Mesa stin epexergasia diabazo kai esena, meta ti xthesini mou syzitisi me to Stelio, alla kai genika, exei polu endiaferon to poso diaforetika proseggizeis ena thema... Fainomenika toulaxiston, i esto stin arxi:)
Nai, ayto einai kalo. To proi eixa douleia, to apogeyma piga sto galliko kai fototypisa ta xoria apo Loeb kai Bude:) Tora prospatho na sygkentrotho, xanakoitaza tin epexergasia pou exei ginei kai kathe fora ekplissomai me ta stoixeia pou exoume mazepsei. To exo xanapei bebaia, alla xairomai pou me ebazes na sou grafo:) Yparxoun pragmata ekei pou ta xexno... kai douleia:) O Stelios diabase to biografiko tou fysikou, alla den eipe kati, mou edose kai to programma apo to seminario.
Prepi na exetasis ti dinatotita ehi. Oso katalaba, 24 szelides diavasete. Arhisa na to tupono. Olo to didaktoriko nomiso erhete me parangelia. Malista boroun na vretun kai perisotera me difora klidi lexi. Exetase ti lei, stile to kai sto Stelio, tha hari. Ti ipe gia to fisiko ap to Argo?
Simera dokomasa to kenourio sustima tou EKT. Einai gigoro, alla hano hrono, giati den brika pos anigo parallila paratira, etsi an bro kati, kai thelo na metavivaso stihia, svinete to paljo, kai ade psaxe to kenurjo. Mosila legete to programa, eida ena biblio gia auto sto TEE, tha paroume sabato, thimise me. Pos pige sumera?
PUBLICATION NUMBER AAT 9973683
TITLE Poetry in war and war in poetry: The martial role of song and the aesthetic representation of war in ancient Greece (Homer, Terpander, Tyrtaeus, Alcman, Alcaeus, Sappho)
AUTHOR Estell, Michael Robert
DEGREE PhD
SCHOOL YALE UNIVERSITY
DATE 2000
PAGES 143
ADVISER Bers, Victor
ISBN 0-599-79091-1
SOURCE DAI-A 61/05, p. 1824, Nov 2000
SUBJECT LITERATURE, CLASSICAL (0294); BIOGRAPHY (0304); MUSIC (0413)
DIGITAL FORMATS 4.75Mb image-only PDF
24 page Preview
This dissertation is a study of some aspects of the relationship between song and war in archaic and classical Greece. The first chapter examines the diachronically changing cultural conception of the relationship between song and war and its effect on mythological stories that involve a connection between those two spheres. These myths reflect a closer connection between song and war that obtains when the general cultural conception of the relationship is closer. The second chapter discusses the war dance, a type of choral performance which involves a close connection between song and war. An examination of some Iliadic passages explores Homer's familiarity with the war dance and provides more information about it. Further consideration of the war dance shows that it is at once an artistic representation of war as well as a preparation for war. A study of the contexts in which the war dance is employed sheds light on its function as an initiatory ceremony, and reveals that this role played by the war dance is reflected in myth. The third chapter explores the relationship of song and war in seventh-century Sparta. A close study of the available evidence attempts to provide for the shadowy Terpander a fuller biography than he has yet enjoyed. The simultaneous aesthetic and practical function of the verse of Tyrtaeus is investigated, and the connection of the poet Alcman to the genre of war poetry is examined. The fourth and final chapter examines the relationship between song and war on archaic Lesbos. Alcaeus, it is argued, is a traditional warrior-poet much like others discussed in this study, whereas Sappho's poetry reflects a distinctly feminine version of the masculine warrior-poet value system. Finally, reasons for the disappearance of the warrior-poet from Greek culture are discussed.
PUBLICATION NUMBER Not Available from UMI
TITLE CONTEMPORARY SOLO PERFORMANCE OF HOMER'S 'ILIAD' IN TRANSLATION
AUTHOR HUNT, SUSAN ANN
DEGREE PHD
SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA
DATE 1982
SOURCE DAI-A 43/06, p. 1745, Dec 1982
SUBJECT SPEECH COMMUNICATION (0459)
It was the purpose of this study to provide a means by which Homer's Iliad can receive contemporary attention through its original medium--solo oral performance. The study investigated four areas of historical and critical concern: (1) background information, (2) translation selection, (3) oral poetic style and content of the Iliad, and (4) solo oral performance of the Iliad. Chapter II traces the concurrent developments of ancient Greek society and oral literature from ca. 2000 B.C. (the Indo-European invasions) to permanent alphabetization of the epics by Alexandrian scholars (200 B.C. - 74 A.D.). Chapter III examined the process of translation of the Iliad from Homeric Greek into English. Characteristics of the Greek text which should be sought in translations were identified, and nineteen English translations were compared in light of those characteristics. Richmond Lattimore's translation most thoroughly reflects the whole of Homer's verse, style, and content. In Chapter IV the epic structure and content of the Iliad was analyzed in terms of narrative technique, plot, culture, and character delineation. Chapter V focussed on problems of contemporary performance of the Iliad. In addition to acquiring the foundational information discussed in Chapters II-IV, the student must also develop an aural/oral sensibility that facilitates the embodiment of mental images. Classical and contemporary audiences were compared, and recommendations were made for adapting the performance setting, introduction, content, and mood. Vocal and physical techniques that are suggestive rather than impersonative should be supported by physical evidence of ageless pride and athletic grace in all characters. Uses of costuming, properties, and music and other performance possibilities were discussed. Chapter VI included a summary, review of conclusions, and recommendation for further research.
PUBLICATION NUMBER AAT 8903034
TITLE IMAGES OF MOVEMENT AND DANCE IN ANCIENT GREEK ART: A QUALITATIVE APPROACH
AUTHOR PERKINS, JANET BLAIR
DEGREE PHD
SCHOOL THE UNIVERSITY OF WISCONSIN - MADISON
DATE 1988
PAGES 346
ADVISER BRENNAN, MARY ALICE
SOURCE DAI-A 49/12, p. 3535, Jun 1989
SUBJECT FINE ARTS (0357); HISTORY, ANCIENT (0579)
Chapter One surveys some of the ways in which Greek art, including dance, has been studied previously in order to find the approach best suited to our objective, a reconsideration of the movement suggested on antique vases and in antique sculpture. Chapter Two, using Plato, tries to evoke the ambiance in which ancient artists created their works, with a glimpse at the way dance is described in words rather than by visual images. Chapter Three, using Aristotle as guide, presents a different angle of vision. Plato speaks of the relationship of dance to the well-being of the state and its citizens. Aristotle, with his emphasis on structure, addresses the composition of the art work itself. The modern structuralist critic R. S. Crane, by stressing Aristotle's tendency to divide the art work into small increments, has encouraged us to look at the work as a microcosm (his word) of movement, which lends itself to qualitative movement analysis. Before describing, in Chapter Five, the method of qualitative movement analysis set forth originally by movement analysts Rudolf Laban and Warren Lamb, in Chapter Four we indicate the types of criticism which fall outside the kind of qualitative evaluation we want to make. Our approach, which pays full attention to the visual record, we have called hermeneutic regeneration. Qualitative movement analysis, also known as Effort/Shape, is applied to sculpture in Chapter Six and vase drawing in Chapter Seven. The examples include early Aegean sculpture, Minoan and Mycenaean art, and Greek art representing a broad period of years. The qualitative assessment of the movement suggested by ancient sculptures and drawings provides, with the support of Plato and Aristotle, a broad definition of the ancient dance. Aristotle's atomistic approach to the arts, including dance, is compatible with the method called Effort/Shape. The concepts related to this method of analysis are seen in the visual recording of movement, and are paralleled in Plato's description of gymnastics as the 'technical guidance' of the body which underlies dance as a fine art rather than just an animalistic tendency.
PUBLICATION NUMBER AAT 9832133
TITLE The dance of the Muses
AUTHOR David, Amirthanayagam P.
DEGREE PhD
SCHOOL THE UNIVERSITY OF CHICAGO
DATE 1998
PAGES 228
ADVISER Friedrich, Paul; Tarcov, Nathan
ISBN 0-591-85196-2
SOURCE DAI-A 59/05, p. 1545, Nov 1998
SUBJECT LANGUAGE, ANCIENT (0289); LITERATURE, CLASSICAL (0294)
DIGITAL FORMATS 9.58Mb image-only PDF
24 page Preview
The dissertation seeks to develop a musical analysis of Homeric and classical poetry, which shall be seen to entail a thoroughgoing new approach to the poetics of ancient verse. Canons derived from both the ancient world and the modern--in particular, the poetics of 'oral theory' as it has been recenrly applied to Homer--must come in for revision or rejection. In large part this is because they neglect the original context of ancient poetic performance in the $/chi o/rho/epsilon/acute/iota/alpha/ Mov/sigma//omega/nu,$ the dance of the Muses. The proposed analysis departs from the abstract metrics of the past in that it conceives the rhythmic and harmonic elements of poetry as integral to the whole expression, and decisive in the interpretation of its meaning. Such an analysis is now possible for the first time, because of the new theory of the Greek tonic accent set out in the first chapter of the thesis, and its application to Greek poetry understood as choreia; this is the proper name for the art and art work of the great Greek poets, described by Plato as a synthesis of dance rhythm and vocal harmony, in disagreement moving toward agreement. Although in the light of modern classical traditions this sort of analysis may seem suspect in its novelty, it is grounded in the unimpeachable work of W. Sidney Allen in ancient prosody, and in the most authoritative of pre-Hellenistic sources. It serves at last to bring the interpretation of ancient verse into step with the sorts of analyses customarily enjoyed by works in all the more recent poetical and musical traditions. The second chapter introduces a poetics of $/chi o/rho/epsilon/acute/iota a,$ and argues for its priority, at least in the context of Greek verse, over the ancient poetics of imitation. On the modern front, the argument is concerned to expose the choral (rather than oral) nature of Homer's poetry. The dissertation offers a choral-prosodic treatment of Homeric poetics--in this area the approach may be said to be approaching maturity--as well as a foretaste of the fruits I hope to harvest in lyric in the coming years.
PUBLICATION NUMBER AAT 9832133
TITLE The dance of the Muses
AUTHOR David, Amirthanayagam P.
DEGREE PhD
SCHOOL THE UNIVERSITY OF CHICAGO
DATE 1998
PAGES 228
ADVISER Friedrich, Paul; Tarcov, Nathan
ISBN 0-591-85196-2
SOURCE DAI-A 59/05, p. 1545, Nov 1998
SUBJECT LANGUAGE, ANCIENT (0289); LITERATURE, CLASSICAL (0294)
DIGITAL FORMATS 9.58Mb image-only PDF
The birth of the author: Oral traditions and the construction of authorial identity in ancient Greece and China
by Beecroft, Alexander Jamieson;, PhD
HARVARD UNIVERSITY, 2003, 278 pages
AAT 3091512
Citation + Abstract 24 page Preview 27.65Mb image-only PDF
Studies in early Greek colometry: Traditional techniques of composition and word placement in archaic epic and other verse forms
by Garner, Robert Scott;, PhD
PRINCETON UNIVERSITY, 2003, 204 pages
AAT 3068788
Citation + Abstract 24 page Preview 7.27Mb image-only PDF
Dance scenes in early archaic Greek vase-painting
by Buboltz, Lisa Ann;, PhD
HARVARD UNIVERSITY, 2002, 382 pages
AAT 3051119
Citation + Abstract 24 page Preview 11.41Mb image-only PDF
Marginal characters and scattered practices: Plautine drama and Roman society (Roman Republic)
by Parsons, Jedediah David, PhD
UNIVERSITY OF CALIFORNIA, BERKELEY, 2001, 221 pages
AAT 3019764
Citation + Abstract 24 page Preview 10.82Mb image-only PDF
Poetry in war and war in poetry: The martial role of song and the aesthetic representation of war in ancient Greece (Homer, Terpander, Tyrtaeus, Alcman, Alcaeus, Sappho)
by Estell, Michael Robert, PhD
YALE UNIVERSITY, 2000, 143 pages
AAT 9973683
Citation + Abstract 24 page Preview 4.75Mb image-only PDF
Sculptural theatre: Isamu Noguchi's sets for Martha Graham
by Harris, Elizabeth Forsyth, PhD
UNIVERSITY OF VIRGINIA, 2000, 453 pages
AAT 9975535
Citation + Abstract 24 page Preview 11.65Mb image-only PDF
As those move easiest: The alliance of poetry and dance. 'True ease in writing comes from art, not chance, as those move easiest who have learn'd to dance': Alexander Pope, 'An Essay on Criticism'
by Hudler, Melissa Lynne, MA
LAMAR UNIVERSITY - BEAUMONT, 1999, 188 pages
AAT 1397465
Citation + Abstract 24 page Preview 5.01Mb image-only PDF
The dance of the Muses
by David, Amirthanayagam P., PhD
THE UNIVERSITY OF CHICAGO, 1998, 228 pages
AAT 9832133
Citation + Abstract 24 page Preview 9.58Mb image-only PDF
Histories (Original composition, Herodotus)
by Ditto, Charles Jeffrey, DMA
THE UNIVERSITY OF TEXAS AT AUSTIN, 1998, 556 pages
AAT 9937168
Citation + Abstract
MODERNIST MUSIC THEATER: EXOTIC INFLUENCES AND RITUALIZED PERFORMANCE
by SHEPPARD, WILLIAM ANTHONY, VI, PHD
PRINCETON UNIVERSITY, 1996, 478 pages
Not Available from UMI
Citation + Abstract
IMAGES OF MOVEMENT AND DANCE IN ANCIENT GREEK ART: A QUALITATIVE APPROACH
by PERKINS, JANET BLAIR, PHD
THE UNIVERSITY OF WISCONSIN - MADISON, 1988, 346 pages
AAT 8903034
Citation + Abstract
HAHOE PYOLSIN-KUT: THE OLDEST EXTANT KOREAN MASK-DANCE THEATRE
by KIM, DEUKSHIN, PHD
CITY UNIVERSITY OF NEW YORK, 1987, 290 pages
AAT 8801726
Citation + Abstract
ORIENTAL CROSSCURRENTS IN MODERN WESTERN THEATRE
by LAI, STANLEY SHENG-CHUAN, PHD
UNIVERSITY OF CALIFORNIA, BERKELEY, 1983, 489 pages
AAT 8413460
Nai, xexasa, an kai to exo grapsei kai alles fores, ta stoixeia stin poreia symplironontai, opos gia paradeigma i ennoia tis lexis "molpe":) Proxorontas stous epomenous tha do oti syxna i lexi idia, alla me diaforetiko ennoiologiko periexomeno. Omos gi'ayto kai kathe syggrafeas ena dokimio, gia na apoktiso mia pio kathari eikona sto myalo mou. Etsi mporo na exo yposimeioseis gia mena pou sti synexeia isos kai na apantithoun...
Ayrio tha kano ena perasma ton metafraseon sto galliko kai meta nomizo oti o xoros mporei na arxisei:) Etsi kai allios ta stoixeia stin poreia symplironontai...:) Mesa s'ayta bebaia einai o Wegner kai i Tolle.
Koitaxa simera ti Neubecker sto Mousiko, alla dystyxos den prolaba na to fototypiso, an kai de thymamai na prosexa kati kainourio(?)
Xtes milisa me ton Panagioti, isos perasei apo to EKT ayti tin ebdomada, i mporei na erthei to sabbato sto eygenidio, exeis xairetismous:)
Esy, skeftesai kati allo? Brikes ton teleytaio arithmo tou arxeiou?
O Stelios mou eipe oti irthe i ora na grapso... To mesimeri sto grafeio tou syzitisame arketi ora. Xereis kapoia stigmi exigontas mou ton tropo grapsimatos mou milise gia ton Aristoteli kai ton Aristoxeno. Aytoi mas emathan pos ginetai. Kai thymithika tis kyriakatikes synantiseis, opou stin arxi o Aristoxenos mas systine to thema tou, sti synexeia tha to xanapiane anaptyssontas to perissotero kai epeita tha proxorouse se megalytero bathos. (Kala to leo?) Kapos etsi prepei na kano kai ego, xekinontas me mia parelasi ton martyrion, san mia parastasi opou stin arxi tis oloi oi ithopoioi parelaynoun mprosta sto koino. Tha mporouse loipon na sximatisthei to dokimio apo treis enotites, me Iliada, me Odysseia, me sygrisi kai sxoliasmo...
Koitaxame episis kapoia xoria pou me apasxolousan kai fanike oti "na yparxei arketi douleia". Mou xreiazetai omos akoma ligo psaximo stis diafores ekdoseis-metafraseis-ermineytikes apokliseis:)
O Omeros xromatizei synaisthimatika to logo tou, O xoros mporei na einai kai ennoia synaisthimatiki-metaforiki. Melpesthai Arei...
Ta parthenia, tragoudia gia horous nearon koritsion, mas einai duskolotero na to orisoume apo o,ti ta eidi pou exetasame mehri tora. Idi ston Omiro 62
62 Ilias S 590 : horos neon koritsion kai agorion P 180-83 surtos horos koritsion pros timi tis Artemis.
mathainoume gia tis kopeles pou horeuoun surto hor, den anaferetai omos pouthena oti tragoudousan sughronos oi idies. Prepi ostoso na upothesoume pos ginotan kapoios sundiasmos horou kai tragoudiou stin omada ton koritsion tis Dilou pou anaferetai ston omiriko umno ston Apollona (154-164). Isos ehei shesi me ethima tou 7ou ai. Apo autin akribos tin epohi proerhetai to proto kapos megalitero tragoudi pou diasotike kai pou ehei grapsi o pootis Alkman, pou zouse sti Sparti, gia ena horo koritsion. Ston papiro pou anakaliftike peri tous ekato stihous en merei asumplirorous, eno i arhi ehei hathei teleios. Apo shetika shola sumperainoume oto to tragoudo graftike gi tous agones horou stis giortes tis Artemis. I morfi tou metrou einai liti: mia epanalambanomeni dekatetrastihi strofi apo apla trohaika, aiolika kai daktilika meli. 63
63 Dikaia amfisbititike apo ton Page stin ekdosi tou (Oxford 1951, sel.23) to oti uparhei sti strofi mia trimeris diartrosi (a a b) Episis auto amfisbitithike apo tin C.M.Bowra, Greek Lyric Poetry, Oxford, 1961, sel. 38.
Paromoia einai kai i domi tis anniastihis strofis enos allou partheniou pou ta leipsana tou dimosieutikan to 1958. Auti i kataskeui kleinei mia episis liti melodia pou epanalambanetai to idio opos kai i strofi. Sumfona me ta stiheia pou mas dinei o Pseudoploutarrhos (c 17) upothetoume pos a tropos itan a dorios. Diafores martiries anaferoun oti parthenia egrapsan episis a Simonidis, o Pindaros kai o Bakhulidis, alla mono apo ton Pindaro ehoume leipsana duo molis tragoudion tou, par' olo pou kapote ta tragoudia tou gia gunakeio horo gemisan duo biblia kai ena sumpliroma. Oi strofes pou diasothikan einai bebaia diarthromenes triadika, alla einai oposdipote mikres sugkritika me alla erga tou Pindarou. Einai isos tolmiro me auto to elahisto uliko sta heria mas na bgaloume to sumperasma oti se genikes grammes ta horika tragoudia gia kopelles itan apla, basizomaste omos kai se mia paratirisi tou Dionisiou tou Alikarnassea ("Peri tis lektikis deinotitos tou Dimosthenous", 39), sumfona me tin opoia to ufos tou Pindarou haraktirizetai ligotero austiro kai arhaiko apo ekeino ton parthenion. Apo ena epinikio umno tou Pindarou (Puth.3, 77-79), fainetai pos horoi koritsion umnousan episis kai ti mitera ton theon kai to theo Pana.
GREGORY NAGY
Francis Jones Professor of Classical Greek Literature
and Professor of Comparative Literature
gnagy@fas.harvard.edu
Gregory Nagy served as the elected President of the American Philological Association in the academic year 1990-91. He is the author of The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry (The Johns Hopkins University Press, 1979; second edition, with new Introduction, 1999), which won the Goodwin Award of Merit, American Philological Association, in 1982. Other publications include Comparative Studies in Greek and Indic Meter (Harvard Studies in Comparative Literature vol. 33; Harvard University Press, 1974), Greek Mythology and Poetics (Cornell University Press, 1990), Pindar's Homer: The Lyric Possession of an Epic Past (The Johns Hopkins University Press, 1990), Poetry as Performance: Homer and Beyond (Cambridge: Cambridge University Press, 1996), Homeric Questions (Austin: University of Texas Press, 1996), Plato's Rhapsody and Homer's Music: The Poetics of the Panathenaic Festival in Classical Athens (Cambridge: Harvard University Press, 2002). He co-edited, with Victor Bers, The Classics In East Europe: From the End of World War II to the Present (American Philological Association Pamphlet Series, 1996); he also co-edited with Stephen A. Mitchell the second 40th anniversary edition of Albert Lord, The Singer of Tales (Harvard Studies in Comparative Literature vol. 24; Harvard University Press, 2000), co-authoring with Mitchell the new Introduction, pp. vii-xxix; he also co-edited, with Nicole Loraux and Laura Slatkin, Postwar French Thought vol. 3, Antiquities (New York: New Press, 2001). He wrote the introductory chapter of the Cambridge History of Literary Criticism, vol. 1 (ed. G. Kennedy; Cambridge 1989; paperback 1993), pp. 1-77 ("Early Greek Views of Poets and Poetry"). He has published over 100 articles, including "The Professional Muse and Models of Prestige in Ancient Greece," Cultural Critique 12 (1989) 133-143 and "The Crisis of Performance," in The Ends of Rhetoric: History, Theory, Practice (ed. J. Bender and D. E. Wellbery; Stanford 1990) 43-59, and "Distortion diachronique dans l'art homérique: quelques précisions." Constructions du temps dans le monde ancien (ed. C. Darbo-Peschanski; Paris 2000) 417-426. His special research interests are archaic Greek literature and oral poetics, and he finds it rewarding to integrate these interests with teaching, especially in his course for Harvard's Core Curriculum, "The Concept of the Hero in Greek Civilization." He was Chair of Harvard's undergraduate Literature Concentration from 1989 to 1994. From 1994 to 2000, he served as Chair of the Classics Department. Since 2000, he has been the Director of the Harvard Center for Hellenic Studies in Washington DC, while continuing to teach half-time at the Harvard campus in Cambridge as the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature.
De Homerusliteratuur is nauwelijks meer te overzien — over geen Griekse auteur wordt zoveel gepubliceerd — maar zij is gelukkig wel redelijk gedocumenteerd. Een enigszins gedateerd overzicht van de bibliografische hulpmiddelen biedt:
* Latacz, J., Homer: der erste Dichter des Abendlands, München & Zürich, 2e druk 1989, Abschnitt ˇBibliographien und Forschungsberichte,˘ p. 203
Daarnaast zijn nuttig voor het vinden van literatuur:
* Powell, B.B. & I. Morris (edd.), A New Companion to Homer, Leiden 1997
* Foley, M., Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography, New York & London 1985
* Holoka, J.P., ˇHomeric Studies 1978-1983,˘ CW 83, 1990, 393-461; 84, 1990, 89-156
* Clark, M.E., ˇNeoanalysis: A Bibliographical Review,˘ CW 79, 1986, 379-94
* Packard D.W. & T. Meyers, A Bibliography of Homeric Scholarship. Preliminary Edition 1930-1970, Malibu 1974
* Voor een eerste oriëntatie op de recente literatuur over een bepaald onderwerp zijn zeer behulpzaam:
* Latacz, J. (ed.), Homer: Die Dichtung und ihre Deutung, WdF 634, Darmstadt 1991, Abschnitt ˇBibliographie,˘ pp. 553-576
Hieronder vindt men een overzicht van de belangrijkste edities en commentaren en een keuze uit de secundaire literatuur, gerangschikt naar onderwerp (stand april 1997).
Voor het handschriftenmateriaal zijn alle latere edities schatplichtig aan Ludwich. Het meeste materiaal bieden voor de Ilias (de editio maior)van Allen en West, voor de Odyssee de uitgave van Ludwich. Geciteerd wordt Homerus meestal naar de OCT van Allen, soms ook naar de edities van Mazon (Ilias) en Von der Mühll (Odyssee). De uitgave van de laatste bezit een sterk selectief maar tevens zeer informatief appparaat. De uitgaven van Van Thiel zijn gebaseerd op enigszins andere principes dan de andere. Van Thiel heeft een tiental belangrijke handschriften als uitgangspunt genomen en al het andere materiaal naar het tweede plan verwezen. De resulterende tekst (sinds kort referentietekst van het Lexikon des frühgriechischen Epos, vgl. IV), is uitstekend, maar het apparaat is wel erg selectief.
II. Scholia, antieke commentaren
* Voor de Ilias ABT-scholia Erbse, H., Scholia Graeca in Homeri Iliadem, 5 voll., Berlin 1969-77
* D-scholia Laskaris, J., SxÒlia palaiå t´n pãnu dok€mvn e?w tØn ÑOmÆrou ÉIliãda, Roma 1517
* scholia minora DeMarco, V., Roma 1946; Henrichs, A., ZPE 7, 1971, 97ff, 229ff; 8, 1971, 1ff; 12, 1973, 17ff
* Eustathius Valk, M. van der, Eustathii Commentarii ad Homeri Iliadem pertinentes, 4 voll., Leiden 1971-87
Een nieuwe uitgave van de D-scholia is een desideratum; voor een de?nitieve editie van de scholia minora is het nog te vroeg: er duiken nog steeds papyri met Ilias-scholia op. Deze twee categorieën scholia zijn het best te raadplegen via het Lexikon des frühgriechischen Epos (zie onder IV), paragraaf Sx. Voor de antieke kritiek zie verder onder XII.
Enige secundaire literatuur:
* Baar, J., Index zu den Iliasscholien. Die wichtigeren Ausdrücke der grammatischen, rhetorischen und ästhetischen Textkritik, Baden-Baden 1961
* Erbse, H., Beiträge zur Überlieferung der Homerscholien, München 1960
* Lührs, D., Untersuchungen zu den Athetesen Aristarchs und zu ihrer Behandlung im Corpus der exegetischen Scholien, Hildesheim 1992
Voor de Odyssee
* W. Dindorf, Scholia Graeca in Homeri Odysseam, Oxford 1855
* J. Barnes, Homeri Odyssea et in eandem … scholia, Cambridge 1711
III. Commentaren
Voor de Ilias is in eerste instantie is te raadplegen:
* Kirk, G.S. e.a., The Iliad. A Commentary, 6 voll., Cambridge 1985-93. (vol 1 (boeken 1-4) G.S. Kirk; vol. 2 (5-8) G.S. Kirk; vol. 3 (9-12) J.B. Hainsworth; vol. 4 (13-16) R. Janko; vol. 5 (17-20) M.W. Edwards; vol. 6 (21-24) N.J. Richardson) [comm. met veel aandacht voor compositie, formulaire dictie, etc.; geen tekst]
Verder zijn voorhanden:
* Ameis, K.F. & C. Hentze, Homers Ilias für den Schulgebrauch erklärt, 8 voll., Leipzig & Berlin (Bd. 1 bearbeitet von P. Cauer; herdruk Amsterdam 1965); idd., Anhang zu Homers Ilias, 2 voll., Leipzig & Berlin 21897 [in naam een schoolcommentaar, maar in de praktijk veel meer dan dat; schromelijk onderschat door Angelsaksische commentatoren.
* Leaf, W., The Iliad, edited with apparatus criticus, prolegomena, notes, and appendices, 2 voll., London 21900-2 (herdruk Amsterdam 1960) [nogal verouderd en sterk ˇanalytisch˘ gekleurd)
* Willcock, M.M., A Commentary on Homer˘s Iliad, 2 voll., London 1970-84
* Leaf, W. & M.A. Bay?eld, The Iliad, edited with general and grammatical introduction, commentary, and indices, 2 voll., London 1895 [niet meer echt bruikbaar]
* Hooker, J.T., Homer, Iliad III, Bristol 1979 [schoolcomm.]
* Wilson, C.H., Homer, Iliad Books VIII & IX, Warminster 1996
* Grif?n, J., Homer, Iliad IX, Oxford 1995
* Macleod, C.W., Homer, Iliad Book XXIV, Cambridge 1982
Voor de Odyssee is in eerste instantie is te raadplegen:
* Heubeck, A., S. West & J.B. Hainsworth (edd.), A Commentary on Homer˘s Odyssey, 3 voll., Oxford 1988-90 [de pendant van Kirk e.a., eerder met tekst en Italiaanse vertaling verschenen als Omero, Odissea, 6 voll., Roma 1981-6]
Verder zijn voorhanden:
* Ameis, K.F. & C. Hentze, Homers Odyssee für den Schulgebrauch erklärt, 4 voll., Leipzig & Berlin (Bdd. 2 & 4 bearbeitet von P. Cauer; herdruk Amsterdam 1964); idd., Anhang zu Homers Odyssee, ib. 41890 [zie onder Ilias]
* Stanford, W.B., The Odyssey of Homer, edited with general and grammatical introduction, commentary, and indices, 2 voll., London 1947-8 [schooluitgave]
* Jones, P.V., Odyssey I-II. A Commentary, Warminster 1991 [vertaling, commentaar bij de vertaling]
* Garvie, A.F., Homer, Odyssey VI-VIII, Cambridge 1994
* Rutherford, R.B., Homer, Odyssey Books XIX and XX, Cambridge 1992 [ˇliterair˘ geslaagd, taalkundig minder]
IV. Index, Concordanties, Lexica
* Gehring, A., Index Homericus mit Appendix Hymnorum vocabula continens, Leipzig 1891-5; 2. Ausgabe eingeleitet, durchgesehen und erweitert von U. Fleischer, Hildesheim 1970 [geeft alle plaatsen waar een woord voorkomt; verba composita staan onder het grondwerkwoord]
* Mehler, J., Woordenboek op Homerus, 1930 [informatief en betrouwbaar; zeer geschikt voor de eerste orientatie]
* Snell, B. e.a. (edd.), Lexikon des frühgriechischen Epos, Göttingen 1955— [afgekort LfgrE; woordenboek (tevens index) op Homerus, Hesiodus, Homerische Hymnen en de epische fragmenten; volledig maar ontoegankelijk en van wisselende kwaliteit; verschenen A t/m N (half)]
* Ebeling, H., Lexicon Homericum, 2 voll., Leipzig 1880-5 (Hildesheim 21963) [te raadplegen voor wat nog niet door LfgrE wordt gedekt.]
* Prendergast, G.L., A complete Concordance to the Iliad of Homer, Oxford 1875 (new edition, completely revised and enlarged by B. Marzullo, Darmstadt 1962) [zeer frequente woorden, zoals partikels, ontbreken]
* Dunbar, H., A Complete Concordance to the Odyssey of Homer, Oxford 1880 (new edition, completely revised and enlarged by B.Marzullo, Darmstadt 1962) [cf. Prendergast]
* Tebben, J.R., Homer-Konkordanz. A Computer Concordance to the Homeric Hymns, Hildesheim 1977
* Schmidt, C.E., Parallel-Homer oder Index aller homerischen Iterati in lexikalischer Ordnung, Göttingen 1885 [bewijst goede diensten bij het identi?ceren van parallellen — evenals de (verder niet meer aan te bevelen) Homeruseditie van Van Leeuwen en Mendes da Costa (Leiden 1895-7) die iterata in de marge vermeldt (zij het niet alle)]
* Kamptz, H. von, Homerische Personennamen, Göttingen 1982
* Kumpf, M.M., Four Indices of Homeric Hapax Legomena (together with Statistical Data), Hildesheim 1984
V. Vertalingen
* Roy van Zuydewijn, H.J. de, Homerus, Ilias. De wrok van Achilles, ˘s Gravenhage 1980 (en herdrukken)
* M. Schwartz, Homerus, Ilias (vele drukken)
* E.V. Rieu, Homer, The Iliad, Penguin 1946
* W. Schadewaldt, Homer, Ilias, Frankfurt am Main 1975
* R. Hampe, Homer, Ilias, Stuttgart (Reclam) 1979
VI. Inleidingen en overzichten
Er zijn zeer vele inleidingen, die allemaal hun specifieke voor- en nadelen hebben. Kort, verstandig en leesbaar is:
* Rutherford, R., Homer, Greece & Rome New Surveys in the Classics 26, Oxford 1996
Veel uitgebreider is, maar van wisselende kwaliteit, is:
* Powell, B.B. & I. Morris (edd.), A New Companion to Homer, Leiden 1997
Bruikbaar is ook de inleiding in deel I van de Odyssee-commentaar van Heubeck e.a. (de uitgebreide inleidingen in de 6 delen van Kirk e.a., The Iliad: A Commentary zijn weinig gebalanceerd en sterk gekleurd door de opvattingen van de verschillende auteurs; kritisch te gebruiken). Verder zijn nog aan te bevelen:
* Camps, W.A., An Introduction to Homer, Oxford 1980
* Edwards, M.W., Homer, Poet of the Iliad, Baltimore & London 1987
* Griffin, J., Homer, Oxford 1980
* Latacz, J., Homer: Der erste Dichter des Abendlands, München & Zürich, 2e druk 1989
* Mühll, P. von der, ˇHomers Ilias: Einleitung,˘ MH 52, 1995, 77-89 & 192-202
* Silk, M.S., Homer, The Iliad, Cambridge 1987
Minder bruikbaar dan wel enigszins verouderd zijn:
* Bowra, C.M.,Tradition and Design in the Iliad, Oxford 1930
* Codino, F., Einführung in Homer, Berlin 1970 (= Introduzione a Omero, Torino 1965)
* Hainsworth, B., Homer, G&R Survey 3, Oxford 1969
* Kirk, G.S., The Songs of Homer, Cambridge 1962
* Mueller, M., The Iliad, London 1984
* Schein, S.L., The Mortal Hero. An Introduction to Homer˘s Iliad, Berkeley 1984 [alleen literair]
* Trypanis, C.A., The Homeric Epics, Warminster 1977
* Vivante, P., Homer, New Haven & London 1985
* Wace, A.J.B. & F.H. Stubbings (edd.), A Companion to Homer, London 1962
Voor een wat gedetailleerder overzicht over de ˇHomerforschung˘ raadplege men bijvoorbeeld
* Bremer, J.M., I.J.F. de Jong & J. Kalff (edd.), Homer: Beyond Oral Poetry. Recent Trends in Homeric Interpretation, Amsterdam 1987
* Dodds, E.R., ˇHomer˘ in Fifty Years (and Twelve) of Classical Scholarship, ed. M. Platnauer, Oxford 21968 (11954), 1-17; 31-5; Appendix 38-42 (= G.S. Kirk [ed.], The Language and Background of Homer, Cambridge 1964, 1-21)
* Latacz, J., Homer: Tradition und Neuerung, WdF 463, Darmstadt 1979
* Latacz, J., Zweihundert Jahre Homerforschung: Rückblick und Ausblick, Stuttgart 1991
* Latacz, J. (ed.), Homer: Die Dichtung und ihre Deutung, WdF 634, Darmstadt 1991
* Lesky, A., ˇHomeros,˘ RE Suppl. XI, Stuttgart 1967 [RE-artikel, ook afzonderlijk uitgegeven; biedt een goed overzicht over de oudere ˇForschung˘]
* Mazon, P. e.a., Introduction à l˘Iliade, Paris (Budé) 1959 [inleiding inzake tekst en tekstgeschiedenis; zie voor deze materie ook Kirk, pp. 305vv.]
VII. Taaleigen
Grammatica˘s e.d.
* Chantraine, P., Grammaire Homérique: 1. Phonétique et morphologie, Paris 31958; 2. Syntaxe, Paris 1963
* Monro, D.B., A grammar of the Homeric Dialect, Oxford 21891 (repr. Hildesheim 1974) [wat verouderd]
* Risch, E., Wortbildung der homerischen Sprache, Berlin 21973
* Chantraine, P., Dictionaire étymologique de la langue grecque, Paris 1968-80
* Frisk, H., Griechisches etymologisches Wörterbuch, Heidelberg 1954-73
Algemeen
* Erbse, H., ˇZur Orthographie Homers,˘ Glotta 72, 1994, 82-97
* Bakker, E.J., Linguistics and Formulas in Homer: Scalarity and the Description of the Particle per, Amsterdam & Philadelphia 1988, Ch. 5: ˇFormulas and Metrics,˘ 151-204. (rev. Hainsworth, Kratylos 37, 1992, 195)
* Boel, G.de, Goal Accusative and Object Accusative in Homer. A Contribution to the Theory of Transitivity, Brussel 1988
* Hermann, E., Sprachwissenschaftlicher Kommentar zu ausgewählten Stücken aus Homer, Heidelberg 1914 (herdruk Darmstadt 1965)
* Heubeck, A., Kleine Schriften zur griechischen Sprache und Literatur, Erlangen 1984
* Ho?nger, M.H., Études sur le vocabulaire du grec archaïque, Leiden 1981
* Janko, R., Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction, Cambridge 1982
* Kirk, G.S., The Language and Background of Homer, Cambridge 1964
* Leeuwen, J. van, Enchiridium dictionis epicae, Leiden 1918
* Leumann, M., Homerische Wörter, Basel 1965
* Meister, K., Die homerische Kunstsprache, Leipzig 1921 (herdruk Darmstadt 1966)
* Palmer, L.R., ˇThe Language of Homer˘ in A Companion to Homer, 75-178
* Patzer, H., Sprache und dichtung im homerischen Epos, Stuttgart 1994Hainsworth, J.B., ˇThe Epic Dialect,˘ in Heubeck e.a., A Commentary on Homer˘s Odyssey, vol. 1, Oxford 1988, 24-32
* Ruijgh, C.J., Autour de ˇTE épique˘: Études sur la syntaxe grecque, Amsterdam 1971Heitsch, E., Epische Kunstsprache und homerische Chronologie, Heidelberg 1968
* Shipp, G.P., Studies in the Language of Homer, Cambridge 21972
* Slings, S.R., ˇEen tandje lager: aanzetten voor een orale grammatica van Homerus,˘ Lampas 27, 1994, 411-27
* Wackernagel, J., Sprachliche Untersuchungen zu Homer, Göttingen 21970 (11916)
* Witte, K., ˇZur homerischen Sprache,˘ Glotta 1-5, 1909-14)
Dialect & Homerus
* Buck, C.D., The Greek Dialects, Chicago 1955
* Ruijgh, C.J., L˘élément achéen dans la langue épique, Assen 1957
* Ruijgh, C.J., ˇLe Mycénien et Homère,˘ in A. Mopurgo-Davies & Y. Duhoux (edd.), Linear B: Proceedings of the Mycenaean Colloquium of the VIIIth Congress of IFSCS, Louvain 1985
* Slings, S.R., ˇGeschiedenis van het Ionisch,˘ Hermeneus 66, 1994, 80-8
* Strunk, K., Die sogenannten Äolismen der homerischen Sprache, Köln 1957
* Wathelet, P.W., Les Traits éoliens dans la langue de l˘épopée grecque, Roma 1970
* Risch, E., ˇDie Gliederung der griechischen Dialekte in neuer Sicht,˘ MH 12, 1955, 61-76;
* Porzig, W., ˇSprachgeogra?sche Untersuchungen zu den altgriechischen Dialekten,˘ IF 61, 1954, 147-69;
* Schmitt, R., Einführung in die griechischen Dialekte, 1977, 124-33
* Kirk, G.S., The Songs of Homer, 1962 [spec. 142-56, 192-210]
* Palmer, L.R., ˇThe Language of Homer˘ in A Companion to Homer, 1962, 75-178 [verdedigt (met enkele persoonlijke parti-pris) de traditionele visie]
Woordveldonderzoek
* Jahn, T., Zum Wortfeld ˇSeele-Geist˘ in der Sprache Homers, München 1987
* Kloss, G., Untersuchungen zum Wortfeld ˇVerlangen—Begehren˘ im frühgriechischen Epos, Hypomnemata 105, Göttingen 1994
* Latacz, J., Zum Wortfeld ˇFreude˘ in der Sprache Homers, Heidelberg 1966
* Mawet, F.M., Recherches sur les oppositions fonctionnelles dans le vocabulaire homérique de la douleur, Bruxelles 1979
* Trümpy, H., Kriegerische Fachausdrücke im griechischen Epos, Basel 1950
VIII. ˇHomerische Kwestie˘ (Analyse, Unitarisme en Neo-Analyse)
Algemeen
* Davison, J.A., ˇThe Homeric Question,˘ in A Companion to Homer (zie VI.8), 234-66
* Edwards, M.W., ˇNeo-Analysis and Beyond,˘ ClAnt. 9, 1990, 311-25
* Heubeck, A., Die homerische Frage, Erträge der Forschung 27, Darmstadt 1974
* Jensen, M.S., The Homeric Question and the Oral-Formulaic Theory, Copenhagen 1980
Analyse
* Mühll, P. v.d., Kritisches Hypomnema zur Ilias, Basel 1952
* Wilamowitz-Moellendorf, U. von, Die Ilias und Homer, Berlin 1916 (herdruk 1966)
Unitarisme
* Schadewaldt, W., Iliasstudien, Leipzig 21943 (11938) (repr. Hildesheim 1966)
* Scott, J.A., The Unity of Homer, Berkeley 1921
Neo-Analyse
* Danek, G., Studien zur Dolonie, Wien 1988
* Dihle, A., Homer-Probleme, Opladen 1970, hfdst. I: ˇIlias und Aithiopis,˘ 9-44 [contra]
* Dowden, K., ˇHomer˘s Sense of Text,˘ JHS 116, 1996, 47-61
* Kakridis, J.Th., Homeric Researches, Lund 1949
* Kullmann, W., Die Quellen der Ilias, Wiesbaden 1960
* Kullmann, W., ˇZur Methode der Neoanalyse in der Homerforschung,˘ WS 15, 1981, 5-42
* Kullmann, W., ˇOral Poetry Theory and Neoanalysis in Homeric Research,˘ GRBS 25, 1984, 307-23
* Pestalozzi, H., Die Achilleis als Quelle der Ilias, Zürich 1945
* Schadewaldt, W., Von Homers Welt und Werk, Stuttgart 41965, 155-202
* Schoeck, G., Ilias und Aithiopis, Zürich 1961
* Thiel, H. van, Iliaden und Ilias, Basel 1982
* Thiel, H. van, Odysseen, Basel 1988
IX. Formulaire dictie, mondelinge compositie
* Arend, W.A., Die typischen Szenen bei Homer, Berlin 1933 (herdruk 1975)
* Armstrong, J.L., ˇThe Arming Motive in the Iliad,˘ AJPh 19, 1958, 337-54
* Bakker, E.J., Linguistics and Formulas in Homer: Scalarity and Description of the Particle per, Amsterdam 1988
* Bakker, E.J., ˇHomerus als orale poëzie: De recente ontwikkelingen,˘ Lampas 23, 1990, 384-405
* Bakker, E.J., Poetry in Speech: Orality and Homeric Discourse, Ithaca 1997
* Bakker, E.J. & F. Fabricotti, ˇPeripheral and Nuclear Semantics in Homeric Diction: The Case of Dative Expressions for "Spear",˘ Mnem. 1991
* Combellack, F.M., ˇMilman Parry and Homeric Artistry,˘ CompLit. 11, 1959, 193-208
* Combellack, F.M., ˇSome Formulary Illogicalities in Homer,˘ TAPhA 96, 1965, 41-56
* Danek, G., PolÊmhtiw ÉOdusseÊw und Tale budalina,˘ WS 104, 1991, 23-51. (Hom. vs. Slav. epiek)
* Danek, G., ˇDie Apologoi der Odyssee und "Apologoi" im serbokroatischen Heimkehrlied,˘ WS 109, 1996, 5-30
* Dee, J.H., The Epithetic Phrases for the Homeric Gods (Epitheta deorum apud Homerum): a Repertory of the Descriptive Expressions for the Divinities of the Iliad and the Odyssey, New York & London 1994
* Devlieghere, L., Vertellen als Homerus. Over formuletechniek en mondelinge traditie, Leuven 1976
* Di Benedetto, V., Nel laboratorio di Omero, Torino 1994 (rev. Wilcock, CR 46, 1996, 213-14)
* Dirlmeier, F., Das serbokroatische Heldenlied und Homer, Heidelberg 1971
* Edwards, M.W., ˇType-Scenes and Homeric Hospitality,˘ TAPhA 105, 1975, 51-72
* Edwards, A.T., ˇKl°ow êfyiton and Oral Theory,˘ CQ 38, 1988, 25-30
* Erbse, H., ˇMilman Parry und Homer,˘ Hermes 122, 1994, 257ff
* Foley, M., Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography, New York & London 1985
* Foley, J.M., Traditional Oral Epic: The Odyssey, Beowulf, and the Serbo-Croatian Return Song, Berkeley 1993
* Fenik, B., Typical Battle Scenes in the Iliad, Hermes Einzelschr. 21, Wiesbaden 1968
* Fenik, B. (ed.), Homer: Tradition and Invention, Leiden 1978
* Finkelberg, M., ˇFormulaic and Non-Formulaic Elements in Homer,˘ CPh 84, 1989, 179-97
* Finnegan, R., Oral Poetry: Its Nature, Signi?cance and Social Context, Cambridge 1977
* Hainsworth, J.B., ˇStructure and Content in Epic Formulae: The Question of the Unique Expression,˘ CQ 14, 1964, 155-64
* Hainsworth, J.B., The Flexibility of the Homeric Formula, Oxford 1968
* Hainsworth, J.B. (ed.), Traditions of Heroic Poetry, II, London 1989
* Heubeck, A., Der Odyssee-Dichter und die Ilias, Erlangen 1954
* Hoekstra, A., Homeric Modi?cations of Formulaic Prototypes: Studies in the Development of Greek Epic Diction, Amsterdam 1965
* Ingalls, W.B., ˇFormular Density in the Similes of the Iliad,˘ TAPhA 109, 1979, 87-109
* Jensen, M.S., The Homeric Question and the Oral-Formulaic Theory, Copenhagen 1980
* Kirk, G.S., Homer and the Oral Tradition, Cambridge 1976
* Kirk, G.S., Verse-Structure and Sentence-Structure in Homer: Studies in Some Technical Aspects of Homeric Style,˘ YCS 20, 1966, 73-152
* Kullmann, W. & M. Reichel (edd.), Der Übergang von der Mündlichkeit zur Literatur bei den Griechen, Tübingen 1990
* Latacz, J. (ed.), Homer: Tradition und Neuerung, Wege der Forschung 463, Darmstadt 1979
* Létoublon, F. (ed.), Hommage à Milman Parry, Amsterdam 1996
* Lord, A.B., The Singer of Tales, Cambridge (Mass., 1960
* Lord, A.B., Epic singers and Oral Tradition, Ithaca & London 1991
* Machacek, G., ˇThe Occasional Contextual Appropriateness of Formulaic Diction in the Homeric Poems,˘ AJPh 115, 1994, 321-36
* Minton, W.W., ˇThe Fallacy of the Structural Formula,˘ TAPhA 96, 1965, 241-53
* Nagler, M.N., ˇTowards a Generative View of the Oral Formula,˘ TAPhA 96, 1967, 269-311
* Nagler, M., Spontaneity and Tradition, Berkeley 1974
* Nagy, G., Poetry as Performance: Homer and Beyond, Cambridge 1996
* Notopoulos, J.A., ˇThe Homeric Hymns as Oral Poetry,˘ AJPh 83, 1962, 337-68
* Ong, W.J., Orality and Literacy: The Technologizing of the World, London & New York 1982
* Paraskevaides, H.A., The Use of Synonyms in Homeric Formulaic Diction, Amsterdam 1984
* Parry, A., The Language of Achilles and Other Papers, Oxford 1989
* Parry, M., The Making of Homeric Verse: The Collected Papers of M. Parry, ed. A. Parry, Oxford 1971
* Parry, M., L˘épithète traditionelle dans Homère: Essay sur un problème de style homérique, Paris 1928
* Parry, M., ˇStudies in the Epic Technique of Oral Verse-Making,˘ HSCPh 41, 1930, 73-147
* Powell, B.B., Homer and the Origin of the Greek Alphabet, Cambridge 1996
* Russo, J.A., ˇA Closer Look at Homeric Formulas,˘ TAPhA 94, 1963, 235-47
* Russo, J.A., ˇThe Structural Formula in Homeric Verse,˘ YCS 20, 1966, 219-40
* Sacks, R., The Traditional Phrase in Homer: Two Studies in Form, Meaning and Interpretation, Leiden 1987
* Sale, W.M., ˇThe Trojans, Statistics and Milman Parry,˘ GRBS 30, 1989, 341-410
* Sbardella, L., ˇLe variatio formulare nella dizione epica,˘ QUCC 47, 1994, 21-45
* Stolz B.A. & R.S. Shannon (edd.), Oral Literature and the Formula, Ann Arbor 1976
* Thomas, Rosalind, Literacy and Orality in Ancient Greece, Cambridge 1992
* Usener, K., Beobachtungen zum Verhältnis der Odyssee zur Ilias, Tübingen 1990
* Visser, E., Homerische Versi?kationstechnik: Versuch einer Rekonstruktion, Frankfurt 1987
* Visser, E., ˇFormulae or Single Words? Towards a New Theory on Homeric Verse-Making,˘ WüJbb. 14, 1988, 21-37
* Andersen, O., ˇThe Making of the Past in the Iliad,˘ HSCPh 93, 1990, 24-45
* Austin, N., Archery at the Dark of the Moon: Poetic Problems in Homer˘s Odyssey, Berkeley-Los Angeles 1975
* Bannert, H., Formen des Wiederholens bei Homer, WS Beiheft 13, Wien 1988
* Bassett, S.E., ˇThe Three Threads of the Plot in the Iliad,˘ TAPhA 53, 1922, 52-62
* Becker, A.S., The Shield of Achilles and the Poetics of Ekphrasis, Lanham 1995
* Bremer, J.M., I.J.F. de Jong & J. Kalff (edd.), Homer: Beyond Oral Poetry. Recent Trends in Homeric Interpretation, Amsterdam 1987
* Collins, L., Studies in Characterization in the Iliad, Frankfurt/M. 1988
* Crotty, K., The Poetics of Supplication: Homer˘s Iliad and Odyssey, Ithaca (N.Y., 1994
* Dalby, A., ˇThe Iliad, the Odyssey and their Audiences,˘ CQ 89, 1995, 269-79
* Duckworth, G.E., Foreshadowing and Suspense in the Epics of Homer, Apollonius and Vergil, New York 1966
* Edwards, M.W., Homer, Poet of the Iliad, Baltimore & London 1987
* Edwards, M.W., ˇThe Conventions of a Homeric Funeral,˘ in J.H.Betts (ed.), Sudies in Honour of T.B.L. Webster, Bristol 1986, I.84-92
* Erbse, H.E., Untersuchungen zur Funktion der Götter im homerischen Epos, Berlin 1986
* Erbse, H., ˇÜber Götter und Menschen in der Ilias Homers,˘ Hermes 124, 1996, 1-16
* Fehling, D., Die Wiederholungs?guren und ihr Gebrauch bei den Griechen vor Gorgias, Berlin 1969
* Fenik, B., Homer and the Nibelungenlied: Comparative Studies in Epic Style, Cambridge (Mass., 1986
* Finkelberg, M., ˇOdysseus and the Genus hero,˘ G&R 42, 1995, 38-48
* Finkelberg, M., ˇPatterns of Human Error in Homer,˘ JHS 115, 1995, 15-28
* Dubielzig, U., ˇDer vollendete Siegeslauf des Achilleus in der Ilias,˘ A&A 42, 1996, 1-16
* Erbse, H., ˇÜber Götter und Menschen in der Ilias Homers,˘ Hermes 124, 1996, 1-16
* Hainsworth, J.B., The Idea of Epic, Berkeley 1991 (rev. King, CJ 88, 1992-3, 281-5)
* Higbie, C., Heroes˘ Names, Homeric Identities, New York & London 1995
* Fränkel, H., ˇEine Eigenheit der frühgriechischen Literatur,˘ NGG 1924, 63-127 (= id., Wege und Formen des frühgriechischen Denkens, 1960, 40-96)
* Gaisser, J.H., ˇA Structural Analysis of Digressions in the Iliad and the Odyssey,˘ HSCPh 73, 1969, 27-31
* Grif?n, J., ˇWords and Speakers in Homer,˘ JHS 106, 1986, 36-57
* Groningen, B.A. van, La composition littéraire archaique grecque: procédés et réalisations, Amsterdam 1958
* Hainsworth, J.B., The Idea of Epic, Berkeley 1991 (rev. King, CJ 88, 1992-3, 281-5)
* Heffernan, J.A.W., Museum of Worlds: The Poetics of Ecphrasis from Homer to Ashberry, Chicago 1993
* Jones, P.V., ˇThe Independant Heroes of the Iliad,˘ JHS 116, 1996, 108-18
* Jong, I.J.F. de, ˇA Homeric Mirror-Story,˘ Arethusa 18, 1985, 5-22
* Jong, I.F.J. de, Narrators and Focalizers: The Presentation of the Story in the Iliad, Amsterdam 1987
* Jong, I.J.F. de, ˇDe literaire interpretatie van de Odyssee: enkel recente publikaties,˘ Lampas 27, 1994, 378-91
* Jong, I.J.F. de, ˇHomerische verteltechniek: de ontmoeting tussen Hermes en Priamus in Ilias 23,˘ Lampas 23, 1990, 70-83
* Jong, I.J.F. de, ˇStudies in Homeric Denomination,˘ Mnem. 46, 1993, 289-306
* Kahane, A., The Interpretation of Order: A Study in the Poetics of Homeric Repetition, Oxford 1994
* Katz Anhalt, E., ˇBarrier and Transcedence: the Door and the Eagle in Iliad 24.314-21,˘ CQ 89, 1995, 280-95
* Krischer, T., Formale Konventionen der homerischen Epik, München 1971
* Kullmann, W., 'Gods and Men in the Iliad and the Odyssey,˘ HSCPh 89, 1985, 1-25
* Latacz, J., ˇDer Planungswille Homers im Aufbau der Ilias,˘ Die Alten Sprachen im Unterricht 28, 1981, 6-16
* Lohmann, D., Die Komposition der Reden in der Ilias, Berlin 1970
* Lowenstamm, S., The Scepter and the Spear, Lanham (Illin.) 1993
* Lynn-George, M., ˇStructures of Care in the Iliad,˘ CQ 46, 1996, 1-26
* Macleod, C., ˇHomer on Poetry and the Poetry of Homer,˘ in id., Collected Essays, Oxford 1983, 1-15
* Martin, R.P., The Language of Heroes: Speech and Performance in the Iliad, Ithaca (NY) 1989
* Mayer, K., ˇHelen and the DiÚw boulÆ,˘ AJPh 117, 1996, 1-16
* Mühll, P. von der, ˇHomers Ilias: Einleitung,˘ MH 52, 1995, 192-202
* Nicolai, W., Kleine und große Darstellungseinheiten in der Ilias, Heidelberg 1973
* Nicolai, W., ˇRezeptionssteuerung in der Ilias,˘ Philologus 127, 1983, 1-12
* Notopoulos, J.A., ˇParataxis in Homer: A New Approach to Homeric Literary Criticism,˘ TAPhA 80, 1949, 1-23
* Otterlo, W.A.A. van, De ringcompositie als opbouwprincipe in de epische gedichten van Homerus, Amsterdam 1948 (vgl. Meded. KNAW 7 [1944] 131-76)
* Pedrick, V., ˇThe Muse Corrects: The Opening of the Odyssey,˘ YCS 29, 1992, 39-62
* Reece, S., The Stranger˘s Welcome: Oral Theory and the Aesthetics of the Homeric Hospitality Scene, Ann Arbor 1993
* Rengakos, A., 1995), ˇZeit und Gleichzeitigkeit in den homerischen Epen,˘ A&A 41, 1995, 1-33
* Richardson, S., The Homeric Narrator, Nashville 1990
* Rutherford, R.B., ˇFrom the Iliad to the Odyssey,˘ BICS 38, 1991-3, 37-54
* Schadewaldt, W., Der Aufbau der Ilias: Strukturen und Konzeptionen, Frankfurt am Main 1975
* Scheid-Tissinier, É., Les usages du don chez Homère: vocabulaire et pratiques, Nancy 1994
* Schein, S.L., Reading the Odyssey: Selected Interpretive Essays, Princeton 1996
* Schmitz, T., ˇIst die Odyssee spannend? Anmerkungen zur Erzähltechnik des homerischen Epos,˘ Phil. 138, 1994, 3—23
* Segal, Ch., Singers, Heroes and Gods in the Odyssey, Ithaca and London 1994 (rev. de Jong, Lampas 27, 1994, 378-91; Voelke, MH 52, 1995, 231)
* Segal, C., The Theme of the Mutilation of the Corpse in the Iliad, Leiden 1971
* Seibel, A., ˇWiderstreit und Ergänzung: Thersites und Odysseus als rivalisierende Demagogen in der Ilias (B 190-264),˘ Hermes 123, 1995, 385-97
* Shive, D.M., Naming Achilles, New York & Oxford 1987
* Sicking, C.M.J., ˇDe Ilias: Auteursintentie en compositie,˘ Lampas 5, 1972, 406-43
* Sicking, C.M.J., ˇHeeft de Ilias een moraal?,˘ Lampas 5, 1972, 444-64.Strasburger, G., Die kleinen Kämpfer der Ilias, Frankfurt 1954
* Stanly, K., The Shield of Homer: Narrative Structures in the Iliad, Princeton 1993
* Strasburger, G., Die kleinen Kämpfer de Ilias, Frankfurt 1954
* Stroud, T.A. & E. Robertson, ˇAristotle˘s Poetics and the Plot of the Iliad,˘ CW 89, 1995-6, 179-96
* Taplin, O., Homeric Soundings: The Shaping of the Iliad, Oxford 1992 (Pb. 1995)
* Thalmann, W.G., Conventions of Form and Thought in Early Greek Poetry, Baltimore 1984
* Thornton, A., Homer˘s Iliad: Its Composition and the Motive of Supplication, Hypomn. 81, Göttingen 1984
* Vivante, P., The Epithets in Homer: A Study in Poetic Values, New Haven & London 1982
* Wolford, S.L., The Choice of Achilles: The Ideology of Figure in the Epic, Stanford UP 1992
* Zielinski, T., Die Behandlung geleichzeitiger Erreignisse im antiken Epos, Leipzig 1901
Vergelijkingen
* Basset, A., ˇThe function of Homeric simile˘, TAPhA 52, 1921), 132-47
* Beye, C.R., ˇRepeated Similes in the Homeric Poems,˘ in K. Rigsby (ed.), Studies Presented to Sterling Dow on His Eightieth Birthday, 1984, 7-13
* Beye, C.R., ˇRepeated Similes in the homeric Poems,˘ in K. Rigsby (ed.), Studies Presented to Sterling Dow on his Eightieth Birthday, 1984, 7-13
* Broennimann, C.S., Thematical Patterns in the Argonautica of Apollonius Rhodius: a Study in the Imagery of Similes, diss. Urbana (Illinois, 1989
* Clausing, A., Kritik und Exegese der homerischen Gleichnisse im Altertum, Parchim 1913
* Coffey, M., ˇThe function of Homeric Simile˘, AJPh 78, 1957), 113-32
* Drögemüller, H.-P., Die Gleichnisse im hellenistischen Epos, diss. Hamburg 1956
* Edwards, M.W., ˇSimiles˘ in G.S. Kirk (ed.), The Iliad: A Commentary, vol. 5 (books 17-20), Cambridge 1991, 24-41
* Faerber, H., Zur dichterischen Kunst des Apollonios Rhodios: die Gleichnisse, Berlin 1932
* Fränkel, H., Die homerischen Gleichnisse, Göttingen 1921 (2. Ausgabe, mit einem Nachwort und einem Literaturverzeichnis von E. Heitsch, ib. 1977)
* Friedrich, R., ˇOn the compositional use of similes in the Odyssey˘, AJPh 102, 1981), 120-37
* Friedrich, W.H., ˇVon homerischen Gleichnissen und ihren Schicksalen˘, A&A 28, 1982), 102-30
* Gonda, J., Remarks on Similes in Sanskrit Literature, Leiden 1949
* Hubbard, Th.K., ˇAntithetical Simile Pairs in Homer,˘ Grazer Beiträge 10, 1981, 59-67
* Hunter, R.L., The Argonautica of Apollonius Rhodius: Literary Studies, Cambridge 1993, 129-38
* Ingalls, W.B., ˇFormular Density in the Similes of the Iliad,˘ TAPhA 109, 1979, 87-109
* Jachmann, G., Der homerische Schiffskatalog, ˇExcursus III˘ (reactie op Fränkel, Gleichnisse), 269-326
* Jong, I.F.J.de, ˇFokalisation und die homerischen Gleichnisse,˘ Mnem. 38, 1985, 257-70 [vgl. id. 1987 onder verteltechnieken]
* Kamerbeek, J.C., ˇProblematiek van de vergelijkingen in Homerus˘ Ilias,˘ Forum der Letteren 3, 1963, 33-47
* Knight, V.H., The Renewal of Epic: Responses to Homer in the Argonautica of Apollonius Rhodius, Leiden 1995, 17-20
* Lee, D., The Similes of the Iliad and Odyssey Compared, Melbourne 1966
* Lonsdale, S.H., Creatures of Speech: Lion, Herding and Hunting Similes in the Iliad, Stuttgart 1990
* Lyne, R.O.A.M., Words and the Poet: Characteristic Techniques of Style in Vergil˘s Aeneid, Oxford 1989 (esp. 63-7)
* McCall, M., Ancient Rhetorical Theories of Simile and Comparison, Cambridge (Mass.) 1969
* Moulton, C., Similes in the Homeric poems, Hypomnemata 1949, Göttingen 1977
* Muellner, L., ˇThe Simile of the Cranes and Pygmies,˘ HSCPh 1988, 59-100
* Nimis, S.A., Narrative Semiotics in the Epic Tradition: the Simile, Bloomington 1987, 23-95
* Noppen, J.-P. van & E. Hols, Metaphor II: a Classified Bibliography of Publications 1985-1990, Amsterdam & Philadelphia 1990
* Noppen, J.-P. van, S. de Knop & R. Jongen, Metaphor: a Bibliography of post-1970 Publications, Amsterdam & Philadelphia 1985
* Ritoók, Z., ˇExemplum und Gleichnis,˘ WS 107/8, 1994/5, I.45-9
* Ruijgh, C.J., Autour de ˇTE épique,˘ Amsterdam 1971
* Scott, W.C., The Oral Nature of the Homeric Simile, Mnemosyne Suppl. 28, Leiden 1974
* Shewan, A., ˇSuspected Flaws in Homeric Similes,˘ CPh 6, 1911, 271-81 (= id., Homeric Essays, 217-28)
* Shipp, G.P., Studies in the language of Homer, Cambridge 1953 (21972)
* Shorey, ˇThe logic of Homeric simile˘, CPh 17, 1922), 240-59
* Silk, M.S., Interaction in Poetic Imagery, London 1974
* Snipes, K., ˇLiterary Interpretation in the Homeric Scholia: the Similes of the Iliad˘, AJPh 109, 1988), 196-222
* Vries, G.J. de, ˇHet tertium comparationis in de Homerische vergelijking,˘ Forum der Letteren 4, 1963, 41-56
* Vries, G.J. de, ˇVergelijking van vergelijkingen,˘ Hermeneus 33, 1961, 49-56
* West, D., ˇMultiple-Correspondence Similes in the Aeneid,˘ JRS 59, 1969, 40-9
* Wilkins, E.G., ˇA Classi?cation of the Similes of Homer,˘ CW 13, 1920, 147-50 & 154-9
* Williams, G., Technique and ideas in the Aeneid, New Haven & London 1983, 165-83
Vergelijkingen in latere literatuur
* Arnold, M., Balder Dead, 1855
* Gorter, H., Mei, 1889 (vele latere uitgaven)
* Stip, K., Zes variaties op een misverstand, dat is de droevige geschiedenis van Pyramus en Thisbe, behandeld in de trant van enige Nederlandse dichters, Amsterdam 1984, 33-37 (naar Gorter: ˇThisbe˘s tocht naar de voordeur˘)
XI. Historische achtergrond, realia, ˇHomerische Gesellschaft,˘ Homerus in de kunst, etc
* Buchholz, E.B., Die homerischen Realien, Leipzig 1871-85
* Carter, J.B. & S.P. Morris (edd.), The Ages of Homer: A tribute to E. Townsend Vermeule, Austin 1995
* Chadwick, J., The Mycenaean World, Cambridge 1976
* Cook, J.M., The Troad: An Archeaological and Topographical Study, Oxford 1973
* Davies, J.K. & L. Foxhall (edd.), The Trojan War: Its Historicity and Context. Papers of the First Greenbank Colloquium, Liverpool 1981, Bristol 1981
* Drews, R., ˇArgos and Argives in the Iliad,˘ CPh 74, 1979, 111-35
* Finley, M.I. e.a., ˇThe Trojan War,˘ JHS 84, 1964, 1-20
* Friis Johannsen, K., The Iliad in Early Greek Art, Kopenhagen 1967
* Gedder, A.G., ˇWho˘s Who in Homeric Society?˘ CQ 34, 1984, 17-36
* Hample, F., ˇDie Ilias ist kein Geschichtsbuch,˘ Innsbr. Beitr. z. Kulturwiss. 7/8, 1961, 37-63
* Hope Simpson, R., Mycenean Greece, Park Ridge 1981
* Hope Simpson, R. & J.F. Lazenby, The Catalogue of Ships in Homer˘s Iliad, Oxford 1970
* Kirk, G.S., ˇObjective Dating Criteria in Homer,˘ MH 17, 1960, 189-205
* Matz, F. & H.-G. Buchholz (ed.), Archeologia Homerica. Die Denkmäler und das frühgriechische Epos, Göttingen 1967- [standaardwerk voor realia, helaas nogal ontoegankelijk en van wisselende kwaliteit; verschenen zijn fascikels:
o A Kleidung (S. Marinatos)
o B Haar- und Baarttracht (S.. Marinatos)
o C Schmuck (E. Bielefeld)
o D Würdezeichen (H.-G. Buchholz)
o E Kriegswesen (o.a. wapens; H.-G. Buchholz e.a.)
o F Fahren und reiten (J. Wiesner)
o G Seewesen (D.H.F. Gray)
o H Landwirtschaft, etc. (W. Richter & W. Schiering)
o I Jagd und Fischfang (I. Maul & H.-G. Buchholz)
o K Bergbau, etc. (R.J. Forbes)
o L Handwerk (F. Eckstein & H.G. Niemeier)
o M Handel (W.H. Gross)
o N Bildkunst, etc. (G. Hafner & K. Fittschen)
o O Griechische Baukunst in geom. Zeit (H. Drerup)
o P Hausrat (S. Laser e.a.)
o Q Küchenwesen und Mahlzeiten (G. Bruns)
o R Die Frau (G. Wickert)
o S Körperpflege und Heilkunst (W. Artelt)
o T Sport und Spiel (E. Homann-Wedeking)
o U Musik und Tanz (M. Wegner)
o V Götterkult (E. Townsend-Vermeule)
o W Totenkult (M. Andronikos)
o X Schrift (H.-G. Buchholz, A. Heubeck)]
* Lorimer, H.L., Homer and the Monuments, Oxford 1950
* Luce, J.V., Homer and the Homeric Age, London 1975
* Meyer, E., ˇGab es ein Troja?,˘ GB 4, 1974, 155-69
* Nilsson, M.P., Homer and Mycenae, London 1933 (repr. Philadelphia 1972)
* Nilsson, M.P., Geschichte der griechischen Religion, Bd. 1, München 31967
* Nilsson, M.P., Griechische Religion der archaischen und klassischen Epoche, Stuttgart 1977
* Page, D.L., History and the Homeric Iliad, Berkeley & Los Angeles 1959
* Platt, R., Der Streitwagen und seine Teile im frühen Griechischen, Erlangen 1994
* Qviller, B., ˇThe World of Odysseus Revisited,˘ SO 70, 1995, 241-61
* Ruijgh, C.J., Waar en wanneer Homerus leefde, Amsterdam 1996 (tekst afscheidscollege UvA 15-3-1996)
* Scheid-Tissinier, É., Les usages du don chez Homère: vocabulaire et pratiques, Nancy 1994
* Seymour, T.D., Life in the Homeric Age, New York 1907
* Trail, D.A., ˇSchliemann˘s Discovery of "Priam˘s Treasure": A Re-examination of the Evidence,˘ JHS 104, 1984, 96-115
* Webster, T.B.L., From Mycenae to Homer, London 1958 (New York 1964)
* Wood, M., In Search of the Trojan War, London 1985
* West, M.L., ˇThe Date of the Iliad,˘ MH 52, 1995, 203-19
Realia: detailstudies
* Casson, L., Ships and Seamanship in the Ancient World, Princeton 1971
* Delebecque, E., Le cheval dans l˘Iliade, Paris 1951
* Fellner, S., Die homerische Flora, Wien 1897
* Kurt, C., Seemännische Fachausdrücke in Homer, Göttingen 1979
* Matz, F. & H.-G. Buchholz (ed.), Archeologia Homerica. Die Denkmäler und das frühgriechische Epos, Göttingen 1967- [zie boven]
* Reichel, W., Homerische Waffen, Wien 21901
* Snodgrass, A.M., Early Greek Armour and Weapons from the End of the Bronze Age to 600 BC, Edinburgh 1964
ˇSozialgeschichte,˘ normen en waarden
* Adkins, A.W.H., Merit and Responsibility. A Study in Greek Values, Oxford 1960
* Adkins, A.W.H., ˇValues, Goals and Emotions in the Iliad,˘ CPh 77, 1982, 292-326
* Andreev, J.V., ˇDie homerische Gesellschaft,˘ Klio 70, 1988, 5-85
* Austin M., & P. Vidal-Naquet, Economies et sociétés en Grèce ancienne, 2e ed. Paris 1972
* Blundell, M.W., Helping Friends and Harming Enemies: A Study in Sophocles and Greek Ethics, Cambridge 1989
* Deger, S., Herrschaftsformen bei Homer, Wien 1967
* Donlan, W., ˇThe Unequal Exchange Between Glaucus and Diomedes in Light of the Homeric Gift-Economy,˘ Phoenix 43, 1989, 1-15
* Edwards, A.T., Achilles in the Odyssey: Ideologies of Heroism in the Homeric Epic, 1985
* Effe, B., ˇDer homerische Achilleus: Zur gesellschaftlichen Funktion eines literarischen Heldes,˘ Gymnasium 95, 1988, 1-16
* Finley, M.I., The World of Odysseus, New York 1954, second revised ed. London 1977
* Gagarin, M., ˇMorality in Homer,˘ CPh 82, 1987, 285-306
* Gates Jr, H.P., Kinship Terminology in Homeric Greek, diss. Princeton 1971
* Geddes, A.G., ˇWho˘s Who in Homeric Society,˘ CQ 34, 1984, 17-36
* Greenhalgh, P.A.L., ˇPatriotism in the Homeric World,˘ Historia 21, 1972, 538-37
* Griffin, J.G., Homer on Life and Death, Oxford 1980
* Gschnitzer, F., Griechische Sozialgeschichte: Von der mykenischen bis zum Ausgang der klassischen Zeit, Wiesbaden 1981, 10-47
* Karavites, P., Promise-Giving and Treaty-Making: Homer and the Near East, Leiden 1991
* Kirk, G.S., ˇWar and Warrior in the Homeric Poems,˘ in Problèmes de la guerre en Grèce ancienne, ed. J.-P. Vernant, Paris 1968, 93-117
* Latacz, J., Kampfparänese, Kampfdarstellung und Kampfwirklichkeit in der Ilias, bei Kallinos und Tyrtaios, München 1977
* Long, A.A, ˇMorals and Values in the Iliad,˘ JHS 90, 1970, 121-39
* Nagy, G., The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry, Baltimore & London 1979
* Qviller, B., ˇThe Dynamics of Homeric Society,˘ SO 56, 1981, 109-55
* Ramming, G., Die Dienerschaft in der Odyssee, Erlangen & Nürnberg 1973
* Rowe, C.J., ˇThe Nature of Homeric Morality,˘ in Approaches to Homer, edd. C.A. Rubino & C.W. Shemerdine, Austin 1983
* Snodgrass, A.M., ˇAn Historical Homeric Society?,˘ JHS 94, 1974)
* Stagakis, G., Studies in the Homeric Society, Wiesbaden 1975
* Wees, H. van, Status Warriors. War Violence and Society in Homer and History, Amsterdam 1992 [goed en zeer leesbaar; wie zich in wil lezen op dit onderwerp beginne hiermee] (rev. Patzek, Gn. 67 [1995] 97ff.)
* Wees, H. van, ˇThe Homeric Way of War: The Iliad and the Hoplite Phalanx,˘ G&R 41, 1994, 1-17 & 131-55
* Wickert-Micknat, G.W.-M., Unfreiheit im Zeitalter der homerischen Epen, Wiesbaden 1983
* Wulpert, P., Handeln und Ethik des Kriegers in der Ilias, Münster 1955
* Ulf, G., Die homerische Gesellschaft, München 1990 (rev. Nippel, GGA 247, 1995, 1-9)
XII. Tekstgeschiedenis, antieke kritiek
* Apthorpe, M.J., The Manuscript Evidence for Interpolation in Homer, Heidelberg 1980
* Bolling, G.M., The External Evidence for Interpolation in Homer, Oxford 1925
* Burkert, W., ˇThe Making of Homer in the Sixth Century BC: Rhapsodes versus Stesichorus,˘ in Papers on the Amasis Painter and his World, Malibu 1987
* Clarke, H., Homer˘s Readers: A Historical Introduction to the Iliad and the Odyssey, London & Toronto 1981
* Dyck, A.R., Epimerismi Homerici 1, Berlin 1983
* Haslam, M.W., ˇThe Homer Lexicon of Apollonius Sophista: I. Composition and Constituents; II. Identity and Transmission,˘ CPh 89, 1994, 1-45 & 107-19
* Janko, R., ˇThe Iliad and its Editors: Dictation and Redaction,˘ ClAnt. 9, 1990, 326-34
* Lamberton, R. & J.J. Keaney (edd.), Homer˘s Ancient Readers: the hermeneutics of Greek Epic˘s Earlies Exegetes, Princeton 1992 (rev. Brunet, REG 106 [1993] 262)
* LaRoche, J., Die homerische Textkritik im Altertum, Leipzig 1866
* Ludwich, A., Aristarchs homerische Textkritik nach den Fragmenten des Didymos, 2 voll., Leipzig 1884-5
* Maftei, M., Antike Diskussionen über die Episode von Glaukos und Diomedes im VI. Buch der Ilias, Meisenheim am Glan 1976
* Merkelbach, R., ˇDie pisistratische Redaktion der homerischen Gedichte,˘ RhM 95, 1952, 23-47
* Mühll, P. von der, Kritisches Hypomnema zur Ilias, Basel 1952
* Myres, J.L., Homer and his Critics, London 1958
* Nickau, K., Untersuchungen zur textkritischen Methode des Zenodotos von Ephesos, Berlin 1977
* Pack, R.A., The Greek and Latin Literary Texts from Greco-Roman Egypt, Ann Arbor 21965 [lijst Homeruspapyri]
* Rengakos, A., Der Homertext und die hellenistischen Dichter, Hermes Einzelschr. 64, Stuttgart 1993
* Rengakos, A., Apollonios Rhodios und die antike Homererklärung, Zetemata 92, München 1994
* Römer, A., Aristarchs Athetesen, Leipzig 1912
* Schmidt, M., Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den bT-Scholien zur Ilias, München 1975
* Slater, W.J., Aristophanis Byzanti Fragmenta, Berlin 1986
* Thiel, H. van, ˇZenodot, Aristarch und andere,˘ ZPE 90, 1992, 1—32
* Valk, M. van der, Researches on the Text and Scholia of the Iliad, 2 vols., Leiden 1963/64
* Valk, M. van der, Textual Criticism of the Odyssey, Leiden 1949
* West, S., The Ptolemaic Papyri of Homer, Köln 1967
* Wolff, F.A., Prolegomena ad Homerum…, Halle 1795 (herdrukt; Engelse vert. A. Grafton, Princeton 1985)
XIII. Versvorm
* Sicking, C.M.J., Griechische Verslehre, München 1993
* Raalte, M. van, Rhythm and Metre: Towards a Systematic Description of Greek Stychic Verse, Assen 1986
* Bakker, E.J., ˇLong Diphthongs and Hiatus in Early Greek Epic: Phonology and the Role of Epic Diction,˘ Mnemosyne 40, 1988)
* Beekes, R.S.P., ˇOn the Structure of the Greek Hexameter: "O˘Neill" Interpreted,˘ Glotta 50, 1972, 1-10
* Clark, M., ˇEnjambment and Binding in the Homeric Hexameter,˘ Phoenix 48, 1994, 95—114
* Haget, S., ˇZu den Konstituenten de epischen Hexameters,˘ WS 107/8, 1994/5, I.77-108
* Higbie, C., Enjambment and Sentence Structure in the Iliad, Oxford 1990 (rev. CR 44, 1994, 5-6)
* Ingalls, W.B., ˇThe Structure of the Homeric Hexameter. A Review,˘ Phoenix 24, 1970, 1-12
* Kirk, G.S., The Structure of the Homeric Hexameter,˘ YCS 20, 1966, 153-74 (herdrukt in id., Homer and the Oral Tradition)
* Meillet, A., Les origines indo-européennes des mètres grecs, 1923, 57vv
* O˘Neill, E.G., ˇThe Localization of Metrical Word-Types in the Greek Hexameter: Homer, Hesiod and the Alexandrians,˘ YCS 8, 1942, 105ff
* Packard, D.W., ˇMetrical and Grammatical Patterns in the Greek Hexameter,˘ in Jones & Churchhouse (edd.), The Computer in Literary and Linguistic Studies, Cardiff 1976
* Porter, H.N., ˇThe Early Greek Hexameter,˘ YCS 12, 1951, 1-63
* Wefelmeier, C., ˇAnmerkungen zum Rhythmus des homerischen Verses,˘ Hermes 122, 1994, 1-12
* Werner, R., h und ei vor Vokal bei Homer, Freiburg 1948
* West, M., Greek Metre, Oxford 1983
* Wyatt Jr, W.F., Metrical Lengthening in Homer, Roma 1969
XIV. Epos vóór Homerus
* Beekes, R.S.P., ˇOn the Structure of the Greek Hexameter: "O˘Neill" Interpreted,˘ Glotta 50, 1972, 1-10
* Hoekstra, A.H., Epic Verse before Homer: Three Studies, Amsterdam 1981
* Schmitt, R., Dichtung und Dichtersprache in indogermanischer Zeit, 1967
* Schmitt, R. (ed.), Indogermanische Dichtersprache, WdF 165, Darmstadt 1968
* West, M., ˇGreek Poetry, 2000-700 BC,˘ CQ 23, 1973, 179-92
XV. Literatuur m.b.t. begin Ilias
* Armstrong, J.I., ˇA Note on the Prooemium of the Iliad, CW 87, 1992-3, 61-2
* Allen, T.W., The Homeric Catalogue of Ships, Oxford 1921
* Bassett, S.E., ˇThe proems of the Iliad and the Odyssey,˘ AJPh 44, 1923, 339-48
* Bergold, W.B., Der Zweikampf des Paris und Menelaos, Bonn 1977
* Bornemann, E., ˇZum 2. Buch der Ilias,˘ Die Alten Sprachen im Unterricht 6, 1941, 8-14
* Burr, V., Ne´n katãlogow: Untersuchungen zum Homerischen Schiffskatalog, Leipzig 1944
* Dickson, K., ˇKalchas and Nestor: Two Narrative Strategies in Iliad 1,˘ Arethusa 25, 1992, 327-58
* Ebert, J., ˇDie Gestalt des Thersites in der Ilias,˘ Philologus 113, 1969, 159-75
* Edwards, M.W., ˇConvention and Individuality in Iliad I,˘ HSCPh 84, 1984, 1-28
* Focke, F., ˇZum I der Ilias,˘ Hermes 82, 1954, 257-87
* Groningen, B.A. van, The Proems of the Iliad and the Odyssey, Meded. KNAW 9,8, 1946
* Heubeck, A., ˇHomerica I: Zur Stellung des Schiffskatalogs (B 484-779) in der Ilias,˘ Gymn. 56, 1949, 242-8
* Jachmann, G., Der homerische Schiffskatalog und die Ilias, Köln 1958
* Jacoby, F., ˇDie Einschaltung des Schiffskatalogs in der Ilias,˘ Sitzungsber. Akad. Wiss. Berlin 1932, 572-617
* Katzung, P.G., Die Diapeira in der Iliashandlung: Der Gesang von der Umstimmung des Griechenheeres, Diss. Frankfurt am Main 1960
* Köchly, H., De Iliadis B1-483 disputatio, Zürich 1850 (= Philol. Schriften I)
* Kuch, H., ˇThetis und die Fesselung des Zeus, RhM 136, 1993, 203-9
* Kullmann, W., ˇEin vorhomerisches Motiv im Iliasproömium,˘ Philologus 99, 1955, 167-92
* Kullmann, W., ˇDie Probe des Achaierheeres in der Ilias,˘ MH 12, 1955, 253-73
* Kullmann, W., ˇZur DIOS BOULH des Iliasproömiums,˘ Philologus 100, 1956, 132-3
* Lämmli, F., ˇIlias B: Meuterei oder Versuchung?,˘ MH 5, 1948, 83-95
* Latacz, J., ˇZeus˘ Reise zu den Äthiopen (zu Ilias 1, 304-495),˘ in Gnomosyne: Festschrift W. Marg, München 1981 (= WdF 634, 515vv.)
* MacLachlan, B., ˇFeasting with the Ethiopians: Life on the Fringe,˘ QUCC 40, 1992, 15-34
* Mühll, P. von der, ˇDie Diapeira im B der Ilias,˘ MH 3, 1946, 197-209
* Postlethwaite, N., ˇThersites in the Iliad,˘ G&R 35, 1988, 123-36
* Rabel, R.T., ˇChryses and the Opening of the Iliad,˘ AJPh 109, 1988, 473-8
* Red?eld, J.M., ˇThe Proem of the Iliad: Hoemr˘s Art,˘ CPh 74, 1979, 95-110
* Robbins, E., ˇAchilles to Thetis: Iliad I.365-412,˘ EMC 34, 1990, 1-15
* Robbins, E., ˇThe Education of Achilles,˘ QUCC 45, 1993, 7-20
* Rose, P.W., ˇThersites and the Plural Voices of Homer,˘ Arethusa 21, 1988, 5-25
* Schmid, W., ˇDer homerische Schiffskatalog und seine Bedeutung für die Datierung der Ilias,˘ Philologus 80, 1925, 67-88
* Scodel, R., ˇThe Word of Achilles,˘ CPh 84, 1989, 91-9
* Slatkin, L.M., The Power of Thetis: Allusion and Interpretation in the Iliad, Berkeley 1991
* Taplin, O., ˇAgamemnon˘s Role in the Iliad,˘ in C.Pelling (ed.), Characterization and Individuality in Greek Literature, Oxford 1990, 60-82
* Wyatt Jr, W.F., ˇHomer in Performance: Iliad I.348-427,˘ CJ 83, 1988, 289-97
XVI. Recente literatuur over de Odyssee
* Schein, S.L. (ed.), Reading the Odyssey, Princeton 1995 (rev. Demont, REG 109, 1996, 304-5)
* Schwinge, E.-R., Die Odyssee — nach den Odysseen: Betrachtungen zu ihrer individuellen Physiognomie, Göttingen 1993
* Segal, C., Singers, Heroes and Gods in the Odyssey, Ithaca & London 1994 (rev. de Jong, Lampas 27, 1994, 378-91; Voelke, MH 52, 1995, 231; Edwards CPh 91, 1996, 74-7)
* Rutherford, R.B., ˇFrom the Iliad to the Odyssey,˘ BICS 38, 1991-3, 37-54
* Saussy, H., ˇWriting in the Odyssey: Eurykleia, Parry, Jousse, and the Opening of a Letter from Homer,˘ Arethusa 29, 1996, 299-338
* Cohen, B. (ed.), The Distaff Side: Representing the Female in Homer˘s Odyssey, New York 1995
* Qviller, B., ˇThe World of Odysseus Revisited,˘ SO 70, 1995, 241-61
* Jong, I.J.F. de, ˇDe literaire interpretatie van de Odyssee: enkel recente publikaties,˘ Lampas 27, 1994, 378-91
* Pucci, P., The Song of the Sirens and other Essays, 1996
* Helleman, W., ˇHomer˘s Penelope: A Tale of Feminine Arete,˘ EMC 39, 1995, 227-50
* Hoffer, S.E., ˇTelemachus˘ "Laugh" (Odyssey 21.105): Deceit, Authority, and Communication in the Bow Contest,˘ AJPh 116, 1995, 515-31
* Doherty, L.E., Siren songs: Gender, Audiences, and Narrators in the Odyssey, Ann Arbor 1996 (rev. R. Scodel, BMCR 11.7.1996)
* Olson, S.D., Blood and Iron: Stories and Storytelling in Homer˘s Odyssey, Leiden 1995 (rev. Hummel, RPh 69, 1995, 194-5)
* Finkelberg, M., ˇOdysseus and the Genus hero,˘ G&R 42, 1995, 38-48
* Peradotto, J., Man in the Middle Voice: Name and Narration in the Odyssey, Princeton 1990 (rev. Demont, REG 109, 1996, 303-4
* Pedrick, V., ˇThe Muse Corrects: The Opening of the Odyssey,˘ YCS 29, 1992, 39-62
* Sullivan, S. Darcus, ˇDisturbances of the Mind and Heart in Early Greek Poetry,˘ AC 65, 1996, 31-51
* Sullivan, S. Darcus, ˇ"Self" and Psychis Entities in Early Greek Epic,˘ Eos 82, 1994, 5-16
* Sullivan, S. Darcus, ˇThe relation of Person and Thumos in the Greek Lyric Poets (excluding Pindar and Bacchylides),˘ SIFC 12, 1994, 12-26, 149-74
* Sullivan, S. Darcus, ˇThe Role of Kèr in Homer and the Homeric Hymns,˘ Euphrosyne 24, 1996, 9-31
* Sullivan, S. Darcus, ˇWhat˘s There in a Heart? Kradiè in Homer and the Homeric Hymns,˘ Euphrosyne 23, 1995, 9-25
