 :; LCCN: 81-199143
SUBJECT(S)
Descriptor: Pythagoras and Pythagorean school.
Music, Greek and Roman -- History and criticism.
Music -- Acoustics and physics.
Music theory -- History -- To 500.
Note(s): Includes indexes./ Bibliography: p. 211-222.
Class Descriptors: LC: ML169
Responsibility: Ove Kr. Sundberg.
Document Type: Book
Entry: 19820421
Update: 20001119
Accession No: OCLC: 8430160
Database: WorldCat
====
ÅããñáöÞ 140 Ìïíïãñáößá
Ãëùóóéêü õëéêü, Ýíôõðï
Ôáõôüôçôá ÅããñáöÞò: 066552
Ôßôëïò: Dictionary of musical terms / Vincent J. Picerno
ÓõããñáöÝáò: Picerno, Vincent J.
Äçìoóßåõóç: Brooklyn : Haskell House, 1976
ÖõóéêÞ ÐåñéãñáöÞ: v, 453 p. : music ; 24 cm.
ISBN: 0838321192
Óçìåéþóåéò: Bibliography: p. 407-453.
ÈÝìáôá: Music--Dictionaries
DDC Ôáîéíüìçóç: 780/.3
LCC Ôáîéíüìçóç: ML108.P57
Áíôßôõðá: Áñ.ÅéóáãùãÞò ÓõëëïãÞ Ôáîéèåôéêü Óýìâïëï Óôïé÷åßá ÌÝñïõò Äáíåßæåôáé ÊáôÜóôáóç
23070A 14 BB PIC - ¼÷é ÄéáèÝóéìï
MARC ÅìöÜíéóç ÓõíïðôéêÞ ÅìöÜíéóç ÐëÞñçò ÅìöÜíéóç
=====
Dictionary of musical terms.
An English translation of Terminorum musicae diffinitorium together with the Latin text.
Johannes Tinctoris; Carl Parrish
1963
English Book xi, 108 p. facsim. 21 cm.
[New York] Free Press of Glencoe
Ownership: Check the catalogs in your library.
Libraries that Own Item: 590
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Find Items About: Tinctoris, Johannes, (max: 25); Parrish, Carl, (1)
Title: Dictionary of musical terms.
An English translation of Terminorum musicae diffinitorium together with the Latin text.
Author(s): Tinctoris, Johannes, d. 1511. ; Parrish, Carl, ; tr.
Publication: [New York] Free Press of Glencoe
Year: 1963
Description: xi, 108 p. facsim. 21 cm.
Language: English
Standard No: LCCN: 63-16592
SUBJECT(S)
Descriptor: Music -- Terminology -- Early works to 1800.
Music theory -- Early works to 1800.
Class Descriptors: LC: ML108; Dewey: 780.3
Responsibility: Translated and annotated by Carl Parrish.
Document Type: Book
Entry: 19720808
Update: 20011024
Accession No: OCLC: 375453
Database: WorldCat
===
Dictionary of musical terms /
Vincent J Picerno
1976
English Book v, 453 p. : music ; 24 cm.
Brooklyn : Haskell House,
Ownership: Check the catalogs in your library.
Libraries that Own Item: 403
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Title: Dictionary of musical terms /
Author(s): Picerno, Vincent J.
Publication: Brooklyn : Haskell House,
Year: 1976
Description: v, 453 p. : music ; 24 cm.
Language: English
Standard No: ISBN: 0838321192; LCCN: 76-14903
SUBJECT(S)
Descriptor: Music -- Dictionaries.
Note(s): Includes bibliographical references (p. 407-453).
Class Descriptors: LC: ML108; Dewey: 780/.3
Responsibility: Vincent J. Picerno.
Document Type: Book
Entry: 19760420
Update: 20020802
Accession No: OCLC: 2189302
Database: WorldCat
Claude Calame, Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions, translated from the French by Derek Collins and Jane Orion. Lanham MD: Rowman & Littlefield, 1997. Pp. xii + 282. $24.95. ISBN 0-8226-3063-X (pb).
Reviewed by André Lardinois, University of Minnesota, lardi001@gold.tc.umn.edu.
Word Count: 4,971.
There are few books that twenty years after their initial publication can still claim to be on the cutting edge of their profession, but Claude Calame's Choruses of Young Women is definitely one of them. Originally published in 1977 as part of his doctoral thesis under the title Les choeurs de jeunes filles en Grèce archaïque I: Morphologie, fonction religieuse et sociale (Rome: Edizioni dell' Ateneo & Bizarri), it was far ahead of its time. At the beginning of a new wave of studies on women in antiquity Calame identified an important female institution at the heart of the Greek polis; he was one of the first to apply modern anthropology and the burgeoning discipline of semiotics to the study of classical texts; and three years before Wolfgang Rösler would make a similar claim for archaic Greek monody in Dichter und Gruppe (Munich 1980) Calame insisted that Greek choral poetry be interpreted in its performance context. Women's history, semiotics, anthropology and performance -- these are still focal points of Classical studies. The new English translation is even more valuable, because Calame has corrected errors, expanded his arguments here and there, and updated the bibliography in the footnotes, so that, in the author's own words, "this volume has to be considered a second edition of Les choeurs de jeunes filles I" (p. x).
Calame's book was immediately well received when it first was published, although more so in Europe and among historians of Greek religion than among philologists in the U.S. It is curious, for example, that John Herrington does not mention the book in his Poetry into Drama (Berkeley 1985), and, until recently, it was largely ignored in American studies of Sappho, an author who is elaborately discussed in Calame's book.1 One can only hope that this new edition, which makes the book available not only in English but also for a reasonable price, will give it the attention it deserves.
Calame's Choruses of Young Women was originally part of two volumes. It forms the very elaborate introduction to his interpretation of the two partheneia fragments of Alcman (frs. 1 + 3 Davies), which is contained in Les choeurs de jeunes filles en Grèce archaïque II: Alcman.2 It is regrettable that the author did not take the opportunity to include at least a brief synopsis of his much acclaimed interpretation of Alcman's partheneia in the present book, since Les choeurs de jeunes filles en Grèce archaïque II probably will never be translated into English. Although the present book can certainly be read independently of its accompanying volume on Alcman, Calame's interpretation of the partheneia fragments helped shape his approach to the choruses of young women, and it is strange that in a single book devoted to female choral poetry the two most prominent examples are discussed only in passing and mostly through references to the French text of volume 2. The strength of the present book, however, lies precisely in the fact that it is not restricted to Alcman's partheneia fragments, but surveys the whole of Greek literature, from Homer to the Byzantine lexicographers, as well as the iconographical material, and often reinterprets canonical texts, most importantly perhaps the poetry of Sappho, whose circle, Calame argues, functioned much like a chorus of young women.
Calame in his introduction (Chapter 1) poses three questions about the young women's choruses of Ancient Greece: (1) who are their protagonists?, (2) in what kind of religious rituals did they participate?, and (3) what was their social function? These three questions, which are also reflected in the sub-title of the book, are taken up in the next three chapters, with a very brief conclusion (Chapter 5) closing the book. The publisher is to be commended for maintaining the original dissertation-style subdivisions in the chapters. Although these subdivisions are not always aesthetically pleasing (e.g. "2.3.2.1: Apollo: The Myth"), and, horribile dictu, give the book a rather scholarly appearance, they make it very easy to follow Calame's argument and to look up specific passages. The table of contents thus functions as a first index, to which a General Index is added in the back.
The Introduction (Ch. 1) discusses some of the interpretive problems of Alcman's partheneia fragments 1 and 3, which lead to the three questions formulated above. It also discusses the nature of the sources (1.1.1), and Calame's methodology (1.2). There are three types of sources that Calame considers: (a) the poetic fragments of Alcman (other than frs. 1 and 3); (b) passages by classical authors describing choral performances by women or girls, including fragments of poems written for adolescent choruses by authors other than Alcman; and (c) "evidence from authors on the fringes of the Alexandrian tradition, with its encyclopedic and critical tendency" (p. 2). The only glaring omission, as the author later acknowledged himself, is tragedy, whose representations of young women's choruses, admittedly by male singers, provide valuable information about the kind of songs and performances associated with young women.3 As methodology he uses a combination of Marxist literary criticism (1.2.1), comparative anthropology (1.2.2), and semiotics (1.2.3). The latter helps Calame to distinguish between signified and signifier in the myriad of terms used for the Greek chorus in the sources, and to interpret the different symbolic fields covered by his study, including literary texts, iconography, cult practices, and myths.
Chapter 2, "Morphology of the Lyric Chorus," focuses on the composition and some of the activities of the Greek lyric chorus, in particular young women's choruses. Within each chorus two main functions can be distinguished: that of the chorus-members (Ch. 2.1) and that of the chorus-leader (Ch. 2.3). Specifications of the number of chorus members in the sources can range from three to sixty, with the numbers ten to twelve being particularly well represented (e.g., Alcman's first partheneion, Aeschylus' tragic choruses, the chorus that sings the epithalamium to Helen in Theocr. 18). Their sex is usually female (for example, of the 109 plastic images of Greek choruses collected by Crowhurst only twenty-eight are male; quoted by Calame p. 25), and among the female choruses those of young women predominate. Calame therefore concludes, "that a chorus group is a form more frequently feminine than masculine" (p. 25), and "that choral activity was characteristic of young women" (p. 30). Other typical features of young women's choruses are their collective character (frequently indicated by their names: Deliades, Lesbiades etc.), the camaraderie among their members (expressed by such terms as phile, hetaira, and helix), their circular form (in contrast to the rectangular shape of the tragic chorus), and their orderly arrangement.
The function of the chorus-leader (Ch. 2.3) is harder to define. Calame begins by quoting Hesychius's definitions of the word choregos (p. 43), who distinguishes three activities: that of (1) the director who instructs the chorus (also known as the didaskalos), (2) the financier, and (3) the lead dancer. While the function of the financier is easy to distinguish from the other two, the director and the lead dancer can actually be one and the same, or their functions can be further subdivided into that of the instructor, the accompanying musician, a male chorus leader and a female lead dancer. The chorus-leader is sometimes older and/or of a different sex (with men or boys leading girls but not the other way around), but one of the girls can also "teach" (didaskousa) the others how to dance (Luc. Salt. 12). Such examples not only show how hard it is to cull a consistent pattern from widely different historical and geographical sources, but also demonstrate that the young women's choruses did not adhere to a Platonic ideal but were extremely flexible, and easily adapted to the different social and religious functions they had to fulfill. Other distinctive qualities of the female chorus-leader, especially when she is the lead dancer, are her higher social position and her alleged beauty. In the iconography such features are represented by a taller stature, richer clothes, and a more elaborate headdress (p. 73).
At the end of Chapter 2, a section on the musical activities of the young women's choruses is added (Ch. 2.4). They can participate in the performance of hymns (2.4.1), paeans (2.4.2), dithyrambs (2.4.3), citharodic nomoi (2.4.4), threnodies (2.4.5), wedding songs (2.4.6), and "other choral performances," such as simple dances on all manners of occasions (2.4.7). This section could just as well have been included in Chapter 3, which also discusses the activities of young women's choruses, but in this chapter, entitled "Chorus and Ritual," Calame focuses on the religious function of the choruses in an attempt to discover the ritual occasion of Alcman's partheneia. He therefore singles out the Lacedaemonian rituals for special consideration (3.2). Useful as this arrangement will turn out to be for explaining the religious background of Alcman's partheneia fragments, it may leave the inattentive reader with the impression that the sole purpose of young women's choruses was the participation in religious festivals. Section 2.4, however, reveals that young Greek women danced and/or sang together on many different occasions, including at weddings, during the harvest, or just for fun.
In Chapter 3.1, Calame discusses non-Spartan rituals associated with the choral festivities of the gods (3.1.1), the rites of Artemis (3.1.2), Apollo (3.1.3), Hera (3.1.4), Aphrodite (3.1.5), Athena (3.1.6), Dionysus (3.1.7), and Demeter (3.1.8). Calame interprets the participation of young women's choruses in the rituals of these gods almost exclusively in terms of their initiation into the community, and he even classifies the different gods with their rituals according to the stage they represent in the initiation of the young women. The rites dedicated to Artemis and Apollo, "were generally performed by young adolescents during rituals marking the stages of what I have described as a process of tribal initiation" (p. 140). Hera and Aphrodite take over when the girls become a little bit older and reach their marriageable age, with Athena, "overseeing the civic aspect of the transition to adulthood. And finally, Dionysus and Demeter, the gods who protect above all the period after marriage, are celebrated by choruses of women rather than of girls" (p. 141). Calame explains the Spartan rituals, to Artemis (3.2.1), Apollo (3.2.2), the Leukippides and Dionysiades (3.2.3), and Helen (3.2.4), in similar fashion.
In this preoccupation with initiation rituals the book reveals its origins in the mid-seventies, when the explanation of Greek myths and rituals in terms of initiation practices was much in vogue.4 Calame in the original preface (p. viii-ix) acknowledges his debt to Angelo Brelich, who together with Walter Burkert was responsible for the renewed interest in Greek initiation practices in the seventies and early eighties. Although the importance of tribal initiation to the organization of young women's choruses in Ancient Greece can hardly be denied and constitutes one of the greatest discoveries of Calame's book, not every activity in which they participated has to be explained in this way. The ancient Greeks did not put on young women's choruses solely so that the girls could go through their initiation phases, but also to entertain themselves and to honor or placate the gods with the best and most beautiful their communities could offer. Calame does not deny these aspects of the choral performances, but they receive little attention. Again it is worth noting that young women's choruses did not perform at religious festivals only but also at weddings and other more secular occasions. Sometimes they were added to festivals that at least on the face of it have little to do with initiation, such as the Heraia festival in Olympia (pp. 114-16), or the Panathenaia (pp. 130-31). Nevertheless, Calame shows that initiation patterns can be detected in many of the myths and rituals associated with young women's choruses.
In Chapter 4, "The Function of the Lyric Chorus," Calame further explains the way in which the young women's choruses contributed to the coming of age of the girls. First, Calame examines the institutional organization of the young women's chorus, which leads to a first discussion of Sappho's so-called circle (4.1.2). Calame argues that "[the evidence] shows structures in the Lesbos circle analogous to those characteristic of the female lyric chorus: young girls, bound to the one who leads them by ties expressed in the term hetaira, perform dances and songs together" (p. 212). Moreover, Sappho's fragments suggest that other women on Lesbos possessed similar circles of young girls. Following A. Rivier and others, Calame argues for the institutional formality of these circles by pointing to the words adikein ("to commit an injustice") and philotes ("friendship based on mutual confidence") in Sappho fr. 1.19. Next, he compares the choruses of young women to the Spartan agele (4.1.3), the groups in which young Spartan boys were organized between the ages of seven and nineteen. The same word, agela, is actually used for a chorus of young Spartan women in a fragment of Pindar (fr. 112 M.). Like the lyric chorus, the Spartan agelai were under the charge of an older youth, who acted as its leader, and their internal relationships were marked by contemporality and companionship.
In Chapter 4.2, Calame examines the pedagogical function of the chorus. The educational value that the Greeks ascribed to music and the chorus is well known. Calame quotes Plato (Leg. 654a), for whom to be achoreutos ("without chorus") meant to be apaideutos ("without education"). The poet, in his or her capacity of didaskalos, seems to have been mainly responsible for the education of the young women in the choruses (pp. 226-28), but what exactly he would teach the girls is harder to say. Calame again draws an analogy with Sappho's group, which, he argues, "looks like a sort of school for femininity destined to make the young pupils into accomplished women: through the performance of song, music, and cultic acts, they had lessons in comportment and elegance, reflected in the many descriptions of feminine adornment and attitudes in the fragments that we have by Sappho" (p. 231). Although I believe that Calame may be exaggerating the amount of formal teaching that went on in Sappho's group, and the word "school" is not very well chosen,5 I tend to agree with his reading of Sappho's poetry, but other critics, who recognize a feminist voice in Sappho's lyrics or do not believe that she addresses young women at all, have taken issue with this interpretation of Sappho's circle (see the studies on Sappho listed in my footnote 1).
The purpose of the choral education was to prepare the young women for the gender role they had to play as adults (p. 234). It is revealing in this regard that the infamous metaphor of the taming of women can refer both to a girl's education and to her marriage: "The metaphor therefore unites two connected processes: it shows that one opens into the other. Indeed, the whole educational process of the Hellenic girl, especially under its gender aspect, tends towards marriage" (p. 244). The education that the young women received in their choruses was thus markedly different from that of the boys in their agelai, which may account for some of the differences that have been noted in particular between Sappho's poetry and that of her male counterparts.6
The most controversial part of Calame's book is probably the section on the "homoerotic relationships in the lyric chorus," which he discusses in Ch. 4.3. Again he meticulously sets out the evidence, starting with the role of "so-called male homosexuality" in Sparta (4.3.1). In many Greek communities young boys when they reached a certain age were expected to have a male lover, who was either a young adolescent (neos) or an adult. These relationships were universally recognized as erotic but at the same time educational: the beloved was supposed to model himself on his lover and assimilate the virtues of the perfect citizen by imitation (p. 246). While Calame always recognized the difference between these relationships and modern homosexual couples, it is interesting that in this new translation he decided not to apply the term "homosexual" to them anymore at all: "The concept implied by its use does not correspond to relationships which played an educational and thus a transitional role for adolescents becoming adult men. From a pathological point of view, it occupied a very different place in Greek society from the one it occupies in ours; its psychological and sociological implications were profoundly different" (p. 248). In this he was clearly influenced by the recent studies of David Halperin and Froma Zeitlin, whom he cites in the footnotes, as well as the French ethnopsychologist George Devereux. Calame now prefers the term "homophily," because "if the man tries to introduce the adolescent to a relation of philia, of reciprocal esteem and confidence, he is alone to feel for his eromenos a real erotic and sexual desire" (p. 249; one of the few awkward sentences in an otherwise excellent translation).
Calame believes that in Sparta similar relationships existed between girls and older women. His best piece of evidence is a passage in Plutarch's Life of Lycurgus 18.9, where Plutarch reports that the Spartans were so impressed by the beneficial effects of the male pederastic relationships that they encouraged "noble women" (kalas kai agathas gunaikas) to have erotic relations with girls (parthenon eran). The question is, however, how reliable this report is. In the French original Calame adduced as evidence another passage by the fourth century B.C.E. philosopher Hagnon, who maintains that it was the custom in Sparta to have intercourse with girls before their marriage as with paidika, but Calame now admits that this passage most likely refers to intercourse by men with young women (p. 254 n. 169). It is not impossible that Plutarch, or his source, misread such statements by Hagnon or others in the same way, and inferred that the Spartans had instituted pederastic relationships between older women and girls similar to those of the men.
Plutarch's report, however, seems to gain some support from the fragments of Alcman. Calame quotes a scholion to Theocritus 12 (= Alcman fr. 34 Davies), which states that Alcman used the term aitis for beloved girls (tas eperastous koras). According to the same scholion the masculine equivalent, aitas, was used for beloved boys (tous eromenous). The scholiast therefore already equates the two terms, but he does not say explicitly that the girls are the beloved of other women. Next, there is the erotic language with which the chorus members describe their chorus leaders, Hagesichora and Astymeloisa respectively, in Alcman's partheneia fragments 1 and 3. These fragments, which are riddled with textual and interpretive problems, are not discussed in this book, but Calame does cite frs. 59 a and b (Davies), in which the speaker declares his or her love for a certain Megalostrata, who displays "a gift of the Muses" and is "blessed among young women." Athenaeus, who preserved the fragments, believes that they refer to the poet's love for the woman, but Calame argues plausibly that they were in fact spoken by a chorus to their chorus-leader, as in Alcman's fragments 1 and 3. However, this interpretation of Alcman's partheneia creates some new problems. Plutarch speaks of noble women (gunaikes) who had erotic relationships with girls (parthenoi), but the chorus leaders in these songs, according to Calame's own analysis, are themselves parthenoi and cannot be much older than the other chorus members. Secondly, in the male pederastic relationships the eromenos was supposed to be passive, but here it would be the eromenai who would express their desire for the woman taking the place of the erastes. Interestingly, this desire of the beloved girl would be consistent with the mutual feelings of love that recent scholars have read into Sappho's poetry (see the studies listed in note 6), but it undermines the analogy with the male pederastic relationships. I may be overly skeptical, but I am still not convinced that the erotic feelings that the chorus members in Alcman's partheneia express for the leading girl cannot be read as praise of her outstanding beauty, without the notion that the girls expected these feelings to be reciprocated or consummated.
The myths of "female homophily" that Calame discusses in Ch. 4.3.3, are not without their problems either. First, there is the story of Leukippos, the son of Oinomaos, who fell in love with Daphne (p. 252). In order to overcome the young virgin's aversion to men, Leukippos disguises himself as a girl and mingles with the nymph's companions when they are hunting. In this guise he manages to forge with Daphne an "unshakable friendship" (philian ischuran). Similar friendships are reported between Artemis and her attendants (p. 253), but there is no reason to assume that these friendships were sexual. In one version of the myth of Kallisto, Zeus is said to have taken the form of Artemis in order to rape and impregnate the girl, but this version goes back to the comic (!) poet Amphis, and "is of marginal interest for the study of the myth in its more serious form."7 If young women in ancient Greece engaged in homoerotic affairs with other women, they lacked, or we lack, the mythical examples of couples like Zeus and Ganymedes or Poseidon and Pelops.
Finally, there is Sappho's poetry (Ch. 4.3.2). Calame joins the modern consensus that "the fragments evoking the power of Eros, to mention only those, refer to a real love that was physically consummated" (p. 250). What is particularly interesting for Calame's thesis is that Sappho seems to combine these homoerotic relationships with her stewardship of a choral group. Calame admits that there seems to be a contradiction between her individual expressions of love, which are always directed at one girl, and the collective character of Sappho's circle, but he suggests that "only some of the girls had a homoerotic relationship with the poetess, while the other adolescents only participated by reciting the passionate poems addressed to the young beloved" (p. 250). As parallel, he points to the groups of boys that formed around one aristocratic youth and his adult lover in Crete, as reported by Ephorus (FGrH 70F.149). These groups follow the youth into the wilderness and go through the same initiation rituals except for the sexual contact with the erastes. In his interpretation of Alcman's first partheneia fragment, he argues for a similar paradigmatic relationship between Hagesichora and Agido, in which the chorus is somehow meant to share (Les Choeurs de jeunes filles II, p. 86ff.).
Calame further argues for the viability of such paradigmatic relationships by pointing to the interchangeability of first person singular and plural expressions in choral poetry, and the formulaic character of the language in which Sappho's homoerotic feelings are expressed (Ch. 4.3.5). At the same time, he recognizes in Sappho's poetry "an internal vibration that goes beyond the expression in traditional form of a homoeroticism entirely conforming to its educational function... : for Sappho, the ritual and initiatory 'pseudo-homosexuality' could simply become an example of what we call homosexuality" (p. 251). I find Calame's explanation of the way Sappho's circle and her beloved girls interacted plausible and very illuminating. Most importantly, it puts Sappho and her poetry back into the public domain by giving her relationships a visible, social function and by allowing her songs to be performed in the community, after centuries of critics, ever since the Renaissance (but not before!), shut her up in a salon, school, thiasos, or private women's group. I would only like to point out that it is far from certain that all of Sappho's erotic poetry is spoken in her own voice, and that some of it, like Sappho frs. 16 and 96, was probably spoken and performed by a chorus.8 This would make her poetry correspond even more closely to Alcman's partheneia.
In the last section of Chapter 4 (Ch. 4.4), Calame returns to the connection between the female lyric chorus and tribal initiation, which lies at the heart of the book. His analysis is an example of how to integrate modern anthropological studies into the study of antiquity. Although anthropological studies of tribal initiation rites guided his research from the beginning, he first demonstrates the individual initiatory elements in the Greek sources before comparing them to those of other cultures. In this final section, Calame amasses an impressive list of anthropological studies that document in female initiation groups the same features that he found in the Greek choruses of young women, such as their collective character, hierarchies within the group of initiates, homoerotic practices, the importance of song, dance and music, especially in the presentation of the group, the emphasis on beauty, and, of course, the tripartite division between rites of separation, rites of transition, and rites of reintegration. Although, as Calame admits on page 261, not all the activities of the Greek choruses of young women can be reduced to initiation rituals, he demonstrates convincingly that one of their main functions was the preparation of young women for adult life.
I have discussed the book in some detail, in part because it was only in the details that I could find anything to criticize, but also to show to the reader how rich and well argued it is. This book is an absolute must for anyone working in women's history, Greek literature or Greek religion. It should be put on permanent reserve in every library, because of the wide range of topics it discusses and the exemplary quality of its research. I finally would like to commend the translators for an outstanding achievement. Compared with Calame's rather difficult French, the translation, while still no easy read, is very lucid, and even French speakers may now and then want to consult the translation, which was checked by the author, to find out what he exactly means. I found one typo (the reference to Alcman fr. 3, line 56, on page 5 should be to line 65), and the cross-referencing is not always exact, but these are small blemishes in what surely ranks as one of the masterpieces of late-twentieth century Classical scholarship.
NOTES
1. Calame's study is, for example, not mentioned in J. P. Hallett's article, "Sappho and her Social Context: Sense and Sensuality," Signs 3 (1979) 447-64 (although they agree on many points), nor in J. J. Winkler, "Double Consciousness in Sappho's Lyrics," in The Constraints of Desire (New York 1990) 162-87, nor in J. M. Snyder, "Public Occasion and Private Passion in the Lyrics of Sappho," in S. B. Pomeroy (ed.), Women's History and Ancient History (Chapel Hill 1991) 1-19. It has received critical attention in M. B. Skinner, "Woman and Language in Archaic Greece," in N. S. Rabinowitz & A. Richlin (eds.), Feminist Theory and the Classics (New York 1993) 125-44, 133, H. N. Parker, "Sappho Schoolmistress," TAPA 123 (1993) 309-51, esp. 331-33 (who largely seems to misunderstand Calame's argument, however), and E. Stehle, Performance and Gender in Ancient Greece (Princeton 1997) esp. 270-74. Among historians of Greek religion, Calame is quoted favorably for example in J. N. Bremmer, "An Enigmatic Indo-European Rite: Paederasty," Arethusa 13 (1980) 279-98, 292-93, and W. Burkert, Greek Religion (Cambridge MA 1985) passim.
2. See also Calame's text and commentary of Alcman's fragments: Alcman. Introduction, texte critique, témoignages et commentaire, Rome 1983.
3. Calame discusses some of this evidence in "From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song," Arion, Third Series, 3.1 (1994/95) 136-54.
4. See H. S. Versnel, "What's Sauce for the Goose is Sauce for the Gander: Myth and Ritual, Old and New," in L. Edmunds (ed.), Approaches to Greek Myth (Baltimore 1990) 25-90, reprinted in H. S. Versnel, Inconsistencies in Greek and Roman Religion II (Leiden 1993) 15-88; also cited by Calame p. 11 n. 26.
5. Calame of course rejects Wilamowitz's characterization of Sappho's group as a "Mädchenpensionat" or "finishing school" (p. 233).
6. See the studies of Skinner and Stehle, listed in note 1, and L. H. Wilson, Sappho's Sweetbitter Songs: Configurations of Male and Female in Ancient Greek Lyric (London-New York 1996).
7. A. Henrichs, "Three Approaches to Greek Mythography," in J. N. Bremmer (ed.), Interpretations of Greek Mythology (London-Sydney 1987) 242-277, 262, who in note 82 also rejects the idea that Amphis' version reflects initiation rituals involving female homosexuality.
8. See my "Who Sang Sappho's Songs?" in E. Greene (ed.), Reading Sappho: Contemporary Approaches (Berkeley 1997) 150-72.
Claude Calame, Thesee et l'imaginaire athenien: Legende et culte en Grece antique. Preface de Pierre Vidal-Naquet. Lausanne: Sciences humaines, Editions Payot Lausanne, 1990. Pp. 480 (pb). ISBN 2-601-03080-1.
Reviewed by Anton Bierl, University of Illinois at Urbana-Champaign and University of Munich.
The reader may ask: After the excellent collections of materials on Theseus by Hans Herter ("Theseus," RE Suppl. XIII [München 1973] coll. 1045-1238) and Frank Brommer (Theseus. Die Taten des griechischen Helden in der antiken Kunst und Literatur [Darmstadt 1982]), do we really need another monograph on this Greek hero? Claude Calame, the author of two other very innovative books (Les choeurs de jeunes filles en Grece archaique, 2 vols. [Rome 1977] and Le recit en Grece ancienne [Paris 1986]) and editor of Alcman (Rome 1983) and of collections of essays on such fascinating themes as love and ritual and myth, proves that we really do. In a word, Calame has written an excellent book. He is not interested in simply repeating the primary sources again. His aims are higher and only the subtitle of the book reveals what it is really about. He deals with the old problem of the relation between myth and ritual, Theseus being only the pretext for a much wider discussion. To this end Calame applies all sorts of modern theories and tools, including semiotics, narratology, structuralism, Russian formalism, linguistics, comparative anthropology and modern cognitive psychology. The author gives an example of how to go beyond the limits of traditional philology and the results are encouraging.
The great danger here is that the traditionally educated classicist might have difficulty in following the intricate argument. Calame presupposes a great deal of knowledge, and his terminology sometimes remains obscure. At least the author is aware of this and gives an immensely theoretical introduction in chapter I which even a man like Pierre Vidal-Naquet in his preface characterizes as "pas une entreprise facile, car tous les mots ont ici besoin d'etre definis" (12). Some advice for the reader: one should not become discouraged, but should take this book as a challenge and a thesaurus to work on in the future in order to understand many things even better. The monograph in the beginning seems to be like a labyrinth and sometimes one has to find Ariadne's thread on one's own. One major flaw of this great book is the lack of an index through which one could pursue certain arguments for a second time.
In the introduction (chapter I) we become aquainted with Calame's real concern, the concepts of myth (or legend) and cult. In modern religious studies there has been a long discussion about the relation and differences between the two. Is myth prior to rite or vice versa, or do both phenomena develop simultaneously? Wilamowitz and many other scholars regarded myth as the essence of Greek belief, whereas cult was for them the superstitious religious expression of the masses. Under the influence of Freud and Darwin the Cambridge Ritualists like Jane Harrison, after W. R. Smith, put the emphasis on ritual. Harrison believed ritual is authentic; it is the dromenon, whereas myth, often aetiological, is only a later protorational attempt to add a verbal explanation (legomenon) for cults. This concept of deed and corresponding word of justification has been applied up until even very recent studies on the subject. Following modern semiotic theories myth and ritual and even imagery become for Calame similar expressions of one and the same symbolic process in society. In his opinion both have to be understood as texts with specific signs which function as symbols for constitutive features of society and its ideology. What really links them is that both 'languages' are continuously manipulated during the 'processus symbolique', which is to say that communities tend to appropriate these expressions for their 'ideology'. In linguistic terms, myth and ritual are symbolic expressions; the relation between signifier in the mythological legend and signified in the cult is not congruent but arbitrary based on a partial contiguity and has to be understood as a metonomy or metaphor.
Now it becomes clear why Calame chose Theseus as his example. The history of his myths, iconographic representations and cults shows that they had to undergo a constant process of manipulation. He argues from insufficient evidence that in Homer and Sappho he is a panhellenic hero like many others. Only at the very end of the 6th century B.C. does Athens start to appropriate Theseus for her own discourse in such a way that he becomes in the classical period the national hero par excellence. The young ephebe is adopted as the model of the future ideal citizen. In the same way one can detect a continuous development making the famous story of Theseus' fight against the Minotaur center on Athens by linking his figure with the tutelary gods of the polis. In later fifth-century tragedy he appears on the Attic stage as the embodiment of Athenian democratic society with its specific values (e.g. Euripides' Suppliants and Heracles and Sophocles' Oedipus Coloneus). He is the wise king who integrates the Other from outside into the polis. This process of Athenian manipulation reaches its summit with the frequent praise of Theseus in fourth-century rhetoric. The historical development of the Theseus saga is demonstrated in Chapter VI.1. In chapter II Calame recounts the first part of Theseus' adventures from his birth in Troizen, his arrival in Athens and the expedition to Crete up until his successful return to Athens. In chapter III he shows how the Theseus story was linked with the cultic practices of Athens and its main gods. In III.3 Calame returns to the propositions of the introduction. After giving the practical example, his thesis on cult and myth gains shape. He differentiates myth and ritual on syntactical and semio-narrative grounds. Then in chapters IV and V he undertakes a semantic analysis concentrating on the action and on the geographical distribution of cult. In the first category he pursues an inquiry into the story under the aspect of age, degree of maturity, royal legitimation, sexuality and the function of music for the hero; in addition he describes the degree of savagery of the animal enemy and the quality of political power of Minos. In demonstrating these features Calame is obviously to a great extent dependent on the work of Vernant and his Parisian School with his followers in Italy. This is why the results in the first half of chapter IV lack a certain originality. But just the opposite is true of the second half, the study of the Athenian gods and their spatial interrelation ("Des dieux et des lieux"). Before following this promising path the author gives the rest of Theseus' biography from Aegeus' suicide until Theseus' end.
In my opinion the most important contributions of this book are to be found in the last two chapters. Pursuing the fact that Theseus' story was linked with the tutelary god of Athens, Calame provides a detailed picture of the system of the gods Apollo, Dionysos, Athena, Poseidon and Demeter and the function of their cults in the Attic territory and calendar. This is the result of a superb application of modern theories. The book not only summarizes the research on partial aspects and single gods in this field but succeeds in bringing these results together in a highly abstract schematization of their geographical distribution in Attica. Very useful are the synoptic representations of the cultic space (fig. 1, p. 363), of the spatial organization of classical Athens (fig. 2, p. 372) and the festivities in the Athenian calendar in connection with the Theseus myth (fig. 3, p. 375). Leaving the bipolarity of the structuralists behind, Calame develops a hexapolar schematization. Every god has a function in the center of the polis and on the limits of Attic territory. Athena and Poseidon, and Dionysos and Apollo form two complementary pairs; Demeter comes in addition. The first pair define the agricultural domain, the second is responsible for civilisation, Demeter participates in both tasks. Frontier outposts like Eleusis, Delphi, Sciron, Phalerum, Delos and Salamis, with the cultic institutions of the main Athenian gods in linkage with the Theseus-Minotaur saga, define the Attic space in its entirety. Following schemes of Detienne about the maturity of food Calame interprets the decisive rituals of Apollo and Dionysos, namely Pyanopsia, Thargelia, Oschophoria and Anthesteria, as reflections on civilisation in the basic alimentary code.
As far as I can judge on Dionysos, the quality of discussion is high. Calame masters all the extant sources and the modern discussion in a precise way. Especially important is the insight into the complementary character of Dionysos and Apollo not only in Delphi but in Athens as well (pp. 364-369). This is another refutation of the Nietzschean conviction that these gods form a strict opposition. Calame also thereby gives further evidence in support of my recent argument that Euripides uses the similarity of Apollo and ambivalent Dionysos for dramaturgical metadramatical reflexions in tragedy.1 Furthermore, although standing close to the French tradition which tends to overestimate the violent side of Dionysos as a god coming from outside reversing civic order, Calame is able to modify this view by emphasizing the positive aspect of the god and his function in the city (pp. 333-337). In his opinion the subversion of social categories is only partial and relatively moderate. The interplay between Apollo and Dionysos defines civilisation: Apollo is generally regarded as the god of culture and moderation. Dionysos' reversing tendencies, on the other hand, function to create an even more stable order within the city. By subver ting hierarchies for a prescribed period of time the need for social regulation becomes manifest and order is finally restored. Dionysus is worshipped to consecrate ambivalence and contradiction in the city. According to Calame Anthesteria and Oschophoria are not the bloody and horrible actions portrayed by Walter Burkert but rather symbolic speculations on the possibilities of transition provided by the consumption of the Dionysiac wine (p. 337).
The last chapter (VI) sheds light on the puzzling elements of the introduction and winds up the thesis of the book. After giving a historical survey of the development of the Theseus-saga in relation to Athens, Calame concentrates on the important question of whether the reelaborations of Theseus as hero of the polis-civilisation are promoted by single individuals such as Ephialtes, Peisistratus, Cleisthenes, Themistocles or Cimon. He pleads that such a symbolic process could not be coined by individuals but is rather the product of moments of crisis in the historical progress of Athens towards democracy. The Theseus myth mirrors Athens' preoccupation with boundaries during its territorial expansion in Attica and its emergence as a seapower. Theseus appropriates older cults such as the worship of Apollo at Delos in order to reflect Athens' hegemony in the Delian-Attic league. The experiences of the Persian wars are also mirrored in Theseus' participation in the battle against the Amazons and Centaurs. Moreover, Calame refutes the old reading of the Cretan expedition as a reflection of initiation, as it was developed by Jeanmaire. The cults linked with the Theseus-saga do not provide any sign of a ritual initiation scheme. Thus, in sum, myth and cult do not function as word and deed. In Calame's opinion the only points of contact between the two are based on the metaphorical analogy between the maturation of vegetable food through agriculture and the civic maturation of the young people through education.2 The book is important for every classicist working on religion, because it proposes a new explanation for the relation of myth and cult and provides for the first time a complete structural analysis of the system of gods and the spatial distribution of their cults in classical Attica. I am almost convinced that Calame's new system would be fruitful especially when applied to tragedy and comedy of the same period; for it can yield further insight into the working of the gods in literary texts.
Notes
1. See A. Bierl, Dionysos und die griechische Tragödie. Politische und 'metatheatralische' Aspekte im Text (Tübingen: 1991) pp. 91-99, 103-110, 146-151.
2. See e.g. Antiphon, DK 87 B 60, Pl. Euthphr. 2D, Leg. 765E-766A, TrGF II 646a, 25, and A. Henrichs, ZPE 1 (1967) pp. 50-53.
BMCR 99.8.11, Calame, The Poetics of Eros in Ancient Greece
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Claude Calame, The Poetics of Eros in Ancient Greece, trans. Janet Lloyd. Princeton: Princeton University Press, 1999. Pp. xiii, 213. $35.00. ISBN 0-691-04341-8 (hb).
Reviewed by Christina Clark
Center for Hellenic Studies
cclark@bowdoin.edu
Word Count: 4,819
Interest in and research on the body and sexuality in ancient Greece has grown tremendously in the past twenty years. Different theoretical camps range from those adopting a Foucauldian, feminist, and anthropological approaches, to attempts to "directly access" ancient thought through the ancient sources alone. The anthropological approach is well illustrated by Claude Calame's The Poetics of Eros in Ancient Greece (a supplemented translation of I Greci l'ero=s: Simboli, pratiche e luoghi, Roma-Bari, 1992), with a foreword by Froma Zeitlin.
Overall this is a clearly written and easy to read book and one that should be read by all those interested in the conception and function of ero=s in Greek society. Advertised as an investigation of ero=s as seen in Greek poetry and iconography from the archaic through the classical periods, what Calame (henceforth C.) really presents is a distillation of his thoughts on ero=s over a long period of time, rather than a comprehensive work. C. calls his approach both discursive and anthropological, and states his intent to view the symbolic manifestations of the powers of ero=s from this twofold, synchronic perspective (p. 3). C.'s introduction, "Tragic Prelude: The Yoke of Eros," sets out the plan and organization of his book. His text is divided into five parts with eleven chapters in all. In comparing the original Italian version with this introduction, it is clear that C. has expanded his investigation for this new edition by adding the discussion of gender. On p. 9 C. states that "in the present study, sexuality, like "gender," will be considered an operative concept. . . not so much as an "experience" as a modern construct by which we try to incorporate a whole body of psychosocial practices with a genital basis." As symbolic practices, archaic and classical poetry and iconography reflect social institutions and relations as much as "sexual subjects." C. acknowledges that some may object that this idealizes Greek ero=s and produces a "purely academic and scholarly view of 'sexuality,'" and labels his study an "inevitably euro- and androcentric" reading of the ancient evidence (p. 9).
Part 1 has two chapters, "The Eros of the Melic Poets" and "The Eros of Epic," which seemed to me the strongest of the book. At the start C. expresses his reaction to ideas of ero=s in modern scholarship: "Prone as it is to an incoherence fostered by its excessive practice of criticism, our civilization has fragmented the notion of amorous feeling into the most contradictory representations of it" (p. 13). C. wants to integrate this fragmented picture of desire. He studies ero=s as a semiotic agent acting upon "beneficiaries" in different arenas and social relations. This will involve, necessarily, looking at "any sexual roles and gender functions that it institutes in situations of contrast and conflict" (p. 13). In the end, however, C. declares that modern categories of gender and sexuality are not pertinent to the dynamic interplay he sees in
"relational" ero=s, and he warns us "to look with a reflective eye at our
own academic and eurocentric erudition" (p. 199).
In 1.1 C. examines the literary and symbolic manifestations of ero=s' social and semiotic means of action as seen in archaic poetry and iconography. C. finds the narrative structure of archaic poetry especially useful for understanding the social practice of love in Greece, since the narrator-locutor of the songs sings in the first person. C. examines the corpus of melic poetry carefully, tracing the various characterizations of ero=s as a bittersweet sensory assault. Ero=s strikes organs of emotion and perception and emanates from the gaze of the person, arousing desire into the eyes of the one who desires (1.1.2). Ero=s involves the lover in a relationship with the object of his/her desire. While it can be intensely sweet, the archaic poets focus more on the violent, cruel aspects of love. To the one placed under the yoke of desire, ero=s can seem a madness, an altered state (C. does not spend much time on the related metaphor of love as a sickness). The lover is not, C. argues, an entirely passive victim, but rather can actively strategize to win his/her beloved or to escape the bonds of passion. In 1.1.3, C. examines the strategies of love employed by lovers in melic poetry. The relationship between the adult lover and the adolescent beloved is essentially asymmetrical. The lover wants a relationship of trust with the beloved, a commitment -- expressed in the verb paidophilein and in the institutional nature of the relationship of philote=s. C. argues that no reciprocity is expected in the melic poets, who are doomed to disappointment in this type of love. There is only the hope that one day, when they have matured, the beloveds will in turn become subject to the yoke of desire. In 1.1.4 C. examines the metaphorical expressions used by the poets to indicate erotic union and the meanings of words such as epithumia, he=done=, pothos, and himeros. This discussion is valuable for delineating the different types of desire specified by the speakers and how they act upon the human body. C. is especially good here in bringing in the iconography that makes these concepts concrete.
Section 1.1.5 examines the wide range of metaphorical expressions used to express the fulfilment of erotic desire. The archaic poets refer to the sexual act itself indirectly, which contrasts sharply with the practices of contemporary vase-painters and the later conventions of Old Comedy (p. 34). C. finds two common and significant metaphorical expressions for sexual congress: the bed (eune=: site of the consummation of desire) on which the act is indicated by the verb meignusthai. This bed and joining imagery, C. argues, leads us away from the asymmetrical love found between adult and youth to conjugal love with a procreative function usually associated with the love affairs of divinities and heroes, or legendary figures (p. 35). In 1.1.6 C. investigates the representations of various states which complement and are associated with the state of desire: sleep, death, poetic inspiration. Love debilitates, but it also gives the poet the power to express him/herself in song. Music seduces and spellbinds the listener. This effect, or power of music, leads C. to examine the function of the melic poetry he has been examining for representations of ero=s, moving from a semantic analysis to a pragmatic one.
Chapter 2, "The Eros of Epic Poetry" extends the investigation of the poetic and symbolic representations of ero=s to epic poetry. These texts use the same vocabulary of love we have seen in the melic poets but in contrast present scenes of mutual love, the topic of 1.2.1. These conjugal relationships arise out of seduction, of course, which is the topic of 1.2.2. Seduction is accomplished many times with beguiling words, the subject of 2.3. Erotic discourse has the power to produce enchanting pleasure, similar to the effect of the performance of epic poetry on its audience.
In Part 2, "The Symbolic Practices of Eros," C. takes great pains "to avoid the illusion of realism." Melic and epic representations of love are literary and symbolic creations which can "help us to reconstruct a particular representation of love; however, they certainly do not provide a basis for any reconstruction of real sexual practices" (p. 51). It would be better to say, perhaps, that in archaic poetry we are given conventional type scenes which may or may not accurately reflect actual practices. In order to break out of the circle of internal reference and gain access to what C. calls "the institutional aspects of Greek sexual practices," C. examines the different modes of utterance used in the two different kinds of texts. Epic mode is a narrative type of representation, whereas melic mode is close to dramatic representation. In the melic mode, the narrator-locutor is using his/her words to try to seduce the beloved. This is the erotic function of melic poetry. In 2.3.1 C. notes that whether or not the love is realized is the difference between epic and melic poetry (p. 52). Epic represents a love that is realized in a reciprocal relationship on a soft bed, usually generating progeny, whereas melic represents thwarted desire because of the asymmetrical nature of the love relationship depicted. Further, the actors are different. Lovers in epic tend to be either gods or heroes, whereas in melic lovers are mortals. Denied amorous fulfilment, the melic speaker substitutes the delight of poetry, which soothes and enchants both him/herself and the audience (p. 56). The poem is a substitute for sexual union. The language used in both genres and both situations is the same. On p. 55 C. sums up his position based on his linguistic analysis of epic and melic poetry:
"It is clearly pointless to seek to draw a decisive distinction, in the
erotic language of poetry in archaic Greece, between heterosexual and homosexual relations; and similarly, still at the linguistic and poetic level, differences of gender seem obscured to the extent that men and women adopt exactly the same language when confronted with the effects of Eros. Any attempt to draw a firm distinction would smack of anachronism and Eurocentricity." I would observe that while men and women may use the same words, there is always room for subversion and irony beneath the surface of the words, in the way the words are manipulated: C.'s statement is too sweeping. Further, I miss any reference to B. H. Fowler's article
"The Archaic Aesthetic," (AJP 105 [1984]: 119-149) in which she shows that
the melic poets were fascinated by ta poikila: "the variegated nature of the objects of their senses." This, as much as anything else, shapes their poetry, and seems to be the way both genders perceived their world. C.'s discussion of the metaphorical spaces of love and the incantatory power of Greek poetry would have been enriched by Fowler's insights. The rest of section 2 is devoted to a discussion of the representation of love in Hellenistic epigram and in the Greek novel.
In 2.4 C. introduces the modern concept of sexuality to examine iconography that provides information about sexual approaches, contacts, and relations. Contrary to textual representations of love, in the iconography it is mortals who make love, not the divinities. The images C. examines range in date from circa 570 - 470 BC. In poetry, we see the divinities or heroes enjoying symmetrical, reciprocal love with another adult on beds. In pottery we see gods, goddesses, or heroes pursuing young boys or girls. While this seems at first to represent an asymmetrical union such as that seen in archaic melic poetry, these pursuits in many cases lead to productive unions. In art, the painters depict the preliminary phases to the sexual unions of the gods and heroes, instead of graphically depicting them in the act of sex. Here C. notes a distinctive variation: ero=s, in archaic melic poetry, is made manifest to mortals only by unfulfilled love. In contrast to this, in both archaic and classical pottery, human sexual activity is graphically depicted (p. 67).
2.4.1.2 examines the iconograpy of both heterosexual and homophile couples. C. distinguishes three different categories of erotic images in archaic and classical art: 1) preliminaries in which divinities engage, 2) imaginative human sexual relations, and 3) the excessive and explicit sexual activities of satyrs (p. 70). These are general trends and there are many exceptions or blends, as C. notes. Next, in 2.4.1.3, C. looks at the role of Eros in these representations, and observes that Eros often (but not always) appears in the pursuit scene (1), hovering near the lover, thus emphasizing the asymmetry of the relationship. In contrast, Eros is missing from bed scenes and those involving satyrs, probably because desire has been fulfilled. In 2.4.2 C. asks what the function was of such images, and examines them from a spatial point of view. These images appear on objects located within a framework of the gymnasium, the symposium, or the ko=mos following the banquet. As utensils for mixing, serving, and drinking wine, the painted vessels function like an erotic poem -- a tool of seduction to be presented to the beloved (p. 83). Other paintings could be said to correspond to iambic poetry, in that they expose the addressee to sexual derision with scenes of sexual bestiality (p. 87).
In Part 3, C. examines the role played by Eros and Aphrodite in social institutions by looking at the role of desire in the gendered spaces of the polis. C. makes use of anthropological theories of initiation within an educational system to provide for transitions to adulthood. Acknowledging that there is no documentary evidence for rites of tribal initiation in early Greece, C. asserts that these rites can only be used as a formal tool (p. 92). In 3.5.1 C. studies the propaedeutic practices of the symposium, limiting his discussion to the 6th c. cities such as Mytilene, Megara, and Athens in which poets such as Alkaios and Theognis sang their songs. C. discusses the practice of Greek homophilia as part of educational procedures originating from tribal rites of initiation, designed to create a lasting bond of philia, and integrating the youth into the social fabric. 3.5.1.2 begins with a discussion of Sappho's poetry to show that the mutual bond of trust formed in an asymmetrical, paedeutic erotic relationship between adults and adolescents was not for men only. Here C. argues against feminist studies of Sappho's poetry, maintaining that the "gendered dimension of Sappho's poems in truth depends rather on the social and pedagogical function of the poems sung and danced on ritual and communal occasions," instead of on "the erotic sensibility and sexuality of the author" (p. 99). Thus, allusions to politics and male civic virtues are replaced with beauty and an invitation to intimacy with the goddess of love. C. argues that the transitory philia established in such an initiatory, paedeutic, asymmetrical relationship between woman and girl led to a stable relationship of philote=s, the basis of marriage. C. takes care to argue that such an aymmetrical relationship between adult and adolescent is not to be seen in terms of active and passive roles and argues for a much more complex and actively transformative relationship (p. 100). Next, C. looks at the erotic practices of the palaestra, a space in which many homophile contacts between men and boys take place. C. uses evidence of cult objects, law texts, myth, and vase-paintings.
In 3.6, C. turns his attention to the feminine space of the oikos. Not unpredictably, the nature of the sources forces C. to shift chronologically from the late archaic period to classical Athens. While every daughter of an Athenian citizen was ideally bound for marriage, C. points out that there were a number of possible statuses for women in the oikos, among them, the concubine, who sometimes emerged from the intermediate status of the hetaira. After examining the place of the hetaira in banquets, C. focuses on the transition from girl to wife as seen in texts and iconography. Much of the erotic language C. cites seems to revolve around the about-to-be-married and the just-married, so that one wonders how long ero=s was thought to remain in a Greek marriage. C. argues that marriage was analogous to the propaedeutic erotic relationship with boys, in that they were both relationships of mutual trust, established by ero=s. In a chapter on shared love, violence, and reproduction, C. acknowledges that violence was always present in legendary representations of marriage, often functioning as a motivating force of the narrative. Pursuit leads to rape and violence, but C. argues that this leads in turn to union on a bed and a couple joined in a bond of philote=s. This language of violence should not be taken too literally, C. warns, for in his view, based on Gorgias' Encomium of Helen, "the will of the gods, the violence of rape, the effect of bewitching words, and the interventions of Eros are all by and large equivalent" (p. 123). Marriage is centered on the female because it is only through this ritual that the girl completes her rite of passage into womanhood. Ero=s intervenes to bring this rite about, and the woman's initiation is fulfilled when a child results from the union.
In 3.7 C. turns his attention to the negative aspects of ero=s and argues that we see people resisting the force of implacable desire in tragedy and comedy. Comedy developed the critical nature of iambic poetry while tragedy developed epic eulogy "into a challenge that was directed -- through the masks of Dionysus -- against the power of the gods and the legendary and ethical values upon which life in the city was founded" (p. 132). In comedy, actors use the same vocabulary of love used by the archaic poets, but the comic poets exaggerate it. Comic relationships are symmetrical and mutual, contrasting with the situations in melic poetry and showing similarity with certain iconographical representations. C. argues that comedy presented a parody of transgressions normally tolerated to some extent in society. Chapter 3.7.1.1 examines erotic relationships not tolerated by society. C. asserts that while homophilia is only lightly satirized, "any homosexual relationship that involves two adults is severely criticized" (p. 135-6). It was considered contrary to nature for adult men to be penetrated anally, for one is thereby rejecting one's condition as a man and status as a citizen. Thus, charges of sodomy were used as political insults and expressed moral judgments (p. 141). In tragedy, too, the archaic descriptions of the physiology of love remain. The institution of marriage figures strongly in tragedy, but often to serve only to represent what is lost. C. sees two themes prevailing in tragedy: 1) "girls fated to be sacrificed before reaching maturity", and 2) "beautiful wives whose second marriages lead them to a tragic end" (p. 142). The tragedians attack not marriage as an institution, C. finds, but instead the implacable sexual force personified in Eros and Aphrodite.
In Part 4, C. maps out the spaces in which the powers of desire are deployed. Previously C. has discussed the places within the city in which ero=s acts -- in Greek initiatory, paedeutic institutions such as symposia, gymnasia, and in the girl's preparations and transitions to marriage. C. now turns his attention to the flowery meadow (leimo=n) and the cultivated garden (ke=pos), turning gradually away from rituals and institutions to the poetic world. This is one of the most interesting sections of the book, but also one of the most problematic. Flowery erotic meadows in Greek myth are often the sites of the rape of young girls. But C. argues that rarely is ero=s fulfilled here -- meadows are but a way-station on the road to sexual intercourse elsewhere. C. sees a movement from wild flowers growing in meadows, to fruits tended in an orchard, to cereal products of agriculture symbolizing the civilization process (p. 163). This progression is accompanied by the spatial progression from nomadic activities of herdsmen in border areas to enclosed gardens to the central oikos. C. constructs the following schematic representation:
Social Status Legendary Space Activity Geographical Space
parthenos meadow herding outdoors,
quasi wild
numphe= garden tree cultivation transition
gune= bed agriculture indoors, oikos
Although C. allows that there are "distortions" that mar such schematic representations, he thinks it helpful to use this table to "convey the various ways in which the Greeks of the classical period represented the three successive statuses that were assigned to women" (p. 164). Still, there appear some significant difficulties with this representation. For example, the meadow/garden separation he makes is not so clear-cut in Greek literature. A. Motte, Prairies et jardins de la Gre\ce antique; de la religion a\ la philosophie. Brussels: Palais des Acade/mies, 1971 (a book which C. cites) 45-8, 85 shows that ke=pos, leimo=n, delta, and pedion can all refer to female genitalia. As C. himself notes, Empedocles (frag. 31 B66 Diels-Kranz) refers to female genitalia as "the cleft meadow of Aphrodite." The myth of Zeus and Europa which C. uses to make his argument that girls are not sexually initiated in meadows but are rather taken elsewhere for that, is at heart an aetion -- C. ignores the other functions of myth such as this. Zeus takes Europa away from the meadow and to a new land to have sex not simply because it would be unthinkable for a god and mortal to have sex in a meadow but because she is to be the founder of a new people in a new land. It could be that the physical carrying off of rape is conceptually equivalent to sexual intercourse. For a man not of her family to touch a girl like this is necessarily a sexual act. Furthermore, the original mortal woman, Pandora, herself conflates the statuses of parthenos and gune=. As H. King (Hippocrates' Woman, London and New York, 1998: 24-25) notes, in Hesiod's Works and Days 80-81 Pandora is represented as a gune= disguised as a parthenos, and in Theogony 513-14, the two statuses are merged in her description as plaste=n gynaika parthenon.
In 4.9 C. returns to the world of the melic speaker showing that mythical meadows and gardens remain the metaphorical spaces of ero=s. By examining the metaphorical language the poets use to describe their beloveds, C. argues that in terms of metaphor, gender roles in adolescence are somewhat merged for boys and girls. "The fact that a boy is sometimes represented in the fresh pastureland that is usually the scene of a prelude to love involving a girl is an indication of the purely metaphorical nature assumed by the flowering meadow in these poems, which may be directly addressed to either adolescent girls or adolescent boys" (p. 166). On the other hand, using metaphorical transposition the poet can replace mythological actions with his own experiences (real or fictional) using the flowering meadow to provide a framework within which adolescent girls may be prepared for and initiated into love (p. 167). In the rest of this section C. examines the poetic and institutional uses of gardens, from the poems of Sappho to the archaeological and literary evidence for the Gardens of Aphrodite in Athens.
In Part 5, C. discusses the complementary propaedeutic and reproductive roles of Ero=s as they are found in theogonic and philosophical texts. C. notes that from the Homeric Hymns to the Greek novel, ero=s' power extends to the entire universe. The cosmic dimension to ero=s and Aphrodite's power is constructive -- in the origin and nature of the universe, ero=s creates and maintains the physical fabric, just as, C. argues, ero=s creates social links through its institutional role in education and marriage. In fact, C. asserts that "it was no doubt on the basis of the institutional role played by Eros in practices relating to education of an initiatory nature and in the rite of passage leading to feminine maturity that a deified Eros acquired a place and a function in first theogonic, then philosophical representations of the cosmos" (p. 177-78). In early texts such as Hesiod's Theogony, for example, Eros unites Gaia and Ouranos creating a bond of philote=s which enables them to produce offspring. 10.2 is an examination of Plato's Symposium, in which the characters review narrative, poetic, and philosophical traditions about Eros. 10.3 examines Plato's Phaedrus, a dialogue about the function of the state of being in love. Both the Symposium and Phaedrus propose initiatory ways of progressing toward Beauty or Truth through ero=s' mediation. 5.11 looks at the mystics of Eleusis and Orphism.
An "Elegiac Coda: Eros the Educator" ends the book. Here C. sums up his findings of the many functions of ero=s in Greek society from the archaic through the classical period. Ero=s is, he concludes, "first and foremost a force of reproduction, above all of social reproduction" (p. 198). After reviewing his arguments about the process of initiatory education for both adolescent girls and boys, C. argues that "the different statuses of the two genders are, on both sides, produced by the action of the deities of love, but the relations between them are bound to be conflictual" (p. 198). He argues further that twentieth century anthropological categories of sexuality are not pertinent to archaic and classical Greece. In a way he is setting up a straw man, because the definitions of gender that he claims to be working with on p. 7 are not limited to the structuralist oppositions of "active/passive" and "public/private" that he attacks as inadequate. Further, I am bewildered by C.'s statement that ". . . it is very hard to assess to what extent Greek women were regarded as "sexual objects," given that virtually all the documents that refer to them were the work of men!" (p. 199). It seems to me that the objectifiers would be men, so I fail to see his point here. C. says that "only the notion of 'gender,' understood as a social representation constructed on the basis of the relations between the sexes, is of help to us as we try to understand the various social statuses that became defined in relationships inspired by Eros and Aphrodite" (p. 199). In this book C. leaves out any significant discussion of medical ideas of the body and the differences between the sexes, although he occasionally refers to research on the medical writers in his notes, and acknowledges the fact that the body itself is a symbolic, cultural artifact (p.7-8). In Greek thought the body of a woman reacted differently to outside influences such as ero=s than the body of a man did, and this reaction was feared as a threat to individuals and to society itself. L. Dean Jones, for example, analyzes Hesiod's creation myth and the scientific Greek views about women's bodies and sexuality (Women's Bodies in Classical Greek Science, Oxford 1994). C. cites A. Carson's "Putting Her in Her Place: Women, Dirt, and Desire," in Halperin et al, Before Sexuality (Princeton, 1990) but does not examine the ideas further. Both Carson and Zeitlin 1982 ("Cultic Models of the Female: Rites of Dionysus and Demeter," Arethusa 15: 129-58) discuss the danger of female sexuality and the interior of the female body. I also missed any discussion of the dangers of ero=s as seen in law cases. C. neglects evidence of the disruptive, destructive power of ero=s as seen in speeches such as Lysias 1, Against Eratosthenes, in which we see a young wife committing adultery in her own oikos while her husband sleeps upstairs. Ero=s is hardly "integrative" here. While both Zeitlin in her foreword and C. himself acknowledge that his study focuses on the
"functional, not the dysfunctional, aspects of a system of desire" (p.
xvi), I think that C. lessens the power of his book by emphasizing one over the other to this extent.
This new edition, like the original Italian one, does not quote Greek texts for the most part, and occasional Greek words are transliterated. It is a shame that C., in writing about the incantatory power of Greek poetry, does not provide the Greek itself. English translations usually fail to suggest this quality, and I found C.'s (or his translator's) occasional use of antiquated Loeb translations distracting. The actual Greek is usually far from the register implied by "thee," "thou," "shalt," and "fain,", let alone "calloo, callay" (an unfortunate translation by D. Kovaks, Euripides I (Loeb) of Eur. Cycl. 576, of the Greek I)OU\ I)OU/). The book is marred by a variety of errata, for the most part typographical. The following list is gleaned from the text and a cursory look at the bibliography: read BASILEU\S for BASXEU\S in the Plutarch quote on the page before the Table of Contents; p. 24 line 2 read Aphrodite for Aprhodite; p. 57 line 28 read deaf for blind; p. 97 line 14 read late for last; p. 100 line 13 read distaste for distate; p. 105 n. 28 line 12 read Six for Sex; p. 124 line 27 read fulfilment for fullfilment, p. 143 line 26 read than for then; p. 158 n. 10 line 10 read link for linke; p. 174 line 17 read propaedeutic for propaeudeutic. The bibliographic citation on p. 205 for Eva Stehle's book is conflated with that of Deborah Lyons: for Performance and Immortality. Heroines in Ancient Greek Nondramatic Poetry in Its Setting, read Performance and Gender in Ancient Greece. Nondramatic Poetry in Its Setting On p. 85 n. 22 C. refers to an article by N. W. Slater in A. Mackay (ed.), forthcoming, but no title is given for the book, keeping readers in suspense. Overall, despite its diminution of the negative, destructive aspects of desire, its neglect of sources such as the medical writers, and the selective nature of C.'s use of law cases, this is an important study which will undoubtedly be very influential in further studies of Greek sexuality.
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Professeur invité à la Maison de la Recherche à l'Université de Lille III, hiver 1993/94
Président du Département Interfacultaire d'Histoire et de Sciences des Religions
de 1994 à 1997
Trésorier de l'Association Suisse pour l'Etude de l'Antiquité dès 1994
Membre de l'Institute for Advanced Study, Princeton, automne 1997
Visiting Professor, Yale University, hiver et printemps 1998
Invité à l'Ecole des Hautes Etudes en Sciences Sociales, Paris, en tant que Directeur d'études pour l'hiver 1998/99, puis nommé dès 2001
Conférences et Colloques :
aux Universités de Cagliari, Cosenza, Macerata, Milano, Napoli (IO), Pavia, Pisa (SNS), Roma, Siena, Taranto, Trieste, Urbino, Venezia (Italie); Besançon, Grenoble II et III, Lille III, Montpellier, Paris (EHESS, EPHE, ENS-Aussois, Paris-X), Perpignan, Toulouse (France); Liège, Namur (Belgique); Athènes (Grèce); Konstanz (Allemagne); Cambridge, London (Univ. College, King's College; Angleterre); Santander (Espagne); Québec (Canada); Ann Arbor, Berkeley, Boston, Brown, Bryn Mawr, Chicago, Columbia (New York), Cornell, Emory (Atlanta), Georgia, Harvard, Johns Hopkins (Baltimore), Pensylvania, Princeton, Rutgers, Stanford, Yale, Washington D.C. (CHS), Wisconsin (USA); São Paulo, Minais Gerais (Brésil); Bâle, Fribourg, Genève, Neuchâtel, Zurich (Suisse).
Conférences/ Colloques 2000-2001
•.Scuola Normale Superiore (Pisa), 06.03.2000: «Mito, divinazione e poesia: l'uso del racconto di Tiresia in un poema ellenistico».
•.Università degli Studi di Milano, 07.03.2000: «Poetica del "mito" in Grecia: Callimaco e l'indovino».
•.Cours romand de 3e cycle «Orphée et l'orphisme», Château d'Oex, 15-17.03.2000: «Introduction: que sont les Orphica?».
•.Colloque «Coralie» XI «La figure d'Orphée et les poèmes orphiques», Université de Lausanne, 24-26.05.2000: «La poésie orphique: qu'est-ce qui est orphique dans les Orphica?».
•.The Carl Newell Jackson Classical Lectures, Harvard University, 10.-13.10.2000: «Time in Ancient Greece: Heroic Narrative, Poetic Memory, Ritual Pragmatics» - «Hesiod's narrative of the five ages: oriental parallels and Greek pragmatics»; «Theseus through Bacchylides' poetical perspective: the fabrication of gender and heroic identity in time and ritual»; «Oral narrative and written consecration in the "Agreement of the Founders of Cyrene": the role of Apollo's oracle in civic and efficacious temporalities»; «Time and speech applied in the gold lamellae: performative itineraries for travelling to the other world».
•.University of Chicago, 23.10.2000: «Theseus in Papua New Guinea: Bacchylides 17, and Athenian Gender».
•.Colloque «Théories de la religion, pertinence, validité, vérité», Université de Lausanne, 14-6.12.2000: «Perspectives académiques sur un système polythéiste; les affinités entre approches et objet en histoire et sciences des religions».
•.Cours romand de troisième cycle, colloque «La religion, centre d'activités publiques pour les femmes dans l'Antiquité», Université de Lausanne, 18-19.01.2001: «Thésée en jeune fille: le rôle religieux des femmes dans la promotion d'un "empire" maritime (le Dithyrambe 17 de Bacchylide).
•. Cycle de conférence du Groupement d'Etudes Biologiques, Lausanne, «Génome humain: les enjeux», 1.2.2001: «Fabriquer / modifier l'humain?» (avec Mondher Kilani).
•.Collège International de Philosophie, Paris, 07.03.2001: «Sujet amoureux et instance d'énonciation: Sappho et Foucault».
•.EHESS / Centre Louis Genet, Paris, 31.03.2001: «L'exposition poétique au banquet de quelques questions de politique intérieure à Athènes au VIe siècle: Solon fr.3 Gentili-Prato (Eunomia)».
•.Colloque «L'herméneutique au seuil du XXIème siècle», Université de Lausanne, Crêt-Bérard, 3-5.05.2001: «La traduction des cultures. Les catégories de la pensée et du discours anthropologique».
•.Festival «Science et Cité», Université de Lausanne, Café scientifique «Génome humain: science, éthique et société», 11.05.2001: interventions.
•.Conférence à l'Université de Zürich, Klassisch-Philologisches Seminar, 18.05.2001: « Je mélique et sujet amoureux: quelques poètes grecs aux prises avec Eros et l'histoire de la sexualité selon Foucault».
•.Colloque «Coralie» XII, «The Hellenistic Reception of Archaic Poetry: Callimachus and Theocritus», Center for Hellenic Studies, Washington D.C., 14-16.06.2001: «Melic and Alexandrian poetics: some types of deixis in Theognis, Pindar, Theocritus and Collimachus», avec présidence de séance et table ronde.
•.Internationales Symposium «Mythen der Kreativität: zur Anthropologie des Schöpferischen zwischen Hybris und Kreativität», Graduiertenkolleg Religion und Normativität, Universität Heidelberg, 07-10.11.2001: «Die Zivilisation des Prometheus und das genetische Genie. Einige impertinente Reflexionen».
•.Séminaire postgrade «Théories littéraires et Sciences humaines», Université Paris7-Denis Diderot, 15.11.2001: «Autoréférence performative et deixis programmatique: aspects performatifs de la poésie grecque».
Organisation
Séminaire interdisciplinaire et postgrade en anthropologie culturelle et analyse des discours de 1985 à 1997.
Colloque "Les formes narratives des mythes grecs", 20-22.5.87.
Cours romand de 3e cycle "Ecriture des mythes et de l'histoire en Grèce et à Rome", Les Diablerets, 4-9.3.90.
Séminaire doctoral et postdoctoral "La société grecque archaïque: réalité historique et fiction poétique", Archamps, 15-16.12.94.
Colloque "Coralie" VI, "Les mythes grecs en question: les récits d'Hélène", 17-19.5.95.
Journée d'étude "L'histoire et les sciences des religions dans l'enseignement secondaire", 26.3.96.
Colloque du PARSA "L'histoire et la philosophie face aux mythes", 17-18.4.97 (en collaboration avec David Bouvier).
Colloque "La fabrication de l'humain dans les cultures et dans l'anthropologie", 15-16.12.97 (avec Mondher Kilani).
Colloque "Représentations discursives du temps: historiographie et anthro-pologie", en préparation pour juin 99 (avec Mondher Kilani).
Colloque "Coralie" XI, "Les textes orphiques: énonciation et performance", en préparation pour mai 00.
Réseaux et groupes de recherche sur la poésie grecque (Universités de Cornell, Harvard, Lausanne, Lille III, Princeton), sur le discours anthropologique (Universités de Pavie, Turin, Nice, Paris et Lausanne), sur la culture antique (Pôle Alpin de Recherche sur les Sociétés Antiques), sur la poésie épique (projet "Homerica": Grenoble III, Genève, Lausanne).
Echanges d'étudiants et de doctorants avec la Scuola Normale Superiore di Pisa, l'EPHE (Section des Sciences Religieuses) à Paris, les Universités de Bâle, Bristol, Lille III, Pavie et Urbino.
Séminaire de Diplôme d'Etudes Spécialisées "Anthropologie des cultures, anthropologie des discours", 94/95 et 95/96 (trois DES pour le grec).
Cours romand de 3e cycle en sciences de l'Antiquité (UNIL-UNIGE), Château d'Oex, 15-17.03.2000: «Orphée et l'orphisme».
Colloque «Coralie» XI, UNIL, 24-26.05.2000: «La figure d'Orphée et les poèmes orphiques».
Sessions du Conseil scientifique de l'Observatoire des Religions en Suisse (UNIL) 2000.
Colloque international, UNIL, 10-11.12.2001, en collaboration avec Monder Kilani: «Les pratiques de l'anthropologie: épistémologie et procédures de l'anthropopoiésis».
Session du Conseil scientifique de l'Observatoire des Religions en Suisse (UNIL) 2001.
Publications
Ouvrages :
• Les choeurs de jeunes filles en Grèce archaïque, 2 voll., Roma (Ateneo) 1977, 506 + 212 pp. (trad. américaine: Lanham MR, Rowman & Littlefield, 1996).
• Alcman. Texte critique, témoignages, traduction et commentaire, Roma (Ateneo) 1984, LXV + 638 pp.
• Le récit en Grèce ancienne. Enonciations et représentations de poètes, Paris (Méridiens Klincksieck) 1986, 222 pp. (trad. italienne: Roma - Bari, Laterza, 1988; éd. revue et trad. américaine: Ithaca NY - London, Cornell University Press, 1995).
• Thésée et l'imaginaire athénien. Légende et culte en Grèce classique, Lausanne (Payot) 1990, 480 pp. (2è éd.: 1996).
• I Greci e l'eros: simboli, pratiche e luoghi, Roma - Bari (Laterza) 1992, 224 pp. (L'Eros dans la Grèce antique, Paris, Belin, 1996; trad. américaine en préparation à Princeton University Press).
• L'Eros dans la Grèce antique, Paris (Belin) 1996, 256pp. (2ème édition augmentée: 2001; traduction italienne (cf. ci-dessus), traduction anglaise: Princeton, Princeton University Press 1999; traduction espagnole: Madrid, AKAL 2002; traduction roumaine et portugaise en préparation).
• Mythe et histoire dans l'Antiquité grecque. La création symbolique d'une colonie, Lausanne (Payot) 1996, 185 pp.
• Poétique des mythes en Grèce antique, Paris (Hachette) 2000, 288 pp.
• Le récit en Grèce ancienne, Paris (Belin) 2000, 302 pp. (2e édition, revue et corrigée).
•.Choruses of Young Women in Ancient Greece. Their Morphology, Religious Role, and Social Functions, Lanham-Boulder-New York-Oxford (Rowman & Littlefield) 2001, 282 pp. (New and revised edition).
Projets :
• The Greek Poetic Tradition: Authorship and Pragmatics, Ithaca NY - London (Cornell University Press), à paraître en 2000, env. 240 pp.
Ouvrages collectifs :
• Rito e poesia corale in Grecia. Guida storica e critica, Roma - Bari (Laterza) 1977, 234 pp.
• L'amore in Grecia, Roma - Bari (Laterza) 1983, XL + 310 pp. (quatre éditions successives).
• Le logos grec. Mises en discours, Paris (Belles Lettres) 1986, 87 pp.
• Métamorphoses du mythe en Grèce antique, Genève (Labor & Fides) 1988, 231 pp.
• Le discours anthropologique, Description, narration, savoir, Paris (Méridiens Klincksieck) 1990, 306 pp. (2è éd.: Lausanne, Payot, 1995).
• Figures grecques de l'intermédiaire, Paris (Belles Lettres) 1992, 146 pp.
• Philosophes et historiens anciens face aux mythes, Lausanne-Paris (Etudes de Lettres -Belles Lettres) 1998, 154pp., avec D, Bouvier.
• La Fabrication de l'humain dnas les cultures et en anthropologie, Lausanne (Payot-Etudes de Lettres) 1999, 168 pp., avec M.Kilani.
Articles récents (choix) :
• «Le discours mythique» in J.-C. Coquet (éd.), Sémiotique. L'Ecole de Paris, Paris (Hachette) 1982, pp. 85-102.
• «Les figures grecques du gigantesque», Communications 42, 1985, pp. 147-172.
• «Nature humaine et environnement: le racisme bien tempéré d'Hippocrate» in Sciences et racisme, Lausanne (Payot) 1986, pp. 75-99.
• «Facing Otherness: The Tragic Mask in Ancient Greece», History of Religion 26, 1986, pp. 127-142.
• «Le récit généalogique spartiate: la représentation mythologique d'une organisation spatiale», Quaderni di Storia 15, 1987, pp. 43-91.
• «Apprendre à boire, apprendre à chanter: l'inférence énonciative dans une image grecque», La Part de l'oeil 5, 1989, pp. 45-53.
• «Démasquer par le masque. Effets énonciatifs dans la Comédie ancienne», Revue de l'Histoire des Religions 206, 1989, pp. 357-376.
• «'Mythe' et 'rite' en Grèce: des catégories indigènes?», Kernos 4, 1991, pp. 179-204.
• «Eros initiatique et la cosmogonie orphique» in Orphisme et Orphée. En l'honneur de Jean Rudhardt, Ph. Borgeaud ed., Genève (Droz) 1991, pp. 227-247.
• «La festa», in Introduzione alle culture antiche III. L'esperienza religiosa antica, M. Vegetti ed., Torino (Bollati Boringhieri) 1992, pp. 29-54.
• «Legendary narration and poetic procedure in Callimachus' Hymn to Apollo», in Hellenistica Groningana I. Callimachus, M. Harder et al. (edd.), Groningen (Forsten) 1993, pp. 37-55.
• «Rythme, voix et mémoire de l'écriture en Grèce classique», in Tradizione e innovazione nella cultura greca da Omero all' età ellenistica, R. Pretagostini ed., Roma (GEI) 1993, pp. 37-55.
• «Variations énonciatives, relations avec les dieux et fonctions poétiques dans les Hymnes homériques», Museum Helveticum 52, 1995, pp. 1-19.
• «From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song», Arion III. 3, 1994/5, pp. 135-152.
• «Vision, Blindness, and Mask. The Radicalization of the Emotions in Sophocles' Oedipus Rex», in M.S. Silk (éd.), Tragedy and the Tragic. Greek Theatre and Beyond, Oxford (Clarendon Press) 1996, pp. 17-37.
• «Le proème des Travaux d'Hésiode. Prélude à une poésie d'action», in F. Blaise, P. Judet de la Combe, Ph. Rousseau (edd.), Le métier du mythe. Lectures d'Hésiode, Lille (Presses Universitaires du Septentrion) 1996, pp. 169-189.
• «Sappho's Group: An Initiation into Womanhood», in E. Greene (ed.), Reading Sappho. Contemporary Approaches, Berkeley - Los Angeles - London (University of California Press) 1996, p. 113-124.
• «Pour une sémiotique de l'énonciation: discours et sujet", in M. Constantini & I. Darrault-Harris (edd.), Sémiotique, phénoménologie, discours, Paris (L'Harmattann) 1996, pp. 143-150.
• «Figures of Sexuality and Initiatory Transition in the Derveni Theogony and its Commentary», in A. Laks & G.W. Most (edd.), Studies on the Derveni Papyrus, Oxford (Clarendon Press) 1997, p. 65-80.
• «L'Hymne homérique à Déméter comme offrande: regard rétrospectif sur quelques catégories de l'anthropologie de la religion grecque», Kernos 10, 1997, pp. 111-133.
• «Mort héroïque et culte à mystère dans l'Oedipe à Colone de Sophocle. Aspects rituels au service de la création mythique», in F. Graf (ed.), Ansichten griechischer Rituale. Geburtstags-Symposium für Walter Burkert,, Stuttgart - Leipzig (Teubner) 1998, pp. 326-356.
• «Héraclès, animal et victime sacrificielle dans les Trachiniennes de Sophocle», in C. Bonnet, C. Jourdain-Annequin, V. Pirenne-Delforge (ed.), Le Bestiaire d'Héraclès. IIIe Rencontre héracléenne (Kernos Suppl 7), Liège (CIERGA) 1998, pp. 197-215.
• «Mûthos, lógos, histoire. Usages du passé héroïque dans la rhétorique grecque», L'Homme 147, 1998, pp. 127-149.
•.«Dividing Homer: A Response», Symbolae Osloenses (Oslo) 74, 1999, pp.43-47.
• «Tradition et mémorial. L'origine des guerres médiques entre tragédie et historiographie», in V. Mauron & C. de Ribaupierre (éds.), Le corps évanoui. Les images subites, Paris-Lausanne (Hazan) 1999, pp.165-176
•.«Tempo del racconto e tempo del rito nella poesia greca: Bacchilide tra mito, storia e culto», Quaderni Urbinati di Cultura Classica (Pisa-Roma) 91, 1999, pp.63-83.
•.«Autour des mythes grecs et des sciences humaines" (Entretien avec Christopher Lucken), Equinoxe (Genève) 21, 1999, pp.85-98.
•.«Le "sujet du désir" aux prises avec Eros: entre Platon et la poésie mélique», L'Unebévue (E.P.E.L., Paris) 14, 1999, pp.5-22.
•.«La distruzione di Mileto: nascita della tragedia e della storia», in M. Cannatà Ferra et S. Grandolini (edd.), Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera, Napoli (Edizioni Scientifiche Italiane) 2000, pp.127-136.
•.«Temps du récit et temps du rituel dans la poétique grecque: Bacchylide entre mythe, histoire et culte», in C. Darbo-Peschanki (éd.), Construction du temps dans le monde grec ancien, Paris (CNRS Editions) 2000, pp..395-412.
•.«Une légende thébaine vue d'Alexandrie: Tirésias et Athéna dans l'Hymne au bain de Pallas de Callimaque», in P. Angeli Bernardini (éd.), Presenza e funzione della città di Tebe nella cultura greca, Pisa/Roma (Istituti Editoriali e Poligrafici Internazionali) 2000, pp.267-287.
•.«Quelques formes chorales chez Aristophane: adresses aux dieux, mimésis dramatique et "performance" musicale», in P. Brulé & Ch. Vendriès (éd.), Chanter les dieux. Musique et religion dans l'Antiquité grecque et romaine, Rennes (Presses Universitaires) 2001, pp.115-140.
•.«Le scienze dell'Antichità tra neoliberalismo e cultura da supermercato: inflazione bibliografica e smarrimento metodologico», I Quaderni del Ramo d'Oro (Siena) 4, 2001, pp.181-203.
•. "Interprétation et traduction des cultures. Les catégories de la pensée et du discours anthropologiques", L'Homme 163, 2002, pp. 51-78.
Mots clé
Poétique, analyse des discours, anthropologie (Antiquité), religion, mythologie (Grèce ancienne).
Uni Lausanne - Faculté des Lettres - Section de Français - BFSH2 - CH-1015 Lausanne - Switzerland
Claude Calame, professeur de langue et littérature grecques à l'Université de Lausanne
«Se questo è un uomo» : la formulation inquiétante que suggère le titre du témoignage autobiographique de Primo Levi sur Auschwitz pose la question de fond.
Sans doute l'évocation de cet effroyable point de non- retour dans la négation froidement systématique et sadiquement destructrice de la qualité d'humain peut-il apparaître comme déplacé dans ce qui se veut une réflexion universitaire. On atteint les limites du dicible, par référence à ce qui constitue précisément l'une des capacités les plus riches de l'homme en tant que «Mensch» : la parole. Il n'en reste pas moins que les perspectives ouvertes par le génie génétique nous confrontent à une question identique : qu'est-ce qui fait qu'au-delà de notre animalité constitutive, nous sommes des humains? Est-on en droit d'intervenir de manière définitive (et non pas superficiellement, comme le fait par exemple le médecin) sur la «nature» de l'homme? Parviendra-t-on à modifier, autrement que par la négation destructrice, ce qu'est l'humain?
Seul le hasard de la conjoncture historique et du comput propre à la chronologie chrétienne fait que la question se pose à l'entrée prochaine dans un nouveau millénaire. Au-delà de toute angoisse catastrophiste, il faut reconnaître que pour la première fois l'homme peut intervenir en profondeur sur sa propre constitution.
Ce sont là les questions qui furent posées à un certain nombre de praticiens de l'anthropologie culturelle et sociale dans un colloque organisé à Lausanne, sous l'égide du Département Interfacultaire d'Histoire et de Sciences des Religions et de l'Institut d'Anthropologie et de Sociologie, par un groupe d'anthropologues de Paris, Pavie, Turin et Lausanne [1]. Associés depuis quelques années dans une recherche commune, ces derniers s'interrogent eux-mêmes, par-dessus les Alpes, sur ce qu'ils ont appelé l'«anthropo-poiésis». La fabrication de l'humain donc, à partir du constat que l'homme naît animal, qu'il naît imparfait, mais qu'il naît, de manière spécifique, avec des capacités qui lui permettent non seulement de vivre en société, mais aussi d'énoncer et de modifier les règles qui permettent sa vie en communauté.
Il ne s'agit pas là d'une éthologie, celle-ci se limitant trop souvent à reporter sur les hommes les comportements sociaux qu'elle croit identifier chez les animaux; mais il s'agit d'une réflexion anthropologique sur la culture des hommes, sur la civilisation (pour autant que ce mot ait encore un sens). Si certains animaux connaissent des formes de vie en société, ils ne produisent aucun objet symbolique; les manifestations culturelles leur sont étrangères. Tout en retravaillant et en transformant son entourage, l'homme fabrique des relations avec ses pairs; il fabrique sa propre culture; capable de communiquer avec ses voisins, il se construit lui-même en tant qu'animal social, certes, mais surtout en tant qu'animal civilisé.
De là la nécessité d'explorer les différentes manières que l'homme imagine pour se construire en tant qu'homme par ses productions symboliques et dans ses relations avec les autres; ceci aussi bien dans d'autres communautés culturelles que dans notre propre civilisation, à parcourir dans ses incessants changements historiques : vaste enquête d'ordre anthropologique, dans l'espace et dans le temps.
Dans l'Antiquité hellène, pour ne se référer qu'à cette civilisation «exotique», il a appartenu aux Sophistes de l'Athènes du Ve siècle de s'interroger sur le critère qui permet de distinguer l'homme de l'animal : la compréhension opposée à la simple perception (Alcméon de Crotone)? la maîtrise de soi (Héraclite)? la possibilité de mesure et donc d'évaluation (Protagoras)? le besoin d'une éducation (déjà Anaximandre)? ou simplement la possession des mains renvoyant à l'habileté et à l'intelligence artisanes que l'être humain détient en propre (Anaxagore)? Avec cette idée complémentaire, développée aussi bien par Hérodote que par Hippocrate, qu'une longue pratique de la coutume peut finir par s'inscrire dans la nature. C'est ainsi que l'impuissance constitutive de certaines populations scythes est référée à l'habitude de ces communautés nomades de se déplacer uniquement à dos de cheval. Dans le grand débat sur les relations entre «nomos et phusis», c'est la coutume qui peut être amenée à déterminer et à modeler la nature.
Il s'agit donc de savoir comment femmes et hommes se fabriquent eux-mêmes et construisent leur culture en suivant des représentations qui sont toujours des représentations pratiques. C'est dire que ces images que l'homme se fait de lui-même ont régulièrement un impact en retour sur l'articulation sociale de la communauté à laquelle il appartient : représentations de son passé entre mythe et histoire, ensemble de maximes morales, mais aussi institutions de l'éducation, pratiques rituelles et religieuses. échanges économiques, interventions techniques, organisation architecturale de l'espace social, pratiques artistiques et poétiques. Cultures des autres, antiques et contemporaines; mais, par comparaison et par contraste, et de manière réflexive, culture propre, notre culture; une culture dans laquelle, par exemple, au fantasme omniprésent de l'immortalité s'est désormais substitué le rêve d'une jeunesse éternelle.
Les possibilités ouvertes par les manipulations génétiques peuvent conduire à une instrumentalisation commercialisable de cette machine à fabriquer du symbolique qu'est le corps humain, ceci en particulier dans une société essentiellement orientée vers le profit immédiat. C'est dire qu'elles doivent être confrontées avec une réflexion serrée sur l'identité sexuelle, généalogique, émotionnelle, symbolique de l'homme en relation avec les différents modèles qu'il a pu élaborer pour construire sa vie en société. En une période où l'on postule l'autonomie de l'économique en cherchant à le naturaliser, il serait suicidaire de laisser à l'apparente objectivité de la science l'exploitation des profits gigantesques à tirer des connaissances sur le patrimoine génétique de l'homme. Le danger est grand, encore une fois, de naturaliser le social par la réification de la nature. Il est tellement plus rassurant de pouvoir référer nos comportements sociaux et nos productions symboliques à des règles inscrites dans une nature que l'on pourrait désormais manipuler à plaisir, selon les critères de l'idéologie dominante du moment. A elle seule, l'analyse du discours serait susceptible de dégager les présupposés idéologiques et épistémologiques, par exemple, de la métaphore du «patrimoine génétique».
Concrètement, dans l'accord prochain qui doit intégrer de manière forte enseignement et recherche à l'EPFL, à l'UNIGE et à l'UNIL, les sciences de la vie ne sauraient se développer sans le concours des sciences dites précisément «de l'homme». Inéluctable, cette collaboration recommande la création à l'Université de Lausanne, avec les moyens libérés par la cession d'un certain nombre d'enseignements fondamentaux à l'Ecole d'ingénieurs voisine, d'un véritable Institut de recherche avancée combiné avec une Ecole d'études doctorales : Maison des Sciences de la Vie et de l'Homme qui animerait recherches et enseignements postgrades de manière pluridisciplinaire et transversale. L'enjeu est ici moins d'ordre éthique qu'épistémologique. Conjugués avec d'éventuelles règles morales, les présupposés et les principes mêmes des sciences de la vie comme ceux des sciences humaines doivent être interrogés en dialogue. C'est par leur intermédiaire que nous nous fabriquons nous-mêmes.
Promue par la nécessité d'offrir autant à nos étudiant-es qu'à leurs collègues des pays voisins les possibilités d'une formation bien articulée débouchant sur des Diplômes d'Etudes Spécialisées ou Approfondies dignes de ces dénominations, une telle institution d'enseignement et de recherche postgrades devrait empêcher les représentant-es de la communauté universitaire de s'enfermer dans la technicité propre au développement spécialisé des savoirs académiques; savoirs d'autant plus éclatés que l'«hypermodernité» porte à cette dispersion d'ordre relativiste : le temps n'est plus à la synthèse. Romande avec son centre à Lausanne, une Maison des Sciences de la Vie et de l'Homme devrait donc fournir les possibilités d'un travail interdisciplinaire à l'égard duquel le Fonds National, par son organisation cloisonnée selon les disciplines, montre encore souvent de grandes réticences.
Qui dit fabrication, dit production d'artefacts. C'est désormais, et pour la première fois, l'homme qui se donne à lui-même les moyens de faire passer sa propre constitution dans le domaine, manipulable, de l'artificiel. Et, plus que l'homme, inévitable animal social et symbolique, c'est la société occidentale qui s'arroge ces moyens. On oublie trop souvent à cet égard que la volonté d'anéantissement systématique de communautés humaines entières est aussi née dans notre civilisation industrielle, capitaliste, nationaliste et chrétienne.
Claude Calame
[1]Colloque de décembre 1997 qui a donné lieu à la publication de La Fabrication de l'humain dans les cultures et en anthropologie, sous la direction de C. Calame et M. Kilani, coédition Etudes de Lettres 3/4, 1998, et Payot, Lausanne, 1999.
